Artist’s impression of Merevale Abbey, North Warwickshire
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After a comment by David, about suns in splendour and white roses in the window glass above (see his comment here ) I decided to investigate more about the window at Merevale Abbey.
There is, of course, a boar in the window glass at Merevale. Well, more a pig than a boar, and it’s brown and doesn’t seem in the least like Richard III’s white boar. So I think I can confine myself here to the image which started this article.
My investigations unearthed a few things about Merevale I did not know before. For instance at https://henrytudorsociety.com/category/tudor-locations/, from which I have taken the following:
“…It is possible that it was at Merevale that Henry Tudor fatefully met with his stepfather Thomas Stanley. The Stanleys’ intervention the following day on the side of Tudor rather than Richard III is often seen as the decisive moment of the battle. Was a plan hatched by the men whilst they were in the abbey grounds? A later observer remarked ‘it was a goodly sight to see the meeting of them’ whilst Tudor’s biographer Polydore Vergil would later write that Tudor and Stanley took each other by the hand ‘and yielding mutual salutation’ entered into ‘counsel in what sort to arraigne battle with King Richard’.
“Later evidence has been used to support the theory that Henry’s army stayed at Merevale Abbey. As king Henry issued a warrant reimbursing the abbey with 100 marks having ‘sustained great hurts, charges and losses, by occasion of the great repair and resort that our people coming towards our late field made, as well unto the house of Merevale aforesaid as in going over his ground, to the destruction of his corns and pastures’. Payments were also made to other settlements in the region, including £24 20s 4d to Atherstone, £20 to Fenny Drayton and £13 to Witherley amongst other townships.
“Furthermore in September 1503 the king returned to Merevale whilst on progress and visited the abbey. He commemorated his great victory by sanctioning a new stained glass window depicting his favoured saint, Armel. The decision to use a saint that was very personal to him as opposed to a national symbol like George suggests Henry felt a deep connection with Merevale and wanted to convey his appreciation for the role the abbey played in his victory. The small figure of Armel can still be viewed in the South Aisle of the Gate Chapel, a rare depiction of this saint in England. Another place the saint can be viewed is in the Lady Chapel at Westminster Abbey where a statue of Armel is located close to the magnificent tomb of the king. On 30 October 1511 Henry Tudor’s son and successor Henry VIII paid a visit to the abbey with his wife Queen Katherine of Aragon…”
If the above is true, what a pair of snakes met up at Merevale on the eve of Bosworth! I can almost hear them slithering and hissing toward each other.
There is more about the abbey itself at https://henrytudorsociety.com/2015/08/20/merevale-abbey/ and http://www.richardiiiworcs.co.uk/atherstonethumbnails.html
Incidentally, I’m sure Henry VII would have been shocked to know what would happen to the abbey—indeed all abbeys—during the preposterous reign of his son, Henry VIII.
Anyway, this started off as a look at St Armel’s mitre in the Merevale window. I have not seen it myself, so resorted to Google. Sure enough there is a white rose, but not a sun in splendour. It is a rose en soleil, a rose in the sun. This was most certainly a widely known Yorkist badge. It seems a little strange that Henry VII would have wanted it displayed so prominently on his saint’s mitre. Except, of course, that it might have acknowledged the saint’s gift, to Henry, of not only Richard III’s stolen crown, but also Richard’s eldest niece, Elizabeth of York. Both prizes were tucked neatly under the Tudor belt. It was no justice.
The following are examples of the Yorkist rose en soleil:-
I haven’t yet found a Tudor rose in splendour, but no doubt there is one somewhere. Perhaps they’ve all withered. That would be justice!