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MARY PLANTAGENET – DAUGHTER OF EDWARD IV & ELIZABETH WYDEVILLE – A LIFE CUT SHORT

Reblogged from Sparkypus.com: A Medieval Potpourri 

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Mary of York  Royal Window, Northwest Transept, Canterbury Cathedral

Mary Plantagenet or Mary of York was the second daughter of King Edward IV and Elizabeth Wydville.  She was born at Windsor Castle in August 1467 and died at her mother’s favourite palace of Greenwich 23 May 1482 aged just 14 years.   Strangely enough another royal child, even younger than Mary, Anne Mowbray Duchess of Norfolk, her sister in law –  being  the child bride of her brother Richard of Shrewsbury – had also died at Greenwich just six months earlier  on 9th November 1481.  Even at a time when child mortality was high it must have been heart rending to have 2 deaths so close together for the royal household and by horrible coincidence in the same royal apartments.     Elizabeth Wydeville’s  whereabouts at that time are unknown so its impossible to say if she was at Greenwich at the time of Mary’s death although  it is known that her father had visited Canterbury on the 17th  May and was back  in London on the 23rd and thus it is possible he may, perhaps  accompanied by the queen,  have seen his daughter as she lay dying (1).

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A print by an unknown artist now in the National Maritime Museum, Greenwich depicting the Palace c 1487.

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A view of Greenwich Palace from a print published by the Society of Antiquaries 1767

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The Royal Window, Canterbury Cathedral.  Elizabeth Wydeville and her daughters.  Mary is shown as the last figure on the right hand side.  

The cause of death of neither of the girls is known.   While Anne’s body had been taken by barge to her burial place in Westminster Abbey Mary’s was taken by stages to St Georges Chapel,  Windsor, where she was interred next to her 2 year old brother George who had died in March 1479 possibly of the plague.     Several Wydeville ladies were  among the mourners including Jane, Lady Grey of Ruthin, sister to the queen and Jacquetta, another sister’s daughter,  Joan Lady Strange, wife of George Stanley.   Another niece, Lady ‘Dame’ Katherine Grey, possibly the daughter of Jane Wydeville was also present.  Dinner for the funeral group was at the palace after which Mary’s body was taken from Greenwich parish church where it had been taken and begun its last sad journey to Windsor (2).

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Over time the exact location of the graves became forgotten and lost but in 1810 during the course of building work their coffins were discovered in the area known then as  Wolsey’s Chapel and now as the Albert Memorial Chapel.   These were easily identifiable because George’s lead coffin was inscribed with   “serenissimus princeps Georgius filius tercius Christianissimi principis Edvardi iiij” and it was known that Mary had been laid to rest alongside her little brother – her funeral accounts tell us that she was “buried by my Lorde George, her brother”.   When Mary’s coffin was examined she was found wrapped in numerous folds of strong cerecloth (waxed cloth used for wrapping a corpse) closely packed with cords ( 3)

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Mary and George were then reburied in the small vault  close to  their father’s.   Their mother’s remains, a  skull and pile of bones found  lying on top of Edward’s coffin along with the remains of her cheap wooden coffin had  disappeared between the time of Edward’s vault being discovered and resealed in 1789 (4).    Edward’s remains had  been thoroughly poked about and  no doubt Elizabeth’s were appropriated by the dreaded Georgian souvenir collector along with numerous locks of Edward’s hair.      A slab was already in place with their names on it as mistakenly it was believed they had already been buried close to  their father  in the small vault adjoining his.

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St George’s Chapel, Windsor. Yorkist Mauseoleum photo @Roger Simon

Its not surprising that little is known about Mary of York a child of 14  who was hardly here ere she was gone.    She was mentioned along with her sister Elizabeth in the will her father made prior to leaving for France in 1475 – ‘Item we wil that oure doughtre Elizabeth have x ml marc towards her marriage and that oure doughtre Marie have also to her mariage  x ml marc , soo that they bee gouverned and rieuled in thair mariages by oure derrest wiff the Quene and by oure said son the Prince if God fortune him to comme to age of discrecion’ but ‘if either of oure said doughtres doo marie thaim silf without such advys and assent soo as they bee therby disparaged, as God forbede, that then she soo marieing her silf have noo paiement of her said x ml marc, but that it bee emploied by oure Executours towards the hasty paiement of oure debtes and restitucions as is expressed in this oure last Will’ (5).   Ah man makes plans while the gods laugh as they say for we all know how differently things panned out.  However its rather gratifying to know, at a time when so many ancient and royal remains have been lost that at least Edward has two of his children with him.

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Mary of York ‘Royal Window’ Canterbury Cathedral

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If you enjoyed this post you might be interested in my post on Mary’s parents at

https://sparkypus.com/2020/07/01/bermondsey-abbey-and-elizabeth-wydevilles-retirement-there/ 

https://sparkypus.com/2020/06/08/elizabeth-wydeville-serial-killer/

https://sparkypus.com/2020/05/27/the-mysterious-death-of-edward-iv/

https://sparkypus.com/2020/07/09/margaret-gaynesford-gentlewoman-to-elizabeth-wydeville/

  1. The Royal Funerals of the House of York at Windsor p58 Anne E Sutton & Livia Visser-Fuchs
  2. Ibid p60
  3. D. & S. Lysons, Magna Britannia, vol. I, pt. I, Berkshire (reprint of an 1806 publication), p. 471
  4. Elizabeth had requested a modest funeral and that is exactly what she got.  Even the herald reporting on the funeral was shocked   The Royal Funerals of the House of York at Windsor p68 Anne E Sutton & Livia Visser-Fuchs
  5. Excerpta Historica : Illustrations of English History p369 edited Samuel Bentley

A Medieval Almshouse–with a Hidden Treasure

Sherborne is a pretty little town with a ruined castle, interesting buildings including, an abbey, and a medieval almshouse. All are well worth a visit but the 15th century almshouse is of particular note as it is still in use in its original function. As the buildings are  residential, the Almshouse is not generally open to the public but the chapel  and adjacent room can be viewed on certain summer afternoons for a small fee (although due to the current pandemic it may be a long time before it opens to the public  again.)

The Almshouse first began as a House of Mercy in 1406, but what we see today is  from the New Foundation of 1437, where a house was built to Saint John the Baptist and Saint John the Evangelist. A licence was obtained from King Henry VI with the assistance of Robert Neville, Bishop  of Salisbury (a brother of Cecily Neville, mother to Edward IV and Richard III.) Robert owned the manor of Sherborne at the time, hence his  interest in the charitable project.

The licence granted by Henry gave the House the rights to hold the property, and permission for the use of a seal for an almshouse containing ‘poor, feeble and impotent’ men and women. To assist these aged tenants‘ needs was chaplain and a housewife‘ were obtained. A prior was appointed from the  residents too oversee the running of the house. The cleaning lady was paid  quarterly and got a new gown and hood thrown into the bargain every year. The tenants themselves received white, woolen, hooded gowns and food to the cost of ten shillings served twice a day–‘reasonable drinking’ was also permitted in the evenings! If times were hard, however, the residents were initially allowed to beg out in the town streets, although later this practice was forbidden.

A facsimile of the Almshouse  licence  hangs on a  wall inside the inside the building. Written in English, it is sealed by Robert Neville, Humphrey Strafford of Hooke, and others donors who gave sumptuous gifts, including a local lady called Margaret Goffe who gifted the Julian Inn. Below the facsimile lies the house’s original money coffer with its five sturdy locks–all five key-holders had to gather in order to open the chest, so there was no chance of anyone with light fingers dipping into the community’s funds!

During the Reformation, the little house‘s existence was threatened since it  was deemed  a place  used for ‘superstitious’ rites. However, in the end it was not destroyed or sold off due to it being a charity run by lay persons.

 What is particularly interesting about the Almshouse is its ‘little secret’, hidden from the later Tudor era right down to modern times. Secreted  away in one of the rooms was a stunning medieval triptych painting crafted in around 1480. Due to having been folded up and kept in a dark place, it has retained its medieval colours in full glorious vibrancy. Lazarus  rises from the dead; a sinister Satan is cast out of a dumb man; the son of the widow of Nain and the daughter of Jairus rise again, and Bartimaeus is healed of his ills.

The Triptych  is now restored to a position of prominence in the little chapel, overlooking by 15thc stained glass depicting the Virgin and Child, John the Baptist and John the Evangelist.

The church of St Martin-cum-Gregory

IMG_20191126_122508If you go to York and enter Micklegate Bar heading towards the City Centre, you will see a wonderful medieval gem on your right, the church of St Martin-cum-Gregory, of which Richard III was patron (below left). Its name is due to the fact that the present church is the result of two different churches’ fusion, St Martin and St Gregory. In the Middle Ages, York was a city with many churches but, at some point, especially after the Great Plague, the population was slashed and, as a consequence, many of them became redundant; St Gregory on Burton Lane was one of them. In addition to the reduction of the population, after the Reformation, St Martin was scheduled for closure but in 1585 it was decided to knock down St Gregory and to merge the two parishes. The nave of St Martin-cum-Gregory church was built in the 13th century while the side aisles were possibly added at the beginning of the 14th century, the chancel in the 15th century.IMG_20191126_123143

In 1565, the Lord Mayor had given 100 marks to buy three bells. The original steeple had to be removed as it was dangerous and it was rebuilt in 1677. Three years later, a clock and a dial were added. Due to the fact that the tower was made of bricks, the result is a strange combination of different styles. The upper part of the tower was added in the 19th century.

In 1828, the church-wardens and parishioners requested that the butter market, built for the second time in 1778, (the first one dating back to medieval times, had been blown away) be demolished and (sadly) this request was granted. The excuse was that for years no butter had been there and that the place had become an assembly point for riotous people. It had been used to view, search, measure, mark and seal the butter, that afterwards was sold elsewhere, even in London. The market was held every Tuesday, Thursday and Saturday, a place that today we would have greatly appreciated visiting.IMG_20191126_123138

St Martin-cum-Gregory is famous for its wonderful medieval stained glass and it is surrounded by a graveyard. The roof in the nave was panelled with beautiful sculptured bosses located at the angles of the intersections. In the west end of the steeple it is possible to see the remnants of a Roman family funereal monument.

Recently, the church, belonging to the parish of Micklegate along with Holy Trinity of Micklegate (to distinguish it from Holy Trinity in Goodramgate and the Methodist Church in Monk Gate) and the other parish church of St Mary Bishophill Junior, became surplus to needs and were closed.

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In 2008, due to the beauty of its stained glass, it was reopened as the Stained Glass Centre. Many workshops take place there in summer and currently there is a plan to open the church to the public so it can be visited and appreciated again all the year round. This plan was set up in the hope of giving Micklegate the role it had had before, that of being one of the most interesting and visited areas in York.

 

SARUM LIGHTS–A COMMEMORATION

2020 is the 800th Anniversary of the founding of Salisbury Cathedral. Before ‘New Salisbury’ came into existence, the town stood on the windy cone of Old Sarum, a huge iron-age hillfort with massive earthen ramparts. There was a particularly forbidding Norman castle on the height, with a windswept bridge over a deep moat–here, Henry II kept his wife Eleanor of Aquitaine imprisoned for some sixteen years,  served by a single loyal lady-in-waiting. The old town also had a cathedral, begun somewhere after 1075. It was rather an ill-fated building, however, being severely damaged in a storm just five days after consecration.  Sometime in the late 12th century, it was decided to move the cathedral from the height due to the lack of water. The cathedral was dismantled and much of the stonework taken down to the new site near the river, where the town of Salisbury as we know it would grow around it. The first stones of the English-style Gothic building were laid in 1220, in the reign of Henry III, with foundation stones being laid by, among other notables, the King’s half-uncle, William Longespee and his wife Ela, Countess of Salisbury, a remarkable woman who later became Sheriff of Wiltshire.

To commemorate the founding of Salisbury cathedral, a light show recently took place within the great building  with projections of  charters, drawings, stained glass, saints and rulers who played a part in Salisbury’s history. On the bleak ruins of Old Sarum, beams of light were shot high into the night sky so that they were visible from Salisbury town centre.

There are many interesting monuments inside the cathedral, including that of founder William Longespee (who was thought to have been poisoned–and a RAT found in his skull when his tomb was opened was full of arsenic!), Sir John Cheney, the 6ft 6 giant who was unhorsed by Richard III at Bosworth, and possibly Lionel Woodville, who was Bishop there until Buckingham’s rebellion, when he fled to Brittany hearing of  Buckingham’s failure. Salisbury also has one of the copies of Magna Carta and the tallest spire in England. The building of the cathedral was fictionalised in the best-selling novel ‘PILLARS OF THE EARTH’ by Ken Follett, which recently was made into a TV series.

 

SARUM LIGHTS VIDEO

RICHARD III’s HORSES..

UPDATED POST AT sparkypus.com A Medieval Potpourri https://wordpress.com/post/sparkypus.com/645

IMG_5875.jpgStained glass depiction of King Richard and his legendary horse, White Surrey.

As we now know sadly, Richard, did not own a horse called  White Surrey or, as he has sometimes been called, White Syrie  (1).  But  Richard did own horses aplenty and we are fortunate lists of these horses have survived – see below (2).  What I know of horses you could put on a postage stamp but the late John Ashdown-Hill explains in his book The Mythology of Richard III’  that liard or lyard are grey horses which could be described as white.  So therefore it can clearly be seen that Richard did have grey horses which could appear white.  If one of these horses was not called White Syrie…well..he should have been!   John goes on to explain it was once believed ‘that a horse called White Syrie was actually listed in a 15th century manuscript’  – see below  – ‘however this proved to be a misreading.  There is therefore no 15th century surviving evidence of the name of the horse that Richard rode in his last battle (3)’

THE NAMES OF HORSE BEING AT GRISSE IN HAVERING PARC

First Liard – trotting

Liard Clervax of Croft  – ambling

The Whit – ambling

Baiard Babingtone – ambling

Liard Strangwisse – Ambling

Baiard Rither – Ambling

Liard Cultone – trotting

The litille Whit of Knaresburghe  – ambling

My ladies grey gelding (name unknown) – Ambling

Liard Carlile – trotting

Liard Norffolk – Ambling

THE NAMES OF HORSES BEING AT GRISSE IN HOLDERNESSE

Liard Mountfort – ambling

Powisse Tomlynsone

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THE NAMES OF HORSES BEING AT HARDMET AT NOTTINGHAM 

Liard Danby – Ambling

Liard hoton – Ambling

The gret grey that came from Gervaux -ambling

Baiard Culton – trotting

Blak Morelle – Trotting

The Whit of Gervaux  – Ambling for my lady

The Walssh (hoby) nag – for my lady ambling

Jak

Liard Bradshare – ambling

The gret Bay Gelding of Gervaux  ……. (John Ashdown-Hill suggests this horse is a candidate for the  very horse  Richard rode into battle being stabled at Hardmet (Harmet) in Nottingham)

Lyard Say

Beyard Chambreleyne

The Blak of Holderness – trotting

Beyard Chamberlain

Liard Bowes

Alas no White Surrey or Whyte Syrie …it’s a great shame that the name of Richard’s horse t he rode into battle that day is lost to us  for,  without a doubt,   he would have been magnificent and as such surely deserves recognition.

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Armour for man and horse circa 1480.  Wallace Collection..

 

 

 

1.White Surrey Peter W Hammond.  Article in Richard III Crown and People p285

2. British Library Harelean  Manuscript p.4.5 Vol 1. Ed by Horrox and Hammond.

3. The Mythology of Richard III p117.118 John Ashdown-Hill.

The mysterious stained glass of Giggleswick

Giggleswick Church

Very few people know that there is a mystery surrounding the church of St Alkelda in Giggleswick. The whole matter started with a parish fair.  People from the two churches dedicated to St Alkelda, one in Middleham {pingback to March 28} and one in Giggleswick, were looking for items to sell at the fair in a Parish room. The room was a private house the church had acquired in 1932 and it was linked to the vicarage until the early Sixties. During the search, these parishioners came across a pile of old newspapers and they were attracted by something at the bottom. It was a beautiful stained glass that showed a woman being strangled with her feet in water. Everything matched with the description of St Alkelda’s martyrdom.

Giggleswick Church

Immediately after the discovery, the finders contacted the former vicar’s relatives with memories back till 1955 but they could remember nothing. Many questions arose: who was the artist who had made it? When and above all why the panel was never used? Some think that possibly it was considered extremely Catholic and this was perhaps due to the influence of a local historian, Thomas Braynshaw.

The reason the saint is showed with her feet in water, is because her name is the result of an Old English-Norse word haelikeld that is “holy well”. Possibly, she was associated with the wells that are located close to the churches both in Giggleswick and Middleham but her name was very likely to be a different one. The possibility that St Alkelda was a real person is very strong as in 1818, thanks to a refurbishment of the church in Middleham, a stone coffin was found with the skeleton of a woman inside and in the place where tradition refers the saint was buried.

As the stained glass panel was found, the members of the parish decided to clean it and try to get more information about it. During the cleaning, it was noticed that the blue and the red pieces of glass were thicker than the others.  This could mean that those pieces were made with a different technique possibly medieval coming from another glass depicting St Alkelda or a different subject. What is sure is that in A History of the Ancient Parish of Giggleswick by Brayshaw, a stained glass with many blue pieces was recorded in 1620 so it is likely that the glass was destroyed during the Commonwealth period. In 1890, a photograph shows that the stained glass reported in Braynshaw’s book had been replaced by a plain one. It is a possibility that the old pieces were inserted by the unknown artist in the new glass.

In order to have a more reliable opinion, in 2017, the glass was taken to York Minster’s glaziers. They affirmed that the glass panel was a modern one and that the thick pieces were a sort of imitation of a medieval technique but they were not able to give a definitive answer though. All this makes the glass unique and interesting. However, a question come to mind: why inserting just some pieces made imitating a medieval technique and not making the whole panel using it? It is more plausible that the unknown artist, found or was given the pieces and he had the idea to insert them in his own panel creating a very original artefact.

As regards the name of the saint, we personally have an idea still not supported by evidence. Why dedicating two churches that are very close one to another to both the Virgin Mary and a local saint? Why not just St Alkelda? What if the saint’s name was Mary and the original name of Middleham or Giggleswick church was St Mary of the Holy Well referring to the martyr who baptised converted people using the water of the wells? If her name was Mary, it was easy to mismatch her with the mother of Jesus so this could be the explanation for the adding “of the Holy Well”. At the moment this theory is just our own speculation about this topic.

The good news is that In May 2019 the panel will be allocated in Giggleswick church with a great ceremony. This will be a good occasion to visit both Giggleswick and Middleham, the only two places in the world celebrating St Alkelda but the mystery continues. Giggleswick is also famous for the school, attended by Richard Whiteley and at which Russell Harty taught, did he not?

Edward of Middleham: the prince of Richard III

 

Edward in the stained glass at St Mary and St Akelda in Middleham

Edward of York, better known as Edward of Middleham, was the only legitimate son of King Richard III and his Queen, Anne Neville.

Edward was thought to have been born in Middleham Castle in December 1473, but this date is not certain. The historian Charles Ross wrote that this date “lacks authority” and was of the opinion that Edward was probably born in 1476. A document in which the Duke of Clarence thought that the marriage between his brother and Anne was invalid confirms that the child was not born at least until 1474. The Tewkesbury Chronicle estimates that he was born in 1476 so when he died he was probably 7 and not 10, as many think. No doubt he was already born on 10th April 1477 as priests of York Minster were asked to pray for King Edward’s family including his brother Richard and his family (wife and son).

For almost everyone he is Edward of Middleham, as he was probably born in the Nursery Tower of Middleham, today known as the Prince’s Tower in the west wing of the castle and it is thought he died there too. He grew up in Middleham with a wet nurse called Isabel Burgh and a governess, Anne Idley, married to one of Richard’s favourite courtiers.

During his short life, Edward was given several titles. On 15th February 1478 Earl of Salisbury, on 26th June 1483 Duke of Cornwall, on 19th July Lord Lieutenant of Ireland and above all on 24th August 1483 he was named Earl of Chester and Prince of Wales. He received this last title in York with his father himself performing the ritual. The solemn ceremony was held in the Archbishop’s Palace and was followed by four hours of banqueting. Edward walked along the streets of York to the delight of people.

It has always been said that Edward was not a healthy child. It seems that he was so sick that he went to York in a litter and not riding a horse as he was meant to do and he couldn’t even be present at his parents’ Coronation. Because of this, probably Richard decided to organise this solemn ceremony in York where the child was named Prince of Wales.

Edward was the only legitimate child of Richard but he had at least one half-brother and a half-sister. As it is likely that these two children grew up in Yorkshire, it is possible that Edward didn’t feel lonely as a child.

Unfortunately, we have no official portrait of Edward apart from a few drawings and stained glasses. The most famous is in St Mary and St Alkelda Church in Middleham, where he appears dressed as the Prince of Wales along with his father and mother. His physical appearance is not clear as he is different in the images we have of him. It is likely he was a fair haired child with blue eyes and a lean body shape.

As Prince of Wales, Edward was expected to be king after the death of his father but fate had decided otherwise for both of them. In April 1484, Richard and Anne were at the castle of Nottingham to enjoy a respite from their royal progress, when the news of Edward’s death arrived. The reactions of the poor parents is described in the Croyland Chronicles as they were almost bordering upon madness. This means that the death was sudden and unexpected and this explains the fact that they had left him in Middleham, as they didn’t suspect an imminent death.

 

The cause of death is not sure, it seems he suffered with tuberculosis but a sudden death is not typical of this illness. So possibly the cause was something completely different and it is very unlikely we will ever know.

A mystery surrounds the burial of Edward. Many think he was buried in Sheriff Hutton in a tomb of alabaster representing a child. Some investigations have proved the tomb is empty so there is a theory that the child was possibly buried somewhere in the church, along with the mortal remains of the Neville family’s members. Due to its age, it is not possible to see any inscriptions and it is very likely the tomb dates from much earlier than 1484. The theories around the actual location of Edward’s tomb are many and varied. Some people think it could be in Coverham, others in Jervaulx Abbey where, as a child, Edward rode horses with his father, others even it is in York. Some are of the opinion that any place he might be was a provisional resting place. At that time re-burials were very common so it was not impossible that Richard had in mind a different location but, as protecting his son’s body from being desecrated or displayed was apparently Richard’s desire, we can just hope nobody will ever disturb Edward’s eternal peace.

JOHN HOWARD, DUKE OF NORFOLK – HIS WEDDING GIFTS…

UPDATED POST AT sparkypus.com A Medieval Potpourri https://sparkypus.com/2020/06/21/john-howard-duke-of-norfolk-his-wedding-gifts/

IMG_5207.jpgJOHN HOWARD, PAINTING OF A  STAINED GLASS IMAGE FORMERLY AT TENDRING HALL OR SOUTH  CHAPEL, STOKE-BY-NAYLAND CHURCH, NOW LOST.

John Howard, what a colossus of a man – Admiral of England, member of the King’s  Council, Earl Marshal, Knight of the Garter, Treasurer of the Royal Household, High Sheriff , a great shipowner and much  more.  Described by Anne Crawford as ‘an extremely versatile royal servant, as a soldier, administrator and diplomate he had few equals among his contemporaries’.(1)   A valiant soldier and loyal friend to King Richard III, dying with him at Bosworth in 1485.  Much has been recorded about him and there are good biographies to be had by both Anne Crawford ‘Yorkist Lord’,  and John Ashdown-Hill’s ‘Richard III’s Beloved Cousyn’ with the bonus of his household books surviving edited by Crawford.  The well known comment written, regarding an incident in Howard’s life,  by a John Jenney describing Howard as being ‘as wode as a Wilde bullok’ indicates that he was neither  a pushover nor one to get the wrong side of (2).   There is also the remark made by Howard’s first wife, Catherine, aimed at John Paston and helpfully forwarded on to Paston by his brother Clement,  who wrote urgently advising  that he should get to where he had been summoned without delay and with a good excuse  as ‘Howard’s wife made her bost that if any of her husbands men might come to yow ther yulde goe noe penny for your life: and Howard hath with the Kings a great fellowship’ (3).  John Paston did indeed get himself to London and was promptly thrown into the Fleet prison for a short while.  Perhaps this move saved him from Howard’s ire so every cloud as they say.    But its not Howard’s professional life I want to focus on here but his private life for he was it would appear both a  caring father and a loving husband and Crawford has noted that when he was in London at his house in Stepney for any length of time his family and household would move there too.(4)   stoke-by-nayland-k-howard-1.jpg

Brass of Catherine Howard nee Molines at Stoke by Nayland.  Engraved in 1535 with a Tudor headdress.  Catherine’s mantle has her husband’s arms on one side with the Molines on the other.  

Although little is known about his relationship with his first wife, Catherine Moleyns (died November 1465) there are indications that his second marriage to Margaret Chedworth was a love match as the long list of valuable bridal gifts Howard ‘showered’ on her has happily  survived and been included in the Paston Letters. The pair were married in ‘unseemly’ haste six months after the death of Margaret’s second husband, John Norris of Bray,  and before Norris’ will, leaving most of his lands to his young widow provided she did not remarry, was proved.  Crawford writes  ‘Now a wealthy and eligible widower, Howard could well have looked for a second wife among the ranks of aristocratic widows or those who had personal connections, but his choice was at once more personal…’ (5).   Margaret was cousin to Anne Crosby nee Chedworth, wife to Sir John Crosby, builder of Crosby Hall  and  brought with her to Tendring Hall two daughters from her previous marriages.  Here is just a selection of the many gifts Lord Howard gave to his bride…

Ferst ij rynges of gold set with good dyamawntes, the wyche the quene yaff my master

Item, a nowche (brooch) of gold set with a fine safyre,  a grate balyse and v perles

Item, a ring of goolde with a fine rubye.

Item, my master gaff her a longe gowne of fyne cremysen velvet furred with menyver and purled with ermynes.

Item, my master gaff her vij scynnes  of fine ermynes.

Item, my master gaff her vij yerdes and di.of fyne grene velvet

item, my master gaff here a devyse of goolde with xiiii.lynkes and the ton halffe of the lynkes enamelled set with iiij rubyis and vij perles

Item, my master gaff her a lytell gerdyll of silk and goolde called a demysent and the harneys of goolde

Item, my master gaff here a coler of gold with xxxiii.roses and tonnes set on a corse of blank silk with an hanger of goolde garnished with a saphyre.

Item, my master gaff her iii. Agnus Dei of goolde.

Item, my master gaff her a cheyne of gold with a lock of gold garnished with  rubye.

Added in Sir John Howard’s own hand – And the vij.zere of the Kynge  and in the monithe of Janever I delivered my wyffe a pote of silver to pote in grene ginger that the Kynge  gaffe.

These are only a selection of the gifts, too numerous to mention here in full.    Also included were  several more gowns, rings,  gyrdles, holand clothe, Aras, cushions, silver spones, a bed with covers of cremysen damask and more..

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Lady Howard’s jewellery box..no not really!..this is the Cheapside Hoard but no doubt Margaret’s jewellery collection looked very similar.  

The Howards marriage endured until he fell,  loyally fighting for his king, at Bosworth.   Anne Crawford writes that ‘despite his age (he was sixty, an old man for his time) he was there in the middle of his infantry line’ and that ‘there is no doubt that if he had chosen to do so Howard could  have to terms with Henry before the battle as others did.  He could have despatched his force while remaining at home himself on the grounds of age and sickness.    The rhyme supposedly pinned to his tent the night before the battle warned him what to expect.. ‘Jockey of Norfolk be not so bold, for Dickon thy master is bought and sold’.  For Howard these considerations were irrelevant: he owed his dukedom to Richard and if the house of York was threatened, then the house of Howard would be in arms to defend it.  He died as he had lived, serving the Yorkist kings’.(6)    Crawford also wrote ‘Howard had no need to participate in the actual battle.   He was nearly 60 years old and having brought up his forces he could have delegated command to his son and remained in the rear and nobody would have thought the worst of him for it,  given the sheer physical effort and stamina required to fight on foot and in armour.  He fought of course’.(7)   As to how Margaret felt about her husband’s insistence to fight —  did she scold, did she plead, cajole  or did she accept nothing would stop her husband from what he perceived as his duty is not known.  As I wrote, at the beginning of this article, what a colossus of a man.  John Howard, bravo, you did well!.

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Thetford Priory Gate House – Howard’s funeral cortege would have passed through this gateway…

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John Howard’s remains were eventually removed from Thetford Priory to probably Framlingham Church at the Dissolution of the Priories.  See John Ahsdown-Hill’s ‘The Opening of the Tombs of the Dukes of Richmonds and Norfolk, Framlingham 1841’  The Ricardian vol. 18 (2008)

 

  1. John Howard first Duke of Norfolk Oxford Dictionary of National Biography, Anne Crawford.
  2. Paston Letters Original Letters….ed. J Fenn p.111
  3. Yorkist Lord John Howard Duke of Norfolk  p.33 Anne Crawford
  4. Howard Household Books p.xiii ed Anne Crawford
  5. Ibid p.xxi
  6. Ibid p.xxix
  7. Yorkist Lord John Howard Duke of Norfolk p132 Anne Crawford

 

 

Stained-glass magnificence, courtesy of five Kings of England….

 

stained-glass window

This article provides an interesting interpretation of magnificent windows that are to be found in various churches, including King’s College, Cambridge. Henry VI, Edward IV, Richard III, Henry VII and Henry VIII had a royal hand in these masterpieces.

Henry VII, of course, went overboard with all his heraldic symbols, and at King’s College (see illustration above) he had all the usual Tudor badges on display, to which he added the hawthorn tree in which Richard III’s crown was supposedly found. Looking at the illustration, I suppose the greenery on the left depicts said hawthorn tree. Unless the hawthorn is in the part of the window that is not shown.

 

Discovered in Norwich

Whilst visiting Norwich to see the Whitefriars plaque to Lady Eleanor Talbot, Richard’s sister-in-law, in Tomblands near the Cathedral, I happened to take lunch in a particular hostelry, the Glass House. It is principally named for the city’s stained glass industry and various panels, also commemorate the author Harriet Martineau, the rebel Robert Kett, Cotman and the other “Norwich School” artists.

The panel nearest the main door was this one (left). Sir Thomas, who bore the name of a North Norfolk village, served John of Gaunt, helped to implement Henry IV’s usurpation before joining Henry V as an archery commander at Harfleur and Azincourt, and eventually dying in 1428. The other pictures are of Sir Thomas,  Henry IV and the Upper Close at Norwich Cathedral. 

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