I’m beginning to convince myself that the Lambert Simnel Affair might have been an uprising in favour of Edward V, not Edward, Earl of Warwick….
I’m beginning to convince myself that the Lambert Simnel Affair might have been an uprising in favour of Edward V, not Edward, Earl of Warwick….
Here is an article from an American website about the “Princes” and John Ashdown-Hill’s work towards determining the identity of the bones in that urn, as detailed in his “The Mythology of the Princes in the Tower”.
The article is rather good. It does fail to notice that Westminster Abbey is a Royal peculiar and so the Anglican hierarchy has no influence. Apart from that, the dental evidence suggests that the remains are unlikely to be related to Richard III, who has been analysed in great detail.
The mitochondrial DNA, which was integral to identifying Richard himself, is possibly understated here but modern scientific analysis, on the basis of this research legacy, could lead to any of the following conclusions:
1) The remains are of the wrong age, gender, era or even species.
2) Their mtDNA does not match that of Elizabeth Wydeville.
3) The remains are of more than two people.
4) The remains are of one mtDNA matching person and one other.
5) The remains are of two people of the right age, gender, era, species and mtDNA.
Conclusion 5 would positively identify them as Edward IV’s sons. Conclusions 1 and 2 would eliminate this possibility. Conclusions 3 and 4 would be more complex as a mitochondrially identical cousin disappeared from the same place sixty years later. The probability of the remains consisting of Edward V, Richard of Shrewsbury and their later cousin is surely exceedingly low, although that cousin or one “Prince” resting with an unrelated individual is more possible.
What is one of the first things we say on seeing a new baby? Something along the lines of how much the new arrival takes after his/her father/mother/uncle/aunt/grandfather etc. etc. For those of us with a great interest in history, it is almost irresistible to compare various historical figures in the same way. For instance, we think of Edward IV, 6’ 4”, handsome, glamorous and so on. Then we think of his grandson, Henry VIII, who was much the same. And the looks of both deteriorated abysmally as they aged. Birds of a feather.
I won’t even mention Henry VII and his mother, Margaret Beaufort, who were completely interchangeable!
The very proper Lady Eleanor Talbot was a well-connected widow for whom it seems the young King Edward IV fell so heavily that he was prepared to promise marriage in order to get her into his bed. It was the only way he’d have his wicked way. But when he consummated this promise, he made it a marriage in fact. Edward must have thought he had this inconvenience covered. His vows with Eleanor were exchanged in secret, and the whole clandestine marriage was kept under wraps afterward. Then he fell for another attractive widow, Elizabeth Woodville, who, the legend goes, waylaid him on the highway, wearing black, her arms around her fatherless sons. She would not give him what he wanted either, unless he married her. Aha, the incorrigible Edward no doubt thought, I’ll pull the same trick as before. This time, however, he chose the wrong lady. Elizabeth Woodville and her large family were a whole new ball game, as the saying goes.
Edward came clean about this dubious marriage, probably to spite the Earl of Warwick (the Kingmaker). Eleanor, the injured wife, said nothing, even though she lived on for four years after this unlawful second marriage. Elizabeth Woodville was never any more than Edward’s mistress, and all her children by him were illegitimate. The rest, they say, became England’s history.
I was asked to take two portraits—apparently reliable likenesses created by modern science—of two particular medieval ladies, Eleanor Talbot and her niece, Anne Mowbray (see The Mythology of the “Princes in the Tower”, figs. 5-6)—to see if such a swap-over brought out any family likeness. Well, this particular tweaking was beyond my capabilities because the angles of the faces were too different. So my next thought was to see if these ladies bore any likeness to other members of their families. By examining their families, I mean parents and grandparents. If I try to go further, far too many of England’s aristocratic lines will be drawn into the equation. And what with there being so many remarriages and half-families, it can very quickly get out of hand.
I am very conscious, too, that all of these people can only be assessed from contemporary descriptions, tomb effigies, portraits or drawings. The first portrait of a king of England that is known to be a true likeness, is that of Richard II in Westminster Abbey. We know it’s accurate because he wanted it to be, and approved the result, complete with those strange, heavy-lidded eyes. Richard’s tomb effigy is therefore accurate as well, because the same features are there.
The Westminster Abbey effigy of his grandfather, Edward III, was clearly taken from a death mask, and shows his mouth with the droop that indicates a stroke. Accuracy, it seems. But what of Edward III’s eldest son, Richard II’s father, Edward of Woodstock, known to history as the Black Prince? Well, we have his effigy in Canterbury Cathedral, but it seems stylised. . .except, perhaps for the same heavy-lidded eyes? Or am I seeing something that isn’t actually there? Edward III does not seem to have resembled his grandson at all.
But these are royalty, with a capital R. Just how much accuracy was involved amid the nobility in general is impossible to assess. However, being a game lass, I’m prepared to have a go at detecting the all-important family likeness when it comes to Eleanor and Anne Mowbray, and Elizabeth Talbot, Eleanor’s full sister and Anne’s mother.
Let us discuss what is known of Eleanor and Elizabeth’s appearance. Eleanor appears to have been striking, with a large nose, longish face, slanting eyes and small chin. She has been given almost black hair and eyebrows. To me, Elizabeth has the same shape of face as Eleanor. Her portrait is from a medieval stained glass window, but there is, of course, no way of knowing if the creator of that window was attempting to produce a true likeness. The long face appears in turn to have been inherited from their father, John Talbot, 1st Earl of Shrewsbury. His tomb effigy, although damaged, seems to depict the same facial structure as Eleanor and Elizabeth. The only thing that can be said is (provided the effigy is meant to be accurate) he had a long face and fairly strong chin. Unless, of course, the chin is actually meant to be a small beard. I cannot tell, having only seen photographs.
One thing we do know about him is that he had dark, almost black hair. Here are three other likenesses of him that show this, albeit his hairstyle being that awful crop worn so unflatteringly by Henry V. By the time of John Talbot’s death, his hair was long again, or so his effigy suggests. Of the three images, the two smaller ones show the long face. The large one does not. Two out of three? I’ll go with the long face.
Subsequent Talbot Earls of Shrewsbury were of the half-blood to Eleanor and Elizabeth, descending from their father’s first marriage. Trying to work out which illustrations are of these earls, or more of the 1st earl, has proved most unsatisfactory. I thought I’d found the 2nd and 3rd earls, only to discover the same illustrations elsewhere claiming to be of the first John Talbot. So I left well alone, and stuck to likenesses that I know are of Eleanor and Elizabeth’s father, the 1st earl.
All in all, I feel it very likely that Eleanor—and maybe Elizabeth too— had John Talbot’s dark hair. Not necessarily, of course. My mother had very dark hair, and my father was blond. I am blonde. And Lady Anne Mowbray had red hair. Where did that come from? Eleanor and Elizabeth’s mother, Margaret Beauchamp? Or her own father, John Mowbray, 4th Duke of Norfolk? Or somewhere else entirely, after all she had Plantagenet blood too. Unfortunately, I have not been able to find a reliable likeness of Margaret, but There is one source that shows us almost certainly the appearance of Margaret’s father, Richard Beauchamp, 13th Earl of Warwick. I refer to his amazing chapel at St Mary’s in Warwick.
So, was he a prime example of the Beauchamps in general? Did they even have a “look”? Maybe they were all different. In his tomb effigy, we see him with that dreadful cropped hairstyle (albeit with curls) made famous by the best known portrait of Henry V. In Beauchamp’s case it’s hard to tell if it’s the cut that gives him a high, wide forehead, or if he did indeed have a high, wide forehead. His chin is small, his mouth thin and straight, and his nose small and pointed, but he too has rather heavy-lidded eyes. Or so they seem to me. And what colour was his hair? Red, perhaps? If there is a likeness between the 13th Earl of Warwick and little Anne Mowbray, it seems unlikely that her looks have anything to do with her Talbot or Mowbray blood, but come from her maternal grandfather, Richard Beauchamp. Yet who knows? The case is unproven.
Warwick married twice, and Margaret Beauchamp was the offspring of his first wife, Elizabeth Berkeley. What was she like? Hard to say. There are a number of mourners depicted on Warwick’s tomb, little figures swathed in robes. Is Elizabeth Berkeley one of them? They are not named, except for two, one being Richard Neville, the Kingmaker, and the other his sister. Both were the children of Richard Neville, 5th Earl of Salisbury. She was the wife of Richard Beauchamp’s son and heir, Henry Beauchamp, Duke of Warwick, whose early death brought greats riches and titles to her brother, the Kingmaker, who was married to Richard Beauchamp’s only other child, Anne Beauchamp.
Anne was the only child of John Mowbray, 4th Duke of Norfolk, and on his unexpected and early death, she became a great heiress. Was it from him, not Richard Beauchamp (or both) that she gained her red hair? I cannot find a portrait of John Mowbray, 4th Duke of Norfolk, but this is a representation of another John Mowbray (the 2nd Duke) that seems fairly reliable as being him. It is from Doyle’s ‘Official Baronage,’ after an engraving by W. Hollar, from a window in St. Mary’s Hall, Coventry. There is no way of knowing if he typifies the Mowbray “look”, and I do not detect him in Anne’s likeness.
Anne attracted the avaricious interest of Edward IV, who had had been her aunt’s husband. Eleanor Talbot had passed away in 1468, a few years before Anne’s birth. Edward IV decided to snap Anne up for his younger son, Richard, Duke of York (who would became one of the so-called “Princes in the Tower”. Both were still small children when they became husband and wife. She died shortly afterward, and Edward IV held on to her entire inheritance for her widower, Richard. The following illustration is imagined, of course!
Her Plantagenet kin are well-known to us all, of course, and I can’t say I look at her and think of any of them. In the picture below, one of the ladies on the left is Cecily Neville, Duchess of York, mother of Edward IV and Richard III. I do not see any of these ladies as resembling Anne Mowbray. But then maybe these likenesses are run-of-the-mill, not serious attempts at portraits.
The next illustration is of Thomas Berkeley, 5th Lord Berkeley, who was Eleanor and Elizabeth’s maternal grandfather. His nose looks rather obviously repaired (invented, even) so his looks cannot really be assessed. He and Lord Lisle, one of the Talbots, were at each other’s throats for a long time, until he finally defeated and killed Lisle at the Battle of Nibley Green on 20th March 1469/70. Incidentally, Lisle was the brother of Eleanor and Elizabeth, but his tomb effigy looks like a carbon copy of the Black Prince’s at Canterbury.
Below is a drawing from the tomb of Henry Bourchier, 1st Earl of Essex, who was the son of William Bourchier, 1st Count of Eu and Anne of Gloucester. He was, therefore, Anne Mowbray’s great-uncle (I think!) Again, if there is a likeness that has passed down to Anne, I cannot perceive it.
So here is my conclusion. If there is a resemblance between Anne Mowbray and her aunt Eleanor, it is not evident to me. They do not seem in the least alike. Eleanor and her sister Elizabeth are Talbots through and through. Little Anne Mowbray is not a Mowbray or a Talbot, but a Beauchamp. I see a definite resemblance to her maternal great-grandfather, Richard Beauchamp, 13th Earl of Warwick.
I see no likeness between Richard Beauchamp and his granddaughters, Eleanor and Elizabeth, but his echo surely sounds strongly in little Anne. In Richard and his great-granddaughter I see the same high, wide forehead, small nose and chin, and general similarity, albeit between adult male and female child.
I anticipate that many who read this will disagree with my assessment, and I look forward to seeing comments. There will be no argument from me, because I know it all has to be conjecture.
This is less a book and more of an outdoor swimming pool, becoming deeper as the chapters progress. In the shallow end, the subjects go from the definition of a “prince” and the circumstances under which Edward IV’s elder sons came to live there, centuries before Buckingham Palace was built to the origin of the term “Princes in the Tower” (p.17). Before progressing further, the reader should be aware exactly which sibling definitely died at the Tower, during a “confinement”. For those still unaware why the whole Wydeville brood were illegitimate and how the “constitutional election” (Gairdner) resulted in Richard III’s succession, the whole point is painstakingly explained again.
The dramatic conclusions begin at about halfway, in chapter 17, before the process of the rumour mill and the many finds of the Stuart era are described. In the deep end, we are reminded how science has moved on during the 85 years since Tanner and Wright investigated the remains, including Ashdown-Hill’s own investigations into “CF2″‘s remains on the Norwich Whitefriars site, together with a repeat of the DNA process that gave us Joy Ibsen and thus Richard III in Leicester. This time, he and Glen Moran have found a professional singer originally from Bethnal Green, a short distance from the Tower itself.
What has always stood out about Ashdown-Hill’s work is his superior use of logic when primary sources are of limited availability and it is applied here to several aspects of the subject.
Now that John Ashdown-Hill’s new book (bottom left) on the Tower of London and the “Princes” has been published, we are in a position to know Edward V’s mtDNA, which he would share with his brothers and maternal cousins such as Jane or Henry Pole the Younger. Progress has been made since Moran’s appendix to The Private Life of Edward IV, which detailed potential maternal line relatives who were alive as late as 2016.
Westminster Abbey is, of course, a royal peculiar and it has hitherto proven impossible to obtain permission to access those remains – of whatever number, gender, age, era or species – that purport to be those of Edward IV’s remaining sons in the modern scientific era. They were, however, last asked in 1980 (p.185) and Richard III himself has turned up by this method.
These findings ought to be a game changer and there are more good reasons to be proceed. In 1933, the work of Jeffreys, as of Crick, Watson et al, was wholly unforeseen. Radio carbon dating was also invented after the Second World War.
So, with apologies to Michael Miles and Take Your Pick (below right), is it time to “open the box”?
Well, well, this author appears to have expunged Lionel of Clarence and his line from the annals of history, in order to make the Lancastrian claim to the throne senior to that of York. When, thanks to Lionel, it ended up the other way around. Lionel was the 2nd son of Edward III, Lancaster the 3rd, and York the 4th. Put 2nd and 4th together, and you have something rather more superior than the 3rd. Yes? Yes.
Today, we interview Joan Szechtman, an American writer who has just published her third time-travel novel about King Richard the Third. Fans of Joan have read her books, THIS TIME, which was published in 2009 and LOYALTY BINDS ME which was published in 2011. Her third Richard the Third novel, STRANGE TIMES, has just been published and is available on Amazon.
Joan, to begin with, what made you interested in Richard the Third?
In 2004 I read Sharon Kay Penman’s THE SUNNE IN SPLENDOUR. It turned my perception of Richard III from Shakespeare’s arch-villain I loved to hate to a sympathetic character I had to learn about. From Penman’s book I found RICHARD THE THIRD by Paul Murray Kendall.
Those are two great sources to use when researching Richard the Third. Please tell us how you became involved with the Richard the Third Society? I believe you hold several key posts in the American branch.
As I continued my research, I realized I needed to find resources beyond my local library and found the UK and American Branch websites of the Richard III Society. In addition to joining the American Branch, I signed on to both branches email lists so that I could ask questions of other members who were far more knowledgeable than me.
At the time I joined the American Branch, the New England Chapter had just formed and they contacted me to see if I would be interested in participating. So, I joined them as well. A couple of years after joining the New England Chapter the first moderator resigned her position and I became the new moderator for the next two years.
In 2011, the American Branch needed a new editor and I was pressed into service. I’m still the branch’s editor. We have two semi-annual publications: The Ricardian Register and The Ricardian Chronicle. The Register is more academic oriented and features scholarly papers and book reviews and is published both in print and digital editions every March and September. The Chronicle is basically a newsletter, focusing on member events, Ricardian travels, and member interviews. It’s published digitally every June and December.
Amazing resources for the American students of Richard! Your new book “Strange Times” is now available on Amazon. Can you tell us something about it?
This is the third book of the trilogy about Richard III in the 21st century. While each book follows Richard today chronologically, the books are written so there are no cliff hangers and can be read in any order, though it’s best to read them sequentially. The book does contain a brief “previously on” for those who haven’t read the first two books or need a refresher.
What fascinates me about Strange Times is that it attempts to cover the fate of my favorite person in all of Richard the Third’s life: Viscount Francis Lovell, Richard’s closest friend.
STRANGE TIMES takes place in both the 15th and 21st century and investigates what might have happened to Francis Lovell, Richard’s loyal supporter. Currently, there is no definitive historical record of Lovell after the Battle of Stoke where Lovell fought on the losing side against Henry VII. Richard is haunted by one possible outcome that has Lovell starving to death locked in an underground chamber in Minster Lovell. The book follows Richard using the time travel device to “see” what happened to Lovell after Stoke. Then everything goes pear-shaped.
The trilogy is available on most online book sellers, including Amazon and Barnes & Noble for both print and digital editions, and digitally on iTunes, Kobo, Sony, etc.
I know you have a science background which has influenced your books, so can you give us some background information? And why combine that interest with Richard the Third and the time travel books?
While I do have an engineering background, having spent most of that career working on computer science and data communication, I believe my main reason stems from my love of science fiction and time travel stories. When I began my research on the real Richard III, I dreamt of having dinner with him. Since that was impossible, I decided to write him into the 21st century. I based his character on my research.
One of the things that nagged at me was Richard III was quite young when he died—32. I felt there was more to his story than his short life revealed. I wanted to examine his character in a modern setting, without imposing our modern sensibilities on his 15th century actions. By bringing him into the future, I could challenge him in ways that I couldn’t in his own time.
A primary goal in all my books about Richard III is to get the known history right. For that which is not known, I felt free to speculate as long as it was plausible. For example, there is no extant documentation as to what happened to Edward IV’s eldest sons—Edward, putative heir to the throne until parliament declared him illegitimate due to Edward IV’s bigamous marriage, and Richard of York, next in line until declared illegitimate. I developed a plausible theory that Richard hid them in other countries, such as Spain, and they survived Richard.
In STRANGE TIMES, I have Richard learn what happened to his nephews after he had “died” and solve the mystery surrounding Lovell after the Battle of Stoke.
Good for you! It is so frustrating to try to make people understand that there is no evidence that Richard the Third murdered his nephews. People have this need to cling to myths.
STRANGE TIMES came to my attention because you received a “Discovering Diamonds” review. Please tell me something about “Discovering Diamonds” and the review.
Rather than paraphrase what Helen Hollick’s blog is about, I will let “Discovering Diamonds” speak for itself:
“Our aim is to showcase well-written historical fiction for readers to enjoy. We welcome indie-published writers because indie writers do not have the marketing backup of the big publishing houses, but if traditionally published novels come our way we’ll be happy to read and review them! Our intention is to have a good mix of good historical fiction to share with you, a reader.
“However, we are fussy: we only publish reviews of the best books, so we also take note of correct presentation and formatting as well as the quality of writing – and when space and time are limited we may only select a few books a month to review. …”
Getting reviews is important for any author, and can be a struggle for indie authors, of which I am one. I am therefore pleased to share the link to my “Discovering Diamonds” review:
Thanks for talking to the Murrey & Blue blog.
“David” is already challenging that total in a shorter time frame. Here are some of his career highlights:
1) Claiming that “Perkin” confessed his imposture to a Scottish Bishop, many years before that cleric was born.
2) Claiming that Henry VII was a senior Lancastrian, when he was junior to Richard III in that respect, being descended from a younger sister of Richard’s ancestress.
3) Claiming that the “Lincoln Roll” detailed Edward IV’s sons to have died as children, when it didn’t.
4) Claiming that Edward V and his siblings were legitimate because secret marriages were automatically illegal, except that his parents also “married” in secret. This part of the Fourth Lateran Council’s findings was frequently ignored – thankyou to Esther for locating it.
5) Claiming that Henry VII was Earl of Richmond from 1471-85, when the Complete Peerage shows him to have been under attainder.
6) Claiming that Catherine de Valois spoke in Parliament about her “marriage” to Owain Tudor after her death and centuries before any woman addressed an English or British Parliament.
7) Claimed that Henry VII’s supposed descent from Owain Glyn Dwr’s servant was as valid as Richard III’s descent from Llewellyn Fawr.
8) Claimed that “Perkin” directly accused Richard III of killing Edward V, whilst the transcript shows that he did not and had many uncles.
9) Claiming that Henry VI arranged Margaret Beaufort’s 1455 marriage to Edmund “Tudor” because there was no Lancastrian heir, even though his own apparent son had been born two whole years earlier.
10) Claiming that the “Lincoln Roll” was compiled for the eponymous Earl, who died in 1487, yet it frequently mentions much later dates.
While we are at it, we hereby confirm that we did not invent “David” to make counter-productive Aunt Sally comments. Does his Tardis need a service?
Here is the story of yet another lord who betrayed Richard III at Bosworth. Oh, but wait a moment, this one betrayed Henry Tudor as well, now there’s a feat!
The man in question was William, eventually Marquess of Berkeley, but nicknamed “Waste-all”. He was 43 when he won the Battle of Nibley Green, which was fought on 20 March 1469 or 1470, depending upon which calendar one uses. The battle is famous now because it was the last to be fought in England by private feudal armies. William “was of an unusually haughty and headstrong disposition, and made himself so much feared by all around him that for several years before his father’s death none of the tenants would accept any lease without William’s joining in it”. Not an endearing character.
He had an even more famous feud with Margaret Beauchamp, Countess of Shrewsbury (1404–14 June 1468) was the eldest daughter of the 13th Earl of Warwick, and by her marriage to the 1st Earl of Shrewsbury, as his second wife, she was the mother of Lady Eleanor Talbot, Sir Humphrey Talbot, and Lady Elizabeth Talbot, Duchess of Norfolk, all names Ricardians will know well. But by her first marriage, she was the grandmother of Thomas Talbot, 2nd Baron Lisle , 2nd Viscount Lisle (c.1449-20 March 1470), who was aged 20 or 21 at the time of Nibley Green.
Margaret was a truly formidable woman who always fought tooth and claw what she considered to be hers and her children’s. She pursued years of feud with the equally formidable William Waste-all. They were “”two merciless natures not unevenly encountering”, as Smyth, the Berkeley family biographer and steward, recorded. The dispute was over manors and lands, including Berkeley Castle itself, which the Countess regarded as hers. Waste-all, needless to say, did not agree. One of the disputed manors was Wotton, not far from Berkeley, which Waste-all said the countess was occupying illegally. The dispute was not confined to legal means, including petitioning King Edward IV, but also by predatory attacks on each other’s territories, and fights between their servants and tenants. It was quite some quarrel, even by the standards of the day.
Berkeley (left) and Lisle (right)
Then, on 14 June 1468, the Countess Margaret died, and her estate—and the great dispute—passed to her grandson, the young Lord Lisle, who was eager to take up the cudgels. He plotted against Waste-all, using a treacherous Berkeley servant who then turned coat again and told Waste-all everything. The latter was monumentally furious. Lisle was livid. Letters were sent, threats made, and a challenge issued on 19 March 1469. The confrontation was set to take place the following day at Nibley Green, halfway between Wotton and Berkeley.
Waste-all maintained a garrison at Berkeley Castle, which gave him an advantage over Lord Lisle. They faced each other at Nibley Green, 1000 men to 300 or so. It was an unequal conflict from the outset, and because his visor had not been lowered, hot-headed Lisle was shot with an arrow on the left side of his face. One of Waste-all’s supporters, named Black Will of the Forest of Dean, finished off the wounded man with a dagger. Lisle’s force fled, pursued by Waste-all’s. There was chaos as the latter and his great numbers descended on Wotton. Such was the ordeal for Lisle’s young wife, that sixteen days later she was brought to bed early of a stillborn son, thus ending her husband’s line.
All this took place as Warwick the “Kingmaker” was turning upon Edward IV. A few months later, Edward himself was a fugitive and Warwick had returned the displaced Lancastrian, Henry VI, to the throne. Then, the following year, Edward IV returned to overthrow Warwick and Henry VI at the Battle of Barnet. On 6 October 1473, the case was settled in favour of Waste-all, who must have thought it was all done and dusted.
However, he became mixed-up with Sir Edward Grey, brother-in-law (through her first husband) of Elizabeth Woodville, Edward IV’s manipulative queen. Grey married the sister of the late Lord Lisle of Nibley Green, and decided to take up the Lisle claim through his wife. William Waste-all was on shakier ground now, with Elizabeth Woodville obviously set on upholding her brother-in-law’s side of it. Edward IV was always one for a quiet time in his marriage – if marriage it was, considering he was first married to the old Countess’s daughter, Lady Eleanor Talbot, who selfishly stayed alive for four years after he’d uttered his vows to Elizabeth! Oh, tangled webs… In due course Sir Edward Grey would indeed be created Lord Lisle by Richard III.
In the meantime, anxious to stay in favour with Edward IV, Waste-all had conveyed many manors and lands to the king’s younger son, the little Duke of York (soon to be one of the boys in the Tower). When Richard III came to the throne, and the Duke of York (and his elder brother, known as Edward V) were declared illegitimate because of the Eleanor Talbot marriage, everything returned to Waste-all. Did he dance a jig? Probably.
But it was now that he really earned his nickname, Waste-all. After subsequently gaining 68 Mowbray manors and other property across the realm, he set about giving or granting everything away in order to gain honours and distinctions. He conveyed 35 manors to Richard III, in return for the title Earl of Nottingham, and when Richard faced Henry Tudor at Bosworth, it was said that William Waste-all out-Stanleyed the Stanleys, by supporting one side with men, the other with money. Henry Tudor won, and returned the 35 manors to William Waste-all. Was fate hell-bent on helping the fellow?
Next Waste-all conveyed two castles and 28 manors to Sir William Stanley, and then parted with many more to Sir William and others. In his will he entailed Berkeley Castle and all remaining family possession on the Tudor king, reserving only a life interest in them. In return he was created Marquess of Berkeley. He ended up as Great Mareschal of England, but by the time he died, on 14th February, 1492, he had disinherited his entire family. What a Valentine. Small wonder he gained the soubriquet Waste-all!
But there is a postscript. Waste-all had no legitimate children, and so his heir was his younger brother, Maurice, whom Waste-all considered to have married beneath his rank and thus brought shame on the family. What nerve, considering his own antics.
Was Waste-all giving everything away in order to punish Maurice, who eventually inherited the title, with nothing to go with it? If this is true, it was a terrible act of spite from nasty old Waste-all, who wasn’t exactly a dazzling adornment to the title of Berkeley.
You will find much more about him and the Battle of Nibley Green at