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THE DEATH OF HENRY VII

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Henry VII on his deathbed : Wriothesley’s Heraldic Collection Vol 1 Book of Funerals.

And so, on 21 April 1509, Henry “Tudor” finally expired.  He had been ill, obviously, for some time and perhaps his death was something of a relief to him. I’m sure it was for the rest of the country who probably breathed a collective sigh of relief. He had managed to keep his bony posterior on the throne for 24 years since that diabolical day at Bosworth when an anointed king was slaughtered.  It does nothing for Henry’s  reputation that he allowed the dead king’s body to be horrendously  abused  as well as the ignoble and deplorable  act of having his reign  predated from the day before the battle. But no doubt there were some that lamented his passing especially his mother Margaret Beaufort, a  most highly acquisitive woman and probably one of the most greediest.     She adored him and the pair must hardly have been able to believe their luck that he had survived the battle unscathed, probably due to the fact that he took no active part in it.

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Unknown artist’s impression of Tudor being crowned in the aftermath of Bosworth..

It must have seemed surreal to him as he wandered through the dead kings apartments at Westminster that had now, overnight, become his.

 

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Bust of Henry VII : National Portrait Gallery

He had some worrying times with bothersome pretenders to the throne popping up with annoying regularity as well as various uprisings. Whether he was plagued by his conscience we do not  know although Margaret was prone to bursts of weeping at times when she should have been happy which must have been very tedious  for those around her.

However moving on from that , what actually did see Henry off?     His health seems to have gone into a decline when he reached his 30s.   His eyes began to trouble him and he tried various eye lotions and eye  baths  made of fennel water,  rosewater and celandine ” to make bright the sight” but to no avail ..his teeth were a source of trouble with Polydore Vergil describing him as having ‘teeth few, poor and blackish’ (1).  His eye problems must have caused him dismay as he like nothing more than to pour over his account books to see where the pennies were going and how much he was amassing. He was predeceased by his wife, whom it is said he was fond of, and four children including his oldest son and  heir,  Arthur,  but fortunately for him,  if not the country and the Roman Catholic Church he had a surviving spare.

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Henry VII death mask: Westminster Abbey

 

In his interesting book, The Death of Kings, Clifford Brewer writes   “Henry had developed a chronic cough which was particularly severe in springtime.  The  condition became progressively more severe and associated with loss of weight and a general wasting . In 1507 and 1508  Henry’s spring cough become more troublesome.  He  is described as having become troubled with a tissic,  or cough,  he also suffered from mild gout.  In his Life of Henry the VII , Bacon writes ‘ in the two and 20th year of his reign in 1507 he began to be troubled with a gout but the defluxation  taking also unto his breast wasted his lungs so that thrice in a year in a kind of return and especially in the spring he had great fits and labours of the tissick’.   This suggests that Henry suffered from chronic fibroid phthisis ( chronic tuberculosis infection)  which became more and more active with  resultant wasting and debility.  This  is found in several of the members of the Tudor line…Henry made a great effort to attend divine service on Easter Day 1509 but he was exhausted and retired to his palace at Richmond where he died on 21 April  from chronic pulmonary tuberculosis (2)”

According to Holinshed Chronicle “….he was so wasted with his long malady that nature could no longer  sustain his life and so he departed out of this world the two and 20th of April’.

Thomas Penn in his biography of Henry, The Winter King, describes Henry as ‘unable to eat and struggling for breath,  Henry’s mind was fixated on the hereafter …on Easter Sunday 8th April,  emaciated and in intense pain he staggered into his privy closet, where he dropped to his knees and crawled  to receive the sacrament… later as Henry lay amid mounds of pillows,  cushions and bolsters,  throat rattling,  gasping for breath,  he mumbled again and again that  ‘ if it please God to send him life they should find him a very changed man’.  Henry  made an exemplary  death,  eyes fixed intensely on the crucifix held out before him,  lifting his head up feebly  towards it,  reaching out and enfolding in his thin arms,  kissing it fervently,  beating it repeatedly upon his chest.   Fisher said that Henry’s promises took a very specific form.  If he lived, Henry promised a true reformation of all them that were officers and ministers of his laws (3)’.  However,  as they say , man makes plans and the gods laugh and Henry did not survive to bring about the changes he  was so eager on his death bed to make.  He had left it too late.

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Richmond Palace, Wynguerde c.1558-62 

And so Henry Tudor shuffled off this mortal coil..the King is dead, long live the King..and so begun the reign of his son..Henry VIII..and that dear reader is another story.

 

 

 

 

  1. The Death of Kings, p110 Clifford Brewer.
  2. ibid p110.111
  3. Winter King Thomas Penn p339

 

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Ricardian Heavy Metal & Tyrell’s Rotten Rap

RUNNING WILD–BLOODY RED ROSE

I came across this heavy metal song from the 1980’s a while back– BLOODY RED ROSE by Running Wild.  It is ‘pro-Richard III’  and here are the lyrics:

In the war of the roses, the tragedy source
King Edward was bound to die
Richard III the new “lord protector”
Ruled with “loyalty me lie”
A vigilant guardian to the sons of the king
As sure as an eagle will fly
He died in a battle in 1485
And Henry defamed Richard with lies

Richard was charged in the “act of attainder”
With tyranny, murder and gain
Henry revoked the “titulus regius”
With the smile of the vicious insane
Henry (8th?)that rotten bastard
Executed the whole house of York
Elizabeth Woodville was (injured?)for life
And Tyrrel the liar was acquitted by court

The poisoned thorns of the bloody red rose
Red venom of deepest dye
Henry the traitor, the victor by sin
Soiled Richard’s blood with a grin

While Richard was ruling, the boys were alive
When he died the boys disappeared
Henry killed them to get onto the throne
But the book of truth was sealed
Henry paid Tyrrel to say that he had murdered
In the name of Sir Richard the brave
Henry killed Tyrrel without any trial
So Tyrrel took the truth to his grave

The poisoned thorns of the bloody red rose
Red venom of deepest dye
Henry the traitor, the victor by sin
Soiled Richard’s blood with a grin
The poisoned thorns of the bloody red rose
Red venom of deepest dye
Henry the traitor, the victor by sin
Soiled Richard’s blood with a grin.

While it was nice to have a Ricardian point of view in Running Wild’s song, I could not help but feel rather sorry for James Tyrell, whom I  think has been  defamed in a similar manner to Richard with no strong proof. And to think almost 30 years after this song was written, David Starkey was still pointing (a very shaky) finger at Tyrell in the ‘Princes  in the Tower’ documentary that, rather ungraciously, appeared at the time of Richard’s reinterment.

The so called ‘confession’ Tyrrell made appears to be mythical; there is not one shred of evidence it actually existed, and one has to wonder if it were true, why Tyrell was not executed for regicide and murder but for treason in aiding Edmund de la Pole, the Duke of Suffolk. Starkey seemed to make a huge deal of the fact Henry was at the Tower with Elizabeth of York at the time of the trial ‘so something was clearly going on.’ A pretty weak ‘finding’, I would say, since James Tyrell was not tried at the Tower but at Guildhall, and while Starkey’s beloved Thomas More wrote about the ‘confession’, other writers of the time such as Polydore Vergil make no mention of it. A pretty important thing to miss, no?

More, it might be worth saying, also had Tyrrell knighted by Richard for killing the princes when ,in reality, he had been knighted years before by Edward IV at Tewkesbury.  The whole scene by More regarding  the Princes ‘murder’ smacks of farce to me–Richard on the toilet telling his wicked plans to a random page boy, then stepping into the corridor and stumbling  upon some  convenient thugs lying on a pallet outside the door whom he casually asks to do the wicked deed alongside Tyrell. I think More may will have been writing some  form of satire here–and let us not forget that he starts off his book  with the death of Edward IV, but the age of the King at his death is WRONG by many years. The age More gives is that of  Henry Tudor at HIS death! So what was he really trying to say?

Clearly, certain historians like to cherry-pick More’s work and perhaps, lacking as it would seem, a sense of humour, take every word  literally  and far more seriously than  perhaps was ever intended by the author (who, incidentally, neither finished nor published it in his lifetime.)

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SIR THOMAS MORE , A MAN FOR ALL REASONS: SAINT OR SINNER?

‘Not exactly the horse’s mouth’

In Josephine Tey’s spellbinding novel ‘The Daughter of Time’, Detective Inspector Alan Grant has a reputation for being able to spot a villain on sight. Whilst in hospital with a broken leg, Grant is idly flipping through some old postcard portraits to while away the time. He turns over a portrait of a richly dressed medieval man in his thirties: a judge? A soldier? A prince? Certainly someone with authority and responsibility Grant supposes. Imagine his surprise, therefore, when he realises it is a portrait of Richard III. “The monster of nursery stories. The destroyer of innocents. A synonym for villainy.” Shocked that he could be so mistaken as to place Richard on the Bench instead of in the Dock, Grant delves deeper into the mysteries of his life and reign. A friend lends him a library copy of Thomas More’s ‘The History of King Richard III’, which he reads with a detective’s eye for detail and evidence. Pretty soon he realises the fatal flaw in More’s account and raises the problem on his friend’s return.

” ‘I wanted some information about history written in Richard III’s day. Contemporary accounts.’

‘ Isn’t the sainted Sir Thomas any good then?’

‘ The sainted Sir Thomas is nothing but an old gossip’ Grant said with venom. He had taken a wild dislike to the much-admired More.

‘Oh, dear. And the nice man in the library seemed so reverent about him. The Gospel of Richard III according to St Thomas More, and all that.’

‘Gospel nothing’ Grant said rudely. ‘He was writing down in a Tudor England what someone had told him about events that happened in a Plantagenet England when he himself was five.’

‘Five years old?’

‘Yes.’

‘Oh, dear. Not exactly the horse’s mouth.’ “

 

I doubt if there are many Ricardians, if any, who would disagree with Inspector Grant’s opinion of ‘the sainted Sir Thomas’ and his history book: and with some justification. It contains many demonstrable errors and falsehoods, which have shaped our perception of Richard III for centuries. Even today, when there is more or less a scholarly consensus about its unreliability, there remains a perception that it is not entirely useless as a historical source.

 

The man who wrote ‘The History of King Richard III’ was not Saint Thomas More the Catholic martyr or Sir Thomas More the king’s Lord Chancellor. He was plain ‘maister’ More of Lincoln’s Inn, a brilliant and successful humanist lawyer and writer. I hope in this article to explore aspects of More’s character and life that may explain why he wrote his history of King Richard, and the historical and literary influences that guided his quill. This is not, however, a critique of this book as literature or history.

 

‘This child will prove a marvelous man’

Thomas More was born in London on the 7th February 1478 (or 1477), the eldest son of Sir John More, a successful lawyer and later justice of the King’s Bench, who rose to prominence during the reign of Edward IV. Politically, Sir John was an Edwardian Yorkist rather than a Ricardian who, despite being unfairly imprisoned by Henry VII, prospered during the Tudor dynasty. He had an enormous influence on Thomas as a child and as an adult; being, largely responsible for his son’s choice of a career at the Bar rather than the Altar. The More’s were a wealthy family of merchants and professionals. Both Thomas’ grandfathers acquired fortunes. Each played a significant part in the governance and commercial life of London during the fifteenth century, and also in various financial and advisory capacities to the king. At the age of seven, Thomas was enrolled in St Anthony’s , a prestigious grammar school in Threadneedle Street not far from his home. It had a reputation for producing England’s finest Latin scholars and Thomas was no exception. His grounding in Latin was to stand him in good stead later in life. But it was his spell as a page in John Morton’s Household that was to mark young Thomas as a teenage prodigy.

 

As Archbishop of Canterbury and Lord Chancellor, Morton was the most powerful commoner in the realm. He united the affairs of church and state, and his service to Lancastrian and Yorkist kings established his reputation for integrity. Furthermore, his part in Henry VII’s conquest of King Richard and the unification of the red and white roses assured Tudor goodwill. His main responsibilities were implementing the king’s fiscal and foreign policies, for which he was amply rewarded with lucrative offices and beneficiaries. Morton was, however, deeply unpopular with the king’s subjects, who resented the heavy load of taxation and benevolences he collected from them. He is (perhaps mistakenly) believed to have been responsible for the cunning argument commonly known as Morton’s fork, which was used to extract forced loans from reluctant subjects and is best described as “persuading prodigals to part with their money because they did spend it most and the covetous because they could spare it best.”[1]

 

In 1490, Thomas More walked the relatively short distance across the Thames to Lambeth Palace, there to take up his duties in the archbishop’s household. His position as a page was not demeaning. On the contrary, it was considered a privilege for gentlemens’ sons to serve in the household of a great lord. They would learn the etiquette of the privileged and mix with the good and the great. As a page, More led a strict and simple life but not a hard one. He slept on a straw mattress in a dormitory with other sons of the gentry. His principal duties as a servitor were to wait at table and clear away after the meal. Cleanliness was particularly important for pages and their dorm was well equipped with a long communal sink and pitchers of water. However, More’s life was not wholly one of servitude and menial labour. He continued his education as a scholar at a private school within the archbishop’s establishment. Apparently, his superior intellect and quickness of wit so impressed the archbishop, that More was soon attending him in his grace’s private chambers in the West Tower.[2] William Roper (More’s son-in-law and first biographer) provides a colourful insight into More’s prodigious self-confidence at this time “…though he was young of years [Thomas] would be at Christmas-tide suddenly sometimes step in among the players and never studying the matter, make a part his own there presently among them, which made the lookers-on more sport than all the players besides. In whose wit and forwardness the cardinal [Morton was not a cardinal at the time.] would often say to the nobles that divers times dined with him ‘ This child there waiting at the table, whosoever shall live to see it, will prove a marvellous man‘.”[3]

 

More had great respect for archbishop Morton, whom he considered to be a great man and an exemplar of ethical and moral behaviour. I am not myself convinced that Morton was such a paragon of virtue; yet, he was undoubtedly one of the most imposing political figures of Henry VII’s reign. His influence in shaping More’s career is undisputed. For example, in 1494 he was instrumental in arranging a place for him at Oxford University, where More could study canon and civil law under the watchful eye of the Benedictine monks of Canterbury College. Morton hoped that More would obtain his doctorate in law before taking holy orders and embarking on a career in government. However, after completing the curriculum, More left Oxford to join chambers in New Inn, there to continue his legal training. Whether this was his own choice or his father’s decision is unclear, but it is likely that it was always intended that he should practice law. If so, this was the preferred path for budding lawyers, who spent six or seven years learning their profession and ‘the affairs of men’ in the hurly-burly of the Inns of Court rather than in the cloisters of Oxford, which offered no such practical or material benefit. As Thomas More was to show throughout adult life, he was a practical and materialistic man. Quite apart from the influence of his father or archbishop Morton, the attraction of a legal career was obvious to him. Lawyers were held to be magni clarique that is important and distinguished. By the last decade of the fifteenth century, the rewards of prestige and wealth were such that the sons of the landed gentry preferred a legal career to one in the Church or in business. Just as importantly, an education in the law brought the ambitious More into contact with precisely those people who later administered the affairs of the king and state. Above all, he was temperamentally suited to be a lawyer. His advocacy skills were high quality and well honed. In the words of his most recent biographer “His polemical texts reveal the persistence, subtlety and inventiveness of his attacks against opponents; as a forensic orator and judicial examiner he [was] as fierce as he is persuasive, continually changing or extending his line of attack, looking for the smallest inconsistencies, finding weakness and deriding mistakes of terminology or presentation. More as a man is the apotheosis of the clever and practical man.”[4] He maintained a curious detachment throughout his life and was always precise and shrewd. Nevertheless, the impression remains that he was playing some kind of game. In the words of William Roper, he never in his dealings showed “of what mind himself was therein.” These were the qualities of a perfect lawyer: skilful and objective, cautious yet theatrical, persuasive and practical.

 

‘An intensely practical and decisive man’[5]

By the time he was thirty, More’s legal practice was flourishing. He was by training and by experience a generalist; appearing, as counsel in criminal cases at the Kings Bench and advising clients on, the common law, Canon law, Roman law and maritime law. He is reputed to have been ‘with the Archbishop of Canterbury (the dominant landowner) every day. He was also the legal representative for the City guilds and chief negotiator for the City mercers. He represented the City merchants in their dispute with the Duke of Buckingham and the Bishop of Norwich. In litigation he favoured advising a settlement between the parties to a trial, since this compromise suited his personal preference for good order and harmony. In Soper’s words“…sith there was at that time in none of the Prince’s courts of the laws of this realm any matter of importance in controversy wherein he was not with the one part of counsel. Of whom, for his learning, wisdom, knowledge and experience, men had such estimation that, before he came to the service of king Henry VIII at the suite and instance of the English merchants, he was by the king’s consent in certain great causes between them merchants and the merchants of [the Hanseatic League]…”[6]

 

By the time he was forty, More’s legal future was assured. He was appointed Lent Leader of Lincoln’s Inn, where he lectured on ‘Law-French in Statutes’. His subsequent appointment as Double Reader suggested he could anticipate elevation to the bench. In 1510, he received his first judicial appointment as one of two Under-Sheriffs of London, hearing criminal trials in the Sherriff’s Court, Guildhall and acting as official counsel to various City bodies. He earned the respect and affection of the City for his fair and quick decisions and his habit of occasionally remitting the fees that the litigants were expected to pay. There is, however, another side to More’s legal character, which is revealed by his involvement in the ‘Hunne Case’. This controversial and notorious litigation involved a direct attack on the authority of the Catholic Church. It may even be taken as an indication of the Protestant reformation yet to come in England.

 

Richard Hunne was a wealthy Whitehall tailor who refused to make a customary offering to his local rector. His case was taken to Lambeth Palace, where Hunne was adjudged to be at fault. Still he refused to pay. On Hunne’s next attendance at his parish church, the priest (Thomas Dryfield) excommunicated him with the words ‘Hunne thou art accursed and thou standest accursed’. Exiled from his community and with his mortal soul at risk, Hunne hit back. He issued a writ of praemunire accusing Dryfield and his assistant of slander. By invoking the Praemunire Act of 1393, Hunne was asserting the king’s superiority over papal authority and clerical courts, as the final arbiter of his subject’s rights. He argued that the church authorities had no right to claim his property and further that the hearing at Lambeth Palace took place before a ‘foreign and illegal bar.’ The ecclesiastical authorities responded by charging Hunne with heresy and imprisoning him in the Lollard’s Tower. It seems to us like a fabricated charge; except, that Hunne did have Lollard sympathies and connections. His father-in-law was an evangelist in that cause. It may even have been Hunne’s Lollard beliefs that prompted him to challenge the legitimacy of the offering in the first place. The case had a sensational outcome as Hunne was found hanged in his cell before he could be brought to trial. The Church authorities said that he hanged himself; whereas, the Coroner’s inquest determined that Dr Horsey the bishop of London’s Chancellor had murdered Hunne. The public furore that followed was exacerbated by the Bishop of London’s decision to convict Hunne of heresy posthumously. His remains were exhumed and ceremoniously burned at Smithfield along with his books. Hunne’s death and the denial of secular justice against his murderer raised serious questions about the rights of clerics to be tried only in Church courts. The matter was considered so important that it was debated in parliament and in convocations. The king himself initiated a number of debates on the Hunne case and its consequences.

 

More was involved in the case. He attended a conference with the king where Hunne’s death was discussed. He was also present when the ecclesiastical judgement was passed on Hunne’s body. More was later to write ” I know it from top to toe. I suppose there are not many men who know it better.”[7] Afterward, he wrote a colourful and amusing account of the conference with the king, in which he ‘goes to great pains’ to defend the Church from ‘each and every criticism’ and concludes that Hunne committed suicide when he realised his praemunire suite had failed. “There is no reason to believe that More was deliberately misrepresenting the truth he was only putting what was natural to him in putting a lawyers gloss on ambiguous circumstances.”[8] Whilst, they must not mislead the court or conceal relevant information, it is not unusual for lawyers to put a positive spin on a weak case. After all, their professional duty is to their client and not to a search for truth. The jury (or the court in certain circumstances) are the sole arbiters of truth. What is disturbing, however, is Ackroyd’s explanation for More’s conclusion, which he suggests was based on More’s personal beliefs rather than the merits. “Lawyers are not necessarily supposed to be devout or principled except in the minutiae of legislation but for More the law was a central image of natural reason and authority. It furnished the principles which governed his behaviour in the world, established upon order in all its forms.”[9] If Ackroyd’s is right, More’s apparent loss of objectivity goes beyond putting a positive spin on a weak case; it perpetuates an injustice. The fact that More admitted he did not shrink from mendaciolum (a small lie) suggests how difficult and tricky he could be.[10]

 

‘A man for all seasons’

We know from More’s published works (poems, epigrams, polemics, letters and books) that he was well able to express his opinions and emotions on parchment or in print. Although his style was more Chaucer (bawdy, earthy) than Spenser (poetic), he had a flair for drama, and used his literary skills to educate rather than to entertain. It was while he was studying at Oxford and later in the Inns of Court that More came increasingly under the influence of a group of literary clerical scholars, known collectively as English renaissance humanists. He was well acquainted with the Latin grammarian John Holt and he studied Greek under William Grocyn, the first Englishman to teach it. Later he became associated with Thomas Linacre the eminent physician and scholar, and with the erudite John Colet. The term ‘renaissance humanism’ does not denote that these learned clerics and others like them held a common philosophical position, since they did not. Their appellation as humanists is derived simply from the fact that they studied a cluster of scholarly disciplines comprising grammar, rhetoric, history, poetry and ‘moral philosophy’. Classical Latin and Greek were the languages of these men. It is possible, that More’s association with such erudite ecclesiastics caused him to contemplate swapping a temporal career for a spiritual calling. At any rate, at the turn of the century he abandoned his legal practice and entered the Carthusian Monastery at Charterhouse, just outside the city walls, where he remained for four years as a lay member, participating fully in the spiritual life of the monks without taking holy orders. Eventually, the call of his temporal ‘work in the world’ proved too enticing for More the practical man. He left the monastery to stand for parliament.

 

The most famous of all northern European humanists was Desiderius Erasmus (the ‘prince of humanists’), whom More met and became friends with in 1499. Erasmus described More as a ‘man for all seasons’ due to his ‘affability and sweetness of character’. In 1516, he published More’s most celebrated volume ‘Utopia’, which in its structure and content reveals the author’s humanist leanings; as does his most controversial book ‘The History of Richard III’. These two volumes are a clear indication of More’s philosophical interest in the contrast between just and unjust kingship, and that his concern was not restricted to the lessons of Richard III’s reign. In a Latin poem written to celebrate Henry VIII’s accession, More highlights the ‘atmosphere of fear and suspicion’ caused by Henry VII’s rapacity, which, incidentally, was an opinion shared by many of More’s contemporaries. Nonetheless, the promise of a ‘golden age’ that accompanied Henry VIII’s accession was the redeeming finale of More’s poem, in which he expressed the hope that Henry would repeal unjust laws and remit unfair debts, and that he would maintain the peace and stability that allowed piety and scholarship to blossom.[11]

 

“One thing pretended and another meant”

I must now turn to More’s ‘History of Richard III, which I will refer to as the ‘History’ from now on. While we can speculate why More wrote it, we cannot dismiss it merely as Tudor propaganda.[12] That is the opinion of professor Richard Sylvester In his definitive study of the History. Sylvester argues that More was neither pro-Tudor nor anti-Plantagenet. He was as much pro-Edward IV as he was anti Richard III. For instance, even as he welcomed the accession of Henry VIII he took the opportunity, in the celebratory poem to which I have already referred, to criticise the ‘oppressive acts and devious dealings of Henry VII. He makes a similar point, albeit obliquely, in the History: “…all things in later days were so covertly managed, one thing pretended another meant, that there was nothing so plain and openly proved but that for common custom of close and covert dealings men had it ever inwardly suspect…[13] More is not here just referring to the reign of Richard III but also to the reign of Henry VII during the period when Perkin Warbeck was a threat to the Tudor hegemony. In Sylvester’s opinion, More has depicted Richard as a cacodemon because that is what his oral and written authorities told him. He accepted their narrative not because he was biased but because he trusted them. Chief among these authorities was John Morton. He played a big part in the downfall of king Richard and was an eyewitness of some events. He also possessed (in More’s opinion) ‘the very mother and mistress of wisdom and deep insight into the political world.[14] The fact that Morton died in 1500 and that More did not begin composing the History until about 1513 (leaving it unfinished around 1518-20) raises interesting questions about Morton’s contribution. What did he know? And, how did he contribute to the History?

 

I will deal with the second question first because it raises the issue of authorship. Beginning, with the early revisionist histories of king Richard’s life and reign, some scholars have doubted More’s authorship of either the English or the Latin, or both editions of the History. For revisionists’ the dichotomy between More’s reputation for integrity and his polemical History is explained by substituting the wily and inveterate schemer Morton as the author of (at least) the Latin version. Support for this contention was claimed from a piece of ‘literary gossip’ that appeared in an aside is Sir John Harrington’s book ‘The Metamorphosis of Ajax’ (1596) ‘”…the best, and best written part of all our Chronicles, in all mens opinions; is that of Richard III, written as I have heard by Morton, but as most suppose by that worthy and uncorrupt [sic] magistrate Sir Thomas More…” [15] As Dr Kincaid points out, ‘Harrington was an inveterate gossip, not necessarily to be believed’.[16]

There is, however, better reason for believing that Morton gave More a ‘polemical tract’ attacking king Richard, which the latter probably used as an aide-memoire for his own narrative.[17] Be that as it may, the case for More’s authorship of the English and Latin versions of the History is considered by modern scholars to be unanswerable.[18]

 

On the question of what Morton knew, we must bear in mind that as important as he was, Morton was only an eyewitness to some of the events of 1483. There is much in More’s History that could not possibly have come from him or the clique of Lancastrian dissidents who shared Richmond’s exile and (no doubt) dined with the archbishop at Lambeth Palace. Morton was not, for example, present at Stony Stratford when the Duke of Gloucester arrested the king’s uncle and stepbrother. Neither was he present when the Queen was persuaded to allow her youngest son, Richard duke of York, to leave the sanctuary of Westminster Abbey. Furthermore, Morton is not an eyewitness to the alleged murders of Edward V and his brother.[19] Though, he might well be the instigator of the rumour that they had been murdered. More’s other oral sources included but were not limited to: Sir John More, John Roper, Richard Fitzjames, Sir Thomas Lovell (fought for Richmond at Bosworth), Christopher Urswick (priest and Tudor spy in 1483), Bishop Fox of Winchester (in exile with Richmond), Roger Lupton (Mayor of London) and Sir John Heron (an early adherent to Richmond). When he cites one of these ‘authorities’ or others who occupied similar positions, he usually refers to them in the phrase ‘men say’. The opinion of these ‘wise’ men was much valued by More. He relied on them when balancing different interpretations against each other. Generally, More is not too concerned about the accuracy of dates, names and places since these could be checked later (but never were). What is notable, however, is that he never spoke to anyone at Henry’ VII’s court who had served king Richard or who could even be said to have liked the dead king.

 

In addition to his oral authorities, More had a number of written works available for consultation. Some of these pre-date the History, whilst others are contemporary with it. Pietro Carmeliano was a court scholar during the reigns of Richard III and Henry VII who wrote the ‘Life of St Catherine of Egypt’. He extolled Richard’s princely virtues when he was alive and denounced him as a tyrant when he was dead.[20] Bernard André’ was Henry VII’s official biographer. He wrote ‘Vita Henrici’, in which he to portrayed king Henry as angelic and king Richard as demonic. The sycophant John Rous wrote ‘Historia Regum Angliae’, during the reign of Henry VII. He denounced king Richard as the anti-Christ having previously acclaimed him for his nobility and virtues. Whether or not More used the Chronicles of Robert Fabyan, Polydore Vergil’s ‘Anglica Historia’ or Domenico Mancini’s ‘De Occupations Regni Anglie Per Ricardum Tercium Libellus’ is a matter of pure conjecture.[21] Some of More’s factual inaccuracies suggest that either he did not know of the Second Continuation of the Croyland Chronicle or he had not read it. Even so, it is safe to say that he would hardly have credited a less defamatory portrait of king Richard than the one he describes in the History. In the words of professor Sylvester: “The indictment against the king had been drawn-up by men whose judgement he respected; it’s terms were supported not only by most of his oral informants but also by writers whose version of events had been set down before he began to compose his own narrative.”[22] In early Tudor England there was hardly a voice raised in defence of the last Plantagenet. The official records such as Titular Regius and Richard’s signet letters were almost certainly not available to More. It is only by comparing his narrative with credible contemporary sources that we can test the historical accuracy of More’s History.

 

Although More’s portrait of Richard accurately reflects the opinion current in the courts of Henry VII and Henry VIII and some details can be corroborated by independent records (e.g. the allegation that Edward V was bastardised due to his parents’ bigamous marriage), there are some notable errors and omissions in the History for which there is no excuse. These range from getting Edward IV’s age wrong to naming Elizabeth Lucy as the lady alleged to have still been married to Edward IV when he wedded Elizabeth Butler. However, what Inspector Grant and others overlook in their criticism of More’s History, is that he never claimed it was anything other than a reflection of public opinion in the first quarter of the sixteenth century. Neither did he claim to be more authoritative than his sources. “He asks us not to credit that ‘what men say’ happened, did happen, but that they really said it did happen.”[23]

 

Professor Paul Kendall is not sure whether More ever intended the History to be factual. He suggests that what More learned from his sources, he used to fashion a version of events that satisfied his humanist leanings. “A dramatic boldly performed narrative soaring beyond actualities into art and seek psychological verisimilitude rather than factual accuracy.[24] Writing from a purely literary perspective, professor EMW Tillyard also believed that More’s History was intentionally creative rather than historical. “More’s History transcends the sorting of evidence and abides as a classic record of fundamental human nature”. In Tillyard’s opinion it has tragedy and comedy. “The episode where Queen Elizabeth is persuaded to give her youngest son into the care of Richard Gloucester is more tragic than anything the English drama produced till the great age.” On the comic side, Tillyard draws attention to Dr Shaa’s pre-arranged Sermon at St Paul’s Cross, which descends from high drama to farce thanks to Gloucester’s mistimed entrance.[25] Even so, there is no doubting More’s contribution to the shaping of Richard III’s black legend. He was the first to suggest that Richard had ‘long forethought’ to seize the throne, even before his brother was dead. And it is More’s narrative that names Richard as the prompter and guiding spirit behind all the events that followed Edward IV’s death.

 

Even though More’s reasons for writing the History are wholly obscure now, post-Tudor scholars have repeatedly question his motives and what he actually thought he was writing. For example, Kendall writes that he ‘undoubtedly set about his History for the same reason that according to Falstaff the earl of Worcester rebelled ‘it lay in his way and he found it’.[26] Whereas, Horace Walpole writing in 1768 believed that “[More] wrote his History to amuse his leisure and exercise his fancy.”[27] These seemingly flippant reasons might be closer to the mark than we think. For instance, Peter Ackroyd raises the intriguing possibility that both the English and the Latin versions of the History were written as a rhetorical and grammatical exercise for Oxford students.[28] The supporting evidence for this theory is both circumstantial and cryptic; yet, it does exist. First, there is More’s mysterious reference to a ‘schoolmaster of Poles’ (St Paul’s?): second, there is the fact that one of the extant manuscripts of this work is endorsed with the preface that it was written exercitationis gratia (‘for the sake of practice’). Finally, there is the fact that both the Latin and the English versions comply with More’s own methods of composition and revision, which he also impressed on his children.[29] As Ackroyd notes, More’s humanism had a practical purpose, and as a successful lawyer he was more interested in the practice and usage of advocacy than its theory. It is possible, therefore, that the long and complex debates on the merits and abuses of sanctuary and on king Richard’s royal title, which dominate the History ,are lessons in the art of disputation similar to those experienced by More during his own education.[30] The speechmaking is certainly more reminiscent of an exposition of the law than a record of what was actually said by those present in 1483. “One of the models of its form is clearly Sallust and More had been instructed to teach Sallust at Oxford. He had also recommended that author for his children’s’ reading. And what could be a better way of studying classical rhetoric and vocabulary than to apply them to the description of more recent events” [31] It is equally possible that More’s humanist leanings, his interest in history and in ‘kingship’, and his contact with Morton and the men who had fought King Richard, fuelled a ‘boyish interest’ in the dead king. His own interest in the classical Greek and Roman historians may have encouraged him to emulate them. In particular, he had a deep interest in the accounts of Tiberius’ tyranny, which were written by Tacitus and Suetonius.

 

It is more likely, however, that he wrote the History for a substantial reason other than mere interest.[32] He may have intended it to be a metaphor for his own doubts and his fear of Henry VIII’s instinct for despotism, which was already apparent by the time he was writing the History. He could not make his thoughts plain on pain of death, so his message is more oblique and very cleverly constructed. Nothing in More’s History could be mistaken as applying to Henry VIII. Read literally, it coruscates king Richard’s tyranny whilst justifying the Henrician Tudors as the opponents of tyranny. More’s philosophical and psychological interest in tyranny and government is evidenced by his poems and other written works: especially Utopia. The History may have been an attack on the real-politick of his day. He may even have regarded it as a worked example wherein a ‘good’ monarch would benefit from its powerful depiction of monstrous injustice. Of course the corollary of this was that it might give the potential despot ideas about subtleties of policy, which later generations would identify as Machiavellian. It would indeed be unfortunate if it provided Henry VIII with a convincing illustration of what he could do given free rein to his powers.

 

Whatever More’s reason for writing the History may have been, he put down his quill sometime between 1518 and 1520. He never returned to his manuscripts, which remained unfinished and unrevised; clearly, it was not meant for publication. The reasons for this have troubled Scholars almost as much as More’s reason for picking-up his quill in the first place. There are many different theories, two of which, bear testament to More’s concerns about the Henry VIII despotic tendencies. Sylvester postulates that he might have been troubled by the possibility that it would become a kind of ‘manual’ for Henry if he wished to exercise his will unfettered. More could not take that risk and so the History remained unfinished. Professor Kendall notes that More stopped just as Richmond was about to enter the narrative. At which point it became too dangerous for More to write about Henry VII’s oppression even by analogy. And so, the History remained unfinished and unpublished in More’s lifetime.[33] The third theory is more mundane but equally credible. It is possible that he simply lost interest in the project, particularly if it really was nothing more than a student exercise. Anyhow, by the second decade of the sixteenth century, More might still have been making-up his mind about the role he was to play in the king’s service. His life as a royal servant promised to be challenging, since the king was more often guided by his personal will and appetites than by reason. Although such wilful governance was anathema to More, he was confident of his ability to ‘bend with the wind’, so that what he couldn’t turn to good he could make less bad. He always gave his opinion according to his conscience when asked, but he never opposed the king’s will publicly. In view of the difficulty of maintaining a distinction between his private and public beliefs, it is possible the More simply abandoned the History in favour of his little booklet Utopia, which expertly expressed his own private views of governance and kingship even more obliquely than the History.[34]

 

Finally, it is possible that More became too embroiled with advising the king on the Lutheran texts that were appearing in England around this time. He was one of those who advised Henry on his own written defence of the Catholic faith, which earned him the title ‘Fidei defensor (defender of the faith). More himself took up the cudgel in support of his king, trading insult for insult with Martin Luther in a series of booklets. Compared to the existential threat to the established Church posed by Luther’s heretical doctrine, More may have considered the History a self-indulgent trifle.

[1] Peter Ackroyd – The Life of Thomas More (Vintage 1999) p.31 quoting from E Foss – Judges of England (London 1848-64) p.66

[2] Ackroyd p.28

[3] Richard Sylvester and Davis Harding (Eds) – Two Early Tudor Lives: the Life and death of cardinal Wolsey by Geo Cavendish & the Life of Sir Thomas More by William Roper (Yale 1962) pp.197-98

[4] Ackroyd p.52

[5] Ackroyd p.148

[6] Sylvester (Roper) p.200

[7] Ackroyd p.151; citing The Complete Works of Thomas More (Yale) V6, p. 318

[8] Ackroyd p.152

[9] Ibid

[10] Ackroyd p. 163-164; in a letter to Wolsey, More explains that the post of Canonry of Tournai had previously been conferred on his friend Erasmus, and that as compensation for Erasmus withdrawing from it, a better or greater provision should be made for him. None of this was true, of course, but it illustrates More’s willingness to lie.

[11] Ackroyd p.127

[12] Richard Sylvester (Ed) – The History of King Richard III by Sir Thomas More (Yale 1963) p. lxv and passim

[13] Sylvester (Roper) pp. 81-82 and n82/22 p.262; see also Paul Kendall (ed) – The Great Debate (Folio Society 1965) p.103; Kendall contains a useful modern English version of More’s History.

[14] Sylvester (History) p. lxvii

[15] Elizabeth Storey Donno (Ed) – Sir John Harrington: a new discourse of a stale subject, called The Metamorphosis of Ajax (1596) (London 1962) pp. 107-198

[16] AN Kincaid (Ed) – The Encomium of Richard III by Sir William Cornwallis the Younger (Turner and Devereux 1977) p.iii

[17] Sylvester (History) pp.lix-lxxiii; AN Kincaid (Ed) – The History of King Richard the Third by Sir Geo Buck (1619) (Alan Sutton 1979) Chapter VII passim: Buck said he saw the tract, which is no longer extant

[18] Sylvester (History) ibid; citing RW Chambers – The authorship of ‘The History of King Richard III’ in WE Campbell (Ed) – The English Works of Sir Thomas More (London 1931) pp. 24-53; Kincaid

[19] Sylvester (History) ibid; citing AJ Pollard – The Making of Thomas More’s Richard III published in ‘Historical Essays in Honour of James Tait (Manchester 1933) pp.223-284

[20] Pamela Tudor-Craig – Brochure for Richard III’s biographical exhibition at the NPG 1973. Carmeliano’s ‘Life of St Catherine of Egypt’ was exhibited at the NPG in 1973 (No.100). It is a second copy dedicated to Sir Robert Brackenbury and contains a glowing description of king Richard’s virtues in peace and war (‘…what emperor or prince can compare with him in good works and munificence”.). However, in 1486 in a poem dedicated to the new-born Prince Arthur, he charged Richard ‘the tyrant’ with the murder of his nephews.

[21] Sylvester (History) p.lxxi-lxxv; see also CAJ Armstrong – The Usurpation of Richard III by Dominic Mancini (Oxford 1969 edition) pp. xix-xx. Dr Armstrong discusses the relationship between Mancini and More in which he raises concerns about the provenance of More’s information. The importance of this lies in the fact that Mancini substantiates More ‘on many points’. In fact, More and Mancini are closer to each other than to the Croyland Continuation or to Polydor Vergil. The point is, of course, that they were probably using the same informants. Given that these informants were Richard’s political and dynastic opponents it is hardly surprising that they coincide on some points. What is remarkable is that they don’t agree on much more, since there are some significant discrepancies. Furthermore, as Dr Armstrong acknowledges Mancini harboured an unreasoned animus towards king Richard (that he was all along aiming for the throne) (Mancini p.17)

[22] Sylvester (History) p.lxx

[23] Sylvester (History) p.lxxviii

[24] Kendal p.25

[25] EMW Tillyard – Shakespeare’s History Plays (Penguin 1962) p.38

[26] Kendal p.25; this is a reference to a comment by Sir john Falstaff, a character in Shakespeare’s play Henry IV part 1.

[27] Kendal p.170

[28] Ackroyd p.157

[29] Sylvester (History) p.xii; in a ‘charming’ letter to his children, More admonishes them to write everything in English first ‘for then you will have far less trouble turning it into Latin; not having to look for the matter, your mind will be intent only on the language’. He also emphasises the need for revision to detect and correct solecisms. More was given to the careful revision of his own work, which, as Sylvester points out, may have served as a kind of paradigm for the complex sequence of drafts that were developed in the composition of the HISTORY

[30] Sylvester (History) pp.26-38`; see also Kendal pp.50-62. In the fifteenth century the abuses of sanctuary argued by Buckingham were a bone of contention between the laity and the clergy. By the time More was writing the History the privileges of sanctuary were much reduced.

[31] Ackroyd ibid; Goius Sallustius Crispus (‘Sallust’) (86 BC-35BC), was a Roman historian whose works were noted for their brevity, the use of rare words and unusual phrases.

[32] Sylvester (History) pp. xcviii-xcvix passim

[33] Sylvester (History) pp. cii-ciii; Kendall p.28; who notes the irony of More’s position in that his defamation of Richard III came in part from his detestation of Henry VII’s statecraft.

[34] George M Logan (ed) – Thomas More: Utopia (Cambridge UP 2016, 3 rd edition)

Sir Reginald Bray – not by L.P. Hartley

Reginald Bray was born in Worcester in around 1440. He was the second son of Sir Richard Bray, a surgeon, and Joan Troughton. He was educated at the Royal Grammar School at Worcester. Leland mentioned that his father, Sir Richard Bray was Henry VI’s doctor. Reginald was married to Catherine Hussey.
Bray is described by The History Jar as “Margaret Beaufort’s man of business” and then as “Henry VII’s advisor – a sort of Tudor Prime Minister and Chancellor of the Exchequer all rolled into one politically astute package”.
Bray was Receiver-General for Sir Henry Stafford, third husband of Margaret Beaufort. After Stafford’s death Bray continued to serve Margaret Beaufort. In 1483 Bray acted as go between for Margaret and John Morton, Bishop of Ely, who was then drawing his jailer, Henry Stafford, Duke of Buckingham, into the conspiracy to dethrone Richard III in favour of Margaret’s son Henry Tudor. Bray raised much needed funds for Richmond and won several key gentlemen to the Tudor cause including Giles Daubeney and Richard Guildford.

Annette Carson reports in her book “The Maligned King” that “Margaret’s household included several useful people who later played a leading part in the secret preparations that led to her son’s invasion of England. One was her receiver general, Reginald Bray, who would become one of the Tudor king’s most prominent councillors”. This was on page 98 of the updated version of Annette’s book and dealt with Hastings and his fall from grace. Annette also reports that Bray was a close relative of Hastings’ wife, Catherine.

After Buckingham’s rebellion Richard pardoned Bray and some sources maintain that this was for being associated with Henry VI, however, others say that it was because of his part in Buckingham’s rebellion. Annette Carson, on page 162 of the updated version of her well researched book “The Maligned King”, tells us that according to Vergil it was Buckingham’s idea to marry Tudor to a female heir of Edward IV. According to Vergil after Buckingham had persuaded Morton of his plan Morton procures Bray as a messenger by presumably sending word to Margaret Beaufort in London that he needs a confidential go between. Vergil then produces a second version of the marriage negotiations where the plan for the marriage is hatched between Margaret Beaufort and Elizabeth Woodville. I think that there can be no doubt that Bray was engaged in spying for Margaret Beaufort and probably Morton too.

Bray was created Knight of the Bath at Henry Tudor’s coronation and afterwards Knight of the Garter. In the first year of Tudor’s reign he was given the Constableship of Oakham in Rutland and was appointed joint Chief Justice with Lord Fitzwilliam of all the Forest south of the Trent and chosen for the Privy Council, then made High Treasurer and Chancellor of the Duchy of Lancaster. So while we cannot be certain of the exact events of the summer of 1483, the fact that Bray was so well rewarded by Tudor surely means that he played a big part in securing Tudor’s usurpation of the throne. He eventually died in June 1503.

Where did the Tudors come from….?

HENRY AND MODEL OF OLD LONDON BRIDGE

For those of us who may wish to know where the name Tudor comes from, here’s a thorough explanation.

 

Murrey and Blue interviews Michael K. Jones

  • Which of the Black Prince’s military achievements is the most impressive and why?

The main attraction in writing a biography of the Black Prince was to bring to life his martial exploits, for Edward of Woodstock, the eldest son of Edward III, captured the imagination of fourteenth century Europe. The chronicler Jean Froissart described him as ‘the flower of all chivalry’; the Chandos Herald, who fought with him, saw him as ‘the embodiment of all valour’. Thomas Walsingham wrote: ‘He never attacked a people he did not conquer; he never besieged a city he did not take.’ Even the French were impressed. A Valois chronicler stated: ‘He was one of the greatest and best knights ever seen. In his time, he was renowned the world over and won the respect of all.’

The Black Prince won his spurs at Crécy, on 26 August 1346, aged just sixteen. Edward III’s army used the longbow to deadly effect – annihilating the French nobility – and the Prince fought with conspicuous courage that day. Nine years later he received his first independent command as king’s lieutenant in Gascony, conducting a brutal plundering raid that scorched the earth of Languedoc. But it was at Poitiers, on 19 September 1356, that he won a truly remarkable victory over the numerically superior French, capturing their king, Jean II. In the battle’s aftermath, Jean was forced to accept the terms of a treaty which marked the zenith of England’s dominance in the Hundred Years War.

Edward of Woodstock then became Prince of Aquitaine, ruling – from 1362 – over a vast swathe of territory in southwest France. Five years later, he led an Anglo-Gascon army into northern Spain on behalf of the exiled ruler Pedro of Castile and won his last great success. At Nájera – on 3 April 1367 – he routed the opposing Franco-Castilian army of Enrique of Trastamara and restored Pedro I to the throne.

In purely military terms, the battle of Nájera was the Black Prince’s most impressive achievement. He skilfully reconnoitred the terrain before making a daring night-time march around his opponent’s position, drawn up on a wide plain to the east of the town. As dawn broke, his army made a surprise attack upon Enrique’s left flank. This was instinctive generalship – the Prince deploying his bowmen and dismounted men-at-arms with devastating effect before throwing in his cavalry to pursue and cut down his fleeing foe. The chronicler Henry of Knighton said simply: ‘It was the greatest battle to have taken place in our time.’

Yet, in a broader context, Nájera represented a flawed triumph. The Prince’s conduct of the campaign was on occasions hesitant and lacklustre, and although this was redeemed by a fine victory, its consequences (in which the army succumbed to a dysentery outbreak and Pedro reneged on financial obligations he had promised to repay) left him struggling with sickness and massive debt.

It was the battle of Poitiers that made the strongest impression on contemporaries. Here the Prince showed the full range of his talents: tactical acumen and astonishing courage during the course of the fighting and praiseworthy chivalry – in his treatment of his captured opponent, King Jean II – in its aftermath. It was the summit of his career as England’s warrior-hero.

  •  Do you think the Black Prince would have made a good king?

 The Black Prince passed away on 8 June 1376 – just over a year before the death of his father – after enduring a long and painful illness. His body lay in state in Westminster Hall and his funeral was then held at Canterbury Cathedral, some three and a half months later, on 29 September, amidst an outpouring of national grief. ‘Thus died the hope of the English’, Thomas Walsingham remarked. The poet John Gower hailed the Prince as an exemplar of knighthood: ‘He was never discomfited in a fight…he was a wellspring of courage.’ And in his funeral sermon Thomas Brinton, bishop of Rochester, evoked an era that seemed to be passing: ‘His wisdom appeared not only in his habit of speaking prudently’, Brinton emphasised, ‘but also in his manner of acting, because he did not merely talk like the lords of today but was a doer of deeds.’

Yet an idealised picture was being created. The Prince had, after all, been seriously ill for a long time and it suited contemporaries to remember the glorious victories of his prime rather than his final years in France, which were tarnished by the levying of a hearth tax on his Gascon subjects, the ill-fated resumption of the war and the sack of the French town of Limoges – although here hostile propaganda would play a part in unjustly blackening the Prince’s reputation.

The Black Prince’s generosity towards his fellow fighters left him constantly in debt.  A measure of financial prudence was necessary to be a successful ruler. However, if he had retained his health, his martial standing and easy rapport with the aristocracy would have been considerable assets as king. And at beginning of his rule as Prince of Aquitaine he did indeed show much promise, particularly in his commitment to justice and good government. In contrast, the last days of Edward III’s reign were beset by corruption and mismanagement, making the profound sense of loss at the Prince’s passing only too understandable.

  • Was any part of Richard II’s ‘tyranny’ justified?

Richard II was a very different man from his father. Intelligent and cultivated, he thought carefully about the dignity of kingship, possibly modelling some of his court protocol on what he had learnt of the magnificence of the Black Prince’s rule in Aquitaine. Yet he was no warrior – preferring instead to make peace with France – and his relations with his nobles were marred by distrust and outbursts of petty spite.

The period of ‘tyranny’, a description coined by the chronicler Thomas Walsingham, covered the last two years of Richard’s rule, from 1397-9, when the monarch took his revenge on the Appellants (a group of lords who had restricted his royal powers some eight years earlier), created a host of new aristocratic titles, imposed forced loans upon his subjects and strengthened royal power in the localities. In Richard’s eyes such measures were justified by his own concept of kingship, ‘an obligation laid upon him by God’, but political theory did not match practical reality. He ruled in a climate of fear, alienating many around him and ultimately sowed the seeds of his own downfall.

  • In the fifteenth century, did the Yorkists or the Lancastrians have a better claim to the throne?

 The Lancastrian dynasty began when Henry Bolingbroke, the future Henry IV, deposed the anointed king, Richard II, forcing him to abdicate. The Lancastrian claim to the throne derived from their descent from John of Gaunt (Henry’s father), the third surviving son of Edward III, through the male line. If the female line was given precedence the House of York had the better claim, through their descent from Lionel duke of Clarence (Edward’s second surviving son), through the marriage of Lionel’s daughter, Philippa, to Edmund Mortimer, earl of March – it was the granddaughter of this union, Anne Mortimer, Richard duke of York’s mother, who brought this claim into his family.

However enmity between the houses of York and Lancaster – founded upon this dynastic fault line – a feature of the drift to civil war in the 1450s, was by no means inevitable. Richard duke of York served Henry VI loyally as king’s lieutenant in France and it was only after his replacement by his hated rival Edmund Beaufort, duke of Somerset and fears that Somerset might manipulate the king and challenge York’s position within the realm as heir presumptive (evident in his articles against the duke in 1452) that the Mortimer claim, and the family’s descent from Lionel of Clarence, was once more considered. In short, it was Henry VI’s failure to dispense patronage and political influence even-handedly that propelled the house of York towards asserting its own claim to the throne.

  • Did Margaret Beaufort consistently plot to put her son, Henry Tudor, on the throne, or was she – initially at least – trying to engineer his return to England, and a position within the Yorkist realm?

It is a pleasure to see such a resurgence of interest in Margaret Beaufort – one of the great political survivors of the late middle ages – in fiction, non-fiction and TV. When I undertook my 1992 biography, with Malcolm Underwood, The King’s Mother, little was known about her political role and many of the key facts of her life misunderstood. Tudor historians would later insinuate that Margaret was always trying to advance her son’s claim to the throne but the reality was rather different.

Margaret Beaufort was always the pragmatist – and the archives of St John’s College, Cambridge, show her negotiating with Edward IV to secure a title and marriage for Henry Tudor within the Yorkist polity, a course of action that she continued to pursue at the very beginning of Richard III’s reign. It was only later in the summer of 1483 that Margaret began plotting against Richard. In the words of Polydore Vergil she ‘was commonly called the head of that conspiracy’, but whether her intention at this stage was to promote her son’s claim to the throne or merely to support Buckingham’s rebellion is far from clear. An accessible, recent account of these machinations can be found in the book I wrote with Philippa Gregory and David Baldwin, The Women of the Cousins’ War and in my piece ‘Mother of the Tudors’ in the BBC History Magazine (January 2017).

For Michael Jones’s author website see: www.michaeljoneshistorian.com

BERMONDSEY ABBEY AND ELIZABETH WYDEVILLE

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Elizabeth Wydeville, by an unknown artist, Royal Collection.

If anyone today wandering around Bermondsey, South London, should find themselves in redeveloped Bermondsey Square they may be surprised to find that they are standing on the spot where once stood the quadrangle of the Abbey of Bermondsey, the entrance  to the square being the site of the Abbey gatehouse.

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Nothing much hardly remains today above ground (after the archaeologists had completed their study of the Abbey remains in 2006 they were once again covered over)  other than some remains of the south western tower which can be seen below the glass floor of a restaurant and nearby houses on Grange Walk, 5, 6 and 7 which incorporate in their structure remains of one wall of the Abbey’s stone eastern gatehouse, particularly No.7,  where the chamfered south jamb with two wrought iron gate hooks still project.

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5, 6 and 7 Grange Walk, Bermondsey incorporating the remains of the Abbey gatehouse seen in 18th century engraving below.  Note the roof line still recognisable today and windows still in original positions. 

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18th century print of the Abbey Gatehouse.

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Drawing by C R B Barrett 1906 where the two Gatehouse hinges can clearly be seen with the remains of a third one still visible.

It is intriguing to remember that in this Abbey,  Edward lV’s queen lived out the last five years of her life, in the Clare guest suite, dying there on 8 June 1492,  She was the second queen to both retire and die there, the first being Katherine of Valois, Henry V’s widow.  Elizabeth commenced her retirement there in 1487 and debate still rages as to whether she retired there willingly or unwillingly with some good reason to be believe that her withdrawal there was forced upon her by her son-in-law, Henry Vll.  Certainly her removal there and the arrest of her son Thomas Grey followed hot on the heels of the news of the outbreak of the Lambert Simnel  rebellion and a council meeting at Sheen so that it might be reasonable to deduce that  Elizabeth and Thomas were implicated in that plot.  MacGibbon, Elizabeth’s biographer wrote ‘Henry is reported to have deprived Elizabeth of all her lands and estates, conferring them on her daughter, his queen, on the l May 1487, and finally to have induced her to spend the rest of her days in seclusion in Bermondsey Abbey in very reduced circumstances ‘(1).  Vergil, the Tudor historian was later to say that this was because Elizabeth had reached an understanding with King Richard three years earlier  upon which she removed herself and her daughters from sanctuary.  This is absurd and it may be that Vergil knew full well that Elizabeth’s retirement was not voluntary but did not know the precise circumstances or  chose not to repeat them it being unwise to record that Elizabeth and Grey may have got themselves involved in the Simnel rebellion because they both believed that Edward of Westminster and/or Richard of Shrewsbury were alive and well. Certainly it does seem a strange decision on Elizabeth’s part if she herself decided on the move to Bermondsey as she had only in the previous year taken out a 40 year lease on the Abbots House, known as Cheyneygates, at Westminster Abbey, conveniently  close to the Palace of Westminster ( 2 ).  Ah, man makes plans and the Gods laugh as they say.  MacGibbon also opines, rather contradictorily, as he seems rather besotted with Elizabeth, that ‘It is possible, if not probable, that Henry disliked his mother-in-law and in this he was no means singular, for there never was a woman who contrived to make more personal enemies’ but he adds as an afterthought, ‘but he ever deprived her of either property or dignity, remains to be proved’.  Furthermore, ‘far from being exiled from her daugher’s court, she was in that same year chosen as Prince Arthur’s godmother and attended at the font’ ( 3).  Finally, he plucks his ripest plumb from the tree, that on the 28 November 1487 Henry and James lll of Scotland agreed that the latter should marry Elizabeth as well as two of her daughters marry James’ sons.  However it must be remembered that at the time of James death, June 1488 none of these marriages had actually taken place and so it cannot be taken as a given that either King, particulary Henry fully intended these marriages to take place.  Indeed David Baldwin points out that ‘the proposed marriages had been mooted before the Simnel rebellion,  at least as early as the Three Years Truce signed on the 3 July 1486’ ( 4 ).

It has been said that it is unlikely that Elizabeth would involve herself in the Simnel plot, which would have culminated not only in the eviction of Henry, her son-in-law.  from the throne but also her daughter not to mention have robbed  her small grandson Arthur of his future   inheritance.  But on the other hand if she believed that the true intention of the plot was not to put Simnel/ young Warwick on the throne but one of her surviving sons, then it is highly likely that this is the very course she would have taken.  This may also explain any coolness that Elizabeth of York may have felt towards her mother and, if this were the case,   Elizabeth’s retirement,  brought about by  her diminished  financial circumstances,  leaving her with little choice, may have proved very  convenient for the royal couple, .  Certainly from Henry’s point of view Bermondsey must have seemed the perfect solution.  The accommodation itself, the Clare Suite, may have been deemed suitable by some  for an ex-queen although to Elizabeth, who had lived a life of luxury in many sumptuous properties  it must have seemed a massive case of downsizing, as we call it today, with a close watch on her movements and an occasional outing to keep any murmuring/speculation down.

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Interior of Great Gatehouse as it was in the 17th century.

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18th century print of one of the Abbey rooms before demolition

In summary

A)  1485.  Elizabeth is treated with deference by Henry, her title of Queen Dowager being restored to her in Henry’s first parliament which met a week after his coronation on 7 November 1485.  Acted as godmother to her grandson Arthur.

B) 1486.  Titulus Regius declaring the invalidity of Elizabeth’s marriage to King Edward was repealed in Henry’s first parliament  and on the 5 March 1486 she received annuities and a life interest in a raft of properties in southern England in full satisfaction of her dower (5)

C) 1486 July 10th.  Elizabeth takes  out a 40 year old lease on the Abbots House, Cheyneygates, at Westminster Abbey.

D) 1487.  February.  Shortly after news of the Lambert Simnel plot reached England Elizabeth retired to Bermondsey Abbey and her son Thomas Grey is arrested and put into the Tower of London.  Elizabeth’s biographer David Baldwin wrote Henry ‘deprived Elizabeth of all her properties, and confined her to Bermondsey on the unlikely grounds that she had imperilled his cause by surrendering her daughters, including his bride, to King Richard three years earlier’.

E)  1487 November 28th.  An agreement between Henry and James lll of Scotland for the latter to marry Elizabeth.  However, James died in June 1488 without this proposed marriage taking place.

F)  1489 November.  Elizabeth is present when Francois, Monsieur de Luxemboug, head of a visiting French embassy, met Elizabeth of York and her mother-in-law, Margaret Beaufort.  Although this might appear prima facie to indicate that all was well within the royal family, as it was surely intended to do,  the possibility exists that Francois, her kinsman,  had insisted on meeting Elizabeth and to avoid suspicion and gossip the meeting was duly arranged with the presence of Margaret stiffling any chance of a private conversation taking place which might have occurred had he met her in private at Bermondsey.

G)  1492 April 10th.  Elizabeth makes her will in Bermondsey Abbey.  There is no dispute, with her will still in existence, that her  condition was, for a dowager queen, extremely impoverished.  I do not have to go into the entire content of the will which is well know other than to repeat the words ‘I’tm where I have no worldly goods to do the queens grace, my dearest daughter, a pleasure with, neither to reward any of my children, according to my heart and mind, as is to me possible….’

H)   1492 June 8.  Elizabeth dies at Bermondsey Abbey.

It could be said that Elizabeth was the human rock that the House of York foundered, and finally, crashed upon, taking with it her two young sons, although this in no way pardons Edward with whom the buck must stop.  Perhaps he was giddy with his triumphs but certainly raging testosterone overcome common sense.  Edward seems to have kept his brains in his pants and the ensuing problems and tragedy that this later caused is well documented elsewhere and I need not go into it here.  Perhaps it would be hard hearted not to feel some glimmer of compassion when reading the pitiful will made at Bermondsey.  Elizabeth asked for a humble funeral and that is exactly what she got – even the herald reporting it was shocked – and so she was laid to rest in a wooden coffin without the usual inner lead one so that when the vault  in which she and Edward were interred was opened in 1789 all that remained of Elizabeth was a pile of bones and the remains of the coffin which had rotted away.  When the vault was resealed once again there appears to have been nothing left of Elizabeth, her bones having been stolen by Georgian souvenir collectors.  So Elizabeth remains a footnote in history, taking any secrets she may have had to the grave with her, including perhaps the whereabouts/fates of her two young sons.  She died knowing that her daughter was queen and that her blood would run through the future Tudor monarchs and perhaps she gained some comfort from that..but I wonder, did she ever muse on what might have been and what had been lost.  I leave you dear reader to make your own mind up about that.

 

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Remains of the Abbey revealed in 2006 prior to the Square being redeveloped

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Abbey staircase..

1. David MacGibbon, Elizabeth Woodville, a Life p.134

2. J Armitage Robinson The Abbots House at Westminster pp22-23

3. David MacGibbon, Elizabeth Woodville, a Life p 135

4.  David Baldwin Elizabeth Woodville Mother of the Princes in the Tower p115

5. Ibid  p109

Annette Carson: in sympathy with King Richard

To the delight of travelers across the globe, tired of lugging all those hard-copy books on planes, trains and automobiles, Annette Carson’s Richard III The Maligned King has just been released in ebook form and can now be purchased on Amazon.com.  Along with John Ashdown-Hill, Carson is part of a new generation of historians who have pushed forward new-found information that has helped to rehabilitate Richard the Third’s reputation in the 21st century with an energy matched only by their scholarship and dogged research.

Originally published in 2008, Richard III The Maligned King is not a biography but an examination of what happened from the moment his brother, Edward IV, died to his own untimely death.  It relies almost solely on contemporary accounts and moves in a direct timeline that makes enthralling reading.  Carson displays a ready wit and is not afraid to take on the hoary myths that cling to traditional historians like Spanish moss on a crumbling hacienda.

Although busy with new projects, Carson was able to spend a few moments with The Murrey and Blue to share her thoughts on Richard the Third and her background which led her to write about the maligned king.

Can you give us a little information on your background, Annette?

Like many people of my generation (I was born in 1940 and grew up in a single-parent family) I couldn’t afford a university education.  Music ran in my family and I was guided towards the Royal College of Music but I soon knew it wasn’t for me.  I married an actor and joined the staff of RADA as Front of House Manager, and then spent the next twenty years working the entertainment industry, including spells at Equity and Thames TV.

By 1984, having been involved for ten years in the sport of aerobatics and produced a fair amount of aviation writing and journalism, I was invited to co-author a book on aerobatic technique which was well received.  I was then commissioned to write a world history of aerobatics, which kicked off my professional writing career.  I enjoy technical writing and the research that goes with it, which in this case entailed learning Russian and took me to four continents.  That book sold 14,000 copies and my next book, a biography of the rock guitarist, Jeff Beck, is still in print and has sold over 15,000.

As you can tell, I follow where my muse takes me…so when other authorial ideas didn’t take off (I was JUST beaten to the draw on a proposed biography of Alan Rickman!) it occurred to me to put my ideas about Richard III into a book.

I’d been fascinated by Richard since 1955 when I was taken to see Olivier’s film of Richard III on a school trip.  Already a great lover of Shakespeare, I had never thought to doubt his mesmerizing portrayal of villainy.  So it hit me like a thunderbolt when my teacher said that many people considered him to have been a very good king whose reputation was deliberately blackened.  I’m something of a campaigner at heart – I took a particular injustice as far as the House of Lords and the European Court of Human Rights – so from my schooldays onwards I read as much as possible to try to uncover the truth.

Can you tell us something about your research methods?

Obviously, the ideas in my book had been germinating throughout decades of reading, so I had a lot in place by the time of the first draft in about 2002.  Fortunately, many of the standard sources were in print long before the internet became the resource it is today and my research entailed mining the documents and articles referenced by writers from Paul Murray Kendall onwards.  That’s my advice to anyone wanting to delve into where our ideas about history stem from:  become a reader of footnotes!

Paul Murray Kendall’s footnotes alone are worth the price of the book and often overlooked when traditionalists criticize him.  You did not write a biography of Richard.  Why?

I specifically didn’t want to write a biography because I was interested only in certain aspects of the years 1483-1485.  I had formulated several original ideas I wanted to explore, starting with what was known of the bones discovered in the 17th century and thought to be Richard’s nephews.  A major item of interest was to visualize exactly where they were found and what the staircase was like and the terrain around that area.  For this I got plans from Historic Royal Palaces and called on expert help from a civil engineer in order to commission an illustration – the only image I know that accurately depicts the discovery site based on contemporary descriptions, aided by illustrations, surveys and plans of the Tower.  I also wanted to highlight the importance of the jaw disease of the elder skull, and how significant this would have been if it had belonged to the heir of the crown.

Another thing I was keen to research was witchcraft in England in the 15th century, something which, because it already interested me, I knew the usual run of historians got completely wrong and still do.  There were many other original ideas – too many to mention – but several have now entered the general Ricardian discourse:  e.g. my taking apart all the myth-making in Vergil like Henry Tudor’s supposed oath to marry Elizabeth and the story that her mother meekly gave him her hand thinking her sons were dead.  Until then it had always been recited as genuine ‘history’.  And then, of course, my introduction of Richard’s bride-to-be Princess Joanna of Portugal, complete with colour portrait, whose existence had been known to readers of scholarly works but only as a shadowy figure.  I still maintain (with support from Arthur Kincaid) that my reading of Elizabeth of York’s letter in the Portuguese context is the only one that satisfactorily explains what the young Elizabeth was referring to.

Joanna must be one of the most under-reported stories in the history of Richard III.  Do you consider yourself a Ricardian?

By the time I finished in 2005 I had already written 160,000 words, so you can imagine how long a biography would have been!  My overall concern was (and is) always to set 15th-century events firmly in the relevant 15th century context.

I like to call myself a Ricardian because I am in sympathy with King Richard but I have to be careful of the word these days because it’s beginning to be used to signify blinkered adulation.  As recently as last year the President of the Richard III Society used the term ‘Ricardian translation’ to mean a pro-Richard whitewash.  I have no problem with anyone who admires Richard or with novelists who fictionalize him but it’s worrying when the boundaries get blurred and even Ricardians sometimes fail to make a distinction.

Occasionally I have to check your book and other non-fiction to see whether ‘a fact’ I’m using in an argument is indeed true or was inserted in one of the many novels written about the king.  It gets confusing.

Let’s be clear that I’m all in favour of speculation, because it can open up startling new trains of thought – and the Ricardian ground is so well-trodden that any new way of looking at something can be good for broadening horizons!  It’s sad, actually, that so many readers want a book about history to be a history lesson, and so many historians want to give them precisely that, right down to psychological profiling.  Whereas my job as a non-fiction writer is to explain how few and tenuous are those things that could be deemed factual, and to offer alternative constructions to conjure with and ponder upon.  I say what I think, and what others think but I don’t tell you they are the only conclusions.

What are you working on now?

I’m afraid there won’t be any new work on Richard III.  Unfortunately, I’ve found the atmosphere around Ricardian studies growing distinctly uncongenial and egocentric, so I’ve returned to aviation.  I am presently researching a biography of a courageous young World War I pilot which I hope to be ready for his commemoration in 2018.

My last Ricardian outing is assisting Arthur Kincaid with his updated and revised edition of Sir George Buc’s History of Richard III, which involves many interesting discussions and much repeated proof-reading.  Interestingly, the reason for Dr. Kincaid’s departure from the Ricardian community thirty years ago resembles mine.  It took considerable encouragement and persuasion for him to return to Buc, and I promise that when it’s published it will contain a treasure-trove of accurate and illuminating footnote references to delve into.

So you haven’t completely moved on from the maligned king!  I look forward to being able to buy both of your new books.  Thank you so much for sharing your time with the Murrey & Blue and I hope everyone purchases this new electronic edition .

annette 3

Sherlock: The Mystery of the Princes

Giaconda's Blog

sherlock head

Sherlock and Watson are looking for a killer. There has to be a killer or killers because Dan Jones said that ‘The Princes Must Die’ (episode three of Britain’s Bloodiest Crown) and after the Christmas special they are able to time travel which is just as well as they need to whizz back to late C15th England in order to solve the case.

The Game is On!

The list of suspects is fairly normal – people who needed to remove them in order to get closer to the throne, the newly crowned king who feared they would remain figureheads, disgruntled nobles, people who didn’t want the ‘old royal blood’ diluted by ‘chav-bloods’ (thanks Dan – it’s just a touch of Harry Potter for the kids yet also relevant to TOWIE fans) and then there are hired killers who might have done it for the money, to get out of the…

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Usurpation, Murder and More

Some thoughts on source material about events of 1483, the pre-contract and murder.

Matt's History Blog

I read a series of blog posts recently that sought to prove beyond a reasonable doubt that Richard III ordered the deaths of his nephews. Whilst I don’t take issue with holding and arguing this viewpoint I found some of the uses of source material dubious, a few of the accusations questionable and some of the conclusions a stretch. There are several issues with the narrow selection of available sources that continually bug me. It is no secret that any conclusive evidence one way or another is utterly absent but I have issues with the ways the materials are frequently used.

There are four main sources that are often used, two contemporary and therefore primary sources and two near-contemporary which are habitually treated as primary. The farthest away in time from the events that it describes is also the one traditionally treated as the most complete and accurate account, which…

View original post 4,469 more words

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