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Squaring the Circle

Writing The Survival of the Princes in the Tower was an enormously enjoyable project. The book, due out in Autumn 2017, considers the evidence that one, or both, of the sons of Edward IV survived well beyond 1483, when they are traditionally considered to have been murdered by their uncle Richard III. My problem with this almost universally accepted view has always boiled down to one irreconcilable dichotomy. Richard, we are told by writers from Sir Thomas More onwards, killed his nephews to secure his throne and prevent them from being a threat. Then, he kept it secret, so that no one knew they were dead. The fatal flaw in this argument is that unless Richard publicised the deaths of his nephews, the threat did not go away, as Henry VII would find out. If Richard killed them, he did it to prevent them being used as a threat, but unless he made it widely known that they were dead, they did not cease being a potential source of opposition and so the murders were rendered utterly pointless.

If a leap of faith is taken and it is accepted for a moment that the boys were not killed, many otherwise incomprehensible events begin to make more sense. What if Elizabeth Woodville emerged from sanctuary in Westminster Abbey with her daughters in March 1484 because the Princes were not dead? Why else would she write to her oldest son Thomas and advise him to come home? Why, many will ask, is there no trace of them in the historical record? Well, there wouldn’t be, would there? It was in Richard’s and Henry VII’s interests to keep their location and maybe even their survival, particularly in Henry VII’s case, a secret, so why would records be left lying around that would point to them? What may be surprising is just how many snippets that just might hint at their survival do remain. There is nothing conclusive, of course, but the clues are there.

Part of the problem becomes the number of different version of the fates of one or both Princes that can be found. They can’t all be true. This is a particular problem in relation to the younger Prince, Richard, Duke of York. There are three theories amongst those relating to Richard that are, at least superficially, mutually exclusive. The career of the young man remembered as Perkin Warbeck is perhaps the most famous example of a pretender to Henry’s throne. It is an important distinction that a ‘pretender’ is very different from an ‘imposter’. A pretender, in this context, is a name derived from the French ‘pretendre’, ‘to claim’, whilst an imposter is a fraud claiming an identity that does not belong to them. In the same way, it is applied to James Stewart, son of James II, who is known as the Old Pretender, the term does not necessarily imply an imposture. There was never any doubt of James’ identity and the term does not infer that Perkin was an imposter either.

There are two other stories of Richard’s survival that are prominent. Jack Leslau’s theory has fascinated me for years. It is very detailed and the evidence is examined in the book, but essentially it asserts that Richard, Duke of York survived as Dr John Clement, a prominent physician and a member of Thomas More’s inner circle. If true, it means that his survival was an open secret at the courts of Henry VII and Henry VIII and alters More’s motives in his creation of the story of the Princes’ murder. David Baldwin’s The Lost Prince details a further theory that Richard may have survived at Colchester, where he trained as a bricklayer. A Moyle family legend tells of a bricklayer employed by Sir Thomas during the rebuilding of Eastwell Place who was caught reading a Latin book. After much cajoling, the elderly man identified himself as an illegitimate son of Richard III. He was given a plot of land on which to build a house and live out his retirement and on his death, his name was recorded in the parish register as Richard Plantagenet. Since Richard III recognised his two known illegitimate children, it has been suggested that Richard of Eastwell was, in fact, Richard, Duke of York.

These are just three of the theories, but it raises the question of how they can be reconciled to one another, even if one accepts any of them might be true. It is not impossible, though. There is intriguing evidence that Perkin might have been far more genuine than tradition allows, not least that the Spanish monarchs Ferdinand and Isabella believed that he really was Richard, Duke of York. There are also contemporary suggestions that Perkin and his wife, Lady Catherine Gordon, had one child and possibly more.

What if Perkin really was Richard, Duke of York? What, then, if one of his sons was raised as Dr John Clement, an identity, based on University records, that might have been meant for his father and was simply transferred to the son? Could the bricklayer at Eastwell have been another son, who added to his age and secured a comfortable retirement with his version of the truth? This is just one possible explanation that allows three of the prominent stories of Prince Richard’s survival to exist alongside each other. There is more detail in the book, which I have no doubt will cause some waves.

One thing became clear as I was writing: All that is required to accept the survival of the Princes in the Tower is a belief that Richard III was not a reckless and disorganised enough monster to kill his nephews and then fail to see his motive realised by keeping it all a secret, that Henry VII was similarly averse to killing his brothers-in-law and possibly their young children for the love of his wife if for no other reason and that Henry VIII, at the beginning of his reign, was self-confident and assured enough to allow Plantagenet relatives to live in peace. None of these is hard to accept. Richard III did not harm Edward, Earl of Warwick or any of his other nieces and nephews. Henry VII did not execute Warwick until adulthood and only under pressure from the Spanish to complete the match between Arthur and Catherine of Aragon. As for Henry VIII, the teenager was very different from the older man. He created Warwick’s sister Margaret Countess of Salisbury, paid for the education of at least one of her sons, Reginald Pole, and was close to his uncle Arthur Plantagenet, an illegitimate son of Edward IV, until his paranoia ran wild.

I hope that the book will cause some to at least pause and consider the possibilities, to question why it is that there is a belief the Princes were killed at all and what it might mean if they did survive. The belief in their murders would be the ultimate propaganda victory of the Tudor era but might also have left them with a threat that lingered almost as long as the Tudors themselves did.

Sunnes And Roses – A New Release by The Legendary Ten Seconds

Review by Elke Paxson

Sunnes And Roses – it’s finally here, the new album by The Legendary Ten Seconds. This new one focuses on the history and some of the events and people during the War of The Roses. Like the music of the 3 CDs about Richard  III, this is a unique and quite excellent mix of English Folk with a touch of Medieval music and a hint of Rock.

Album cover of Sunnes and Roses

The new album starts off with a song commemorating the battle of Towton, the biggest battle ever fought on English soil and the battle that brought Edward IV to the throne. Quite fitting – the song has a powerful intro with the sound of cannons. It moves on with a forceful rhythm and it has a really rich sound to it.

List of the Dead – this one has a foot tapping rhythm and it’s needed as the lyrics tell of the many battles, the long list of the dead through the many years of the “Cousins’ War”. Quite superbly done.

The Jewel – is a really pretty song. It tells the story of the stunning “Jewel of Middleham” found in 1985 by Ted Seaton. There is a beautiful trumpet intro before a number of other instruments are added – acoustic guitar, percussion, strings and tambourine.

Good King Richard – this is a very nice and rousing duet with Camilla Joyce and Gentian Dyer. It’s going back and forth between accusations and King Richard’s side – very well done with great musical sound and sound effects! Love the song.

Sunnes And Roses – an excellent instrumental. The guitar picking is just outstanding!! It has a very memorable sound!

Battle In The Mist – is a haunting an engaging song about the Battle of Barnet. It’s a good story and its instrumentation and the rhythm come together quite nicely.

Richard of York – this song is about the pretender Perkin Warbeck or was he…. Love the beautiful guitar intro of this song. The harmonies, strings and the guitar sound make it so very beautiful.

King’s Daughter – the second instrumental on this album. This is a really pretty combination of a love song with a fine medieval touch to it.

Middleham Castle on Christmas Eve – one of my all-time favourite songs. It brings everything together – beautiful lyrics that combine the past with the present, the instruments, the sound of the percussions, the harmonies. Fantastic.

A Warwick – the title tells the colourful story of the Kingmaker, the powerful Earl of Warwick. The song moves along nicely and has a swift beat to it.

Souvente Me Souvene – Remember me often, is another instrumental and also the motto of Harry Stafford, 3rd Duke of Buckingham.

Autumn Rain – and speaking of Buckingham….this one is also about him or rather about the “washed out” October rebellion of 1483 that he was subsequently beheaded for. The song is pretty neat and the sound effects are quite fitting.

A Herald’s Lament – a sad song for sure, but it’s not a slow song as you might expect. It tells the story of a herald’s return to an unknown place – perhaps the city elders of York or King Richard’s mother Cecily.

Tewkesbury Medieval Fair – Time to go back in time yet again. This is a really nice song about the annual medieval fair in Tewkesbury. The way it presented it’s easy to imagine yourself being there.

Ian Churchward and The Legendary Ten Seconds have produced another tremendous album full of expertly written songs, fabulous music with a rich sound that brings history to life in a very profound way. ENJOY!

For anyone who might be interested in this fabulous new album, it is available on Amazon.com, at CDbaby.com for download and it should be available in CD format from the Richard III Society by the 31st of January 2017.

 

SIR WILLIAM STANLEY – TURNCOAT OR LOYALIST

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It is well documented how, through the treasonable and treacherous actions of Sir William Stanley at Bosworth, Richard lost his crown and his life. He was hacked to death after Stanley, who brought 3000 men with him, intervened at the crucial point when Richard, with his household cavalry in a heroic charge, came within a hair’s breadth of reaching Tudor and despatching him.  There is a story that after Richard’s crown was found under a hawthorn bush, it was Stanley who crowned him.

Sir William seems to have been one of those people who can run with the hounds and play with the foxes, doing well under Edward IV, who made him Chamberlain of Chester and, interestingly, Steward of the Prince of Wales’ Household(1).  Later Richard made Stanley Chief Justice of North Wales and finally Tudor made him Lord Chamberlain and Knight of the Garter.  It is said that Stanley – step-uncle to Tudor and brother-in-law to Margaret Beaufort – was one of the richest men in England.  Bacon estimated his income at 3000 pounds a year.  Stanley was also step-father to Francis Lovell, having married Lovell’s mother, Joan Beaufort, widow of John Lovell, 8th Baron Lovell, but I digress!

Fast forward 10 years and it all ended ignominiously at Tower Hill, where Stanley was beheaded on 16 February 1495 for the treasonable act of communicating with Perkin Warbeck.  Stanley was accused of telling Robert Clifford, who informed on him, that if he was sure Perkin was indeed Edward’s son ‘he would never take up arms against him’.

The question I am raising here is not so much about Stanley’s interminable fence-sitting, which is common knowledge  – and a penchant he shared with his brother Thomas – but rather, did Sir William, an apparent dyed-in-the-wool turncoat, capable of the greatest untrustworthiness, actually possess a latent streak of honour, perhaps dating from the time when he was Steward to the Princes of Wales’ Household?  Did his time there give birth to a fierce loyalty to Edward’s sons, that later emerged with such a passion that he risked all, absolutely all,  when he joined the Perkin Warbeck plot?  Did he grow fond of young Edward, later focusing this affection on Edward’s brother, Richard of Shrewsbury, whom Warbeck purported to be?  OR, was he, as the historian Gairdner (2) suggested, merely attempting to secure his position in the event of an invasion?

(1)  Ramsay, Lancaster and York, ii 482

(2) W A J Archbold ‘Sir William Stanley and Perkin Warbeck’ English Historical Review 14( 1899) pp 529-534. ‘On 14 March (year unknown) Gairdner suggested in a note to Archbold that Stanley may ‘simply have wanted to secure his position with both sides in case of an invasion’.  I am grateful for this information which I have gleaned from Helen Maurer’s ‘Whodunit – The Suspects in the Case’.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

For Candlemas …

… or the probable anniversary of the battle of Mortimer’s Cross:

sunnesroses

Sunnes and Roses, a new album

by The Legendary Ten Seconds

 

Released on R ichard The Third Records on 31st December 2016.

 

Songs featuring Warwick the Kingmaker. Richard III, Henry VII, Lord Hastings, Edward Earl of March, Lord Fitzwalter, Sir Andrew Trollope, Lord Bonville and Perkin Warbeck

 

Instruments played by Lord Zarquon, Rob Bright, Ian Churchward, Ashley Dyer trumpet on ‘The Jewel’ and Ivy Curle flute on ‘Richard of York’

with the singing of Ian Churchward. Camilla Joyce, Elaine Churchward and  Gentian Dyer

 

A Richard III Records Publication, Catalogue number R35

 

Recorded in Torbay at Rock Lee and Rainbow Starshine Studios.

 

CDs available from the Richard III Society (see below) and the songs in digital format on itunes, CD Baby and Amazon.

 

www.thelegendary10seconds.co.uk

 

AT MORTIMERS CROSS THREE SUNS WERE SEEN

FOR THE UNEDUCATED WHAT DID THIS MEAN

THE EARL OF MARCH DECLARED “ A GOOD SIGN”

FOR THE THREE SONS OF YORK AT THAT TIME

 

All songs written by Ian Churchward except for Herald’s Lament written by Sandra Heath Wilson and Ian Churchward, and Middleham Castle on Christmas Eve written by

Frances Quinn and Ian Churchward

 

Sunnes and Roses, an instrumental.

List of the Dead, a song about several of the battles of the Wars of the Roses.

Towton, the bloodiest battle on English soil told in a song.

A Warwick, a song about Warwick the Kingmaker.

Battle in the mist, about the Battle of Barnet in music and verse.

Souvente me Souvene, an instrumental, the motto of the Duke of Buckingham.

Autumn Rain, a tale of Buckingham’s rebellion in the autumn of 1483

Good King Richard, a song about the reign of Richard III.

The King’s Daughter, an instrumental for Judy Thomson who lives in Chicago.

Heralds’ Lament, a song about the betrayal of Richard III at Bosworth

Richard of York, a song about Perkin Warbeck.

Middleham Castle on Christmas Eve, past and present merge into one another in this song.

The Jewel, the story of the Middleham Jewel performed in this tune.

Tewkesbury Medieval Fair, go back in time, yes you could be there in this song.

 

Here is some new information regarding the album:- The album in CD format can be purchased via the Richard III Society’s Sales Provider and prospective buyers should contact E-Mediacy, with the appropriate payment – including post and packing, as follows and quoting item reference M228: Richard III Sales c/o E-Mediacy 5 The Quadrangle Centre The Drift Nacton Road Ipswich, Suffolk IP3 9QR email for enquiries only not for orders richardiii@e-mediacy,com Members’ price: £6.00 (non-members’ £8.00) plus P&P £1.10/ UK £2.00 EU/£2.60 Rest of the World. Details of the how to make payment can be found on the Society Shop page of the Richard III Society website. Members will need to give E-Mediacy their membership number to obtain the discounted rate. For the time being the CDs of this album can only be purchased via the Richard III Society. A percentage of funds from the digital sales of this album will be donated to S.A.U.K.

 

 

 

Edgar the Aetheling: Failure or Survivor?

Giaconda's Blog

edgar-the-aetheling-1

You could argue that Edgar was set up to fail from the start. As the last male heir of the ancient royal House of Cerdic of Wessex; Edgar had the bloodline but little else to support his claim to the English throne when his great uncle, Edward the Confessor, died in January 1066.

edgar-2 Edgar’s father, Edward the Exile who raised his children in Hungary for some time

His father, Edward the Exile, had mysteriously died shortly after being recalled to court by Edward the Confessor, to be his heir thus leaving Edgar’s claim unprotected by a strong male relative at the tender age of 6. His mother, Agatha, may have been related to the German Emperor but was far from assistance and before long would be surrounded by powerful men who were all set to devour each other in a violent contest of military strength in order to lay hands…

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‘Blood Sisters’: A Review of Seven Royal lives

Giaconda's Blog

Sarah Gristwood’s book, ‘Blood Sisters’ looks at the lives and reputations of seven key women who lived through the tumultuous and deadly years of the ‘Cousins War’ in C15th England and who changed the course of our national story by their actions.

I particularly wanted to read this book because women are so often side-lined or underestimated when it comes to the re-telling of events, yet were as much the ‘glue’ that held society together then as they are now. Their efforts, devotion, ambition, desires and fears had as much impact on the lives of their family members and the wider course of events as their male counterparts yet many historians continue to portray these women as ciphers or subsidiary characters in events.

Historians can also continue to be unduly influenced by the contemporary accounts of infamy or notoriety which have become attached to these women and which have slewed…

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Edward IV and why I feel a song coming on

cliff richard

One of Cairo’s biggest trolls claimed, last week, that the Fourth Lateran Council banned secret weddings, thus Edward IV’s June 1461 marriage to the dark-haired, older, Lancastrian widow Lady Eleanor Talbot could not have been valid.

There are only two problems with this claim, from the clown who confused “June” with “youth”, had Katherine de Valois addressing Parliament after she died and Bishop Leslie of Ross meeting “Perkin Warbeck” thirty years before his own birth. The first is that those who understand canon law* disagree with the impact of the Fourth Lateran Council, at least in fact if not intent. The second is that Edward’s 1464 secret ceremony was also with an older Lancastrian widow, who probably had dark hair. If the claim was true then this “marriage” would also, of necessity, be invalid.

So Edward IV either married at least twice – there may be other cases we do not know about – or not at all. He was either a bigamist or a bachelor “until his dying day” but his children were illegitimate either way.

Ned Four

  • Royal Marriage Secrets (Ashdown-Hill, p.20)

Sherlock Holmes and the Mystery of Mr Warbeck

Giaconda's Blog

sherlock head

Sherlock and Watson are on a case. They have time travelled back to the C15th to try and uncover the truth behind the mysterious disappearance of the ‘Princes in the Tower’ but the trail has gone cold with multiple possibilities and suspects, if they were indeed murdered at all. Sherlock hopes to find new clues about their fate in the legend of Perkin Warbeck.

Rain is falling and a dank mist rising off the river as Sherlock and Watson emerge from the precincts of the Tower and make their way along the web of lanes which lead to the area known as the ‘minories’.

Sherlock wraps his great coat around him to keep out the chill air. Watson looks wary. There are thieves in the shadows and a drunken brawl going on in one of the ale houses nearby.

‘Where now then?’ askes Watson.

‘Deeper into our net of intrigue, Watson.’ Sherlock…

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Why put Richard III (or anyone else) in white armour….?

Illustration from the tournament book of King René of Anjoufrom King René’s Tournament Book

The only thing I am concerned with here is what is actually meant by the term “white armour”. And I do not refer to the star trooper that is supposed to be Richard III. Plus, I am definitely not an armour buff, but just trying to fathom some of the finer points.

White armour was made of polished steel. There are numerous references to it, mostly with praise and admiration, as it was (supposedly) more precious and admirable than field armour, which was not polished.

Anne Wroe mentions it as follows (concerning Perkin Warbeck):-

Other things, too, were going on in Cork at the time. The confession mentions a Yorkist refugee, John Taylor, as one of the kidnappers loitering on the dockside. But Taylor was not there by chance. He was in charge of a small fleet, equipped and paid for by the King of France, which had been sent apparently to fetch a Yorkist prince, or an imitation of one. Taylor hoped thereby to foment a rebellion in favour of the Earl of Warwick, but the prince who had arrived was already, it seems, proclaiming himself as the Duke of York. Some debate may have followed about which name the young man was to take, if he was not truly the prince. But in the hold of one of Taylor’s ships lay a suit of precious white armour already made for him. In short, he was expected.

http://www.richard111.com/perkin_warbeck__imposter_or_pri.htm

I have found other references too, including that Tudor, on arriving in Wales, would undoubtedly strike awe into everyone in his dazzling white armour. There are many more in a similar vein, but I will not overload you with them. Suffice it that if you wore white armour, the implication was that you were the bee’s knees.

Now I have been looking through a large book entitled Jousting in Medieval and Renaissance Iberia by Noel Fallows. On pages 80-81 it states:-

. . . As clarified by Amadis de Gaula, in medieval Castile white armour denoted a certain level of skill since it was typically worn by novice knights . . .

and

. . . “I told him I would take the horse, because it was very good, and the cuirass and the helmet; but that the other arms were to be white as is fitting for a novice knight.” . . .

and

. . . fought by two of the least skilled knights, who are pointedly described as wearing white armour. White, polished armour would still have been expensive and of high quality . . .

Aha, do I hear you cry? What is she waffling about? This book only refers to jousting, not to battle circumstances. And in Castile, not England and Wales. I agree, but these knights went all over Europe attending tournaments. Just think of the film A Knight’s Tale, starring Heath Ledger. And this is where my problem arises. What did white armour signify in the real world, i.e. not the glamour of the tournament? Did it suddenly become very desirable indeed to appear in highly polished steel? Or did it still indicate the novice? So, in a tournament, an experienced knight would never challenge, or accept a challenge from, a less skilled knight in white. But on the battlefield . . . ?

Perkin Warbeck would clearly have been a novice . . . and maybe the same could be said of Henry. He was no warrior, and I have never read of him appearing in a tournament on the continent, or anywhere else. I know, I know, he was under house arrest and therefore couldn’t, but the end result is the same, he had no experience. Then again, I cannot imagine he would draw attention to his lack of skill and experience by strutting around in white. He was too canny for that.

So, am I right to think that white armour indicated one thing in jousting, but quite another in real combat? And one thing in Castile, but quite another in England? I am sure someone out in WordPressland is going to tell me.

 

Sherlock: The Mystery of the Princes

Giaconda's Blog

sherlock head

Sherlock and Watson are looking for a killer. There has to be a killer or killers because Dan Jones said that ‘The Princes Must Die’ (episode three of Britain’s Bloodiest Crown) and after the Christmas special they are able to time travel which is just as well as they need to whizz back to late C15th England in order to solve the case.

The Game is On!

The list of suspects is fairly normal – people who needed to remove them in order to get closer to the throne, the newly crowned king who feared they would remain figureheads, disgruntled nobles, people who didn’t want the ‘old royal blood’ diluted by ‘chav-bloods’ (thanks Dan – it’s just a touch of Harry Potter for the kids yet also relevant to TOWIE fans) and then there are hired killers who might have done it for the money, to get out of the…

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