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Portraiture – including Richard – at Redgrave church’s latest history workshop….

Redgrave church

St Mary’s Church at Redgrave is hosting the event, called ‘People Power’, on September 30 from 10.30am-4pm, which will be led by lecturer Tania Harrington. 

June Shepherd, workshop organiser, said it would be the latest in a popular series of study days the church has run since 2007, covering everything from Richard III to First World War airmail.

She said: “From the start our team aimed at providing history lovers with something more meaty than an evening lecture, yet not as involving as a several-month course.

“An added interest is that the study days all take place inside a beautiful building which is itself historically important.”

Cost is £18, including a light lunch. To book, send SAE to Mrs J. Shepherd, Barn View, Chapel Lane, Botesdale IP22 1DT, with cheques made out to Redgrave Church Heritage Trust. 

http://www.edp24.co.uk/going-out/portraiture-to-come-into-focus-at-redgrave-church-s-latest-history-workshop-featuring-tania-harrington-1-5190789

 

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The Bedingfield turncoat of Oxburgh Hall….

Oxburgh Hall - picture by Art Fund

Oxburgh Hall – picture by Art Fund

In this 2014 post mention was made of Sir Edmund Bedingfield of Oxburgh Hall, near King’s Lynn in Norfolk. He was a Yorkist-turned-Tudor supporter who, like the Stanleys and others, failed Richard III at Bosworth.

Sir Edmund was a Yorkist who benefited under Edward IV and Richard III (at the coronation of the latter, he was created a Knight of the Bath), but the ingrate signally withheld support at Bosworth. By 1487 Bedingfield was very cosy indeed with Henry Tudor, playing host to him—and Elizabeth of York, Margaret Beaufort and the Earl of Oxford—at Oxburgh Hall at Easter 1487. I trust it stretched the Bedingfield finances to breaking point! The traitorous fellow then turned out for Henry at the Battle of Stoke Field, fighting under John de Vere, Earl of Oxford. After the battle, Bedingfield was made a knight banneret.

A rather handsome Henry VII

A rather handsome Henry VII from the Oxburgh Hall National Trust website

So, what conclusion are we to draw from all this? That Bedingfield was a staunch supporter of Edward IV, but did not agree with Richard III’s claim to the throne? He probably believed the rumours that Richard had done away with Edward IV’s two sons, and so went over the wall into the Tudor camp. One imagines he would subsequently have been very much under Henry’s eye, because that suspicious king very sensibly did not trust anyone who changed sides. Nevertheless Bedingfield prospered under the Tudors, as did his descendants, until their Catholicism got in the way under Elizabeth. Although that queen did honour Oxburgh with her presence in 1578.

Let us return to Easter 1487 (in April that year) and the royal visit to Oxburgh, which house, incidentally had been built after Edward IV granted Bedingfield a licence in 1482. Unusually, the chosen material was red brick, a very costly option at that time. Bedingfield’s gratitude can be seen in the numerous Yorkist falcon-and-fetterlock badges throughout the house, where Edward’s licence is on display. No doubt Bedingfield was especially honoured to have Elizabeth of York beneath his roof, because (in the absence of her brothers) he undoubtedly regarded her as the true heir of Edward IV.

falcon and fetterlock

According to Bedingfield family tradition, the king and queen did not lodge in the main house, but in the noble gatehouse, which has remained virtually unchanged since it was first built. Henry and his Yorkist queen would recognized everything about it were they to return now, and so would Elizabeth I.

Oxburgh Hall - 1482

According to a very detailed description in Greater Medieval Houses of England and Wales, 1300-1500 by Anthony Emery:

“The gatehouse is a tall, three-storeyed block with dominating half octagonal frontal towers. The latter are divided by seven tiers of sunk panels decorated with triplets of cusped arches surmounted by a battlemented head on blind machiolations. The four-centred entry arch with double relieving arches is closed by the original pair of oak doors. The four-light window above has a stepped transom with a three-light transomed window at second-floor level. The whole is spanned by an open-machiolated arch supporting a line of blind cusped arcading and crow-stepped parapet.

“The gatehouse is a subtly modulated composition. Ashlar stonework was chosen for the central windows but brick for those in the towers with open cinquefoil lights in the stair tower and uncusped single lights with brick labels to the closets in the east tower. Contrasting chevron brickwork is used over the principal window but a single line of yellow brick surmounts that above. Though blind arcading was a common enough tower decoration at the time—as at Buckden, Gainsborough Old Hall and Hadleigh Deanery—the height of the Oxburgh towers is emphasized by the diminishing elevation of the embracing panels of brickwork. The east tower has loopholes at ground level with two quatrefoils above set in blind recesses withy two-centred heads, whereas the side faces of the stair tower at all stages have quatrefoils set in square frames. The entrance position is curious, for its hood is cut by the west tower and the head stop has had to be turned as though it was purposed to be in line with the hall porch on the opposite side of the courtyard, though this still lay a little to the right as the gatehouse does to the whole north frontage.”

Yes, a very detailed description, and (to the likes of me) somewhat confusing, so here are two photographs of the gatehouse, which will perhaps make Emery’s words easier to follow. The first one is of the external approach, while the one below it is a view of the gatehouse from within the courtyard.

Gatehouse at Oxburgh - approach from outside

Gatehouse at Oxburgh from courtyard - from Tour Norfolk

In the illustration below, of the gatehouse chamber known as the King’s Room, I fear that according to the National Trust, it is something of a misnomer. It is not the room in which Henry slept, nor is it the bed, which is 1675. I have not been able to find anything to identify the actual room. All we know is that the bed in which Henry rested his head was described in the 1533 will of Edmund’s son and heir, another Edmund, as being covered with “…a fustian [wool or cotton fabric] covering or red and green sarsnet [silk] unicorns and scallop shells.”

The King's Room at Oxburgh Hall

The illustration below is of the Queen’s Room, which does appear to be the one in which Elizabeth of York slept. The two figures represent Henry and Elizabeth. Not sure about the accuracy if the 15th-century television.

Queen's Room - with Henry and Elizabeth

Oxburgh Hall is a very beautiful old house set in a moat, and is a great testament to the taste of Sir Edmund Bedingfield. But for those who believe Richard III was rightly the King of England, it is necessary to overlook the fellow’s Judas tendencies.

Bedingfield arms

Bedingfield

 

 

 

THE MALIGNED RICARDIANS

Part 1 – Sir William Cornwallis the younger

“ His virtues I have sought to revive, his vices to excuse”

(The Encomium of Richard III, Sir William Cornwallis)

It is conceivable that historians do not take the early revisionist histories of king Richard III seriously owing to an assumption that the authors were not themselves serious. If so, they are probably mistaken about Sir William Cornwallis (1579-1614) the author of the ‘Encomium of Richard III’, the earliest extant defence of the last Plantagenet king and the subject of this post. And they are definitely wrong about Sir George Buck, the author of a second and more substantial defence of Richard entitled ‘The History of King Richard the Third’. My purpose in this post and a further one about Buck is to draw attention to these undervalued and misunderstood revisionists, whose pioneering works have provided the template for subsequent defences of king Richard.

Life

Sir William Cornwallis the younger (so called, to distinguish him from his uncle) was probably born at Fincham, Norfolk. He was the eldest child of Sir Charles Cornwallis a diplomat and court official. The Cornwallis’ were well known recusants and too prominent during catholic Mary’s time to prosper much under protestant Elizabeth: they were always under suspicion. Within that parameter the young Cornwallis’ upbringing was gratifyingly orthodox. He studied at Queen’s College, Oxford. In 1595 he married Katherine Parker; they had thirteen children, eight of whom survived him. In 1599 he saw action in the earl of Essex’s Irish campaign, and was knighted by the earl for his service . On his return to England he lived quietly during the remainder of Elizabeth’s reign.

In 1603 on the accession of James I he was appointed a member of the king’s Privy Chamber. In 1604 he was elected MP for Orford in Suffolk in support of the union between England and Scotland, and in 1605 was sent on a minor diplomatic mission to Spain. His extravagant lifestyle resulted in considerable debt and despite a gift of £2000 from the king he died in penury in 1614, leaving his widow and eight children destitute.

Literary works

Cornwallis’ literary career was that of a gentleman amateur writing ‘familiar’ paradoxical essays at the turn of seventeenth century. According to Kincaid “His style is fluent but incursive, his periods short but balanced. Illustrative examples are drawn from his own experience, though with evident modesty. He is concerned with self-improvement, particularly for statesman, stressing stoic virtues such as resolution, fortitude and endurance. His method is influenced by Montaigne, his ethics by Seneca . The paradoxes range from satirical praise of misfortune (e.g. ‘The French Pox’ and ‘Debt’) to what seem, at least partly, serious defences of historical figures (e.g. Julian the Apostate and Richard III).” Even though the contemporary essays of Sir Francis Bacon and John Donne overshadowed Cornwallis’ own literary achievement, the paradoxical essay tradition as it re-emerged in the eighteenth and nineteenth centuries owes more to his method than to theirs.

The Encomium of King Richard III – Background

It was commonplace for the original manuscripts of familiar essays to circulate among groups of literary friends. It was also commonplace for the author and for others to copy the manuscript: sometimes adding further comments, sometimes correcting errors. The Encomium of Richard III was no exception to the rule; there are ten surviving manuscript copies of it, each being different from the earliest and from each other. Although many of the changes are minor and stylistic, there are some important ‘political’ interpolations in later versions.

Cornwallis’ original manuscript is a mixture of the serious and the paradoxical. It does not sit easily in the form of a paradox. However, later additions indicate crude attempts to formalize it as a conventional paradox. Efforts have also been made to de-personalize it; whereas Cornwallis attacks a single ‘corrupt chronicler’, later versions change that to ‘our corrupt chroniclers’. The most interesting additions are those that are politically motivated. These additions though ostensibly enhancing Richard’s defence are really political propaganda linked to the Essex plot of 1600, and have wrenched Cornwallis’ original Encomium out of context. It is not surprising, therefore, that so many literary scholars regard the Encomium as a rather poor paradoxical essay and so many historians disregard it as a serious defence of king Richard III. It is also unfortunate that the latest version was published in 1616, as it is the one most commonly known and it distorts Cornwallis’ own views. It is in this context that we should assess the worth of the ‘Encomium’. In this post I am concentrating on three aspects of the Encomium. First the questions of authorship and motive, second an overview of Cornwallis’ technique for defending king Richard’s reputation, and finally the influence of late Elizabethan and early Jacobean politics on later versions of the Encomium.

Authorship

In the first half of the twentieth century, Professor W Gordon Zeeveld argued that ‘The Encomium of Richard III’ was in response to a manuscript account of king Richard’s reign written by Cardinal John Morton soon after Bosworth. This manuscript had been circulating amongst Tudor intellectuals for many years. According to Zeeveld it was copied by Sir Thomas More and published by his nephew John Rastell as More’s ‘History of King Richard III. Zeeveld argues that the traces of personal hatred towards Morton contained in early versions of the Encomium are evidence that it was inspired by Morton’s tract.

Zeeveld also believed that the Encomium was a palimpsest concealing an earlier defence of Richard, with Cornwallis as the continuator rather than the originator of that work. He postulates that an anonymous contemporary supporter of Richard took it upon himself to defend his dead master from Morton’s tract. Unfortunately there is no evidence that this earlier defence existed; neither does it follow that the personal bitterness evident in the Encomium places the author in the 1490’s. As Dr Kincaid points out, it could just as easily result from intellectual stimulus affecting somebody in the 1590’s.

Nobody knows why Cornwallis wrote this essay or why he chose to do so in a hybrid form. His animosity towards one Tudor chronicler suggests an emotional involvement that is at odds with his otherwise reasoned and intellectual approach. However, the editors of Kincaid’s excellent edition of the Encomium have conducted a careful and minute study of all ten original manuscripts and they are perfectly satisfied about two things: first, the Encomium is not a palimpsest, it is Cornwallis’ original work; second, Morton wrote a tract about Richard that was still extant in the 1590’s.Notwithstanding these conclusions, the evidence of a link between Cornwallis and Morton’s tract is circumstantial at best; it does no more than establish the possibility that Cornwallis had access to the tract.

Last on this aspect, the suggestion that Morton wrote a tract which was still in circulation well into Elizabeth I’s reign has wider significance, particularly regarding the authorship of More’s ‘History’ and its impact on Sir George Buck ‘History of King Richard the Third’. I hope to address both these issues in a future post.

The defence of king Richard

Cornwallis’ defence of Richard is unique in pro Ricardian literature in that generally he does not challenge the traditional Tudor version of the facts. The importance of the Encomium to the Ricardian narrative is simply that it is the first reasoned defence of Richard. The absence of an evidence base to accompany Cornwallis’ reasoning does not damage his contribution to that narrative, since Buck and others have been well able to supply that evidence. Although largely ignored by academics and historians, the Encomium has had a significant influence on future revisionists. For example, Buck structured his first three books around the Encomium (though he was working from a later manuscript) and Walpole adopted a similarly reasoned approach. The Encomium contains most, if not all, of the reasoned, logical defensive arguments that we see in modern Ricardian literature to this day.

Cornwallis makes four broad points. First, some of the accusations against Richard are so frivolous that they must have been prompted by malice (e.g. his physical appearance, born with teeth etc.). Second, there is no objective evidence that he committed many of the offences alleged against him (e.g. the murder of Henry VI and the allegation that he ‘commanded’ Dr Shaw’s sermon on the 22 June 1483, for which others are clearly implicated). Third, he is not guilty of usurpation or of regicide by reasons of state. It is only the third point that I want to explore in a little detail since the allegation of regicide is by far the most serious charge laid against king Richard III.

In 1601 Cornwallis (and not the later interpolators) wrote this about the disappearance of the two Princes: “In this time chanced the death of his two young nephews in the Tower, whose deaths promising quiet unto him, are wholly imposed upon him, how truly I have reason to doubt, because his accusers are so violent and impudent, that those virtues which in other men are embraced, for which they are esteemed as gods, they impute to him to be rather enablers of vices than really virtues. His humility they term pride, his liberality prodigality, his valour cruelty and bloodthirstiness and so through malice, not truth turn all things to their contrary. But if it were so that he contrived and consented to their deaths the offence was to God and not to the people, for the depriving of their lives freed them (the people) from dissention and how could he demonstrate his love more amply than to venture his soul for their quiet, But who knows whether it were not God’s secret judgement to punish the father’s transgressions on the children, and if so complain their fate, not his cruelty.”

Turning his attention to the grim realities of medieval power politics, Cornwallis continues: “…yet in policy princes never account competitors however young or innocent since the least colour of right provokes innovating humours to stir-up sedition, which once being kindled threatens both the subversion of princes and people. Therefore, the removing (of) such occasions of civil wars is well governed. (The) commonwealth is most profitable, most commendable, being no cruelty but pity a jealousy of their subjects and a regard for their own safety”. However, king Richard does not entirely escape Cornwallis’ censure: “If for this action he ought to be condemned, it is for indiscretion in the managing; for as safely might he have had the realms general consent in disposing of their lives, as in disposing them from the crown, and had he held a secret execution best he might have effected it more secretly…”

Cornwallis eschews a substantive defence of king Richard; instead, he emphasizes his personal virtues and his good works, and excuses his actions as being in the public interest and done from a high sense of public duty. Albeit we cannot establish a firm link between Cornwallis and Morton’s tract it seems that the Encomium was indeed a response to More/Morton account. For instance, when condoning Richard’s seizure of the crown, Cornwallis refers to Edward IV’s betrothal to ‘Elizabeth Lucy’. That is a name he can only have found in the work(s) of More/Morton.

Politics

Cornwallis had ‘ high views of the royal prerogative and his Encomium shows no exception.’ For example, he writes “…chroniclers should not criticise kings because kings are accountable only to a jury of kings and to God.” In Kincaid’s edition of the Encomium, the editors identify four distinct ways in which later additions of the British Museum manuscript turned this essentially pro-monarchist work into a revolutionary text.

The first change is subtle alteration to the notion of divine authority. The most obvious example of this occurs in the extract I have referred to above. At the point where Cornwallis suggests that the death of the Princes might be God’s judgement on the sins of their father we get this interpolation (highlighted): “…if so complain of their fate, not his cruelty (FOR IN THESE FATAL THINGS IT FALLS OUT THAT HIGH WORKING POWERS MAKE SECOND CAUSES, UNWITTINGLY ACCESSORY TO THEIR DETERMINATION) yet in policy princes…” This insertion introduces a controversial, political tone; though the point being made is hardly new or novel. The notion that temporal kings were subject to God’s law, which upholds truth and justice against deceit and injustice, was argued by the Yorkists in the 1450’s to justify their rebellion against the misuse of royal authority. It follows that if God’s law forbids tyranny it must be His will that subjects should resist and even overthrow tyrants, by force if necessary. This interpolation reflects the seventeenth century’s revolutionary agenda whereby the exponents of change rejected the divine right of king, in favour of the principle, enshrined in Magna Carta, that the king was subject to the common law of the land. Rex is not lex; lex is rex (The king is not law; the law is king.).

Second, the text was changed to show the Tudors in a much worse light than hitherto. For example, Cornwallis praises Richard for abolishing forced loans. However, this is altered slightly with the insertion “ THOUGH HE CAME TO MANAGE A STATE WHOSE TREASURE WAS EXCEEDINGLY EXHAUSTED.” It is a comment that would strike a cord with late Elizabethans struggling under an inequitable tax system. The costs of the continuing Spanish war and the troubles in Ireland had increased the parliamentary subsides granted to the Crown fourfold between 1589 and 1601, with a disproportionate burden falling on the poor. Indeed, the demand for increased subsidy in 1589 was so onerous for the rich that Sir Francis Bacon declared in parliament: “Gentlemen must sell their plate, farmers their brass pots ere this will be paid”. In desperation the Queen resorted to levying forced loans and benevolences on the wealthy through the privy seal. She also imposed ship money on inland towns; yet still the exchequer was in deficit. In 1601 parliament debated the plight of the poor. There were calls for the wealthy to pay more: “Some thought that three-pound men should be spared; others that four-pound men should pay double, with a corresponding increased charge on the rest upwards.” The tendency of Stuart monarchs to raise taxes without the consent of parliament through forced loans, increased custom duties and ship money was an issue (there were others) that eventually led the king to kill his subjects and his subjects to kill their king.

Third, Cornwallis defends Richard’s seizure of the throne on the basis that Edward V was too young to govern himself, much less the realm; anyhow, he would be too much under the bad influence of his mother and maternal uncles who were “…the duke’s mortal enemies such as through the lowness of their birth had never been inured to government, whose new nobility was more likely to ruinate than to fortify the Ancient, could not but draw a true discerning spirit to favour himself to maintain the ancient nobility to commiserate the people much wasted by dissensions…” This can certainly be interpreted as a veiled criticism of William and Robert Cecil, who between them controlled the queen and the government in the 1590’s. However, the later insertion of the words “ AND OPPRESSED” between ‘wasted and ‘by’ in the above extract is a much more explicit reproach of the Cecil’s. A reproach that becomes even more obvious in the interpolation at the point where Cornwallis justifies Richard’s execution of Rivers and Grey: “…jealous of his own preservation OF THE SAFETY OF THE COMMONWEALTH AND OF THE ANCIENT NOBILITY with great reason and justice he executed them.” The reference to the safety of the realm is an allusion to England’s Cecil-inspired foreign policy . The criticism is even more explicit in an insertion at the point when Cornwallis is defending the summary execution of William Lord Hastings, which he says was just because Hastings was in the pay of the French king; furthermore, it was he who persuaded Edward IV not to support Burgundy against the French: “WHEREAS NOW IN A FEW YEARS IT IS DEVOLVED TO A PROUD AND INSOLENT NATION (Spain) WHO HAVE GRIEVOUSLY OPPRESSED THOSE NETHERLANDS WITH EXECRABLE CRUELTIES AND ARE AT THIS DATE CAPITAL ENEMIES OF OUR STATE…”

At the turn of the seventeenth century England was in turmoil; people were uncertain about the future, confused and frightened. The queen was ageing and various political factions were jockeying for power and influence in preparation for her demise. Poor harvests had brought famine, the war with Spain dragged on accompanied by genuine war weariness and the economy was a shambles. Militarily and diplomatically England was weaker in 1600 than it had been in1588, whilst Spain was stronger.The Spanish army occupying Holland was a direct threat to England’s flank and her independence. On top of all this the protestant reformation was not secured, nor the succession settled. Of the two foreign candidates, one was a Roman Catholic and the other a protestant flirting with Catholicism . The Cecil clique, pacific by inclination, wanted peace with Spain, which was abhorrent to the protestants. In 1601 Robert Devereux the earl of Essex accused Robert Cecil of favouring the succession of the Spanish Infanta to the English throne. It was dismissed as nonsense at the time. However, with the benefit of five hundred years of hindsight and official correspondence we can see that at best, Cecil’s behaviour was disingenuous.

Fourth, and perhaps most significantly, is the insertion of an unambiguous appeal to force against legitimacy. Cornwallis is writing of the necessity for Richard to assume the crown for the common good and in particular to prevent another civil war, then this paragraph is inserted into Cornwallis’ narrative: “…THE DUTY WE OWE OUR COUNTRY EXCEEDS ALL OTHER DUTIES, SINCE IN ITSELF IT CONTAINS THEM ALL. THAT FOR RESPECT THEREOF NOT ONLY ALL TENDER RESPECTS OF KINDRED, OR WHATSOEVER OTHER RESPECTS OF FRIENDSHIP ARE TO BE LAID ASIDE, BUT THAT EVEN LONG HELD OPINIONS (RATHER GROUNDED ON SECRET GOVERNMENT THAN ANY GROUNDS OF TRUTH) ARE TO BE FORSAKEN SINCE THE END WHERETO ANYTHING IS DIRECTED IS EVER TO BE OF MORE NOBLE RECKONING THAN THE THING THERETO DIRECTED, THAT THEREFORE THE PUBLIC WEAL IS MORE TO BE REGARDED THAN A PERSON OR MAGISTRATE THAT THEREUNTO IS ORDERED…IF ANY MAN SHOULD OBJECT TO THIS COURSE LET HIM KNOW THAT NECESSITIES REQUIRE NEW REMEDIES AND FOR HIM (Richard) THERE WAS NO REMEDY BUT THIS ONE.” It is a sentiment that needs no explanation.

Kincaid and Ramsden argue that this insertion was probably aimed at Sir Henry Neville who had an ambiguous role in Essex’s attempted coup of 1600 and who was related to Robert Cecil. They postulate that Henry Wriothesley, earl of Southampton sent this amended copy of the Encomium to Neville to reassure him that he could disregard ties of kinship since it was God’s will that the Cecil’s should be overthrown. It is, they say, the only explanation for this insertion, which is so contrary to Cornwallis’ own philosophy.

[1] Elizabeth I was furious with Essex for personally knighting so many of his officers in the wake of his shameful truce with the Irish rebels; the queen called these officers ‘idle knights’ and there is no suggestion that Cornwallis’ preferment suggested a softening of attitude towards him. The Cornwallis’ – we are told – ‘were always under suspicion’.

[2] Michel Eyquem Montaigne (1533-1592) was an influential French renaissance philosopher who wrote anecdotally on the human condition. His stated objective was to describe humanity and especially himself ‘with utter frankness’.

[3] Seneca the Younger (BC1-AD65) was a Roman stoic philosopher. He was forced to commit suicide after being implicated in a plot to assassinate the Emperor Nero.

[4] Arthur Kincaid – Oxford Dictionary of National Biography (online edition, ref:odnb/6345) (DNB)

[5] Arthur Noel Kincaid- The History of King Richard the Third by Sir George Buck (Alan Sutton 1979) at pp.civ-cv: Kincaid writes: ‘Rosalie L Colie in her study of paradox’s gives Cornwallis’ Encomium as an example that fails because it does not surprise of dazzle by its incongruities, for it strikes the reader as an all but serious defence. Instead of appearing skillful many of its arguments give the impression of being sincere but lame…” (See Rosalie L Collie – Paradoxia Epidemica (Princeton 1966) at p8)

[6] Arthur Kincaid and J A Ramsden – The Encomium of Richard III by Sir William Cornwallis the Younger (Turner and Devereux 1977) at p.5 (Kincaid)

[7] Kincaid at pv

[8] Kincaid at p20: interestingly, this was Charles I’s grounds for refusing to recognize the jurisdiction of the court appointed by Parliament to try him for crimes against the State in 1649. In 2001 Slobodan Milosevic also pleaded sovereign immunity when arraigned for war crimes (See Geoffrey Robertson – The Tyrannicide Brief (Vintage 2006) for an illuminating discussion on the powers of the law to bring tyrants to book for their crimes.)

[9] Kincaid at p17

[10] Kincaid p14

[11] Professor J B Black – The Reign of Elizabeth I (Oxford 1987) pp. 228-234.

[12] Black at p231

[13] Kincaid p9

[14] Kincaid p8

[15] Kincaid p10

[16] It was Philip II’s ambition to launch an invasion of England from the Netherlands

[17] Christopher Hill – God’s Englishman (Penguin 1972) at pp.20-25: Dr Hill suggests that the Elizabethan golden age was long past: if it ever existed. The legend of a time “…when parliament and crown worked in harmony, in which the Church was resolutely protestant, in which bishops were subordinated to secular power and protestant sea dogs brought gold and glory back from the Spanish Main…owed more to a criticism of what was happening (or not happening) under Stuarts than anything that had really existed under Elizabeth.”

[18] James VI was a Protestant and his apparent willingness to convert to Roman Catholicism was only a diplomatic/political ploy to unsettle Elizabeth and the English: it worked.

[19] Black at pp.445-451: Professor Black refers to correspondence, which suggests that Robert Cecil sounded out the feasibility of the Infanta and her husband the Archduke Albert succeeding Elizabeth. He certainly seems to have considered the ditching James VI of Scotland as heir to the throne.

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