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Tales of a Ricardian Traveler – Gruyères Castle

If we thought that Richard III had a horrific end to his life, just take a look at the death of Charles the Bold.

RICARDIAN LOONS

Lady on Horseback Lady on Horseback, mid-15th c., British Museum

It is tempting to think that the British Isles contain all the sites associated with Richard III’s life. Of course, that’s not true. Richard lived abroad twice, first in 1461 and again in 1470-1. On both occasions, he had fled England in order to save his life and wound up living in lands controlled by the Duke of Burgundy.  The Duke, a descendant of a junior branch of the French royal house of Valois, maintained the most glamorous and sophisticated court in all of Europe.  So powerful were the Valois-Burgundian dukes that when Edward IV became king, he betrothed his sister Margaret to the heir of that duchy.

Charles the Bold Charles the Bold, Duke of Burgundy (1433-1477). His third marriage was to Margaret of York, Edward IV’s and Richard III’s sister. He would be the last of the Valois dukes of Burgundy.

Margaret’s intended husband…

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The Survival of the Princes in the Tower

The Survival of the Princes in the Tower has finally been released. There was a delay in some copies reaching readers in September, so by way of apology I blogged a little extract which can be found below. I also wrote a piece for On the Tudor Trail which was quite well received and can be found here.

I’m hoping this book will add a new dimension to an old debate and at least cause readers to think again about what they believe are the facts of a story seriously lacking in any hard, definitive facts.

It seems that a lot of the hardback copies of The Survival of the Princes in the Tower are not reaching people after the release on Thursday. I’m told there has been a delay getting copies to the warehouse, but that they are there now and should be shipped early next week. The Kindle version […]

via The Survival of the Princes in the Tower Extract — Matt’s History Blog

Princess Joanna and her three Kings

Perkin Warbeck: A Story of Deception – The Fascinating Enigma as presented in Ann Wroe’s biography

Giaconda's Blog

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I wanted to write a piece about the man who we know as Perkin Warbeck or Piers Osbeck or Richard Plantagenet or King Richard IV or whoever he may have been if he was none of these other men after reading Ann Wroe’s excellent biography on this most appealing of enigmas.

Firstly I need to pay tribute to Wroe’s wonderful book which I found impossible to put down. Her writing is exceptionally beautiful and multi-layered, particularly in the first few chapters where the poetic and philosophical meet the straight historical narrative.

She begins with a very detailed description of the copy of the portrait which survives of the man who called himself Richard, Duke of York, son of King Edward IV. You could be forgiven for falling in love with him right there, not because of his strikingly gorgeous looks, his elegant poise or suggested sophistication but because of his vulnerability…

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A guest post from (Professor) Karen Griebling

From time to time I have alluded rather obliquely to the fact that I see strong similarities between late 15th century English politics and early 21st century American politics and that is among the reasons I think that Richard III’s story needs to be told, and told NOW especially. I had been sitting on those revelations all this time because I felt that art needed to be given a chance to make its point, that the libretto and the music would bring those things to light; but I suspect I am putting too much faith in that. People will be struggling with the plot, the music, and the language on the first hearing so perhaps now is the time to make that statement.

To most people nowadays the Wars of the Roses seem to have been a Hatfield versus McCoy family feud of remote antiquity. Little do they realize that international diplomacy had a great deal to do with it, that Louis XI “the Spider” of France, Charles ‘the Rash” of Burgundy, Francis or Brittany, Maximillian of Austria, the Pope, the Doge of Milan, the Hundred Years War, gun powder and the printing press (technology), Spain and Portugal, Scotland and Ireland, the emergence of the middle class, gender roles and rights, religious ideology, the middle east, and international economics and trade agreements were key players in those events. Change is a constant; but the more things change, the more they remain the same in some ways. Having immersed myself in the politics of the 15th century for some time now, I am more aware of the similarities than ever, and the cyclic tendency of things.

Meanwhile, among the strong similarities between American politics and those of the late 15th century in Britain as I see it, are the House of Lancaster being somewhat equivalent to the Republicans, rewarding insiders and throwing money into costly and futile foreign wars (The Hundred Years War) while bankrupting the state and allowing its subjects to starve, doing anything in their power no matter how ridiculous/devious to malign and unseat the reigning house, and the House of York being similar to the Democrats who were allied with the Duchy of Burgundy and generally more progressive, more liberal, more populist, and tended to shake up the status quo by introducing commoners to court/inside the beltway.

The Medieval concept of Fortune’s Wheel is certainly apropos. It’s a wheel that twists on it axis as it turns, though, I think. We think of Mesopotamia as the Cradle of Civilization, but that civilization erupted through violence and competition for limited resources among peoples with conflicting and exclusive ideologies. East and Southeast Asia were also in the ascendant early on, and culture and civilization spread West to Europe gradually, via Turkey, Greece and Rome to Europe. The late 15th c. then saw the discovery of the Americas by Europeans (Richard III had died in battle just 7 years earlier, in fact.) The west appears to be in decline now and the East appears to be ascending, and the strife in the Cradle of Civilization, always at a dull roar, it seems, is increasing once again.

I DO think that this accounts for the popularity of shows like “Game of Thrones” which is loosely based on the Wars of the Roses, and “The White Queen”. And somehow I feel as though the discovery of the mortal remains of Richard III coincided with this time 530 years after his death for a greater purpose. As Joe Leaphorn character in the Hillerman mysteries says, (and I paraphrase) ‘I don’t believe in coincidences’. Or rather, I do, but I believe they have meanings and a significance that we may or may not grasp immediately.

Some of you may recall that I taught a course on musical rhetoric and politics a couple of years ago. The focus of that course had been of interest to me ever since I was a DMA student at University of Texas and wrote a paper on ‘protest music’–no, not the folk-pop music of the ’60s and ’70s, but protest music in 20th century classical art music by composers such as Hindemith, Dallapiccola, Britten, Berg, Schoenberg, and others. The course I taught in 2013 though, went back to the beginnings of European classical music–examining the nature and purpose of Gregorian chant as a tool of the church for subjugating, unifying, and pacifying the masses (!), through the development of word painting in the Renaissance, and structural abstractions as codes during periods of intense censorship in the late 18th century and in Soviet Russia in the 20th century, the use of quotation in masses by Josquin and in early Postmodern composers like George Rochberg, etc., the use of music dramas first to flatter the patron and teach moral and ethical lessons, not unlike early TV sit-coms, and the later use of them to lampoon aristocrats (the SNL of the 18th and 19th centuries!), and the emergence of music by women and composers of color during the mid twentieth century equal rights era, etc..

That, all of it, comes to bear in the opera, Richard III: A Crown of Roses, A Crown of Thorns. This isn’t just a romantic piece about a long-dead king, or pretty arias and exciting battle scene music, it isn’t just about rehabilitating his reputation through art (though that is certainly its mission), but it is about critically examining and understanding the world we live in and drawing attention to the patterns of repetition from history that we sometimes fail to recognize so that we can learn from them.KG1 KG2 KG3

The Mystery of the Vanishing Chapel.

According to Perkin by Anne Wroe (page 140) Henry VII’s envoy, Somerset Herald, when visiting Margaret, Duchess of Burgundy and her son-in-law, Maximilian of Austria in 1495, offered to show them the chapel where Richard, Duke of York was buried.

I am surprised that this particular piece of evidence has not been shouted to the world by the anti-Richard brigade, because if Richard, Duke of York had a burial place in a chapel in 1495, it demonstrates beyond doubt that he was dead before that date, and it may even suggest that Richard III killed him. The possibility that Henry VII’s envoy might have been telling porkies is surely too remote a contingency to be considered.

So, the question arises, where is this mysterious chapel? There are a few other questions too. Was Edward V buried there too? Was there an account for a tomb – given Henry VII’s meticulous accountancy, there surely must have been. If he was willing to spend £50 on Richard III’s tomb, obviously he must have spent at least as much on that of his innocent brother(s)-in-law. Somewhere there must be an account of Henry, Elizabeth of York and Margaret Beaufort sobbing over the little white coffin(s) – it just needs to be discovered. Why did More not mention this chapel in his account? After all, he mentioned several things that we know didn’t happen, so you might have thought he would have mentioned one that did. Especially when such a tomb would have been the most wonderful and conclusive evidence to round off his tale.

If we can but identify this chapel, and recover the body (or bodies) DNA testing would demonstrate proof of identity. But of course, it would mean that the skeletons found 10 feet deep under the Tower staircase were definitely not the boys after all. (Certain medieval saints appear to have had two bodies, or two heads – according to the reputed relics held by the Church – but this explanation will scarcely serve for the Princes.)

What are people waiting for? There are books in this. Maybe even a TV series. And this chapel pretty well has to be close to London. It just needs finding. How careless of people like Leland not to have noticed it!

Or perhaps Somerset Herald was thinking of that other Richard, Duke of York, Edward IV’s and Richard III’s father. Because he has a tomb you can visit to this day, at Fotheringhay.

Or maybe, as Wroe suggests, he was just bluffing.

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