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Normal for Normans? Exploring the large round mounds of England….

Silbury Hill

“….Most of England’s monumental mounds are assumed to be Norman castle mottes built in the period immediately after the Conquest – but could some of them have much earlier origins? Jim Leary, Elaine Jamieson, and Phil Stastney report on a project that set out to investigate some of these mighty constructions….”

There is information about Fotheringhay included in the article from which the above paragraph is taken. To read more, go here.

 

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A new interpretation of 1580s events

We all know that Mary Stuart was beheaded at Fotheringhay on 8 February 1587 and that the Spanish Armada sailed to facilitate a Catholic invasion of England in the following year, leaving Lisbon on 28 May and fighting naval battles in late July, at Plymouth and Portland. The traditional view is that Mary Stuart’s execution and Elizabeth I’s support for the revolt in the Spanish Netherlands provoked Phillip II’s wrath.

It is quite possible that this was not the case and that Phillip had

sought to overthrow his quondam sister-in-law much earlier. Mary, as the daughter of Marie de Guise and widow of Francis II was the French-backed Catholic candidate for the English throne and Franco-Spanish rivalry ensured that Phillip, great nephew of Catherine of Aragon and a Lancastrian descendant proper+, would not act in concert with any of her plots; however her death cleared the way for him, especially as the French Wars of Religion were still to resolve themselves.

We can compare this with the England of 1685-8, as William of Orange allowed the Duke of Monmouth to attempt an invasion first and only asserted his stronger semi-marital claim against James VII/II afterwards. In 1483-5, by contrast, the Duke of Buckingham was legitimately descended from Edward III when he rebelled against Richard III, only for Henry “Tudor”, of dubious lineage, to benefit.

h/t Jeanne Griffin

+ See The Wars of The Roses, Ashdown-Hill, part 4.

A breathtaking masterpiece of Tudor megalomania. . . .

 

Tudor megalomania

I have been prompted to write this article after happening upon Visions on the horizon of desire: a painting of Henry VII & his family in the presence of St. George, by Margaret Milne Wood, 2001. See here.

The subject of the work is the enigmatic painted panel of Henry VII and his family (see below) that is to be found in Mary, Queen of Scots’ bedchamber at Holyrood Palace, Edinburgh. But, in passing, it also comments on Henry’s glorious chapel at Westminster Abbey, which is described in the words of my title above. “…the entire Lady Chapel at Westminster Abbey is a breathtaking masterpiece of Tudor megalomania…”

Well, I have heard the chapel described many ways, but never quite like that.

Henry VII and family, Holyrood Palace

Anyway, that is by the by, because I am more concerned here with the votive altarpiece in Mary, Queen of Scots’ bedchamber. It depicts Henry VII, Elizabeth of York and all their children (dead and living), and was probably commissioned between February 1503 and January 1509, for a private chapel in Henry’s newly constructed palace of Richmond. Or alternatively, one of Richmond’s adjoining monastic foundations.

Other paintings, tapestries and so on are discussed as well, but the main focus all along is the Holyrood altarpiece. Toward the end, mention is also made of the Whitehall mural, destroyed by fire but preserved in copies, such as this below. The mural had an inscription, which began: “If you find pleasure in seeing fair pictures of heroes, Look at these!” Um, heroes? ‘Fraid not – well, not to this loyal supporter of the white rose.

The author does Richard III no favours, he’s the lustful, incestuous dragon in the altarpiece, but then she isn’t exactly complimentary about Henry VII either. You will need to persevere with the author’s long examination of Tudor art. Her descriptions of the altarpiece are lurid to the point of being purple prose, and seem to have leapt out of the pages of a 19th-century Gothic novel. A lot of it went over my lowly head, because I never seem to look at art and see what others see. And be warned, you’ll need a dictionary! And stamina.

Whitehall mural - copy by Remegius van Leemput, after Hans Holbein the Younger

Whitehall mural – copy by Remegius van Leemput, after Hans Holbein the Younger

 

 

An exhibition with a sample of Richard’s handwriting….

letter from 7yr-old victoria

One of Richard’s letters is included in this upcoming museum exhibition. Unfortunately for those on this British side of the Atlantic, the museum in question is in New York! The Magic of Handwriting: The Pedro Corrêa do Lago Collection will run from June 1 to September 16, 2018 at the Morgan Library and Museum in New York City.

 

She isn’t “going through the card” after all

As you probably know, the list of women who have been beheaded in England is very short. Helena Bonham Carter has played two of them so far – Lady Jane (1554) in 1986 and Anne Boleyn (1536) (opposite Ray Winstone’s Henry VIII on ITV) in 2003 and I heard that she was about to play a royal character named Margaret.

Further reading informs me that this is to be Princess Margaret, late sister of Her Majesty and Countess of Snowdon, NOT of Salisbury (1541). The other beheaded women in England were Katherine Howard and Jane, Viscountess Rochford (both 1542), Mary of Scotland (1587) and Alice, Baroness Lisle (1685).

 

Keeping it in the family

You will have seen him if you have been to Richard III’s final resting place. There are eight small statues on the main entrance (the Vaughan Porch, left) of St. Martin’s Cathedral but only one of them is wearing a doublet and hose, showing him to have lived a century later than the others. This is Lord Henry Hastings, as he was during his education alongside Edward VI and participation, with Northumberland’s daughter Lady Catherine Dudley in the triple marriage of May 1553. He was still Lord Henry as he served in the household of his great-uncle Reginald Cardinal Pole, travelling to Calais and Flanders and escorting Phillip II to England for his marriage to Mary I, whose succession had been aided by Lord Henry’s father, Francis, despite the family’s overt Protestant beliefs.

In 1562, two years after succeeding to the Earldom of Huntingdon, he was considered by some for the throne had Elizabeth I not recovered from a bout of smallpox. By 1576, on the death of his mother Catherine (nee’ Pole) he was the senior post-Plantagenet, barred from the succession maternally only by the Clarence attainder but he had a junior claim through his grandmother Anne Stafford, whose father and brother both had their attainders posthumously reversed.

From 1572 to his death in 1595, Huntingdon was Lord President of the Council of the North, a position previously held by Richard as Duke of Gloucester and then by the Earl of Lincoln, in which he ruled the part of England north of the Trent from the King’s Manor (above), formerly home to the Abbot of York. During this tenure, he re-established royal authority in the region after the Northern Earls’ Rebellion failed, attended Mary Stuart’s trial, ensured good relations with James VI and his regents, the Earl of Morton in particular, also helping to prepare defences against the Armada. For his long service for more than half the reign of the last “Tudor”, Huntingdon deserves to be remembered alongside Lord Burleigh and his brother-in-law the Earl of Leicester, although his Calvinist beliefs set him apart from them and their Queen. During his time, in 1586, the recusant Margaret Clitherow was pressed to death at York.

As Claire Cross points out in her iconic biography The Puritan Earl, Huntingdon took his role as head of the family seriously. We can read how his assets shrank during his lifetime and how his 42 year marriage was childless, such that his brother Sir George succeeded him as Earl, with senior descendants still alive in Australia, as Jones has shown. He died eleven days before Christmas 1595 and was connected to all four later “Tudor” monarchs but his strongest connection was to Elizabeth I. Just like her, he had been imprisoned at the outset of Mary I’s reign, probably because he was Northumberland’s son-in-law, although his father’s loyalty soon extricated him from this.

What happened to Coldharbour on Richard III’s death. . . .?

Coldharbour

Yes, another post about Coldharbour (above) which stood  in Upper Thames Street, London. But this time it concerns an apparent omission in ownership. It is a known fact that after Bosworth, Henry VII turfed the College of Heralds out of Coldharbour and handed the property over to his mother, Margaret Beaufort. Isn’t it? I mean, there’s no doubt about this?

Heralds_at_Garter_Service

Heralds in procession to St George’s Chapel, Windsor Castle for the annual service of the Order of the Garter

Well, while following up another trail, I found myself in British History Online, specifically Old and New London: Volume 2. Pages 17-28, published originally by Cassell, Petter & Galpin, London, 1878. Even more specifically, the section deals with Upper Thames Street, and thus the mansion known as Coldharbour, which has strong connections with Richard III.

The name of the house changed and was given different spellings over the years, but the house itself remained there at least from the time of Edward II until it was pulled down by the Earl of Shrewsbury who was guardian of Mary, Queen of Scots.

Here is the relevant extract:

“Among the great mansions and noblemen’s palaces that once abounded in this narrow river-side street, we must first of all touch at Cold Harbour, the residence of many great merchants and princes of old time. It is first mentioned, as Stow tells us, in the 13th of Edward II., when Sir John Abel, Knight, let it to Henry Stow, a draper. It was then called Cold Harbrough, in the parish of All Saints ad Fœnum (All Hallows in the Hay), so named from an adjoining hay-wharf. Bequeathed to the Bigots, it was sold by them, in the reign of Edward III., to the well-known London merchant, Sir John Poultney, Draper, four times Mayor of London, and was then called Poultney’s Inn. Sir John gave or let it to Humphrey de Bohun, Earl of Hereford and Essex, for one rose at Midsummer, to be given to him and his heirs for all services. In 1397 Richard II. dined there, with his halfbrother John Holland, Earl of Huntingdon, who then lodged in Poultney’s Inn, still accounted, as Stow says, “a right fair and stately house.” The next year, Edmund, Earl of Cambridge, lodged in it. It still retained its old name in 1410, when Henry IV. granted the house to Prince Hal for the term of his life, starting the young reveller fairly by giving him a generous order on the collector of the customs for twenty casks and one pipe of red Gascony wine, free of duty. In 1472 the river-side mansion belonged to Henry Holland, Duke of Exeter. This duke was the unfortunate Lancastrian (great-grandson of John of Ghent) who, being severely wounded in the battle of Barnet, was conveyed by one of his faithful servants to the Sanctuary at Westminster. He remained in the custody of Edward IV., with the weekly dole of half a mark. The duke hoped to have obtained a pardon from the York party through the influence of his wife, Ann, who was the king’s eldest sister. But flight and suffering had made both factions remorseless. This faithless wife obtaining a divorce, married Sir Thomas St. Leger; and not long after, the duke’s dead body was found floating in the sea between Dover and Calais. He had either been murdered or drowned in trying to escape from England. Thus the Duke of Exeter’s Inn suffered from the victory of Edward, as his neighbour’s, the great Earl of Worcester, had paid the penalties of Henry’s temporary restoration in 1470. Richard III., grateful to the Heralds for standing up for his strong-handed usurpation, gave Cold Harbour to the Heralds, who, however, were afterwards turned out by Cuthbert Tunstal, Bishop of Durham, whom Henry VIII. had forced out of Durham House in the Strand. In the reign of Edward VI., just before the death of that boy of promise, the ambitious Earl of Northumberland, wishing to win the chief nobles to his side, gave Cold Harbour to Francis, the fifth Earl of Shrewsbury, and its name was then changed to Shrewsbury House (1553), six days before the young king’s death. The next earl (guardian for fifteen years of Mary Queen of Scots) took the house down, and built in its place a number of small tenements, and it then became the haunt of poverty. . .”

Cuthbert Tunstall 1474–1559, Bishop of Durham, 1530–1559

Cuthbert Tunstall (1474–1559), Bishop of Durham (1530–1559)

Poor Cuthbert, he doesn’t look a happy man! But I digress. Ignoring the unworthy comment about Richard’s so-called ‘strong-handed usurpation’, there is, for Ricardians, a glaring omission in all this. What happened to Henry VII and Margaret Beaufort? The College of Heralds were turned out of Coldharbour before the Bishop of Durham ‘done the deed’ in the reign of Henry VIII. Yes?

Any comments, ladies and gentlemen? Is it just an error by the author of Old and New London?

 

 

Who’s buried where in Westminster Abbey….

Plan of Henry VII's Chapel, Westminster Abbey

 

Well, if you have the stamina, here’s a link that will tell you all about who’s buried where in Westminster Abbey. Including, of course, that urn, which a later dynasty decided should be in Henry VII’s chapel. Hmm. Wouldn’t you think it should have been at Windsor, alongside the boy’s father, Edward IV? But then, that wouldn’t suit the Tudor propaganda, which the Stuarts were clearly keen to perpetuate.

I have now acquired a copy of Memorials of Westminster Abbey by Dean Stanley, published by John Murray, which is filled to the brim with detailed information, dates, people and events in the abbey. A wonderful book, if a little disapproving and traditionalist about Richard III. Still, the rest of the book makes up for this failing! Well, just about.

This link should perhaps be read in conjunction with this and this by sparkypus.

 

Tales of a Ricardian Traveler: A Visit to King’s Cliffe Church and its Fotheringhay Artifacts

Although the entire eastern portion of St Mary and All Saints Church in Fotheringhay was demolished in 1573, it is still possible to see original woodwork and painted glass from the Yorkist Age.

RICARDIAN LOONS

Lady on Horseback Lady on Horseback, mid-15th c., British Museum

My husband and I had the good fortune to spend two weeks in England and Wales in October, 2017. I had been asked to moderate a conference about Richard III and 15th century warfare at the Leicester Guildhall, sponsored by the Richard III Foundation. During our stay in Leicester, we drove into Northamptonshire in order to explore a small parish church at King’s Cliffe that purported to have a number of objects from Richard III’s birthplace of Fotheringhay. What we discovered surpassed all our expectations.

Scene of Destruction: St Mary and All Saints Church

Like many tales of discovery, this one begins with a tale of loss. The year was 1566. Queen Elizabeth I was on progress through her realm, having already occupied the throne for 8 years. Her itinerary took her to Fotheringhay Castle, a short distance from the parish church…

View original post 1,638 more words

A truncated reign and a truncated monarch

Right at the start of this series, Helen Castor (left) takes a black marker pen and illustrates the cause of the 1553 crisis on a large sheet of paper. Beginning with Henry VII, very few of his legitimate male descendants were alive at the start of that year – eliminating the obvious illegitimate cases, we have Henry Stuart, Lord Darnley, aged seven (a Catholic in Scotland) and Edward VI, aged fifteen, whose health took a turn for the worse at that time. There were, however, nine healthy legitimate female descendants: Lady Margaret Douglas, Mary Stewart who was Lady Margaret’s niece of ten and already crowned in Scotland (but living as a Queen consort in France), Henry VIII’s two bastardised, but included by law, daughters Mary and Elizabeth, Lady Frances Grey (nee’ Brandon, Duchess of Suffolk in suo jure) and her three daughters Jane, Catherine and Mary together with Frances’ niece Lady Margaret Clifford. In short, the “Tudor” male line was on the propinquity of its termination, although a medical explanation for this was not given.

In the first programme, Castor showed how Edward’s “devise for my succession” developed during that fateful year. First, he hopes that one of the Protestant Grey sisters will have a male heir to succeed him with Frances as the new King’s grandmother and Regent. Then his illness accelerated and there are crossings out on the devise, such that “the Lady Jane’s heires male” becomes “the Lady Jane AND HER heires male”, in the hope that he will live long enough for Parliament to enact this document and supersede Henry VIII’s own legislation, which named the Catholic Mary as heir after Edward, although the Greys would be preferred to the Stewarts. On the left is the “Streatham Portrait“, previously thought to have been of Jane, but not commissioned until half a century later.

During the first half of 1553, Lady Jane was married to Lord Guildford Dudley, son of the Duke of Northumberland who was Lord Protector at the time. Lady Catherine Grey also married, as did Guildford’s sisters, one to Lord Henry Hastings, later Earl of Huntingdon. In the event, fate overtook Edward’s plans and his devise, as letters patent, had no legal status at his death on 6 July. Darnley’s claim as the last “Tudor” male was to be ignored and England was to have a Queen Regent, as Northumberland took his son and new daughter-in-law from Bradgate in Leicestershire, via Sion House to the Royal Apartments in the Tower for her reign to be proclaimed on 10 July, although Jane took the fateful decision that her husband was to be created Duke of Clarence and not King.

In the second programme, Castor explains how the Privy Council erred by sending Northumberland to East Anglia to arrest Mary, removing the realm’s best military commander from the capital, where the professional soldiers and their weapons were. Mary moved from Kenninghall in Norfolk to Framlingham Castle to strengthen her position and gathered support from those who still adhered to her Catholic faith and who had “known” her from afar for her whole life. There was to be no arrest of Mary, nor was there to be a pitched battle as Henry VIII’s first-born child outmanoeuvred Northumberland, at his Cambridge base, in order to march upon London.

The third episode begins with a naval mutiny ensuring that Mary had some artillery to enforce her claimand the Privy Council officially dethroning Jane. Mary took the Tower, Jane, Guildford and their fathers became prisoners and Mary was proclaimed. For Jane, there could be no return to her earlier life at Bradgate. Except for Northumberland, there was to be no trial until November and even then Jane, Guildford and Suffolk had their sentences of death suspended – until Thomas Wyatt rebelled in the Protestant interest in mid-January, in protest at Mary’s plans to marry Phillip II. Mary then signed the three death warrants, the teenage couple went to the block on February 12th and Jane’s father eleven days later. Cranmer, who had been part of her Privy Council, was attainted and deprived but lived to face Mary’s further wrath at a later date. Darnley married the other Queen Mary and was killed a year or two later in his own realm. For nearly fifty years from that July day when Edward VI’s eyes closed for the last time, England had no male claimant descended from Henry VII and the throne was disputed solely by Queens Regnant.

Castor concludes by pointing out that Jane, proclaimed Queen by the Privy Council who had served Edward VI, should be reckoned as a real monarch of England, even though she had been illegally proclaimed and then dethroned. In some ways, her turbulent final year taught her cousin Elizabeth a valuable lesson – not to take a husband, especially as the most likely such candidate was her fellow survivor: Lord Guildford Dudley’s younger brother, Robert.

On the right is Paul Delaroche’s highly inaccurate painting of Jane’s end, painted as late as 1834. His version of her execution takes place indoors but we know that she died on Tower Green, as did most beheaded women.

For those of us more focused on the fifteenth century, we will be familiar with the concepts of a king Edward whose death was not announced for several days whilst a faction sought to establish control (1483) and of prisoners being executed to clear the way for a Spanish marriage (1499).

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