murreyandblue

A great WordPress.com site

Archive for the tag “Margaret Beauchamp”

So who did Anne Mowbray take after….?

GENEALOGICAL TREE

What is one of the first things we say on seeing a new baby? Something along the lines of how much the new arrival takes after his/her father/mother/uncle/aunt/grandfather etc. etc. For those of us with a great interest in history, it is almost irresistible to compare various historical figures in the same way. For instance, we think of Edward IV, 6’ 4”, handsome, glamorous and so on. Then we think of his grandson, Henry VIII, who was much the same. And the looks of both deteriorated abysmally as they aged. Birds of a feather.

Edward IV and Henry VIII

Edward IV and Henry VIII

I won’t even mention Henry VII and his mother, Margaret Beaufort, who were completely interchangeable!

Henry VII and his mother, Margaret Beaufort

The very proper Lady Eleanor Talbot was a well-connected widow for whom it seems the young King Edward IV fell so heavily that he was prepared to promise marriage in order to get her into his bed. It was the only way he’d have his wicked way. But when he consummated this promise, he made it a marriage in fact. Edward must have thought he had this inconvenience covered. His vows with Eleanor were exchanged in secret, and the whole clandestine marriage was kept under wraps afterward. Then he fell for another attractive widow, Elizabeth Woodville, who, the legend goes, waylaid him on the highway, wearing black, her arms around her fatherless sons. She would not give him what he wanted either, unless he married her. Aha,  the incorrigible Edward no doubt thought, I’ll pull the same trick as before. This time, however, he chose the wrong lady. Elizabeth Woodville and her large family were a whole new ball game, as the saying goes.

Elizabeth Woodville waylays Edward IV

Edward came clean about this dubious marriage, probably to spite the Earl of Warwick (the Kingmaker). Eleanor, the injured wife, said nothing, even though she lived on for four years after this unlawful second marriage. Elizabeth Woodville was never any more than Edward’s mistress, and all her children by him were illegitimate. The rest, they say, became England’s history.

I was asked to take two portraits—apparently reliable likenesses created by modern science—of two particular medieval ladies, Eleanor Talbot and her niece, Anne Mowbray (see The Mythology of the “Princes in the Tower”, figs. 5-6)—to see if such a swap-over brought out any family likeness. Well, this particular tweaking was beyond my capabilities because the angles of the faces were too different. So my next thought was to see if these ladies bore any likeness to other members of their families. By examining their families, I mean parents and grandparents. If I try to go further, far too many of England’s aristocratic lines will be drawn into the equation. And what with there being so many remarriages and half-families, it can very quickly get out of hand.

I am very conscious, too, that all of these people can only be assessed from contemporary descriptions, tomb effigies, portraits or drawings. The first portrait of a king of England that is known to be a true likeness, is that of Richard II in Westminster Abbey. We know it’s accurate because he wanted it to be, and approved the result, complete with those strange, heavy-lidded eyes. Richard’s tomb effigy is therefore accurate as well, because the same features are there.

Richard II

The Westminster Abbey effigy of his grandfather, Edward III, was clearly taken from a death mask, and shows his mouth with the droop that indicates a stroke. Accuracy, it seems. But what of Edward III’s eldest son, Richard II’s father, Edward of Woodstock, known to history as the Black Prince? Well, we have his effigy in Canterbury Cathedral, but it seems stylised. . .except, perhaps for the same heavy-lidded eyes? Or am I seeing something that isn’t actually there? Edward III does not seem to have resembled his grandson at all.

Edward III and the Black Prince

Edward III and Edward of Woodstock, known as the Black Prince

But these are royalty, with a capital R. Just how much accuracy was involved amid the nobility in general is impossible to assess. However, being a game lass, I’m prepared to have a go at detecting the all-important family likeness when it comes to Eleanor and Anne Mowbray, and Elizabeth Talbot, Eleanor’s full sister and Anne’s mother.

Elizabeth, Eleanor and Anne

left to right: Elizabeth Talbot, Eleanor Talbot and Anne Mowbray

Let us discuss what is known of Eleanor and Elizabeth’s appearance. Eleanor appears to have been striking, with a large nose, longish face, slanting eyes and small chin. She has been given almost black hair and eyebrows. To me, Elizabeth has the same shape of face as Eleanor. Her portrait is from a medieval stained glass window, but there is, of course, no way of knowing if the creator of that window was attempting to produce a true likeness. The long face appears in turn to have been inherited from their father, John Talbot, 1st Earl of Shrewsbury. His tomb effigy, although damaged, seems to depict the same facial structure as Eleanor and Elizabeth. The only thing that can be said is (provided the effigy is meant to be accurate) he had a long face and fairly strong chin. Unless, of course, the chin is actually meant to be a small beard. I cannot tell, having only seen photographs.

The Tomb of John Talbot, 1st Earl of Shrewsbury

One thing we do know about him is that he had dark, almost black hair. Here are three other likenesses of him that show this, albeit his hairstyle being that awful crop worn so unflatteringly by Henry V. By the time of John Talbot’s death, his hair was long again, or so his effigy suggests. Of the three images, the two smaller ones show the long face. The large one does not. Two out of three? I’ll go with the long face.

Three images of John Talbot, 1st Earl of Shrewsbury

Subsequent Talbot Earls of Shrewsbury were of the half-blood to Eleanor and Elizabeth, descending from their father’s first marriage. Trying to work out which illustrations are of these earls, or more of the 1st earl, has proved most unsatisfactory. I thought I’d found the 2nd and 3rd earls, only to discover the same illustrations elsewhere claiming to be of the first John Talbot. So I left well alone, and stuck to likenesses that I know are of Eleanor and Elizabeth’s father, the 1st earl.

All in all, I feel it very likely that Eleanor—and maybe Elizabeth too— had John Talbot’s dark hair. Not necessarily, of course. My mother had very dark hair, and my father was blond. I am blonde. And Lady Anne Mowbray had red hair. Where did that come from? Eleanor and Elizabeth’s mother, Margaret Beauchamp? Or her own father, John Mowbray, 4th Duke of Norfolk? Or somewhere else entirely, after all she had Plantagenet blood too. Unfortunately, I have not been able to find a reliable likeness of Margaret, but There is one source that shows us almost certainly the appearance of Margaret’s father, Richard Beauchamp, 13th Earl of Warwick. I refer to his amazing chapel at St Mary’s in Warwick.

Richard Beauchamp, 13th Earl of Warwick - his tomb in Warwick

So, was he a prime example of the Beauchamps in general? Did they even have a “look”? Maybe they were all different. In his tomb effigy, we see him with that dreadful cropped hairstyle (albeit with curls) made famous by the best known portrait of Henry V. In Beauchamp’s case it’s hard to tell if it’s the cut that gives him a high, wide forehead, or if he did indeed have a high, wide forehead. His chin is small, his mouth thin and straight, and his nose small and pointed, but he too has rather heavy-lidded eyes. Or so they seem to me. And what colour was his hair? Red, perhaps? If there is a likeness between the 13th Earl of Warwick and little Anne Mowbray, it seems unlikely that her looks have anything to do with her Talbot or Mowbray blood, but come from her maternal grandfather, Richard Beauchamp. Yet who knows? The case is unproven.

mourners around Richard Beauchamp's tomb

Some of the mourners that surround Richard Beauchamp’s tomb

Warwick married twice, and Margaret Beauchamp was the offspring of his first wife, Elizabeth Berkeley. What was she like? Hard to say. There are a number of mourners depicted on Warwick’s tomb, little figures swathed in robes. Is Elizabeth Berkeley one of them? They are not named, except for two, one being Richard Neville, the Kingmaker, and the other his sister. Both were the children of Richard Neville, 5th Earl of Salisbury. She was the wife of Richard Beauchamp’s son and heir, Henry Beauchamp, Duke of Warwick, whose early death brought greats riches and titles to her brother, the Kingmaker, who was married to Richard Beauchamp’s only other child, Anne Beauchamp.

Richard Neville, the Kingmaker, and his wife, Cecily. Mourners on the tomb of Richard Beauchamp, 13th Earl of Warwick

Richard Neville, Earl of Warwick, the Kingmaker, and his sister Cecily Neville, who became Duchess of Warwick.

Anne was the only child of John Mowbray, 4th Duke of Norfolk, and on his unexpected and early death, she became a great heiress. Was it from him, not Richard Beauchamp (or both) that she gained her red hair? I cannot find a portrait of John Mowbray, 4th Duke of Norfolk, but this is a representation of another John Mowbray (the 2nd Duke) that seems fairly reliable as being him. It is from Doyle’s ‘Official Baronage,’ after an engraving by W. Hollar, from a window in St. Mary’s Hall, Coventry. There is no way of knowing if he typifies the Mowbray “look”, and I do not detect him in Anne’s likeness.

John Mowbray, 2nd Duke of Norfolk

Anne attracted the avaricious interest of Edward IV, who had had been her aunt’s husband. Eleanor Talbot had passed away in 1468, a few years before Anne’s birth. Edward IV decided to snap Anne up for his younger son, Richard, Duke of York (who would became one of the so-called “Princes in the Tower”. Both were still small children when they became husband and wife. She died shortly afterward, and Edward IV held on to her entire inheritance for her widower, Richard. The following illustration is imagined, of course!

marriage anne mowbray and richard duke of york

Her Plantagenet kin are well-known to us all, of course, and I can’t say I look at her and think of any of them.  In the picture below, one of the ladies on the left is Cecily Neville, Duchess of York, mother of Edward IV and Richard III. I do not see any of these ladies as resembling Anne Mowbray. But then maybe these likenesses are run-of-the-mill, not serious attempts at portraits.

One of the ladies on the left is Cecily Neville.

The next illustration is of Thomas Berkeley, 5th Lord Berkeley, who was Eleanor and Elizabeth’s maternal grandfather. His nose looks rather obviously repaired (invented, even) so his looks cannot really be assessed. He and Lord Lisle, one of the Talbots, were at each other’s throats for a long time, until he finally defeated and killed Lisle at the Battle of Nibley Green on 20th March 1469/70. Incidentally, Lisle was the brother of Eleanor and Elizabeth, but his tomb effigy looks like a carbon copy of the Black Prince’s at Canterbury.

left, Thomas Berkeley, 5th Lord Berkeley,, and, right, John Talbot, 1st Lord Lisle

left, Sir Thomas Berkeley, and right, John Talbot, 1st Lord Lisle

Below is a drawing from the tomb of Henry Bourchier, 1st Earl of Essex, who was the son of William Bourchier, 1st Count of Eu and Anne of Gloucester. He was, therefore, Anne Mowbray’s great-uncle (I think!) Again, if there is a likeness that has passed down to Anne, I cannot perceive it.

henry-bourchier

Henry Bourchier, 1st Earl of Essex

So here is my conclusion. If there is a resemblance between Anne Mowbray and her aunt Eleanor, it is not evident to me. They do not seem in the least alike. Eleanor and her sister Elizabeth are Talbots through and through. Little Anne Mowbray is not a Mowbray or a Talbot, but a Beauchamp. I see a definite resemblance to her maternal great-grandfather, Richard Beauchamp, 13th Earl of Warwick.

I see no likeness between Richard Beauchamp and his granddaughters, Eleanor and Elizabeth, but his echo surely sounds strongly in little Anne. In Richard and his great-granddaughter I see the same high, wide forehead, small nose and chin, and general similarity, albeit between adult male and female child.

Anne Mowbray and her maternal grandfather, Richard Beauchamp, 13th Earl of Warwick

I anticipate that many who read this will disagree with my assessment, and I look forward to seeing comments. There will be no argument from me, because I know it all has to be conjecture.

 

 

 

Advertisements

THE CARMELITE FRIARY OF NORWICH KNOWN AS WHITEFRIARS – BURIAL PLACE OF ELEANOR TALBOT

oil painting Cowgate c1860 white friars stood on the east David Hodgsonside .jpg

COWGATE NORWICH, DAVID HODGSON c.1860.  WHITEFRIARS STOOD ON THE EASTERN SIDE BETWEEN THE CHURCH OF ST JAMES POCKTHORPE (SEEN ABOVE) AND THE RIVER A SHORT DISTANCE AWAY..NORWICH MUSEUM

On this day, 30 June, died Eleanor Butler nee Talbot.  Eleanor came from an illustrious family.  Her father was the great John Talbot, Earl of Shrewsbury, her mother, Margaret Beauchamp’s father was Richard Beauchamp, Earl of Warwick.  Richard Neville Earl of Warwick known as ‘The Kingmaker’ was her uncle by marriage.   Eleanor’s sister, Elizabeth, was to become the Duchess of Norfolk and was the mother of Anne Mowbray, child bride to Richard of Shrewsbury.  Eleanor was a childless widow, her husband, Sir Thomas Butler, heir to Ralph Butler, Lord Sudeley, having died around 1459 and possibly of injuries sustained at the battle of Blore Heath (1)

It would seem that the young widow caught the eye of the even younger warrior king Edward IV, who fresh from his leading the Yorkists to victory  at Towton and the overthrow of Henry VI,  found himself swiftly propelled onto the throne of England.  No doubt he was giddy with success because quite soon after, having met the young Eleanor, he married her in secret, an amazingly stupid action, and one which would come back to haunt him, and his bigamous “wife” Elizabeth Wydeville with all the subsequent and tragic  repercussions for his family.  The relationship was doomed to be one of short duration,  the reasons for this being lost in time.  Much has been written on this subject and I would like to focus here on the Carmelite Friary known as Whitefriars, Norwich, where Eleanor was later to be buried.

Whitefriars had been founded in 1256 by Philip de Cowgate, son of Warin, a Norwich merchant who settled lands there upon William de Calthorpe ‘upon condition that the brethren of Mount Carmel should enter and dwell there without any molestation for ever and serve God therein’.  Sadly much later Henry Vlll was to have other ideas.  However returning to  Philip de Cowgate- his wife having died and growing old ‘took upon him the the Carmelite habit and entered the house of his own foundation’ dying there in 1283.  The building of Whitefriars was not completed until 1382 and so begun its long journey through history.  The notable persons being buried there are too numerous to mention as are the many benefactors but the various highs and lows make interesting reading.  Notable incidents include:

1272, 29 June ‘On the feast of St Peter and Paul in the early morning when the monks rise to say the first psalms, there was an earthquake’.

Further problems for the friary occurred later on that year –

1272, 11 August   ‘….the citizens of the city attacked the monastery and burnt a large part of the building’

1450  John Kenninghale built a ‘spacious new library’

1452 A group of people begun to cause disturbances in the neighbourhood.  ‘Item xl of the same felechep came rydyng to Norwiche jakked and salettyd with bowys and arwys, byllys, gleves , un Maundy Thursday, and that day aftyr none when service was doo, they, in like wise arrayid, wold have brake up the Whyte Freris dores, where seying that they came to here evensong, howbeit, they made  her avant in town they shuld have sum men owt of town’.  However …’the Mayer and alderman with gret multitude of peple assembled and thereupon the seyd felischep departid’.

1468, end of July – Lady Eleanor Butler, nee Talbot,  daughter of the Earl of Shrewsbury and sister to of the Duchess of Norfolk, born c.1436 died 30 June 1468 was buried in the friary.

1479 – ‘The great pestelence in Norwich’

1480 – ‘The great earthquake upon St Thomas nyght in the month of July’

1485 – King Richard III confirmed all the houses, lands and privileges of the Carmelites

1488/9 – ‘In the langable rental of the fourth of Henry the seventh, these friars are charged two-pence half-penny for divers tenements which they had purchased’.

1538, 2l Sept – The duke of Norfolk wrote to Thomas Cromwell ‘intended yesterday to have ridden to Norwich to take surrender of the Grey Friars, but was ill and so sent his son of Surrey and others of his council who have taken the surrender and left the Dukes servants in charge.  Thinks the other two friars should be enjoined to make no more waste.  The Black Friars have sold their greatest bell’.

1538 Sept ‘The house of friars (Whitefriars) have no substance of lead save only some of them have small gutters’

1538 7 Oct  Letter from the Duke of Norfolk to Thomas Cromwell – ‘The White and Black Friars of Norwich presented a bill, enclosed, for Norfolk to take the surrender of their houses, saying the alms of the country was so little they could no longer live.   Promised ‘by this day sevennight’ to let them know the kings pleasure: begs to know what to do and what to give them.  They are very poor wretches and he gave the worst of the Grey Friars 20s for a raiment, it was a pity these should have less'(2)

The Friary was finally dissolved in 1542 and its lease granted to Richard Andrews and Leonard Chamberlain.  Shortly after which the land was then divided into many different ownerships.  The rest is history….

But back to the present – in 1904 foundations were discovered and in 1920 six pieces of window tracery were found and built into a wall at Factory Yard, these were to be cleared away when Jarrolds, the printers,  extended their works.  Thank to the intrepid George Plunkett who took photographs of old Norwich between 1930-  2006 we can see this tracery before it disappeared forever.Whitefriars Cowgate Factory Yard tracery [1651] 1937-05-29.jpg

Whitefriars Cowgate Factory Yard tracery.  Photographed in 1937 by George Plunkett.

Mr Plunkett also took photos of the now famous Gothic arch as it was in 1961 after it had recently been opened out.  Sadly he reported that ‘a dilapidated flint wall adjoining the bridge was taken down as not worth preserving – a modern tablet identified it as having once belonged to the anchorage attached to the friary’ (3).Whitefriars Cowgate flint wall [3187] 1939-07-30.jpg

The flint wall before demolition – photograph by George Plunkett c1939Whitefriars Cowgate friary doorway W side [4615] 1961-07-07.jpg

Whitefriars Cowgate friary doorway west side uncovered in 1961 it stood adjacent to the anchorage.  Photograph by George Plunkett

Whitefriars Cowgate friary doorway E side [6512] 1988-08-17.jpg

Whitefriars Cowgate friary doorway East side 1988.  Photograph by George Plunkett.

Up to date views of the friary doorway.  With many thanks to Dave Barlow for permission to use his beautiful photos….

33345893_235063653909367_6904236937083617280_n.jpg

 

33204847_235063650576034_4706427821541556224_n.jpg

33144989_235063767242689_1100706238569644032_n.jpg

All that remains above ground on the site of the the once magnificent Whitefriars – photos courtesy of Dave Barlow

However….

THE ARMINGHALL ARCH

An important Whitefriars relic, no longer  in its original position, survived and went on  to become  known as the Arminghall Arch.  This 14c arch has experienced a number of moves since it was taken down in the Dissolution.  It was first of all erected at Arminghall Old Hall. There it remained until the Hall was also demolished.  It was acquired by Russell Colman who transferred it to his grounds at Crown Point.  From there it has now finally been installed at Norwich Magistrates Court, just across the bridge from its original position.

arminghall@2x.jpg

‘ARMINGHALL OLD ARCH’ 14th century arch removed from Whitefriars at the time of Dissolution. Now in Norwich Magistrates Court. 

Such is progress……

l) The Secret Queen, Eleanor Talbot p74 John Ashdown Hill

2) The Medieval Carmelite Priory at Norwich, A Chronology Richard Copsey, O.Carm, accessible here.

 

3) George Plunkett’s website, particularly this map.

To avoid any confusion:

When Edward IV married Lady Eleanor Talbot in spring 1461, they were not more closely related than fourth cousins, through her mother, Margaret Beauchamp (see Eleanor, fig.11). Under the rules of the Fourth Lateran Council of 1215 (p.112), such distant blood relations were permitted to marry without a dispensation. It no longer amounted to consanguinity.

Fig. 12 can be misread by those who see “Richard Beauchamp, Earl of Warwick” at the top with Lady Eleanor as the first cousin of Isobel and Anne. Of course, this Richard was not Richard III’s father-in-law the “Kingmaker”, who was Richard NEVILLE Earl of Warwick in jure uxoris, but his grandfather-in-law. The Beauchamps and Nevilles were unrelated until Richard Beauchamp’s younger daughter, Anne, married Richard Neville, after which her elder brother, Henry Duke of Warwick, died without issue.

Richard Neville’s marriage would not, in the eyes of the Church, make his wife’s niece into his blood niece, any more than Anne Neville would be the Duke of Gloucester’s sister because their siblings had married each other. Barnfield’s article in the 2007 Ricardian (http://www.richardiii.net/downloads/Ricardian/2007_vol17_barnfield_impediments.pdf) conclusively demonstrates this point. “Affinity does not beget affinity”.

Of course, if it did, then Jacquetta’s first marriage to the Duke of Bedford would make Elizabeth Woodville an effective great-granddaughter of John of Gaunt, thus Edward IV’s undispensed second cousin. So, whether you understand Barnfield’s point or not, the second “marriage” is scotched.

A possible explanation

Going by the searches here, many of you will have read the suggestion, in Baldwin’s “The Lost Prince”*, that “Anne Hopper” was a daughter of Richard III by an unknown mother from the Borders region, conceived during his marriage and provided for with a ring among other things. The problem with this argument is that his two known illegitimate children were both conceived before he married and acknowledged. Had this not been the case, the “sources” would surely have recorded and greatly exaggerated it. The Cairo brigade would be talking about it nonstop, in their persistent mistaken belief that repeating a conscious falsehood makes it true.

An alternative solution has been posted recently. We need to note that three of Richard’s nieces (Elizabeth and Cecilia of York and Margaret of Salisbury) were forcibly married to the descendants of Margaret Beauchamp (Henry “Tudor”, Baron Welles and Richard Pole) in order that there would be no descendants of Richard’s brothers and sisters except through the Beauchamp lines, although there were exceptions, generally not favoured in the following century. The last Plantagenet-descended Courtenay died in exile in 1556 and the Marquess of Dorset was among those executed in 1538/9.

We also know that James III’s eldest son and successor was betrothed to Anne de la Pole, another niece born in c.1476, but their engagement failed after the Gloucester-Albany invasion of Scotland in 1482. It is thought that she became a nun and died in 1495 but there is a possibility of confusion with other family members who did so. There is definite confusion enough about her brothers, one of whom may not have existed. Just as Cecilia, at Welles’ death, took a third husband and retired  from royal life to the Isle of Wight with her new family, could this Anne have become the wife of a Hopper, with descendants known in mid-Victorian times?

* Appendix Three, pp.177-180.

Post Navigation

%d bloggers like this: