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Archive for the tag “Leicester dig”

Richard and the invisible snake….?

 

 Coventry Tapestry - 3

I must have read about this before, but it feels new somehow. Supposedly, the man in blue (see below) is Richard of Gloucester/Richard III. The illustration is part of the Coventry Tapestry, which is housed in St Mary’s Guild Hall, and which is still in the place for which it was created. I wasn’t sure if the kneeling king on the bottom left was EIV or HVII (the latter didn’t seem likely, as the figure is alive, and Richard certainly wasn’t when Henry became king).

Then it was pointed out to me that the king was most probably HVI. This prompted me to look into it a little more, and I came upon the following from the Coventry Telegraph

“Coventry Tapestry reveals car park king

“A figure depicted in the magnificent 500 year old tapestry at St. Mary’s Guildhall could well be one of the earliest depictions of King Richard III, whose remains, discovered in 2012 beneath a Leicester car park, were recently confirmed as those of the controversial English monarch.

“The tapestry’s highly detailed design includes seventy five individual characters, including angels, saints, apostles, and noble members of a royal court, arranged around a central image of the Virgin Mary. Whilst no contemporary records exist as to the exact identity of many of the characters, certain clues have been observed that strongly suggest that Richard is amongst them.

[See illustrations below for the footnotes in the text.]

“Firstly, the figure is shown carrying a coin ¹ in his right hand, used elsewhere in art of the time to represent a ‘Judas’ character with a history of treachery for personal gain, whilst in his left hand the figure was originally depicted holding a snake ² – another emblem of evil and deviousness – which at a later date was removed leaving a distinctive outline.

“By way of further evidence, the figure bears a striking resemblance to two of the earliest, and most trusted, portraits of King Richard III in the collection of the Royal Society of Antiquaries, from eye colour and hair curls, right down to slightly deformed hands and misshapen shoulders ³. Intriguingly, it has been proposed that one of these portraits was painted by Sir Thomas More, who may have been familiar with the tapestry as he came to Coventry on several occasions to visit his sister who lived in the city.

“Whilst Richard III had died a few years before the dating of the tapestry, it is thought that the tapestry depicts an earlier period, that of King Henry VI – who is also shown on the tapestry – when Richard was Richard of Gloucester. Henry VI was revered for many years after his death, with miracles even recorded in his name, and he was fondly remembered in Coventry where he chose to base himself and his royal court for a period during the Wars of the Roses. Under the new Tudor monarchy of Henry VII it was politically wise to maintain, and even encourage, adoration of the much-loved Henry VI. Moreover, showing such respect for the old Lancastrian King Henry, gave the Tudor monarch a chance to boost his image, tarnished by his weak claim to the throne and the manner in which he seized it from the Yorkist Richard III in battle.

“There were suspicions that Richard was linked to the death of King Henry VI in 1471, and placing Richard in the tapestry with symbols of dastardly deeds may have been a subtle piece of propaganda, with those behind the tapestry not only remembering their favourite king, but also pleasing the new Tudor monarchy by presenting Richard as the baddie in this wonderful woven story.”

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The Mythology of the “Princes in the Tower”

This is less a book and more of an outdoor swimming pool, becoming deeper as the chapters progress. In the shallow end, the subjects go from the definition of a “prince” and the circumstances under which Edward IV’s elder sons came to live there, centuries before Buckingham Palace was built to the origin of the term “Princes in the Tower” (p.17). Before progressing further, the reader should be aware exactly which sibling definitely died at the Tower, during a “confinement”. For those still unaware why the whole Wydeville brood were illegitimate and how the “constitutional election” (Gairdner) resulted in Richard III’s succession, the whole point is painstakingly explained again.

The dramatic conclusions begin at about halfway, in chapter 17, before the process of the rumour mill and the many finds of the Stuart era are described. In the deep end, we are reminded how science has moved on during the 85 years since Tanner and Wright investigated the remains, including Ashdown-Hill’s own investigations into “CF2″‘s remains on the Norwich Whitefriars site, together with a repeat of the DNA process that gave us Joy Ibsen and thus Richard III in Leicester. This time, he and Glen Moran have found a professional singer originally from Bethnal Green, a short distance from the Tower itself.

What has always stood out about Ashdown-Hill’s work is his superior use of logic when primary sources are of limited availability and it is applied here to several aspects of the subject.

In many ways, this book is itself a tower, built on the foundations of his previous eleven, but also his research into things such as numismatics, yet there is a prospect of more construction work …

“Open the Box” (or urn)?

 

Now that John Ashdown-Hill’s new book (bottom left) on the Tower of London and the “Princes” has been published, we are in a position to know Edward V’s mtDNA, which he would share with his brothers and maternal cousins such as Jane or Henry Pole the Younger. Progress has been made since Moran’s appendix to The Private Life of Edward IV, which detailed potential maternal line relatives who were alive as late as 2016.

Westminster Abbey is, of course, a royal peculiar and it has hitherto proven impossible to obtain permission to access those remains – of whatever number, gender, age, era or species – that purport to be those of Edward IV’s remaining sons in the modern scientific era. They were, however, last asked in 1980 (p.185) and Richard III himself has turned up by this method.

These findings ought to be a game changer and there are more good reasons to be proceed. In 1933, the work of Jeffreys, as of Crick, Watson et al, was wholly unforeseen. Radio carbon dating was also invented after the Second World War.

 

So, with apologies to Michael Miles and Take Your Pick (below right), is it time to “open the box”?

 

A brave modern-day victim of scoliosis writes a book that sympathises with Richard….

Student with scoliosis

I wish Kathryn Martin all good fortune with this brave book, which is filled with her sympathy for Richard, who did not have the advantage of modern medicine and treatment to help him.

 

J D Wetherspoon’s The Last Plantagenet in Leicester….

The Last Plantagenet - Wetherspoons

The first J D Wetherspoon pub mentioned in this list of such hostelries in Leicester , is The Last Plantagenet. No prizes for guessing who that might be. The writer treads a diplomatic line about the discovery of Richard’s remains, by saying: “…his burial site was finally uncovered by an archaeological project…” No names, no pack drill!

My only quibble is that this site is one of the increasing number to have an initial video that, literally, starts shouting out of the screen. This time it was Star Wars. Not only that, however, but the controls to stop or silence it, are either useless or deliberately switch back on again, uninvited. It’s intrusive, aggressive and not acceptable. It also has the opposite effect on me from the one intended, in that it infuriates me! I shouldn’t have to shut ALL sound off simply to silence these pests. I hope that by the time this post is being read, the offending video will no longer be in place!

 

Doncaster Heritage Festival 2018, and Philippa Langley….

Heritage Festival 2018

Philippa Langley will be giving a talk at this year’s Doncaster Heritage Festival.

“…Writer and producer Philippa Langley MBE will be delivering this year’s David Hey Memorial Lecture – The Looking for Richard Project. In 2012, Philippa led the successful search to locate the grave of King Richard III through the Looking For Richard Project. Philippa conceived, facilitated and commissioned this unique historical investigation.

“You can hear her incredible story at Doncaster Museum & Art Gallery on Sunday 29th April. Tickets £8…”

 

Cutting Crime: The Role of Forensic Engineering Science – including the undoubted crimes perpetrated upon Richard III….

University of Lincoln

This talk on April 17, at the University of Lincoln, Brayford Pool Campus, Isaac Newton Building, Lincoln, might be interesting. Among other things, the study of Richard’s remains will be discussed. I quote:

“…the talk will discuss how this adds to our insights into stabbing attacks. Finally, the audience will see how the modern forensic techniques contributed to the investigation of the remains of Richard III…”

 

Interview with Alex Marchant, Ricardian Children’s Author

Cover of 'The Order of the White Boar'

There is a new Ricardian children’s author on the block: Alex Marchant. Alex kindly agreed to an interview:

Q: You’ve recently published your first novel about King Richard III for children, The Order of the White Boar. What made you write about King Richard?

Alex: I first became interested in King Richard in my teens when my eye was caught by an intriguing title among the books in the school library: ‘The Daughter of Time’ by Josephine Tey. By the time I finished reading the book I was a confirmed Ricardian (even if I didn’t know the term then). I think what piqued my interest was a sense of the enormous injustice this man had suffered after his death – along with the tragedy of that death and of the preceding two or three years of his life. I joined the Richard III Society (I think as one of its youngest members), read as much as I could about the man and visited major sites associated with his life – and death.

I’d always been interested in history and always written stories, including attempts at book-length works throughout my teens. But then life got in the way as it often does – university, career, marriage, kids, house renovation – and it was only a few years ago I returned to writing. And soon after that came the announcement of the dig to find his grave in Leicester, then the momentous press conference that revealed that King Richard had, ‘beyond reasonable doubt’, been found.

Q: It was quite a day, wasn’t it? What was your reaction to the announcement?

A: My first thought – after surprise and delight – was ‘This is a unique opportunity to restore Richard’s reputation. What can I do to help?’ I knew I wasn’t a campaigner – the sort of person who writes letters to important people or stands up to speak in support of a cause. But perhaps I could write a children’s book that could communicate Richard’s story to a new generation. At that point I was editing my previous book, ‘Time out of Time’, in hopes of publication and was also partway through a second book for children, so I was uncertain whether I should move on to something completely new. But when a little research showed that there really weren’t any books aimed at my target age group (10–13) showing Richard in a positive light, I realized this was a gap in the market that needed to be filled.

Q: Were you surprised about that?

A: To be honest, yes. I found that there were several such books for adults (a number that has increased over the past five years), but even an approach to the Richard III Society librarian only turned up a couple for children – neither of which was a straightforward story of his life. One was a timeslip book, ‘A Knight on Horseback’ by American author Ann Rabinowitz, which follows the adventures of a twentieth-century boy who gradually learns the true story of Richard III after his initial exposure to the Tudor myths and Shakespeare’s version. The other, ‘A Sprig of Broom’ by Barbara Willard, is a beautifully written evocation of early Tudor England – but Richard appears only in the prologue, which takes place on the eve of Bosworth. The rest tells the story of Richard of Eastwell – at least the interpretation that has him as Richard’s illegitimate son. And by the end, the main character decides he doesn’t want to be known to be related to King Richard….

With the nationwide excitement at the finding of Richard’s grave, I thought there were bound to be other books for children on the way – as has proved to be the case – but by that time my lead character Matthew was hammering on my door, demanding that I write his story, and it was very hard to say no. So I put my half-finished Scottish book on the back burner for the time being, and set to work researching Richard and his times while I finished editing ‘Time out of Time’.

Q: You say none of the previous books for children was a straightforward telling of Richard’s life. In ‘The Order of the White Boar’, you didn’t choose to take that course either, preferring to concentrate on his final years and viewing them through the eyes of a fictitious character. Why was that?

A: I suppose partly because Richard’s life has been brilliantly told already through adult fiction, in books that have been very influential in terms of changing people’s minds about him: Penman’s ‘Sunne in Splendour’ and Hawley Jarman’s ‘We Speak no Treason’ for example are often mentioned as having shown people the way beyond Shakespeare’s monstrous depiction towards the real history of the man. And maybe because I thought those books that were likely to be in the publishing pipeline after the rediscovery of his grave would offer the straightforward story – as has been the case with a couple that have appeared. Perhaps most importantly, I felt that a young narrator who was an outsider – as Matthew is, being just a merchant’s son, rather than a noble – would be able to offer a different perspective – a view of Richard that hasn’t been seen before.

Q: In one of the early reviews of the book, the writer says that, rather than portraying Richard as a warrior or romantic hero, as in most adult novels, ‘The Order’ shows him ‘as a master, as a father, as a family man and as a decent, kind-hearted adult . . . He feels much more human than he usually does in historical fiction.’ Is that what you were aiming for?

A: Very much so – and I’m delighted if readers think I have managed it! My intention was always to show ‘the real Richard’ – the man who served his brother in administering the north of England, did the job well, treated the people fairly, was a cultured family man as well as a soldier. And who, in the spring of 1483, when faced with the tragedy of his brother’s early death, had to deal with a difficult and dangerous situation. My aim was to use the contemporary sources as much as possible to lay the foundations for exploring his motivations and reactions when navigating the potentially explosive events of that time. The traditional histories seem to me to struggle with explaining how this loyal, steadfast brother changed into the murdering, usurping tyrant so beloved of the Tudor-created legend. I hope that seeing Richard’s character and behaviour through a child’s eyes in both domestic and more public situations allows the reader to work out for themselves who he was and what his actions mean.

Q: You mention the death of King Edward IV in the spring of 1483. While hoping not to give too much away about ‘The Order of the White Boar’, it does in fact end at that time. Do you think readers will be disappointed at that?

A: I hope not, although I can understand it if they are. But I hope they’ll take on board the note at the end, saying that a second book of Matthew and his friends’ adventures is coming soon. ‘The Order’ doesn’t end on a cliffhanger as such, rather at the start of a journey – one which represents the closing of one chapter in Matthew’s life and the opening of another. And the same can also be said for Richard – in some ways, the death of his brother was the start of a very different part of his life. The next book, ‘The King’s Man’, tells the story of the next two years or so – from a few days after the end of ‘The Order’ through to the fateful days of August 1485.

A: You say the second book is ‘coming soon’. How soon, and how does it build on the foundations laid in ‘The Order’?

Q: If all goes to plan, ‘The King’s Man’ will be published in spring 2018 – so not too long to wait (although it may well seem ages to my younger readers!) It’s finished, but needs some final editing before production starts. As I say, it takes up the story again as Richard and Matthew travel south to meet with the new boy king, Edward V, and catapults them into the political intrigues and manoeuvrings on the road, in court and in the cities of London and Westminster. We meet again some of the characters (historical and fictional) encountered perhaps only briefly in the first book and see the effects and influences they have on the lives of both Richard and Matthew.

Of course readers, both adults and children, who have a knowledge of the history of the time will know where the story ultimately leads, and the challenges and heartbreaks along the way. ‘The King’s Man’ is overall a much darker book than ‘The Order’. But I hope it offers not only a flavour of the times, but also a worthwhile exploration of how and why events played out as they did.

Q: Where will you go next? Back to your half-finished Scottish book? Or, as many of us who write about him find, will you be drawn back to Richard?

A: I’m not sure Drew – the main character of the other book – will be pleased to hear this, but no, I’m not finished with Richard yet! (Poor Drew – I’d already abandoned him once before, to write ‘Time out of Time’…) I’ve already started preparing a third book in the ‘White Boar’ sequence that takes the characters (at least those who remain) beyond the events of August 1485. There are events that stretch years beyond that date which, to me, are still part of Richard’s story. In some ways, of course, that story continues to today – to the many people around the world who are still fighting for a reassessment of his life and reputation in light of what we now know about him and the lies that were told in the decades and centuries after his death. But the story I’ll tell will be that of people who knew him personally and sought to defend him in living memory.

Q: It sounds like we’ll have to wait a little more than six months for the third book in the series.

A: I’m afraid so. My track record isn’t great on finishing books quickly! My first took three and a half years, my second two and a half – although I suppose you could say it was just over a year as I wrote both ‘White Boar’ books one after the other in that time, treating them as a single story at first. But I plan to self-publish ‘Time out of Time’ while working on the third ‘White Boar’ book. I hope that readers who enjoy ‘The Order of the White Boar’ will similarly enjoy it, although it’s rather a different beast. It’s a mixture of timeslip and ghost story, drawing on my former career as an archaeologist. The Scottish book is also a sort of ghost story based around an archaeological dig – that was one of the main reasons I decided to write straightforward historical fiction when it came to Richard’s story. Although at first I was worried that I wouldn’t be able to immerse myself properly in the fifteenth century in order to write from the point of view of a fifteenth-century boy!

Q: But you did manage it?

A: Perhaps too well. For months after I finished the book I missed my characters enormously, they’d accompanied me for so long on my dog walks over the local moors! I’m looking forward to reacquainting myself with them – well, some of them anyway – over the next few months as I make a start on the new project.

Q: I very much look forward to reading it when it’s finished – and of course ‘The King’s Man’ in the new year. Thank you, Alex, for speaking to us today.

A: Thank you.

 

 

More news from Reading

When I watched this video, talking about the precise location of the high altar of the Abbey with respect to Henry I, the parallels with the search for Richard III in Leicester’s Greyfriars are almost exact:

Neither should we forget Henry I’s Queen, Edith (Matilda) of Scotland, who reintroduced Anglo-Saxon royal (Wessex) blood to the English monarchy.

Richard visits Ireland….

Galway - Richard

Richard’s gone to Galway! Lucky man. No wonder he’s smiling. Well, it’s The ‘Richard III Discovered’ Exhibition that’s gone, but he’s there in spirit, I’m sure.

http://www.advertiser.ie/galway/article/96655/hail-the-king-science-and-technology-festival-brings-richard-iii-saga-to-galway

http://www.advertiser.ie/galway/article/96630/long-dead-english-king-to-finally-make-royal-visit-to-galway

 

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