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Don’t they know Henry VII’s calendar went backwards….?

Henry and Bosworth

Well, well, here we have ten facts about Horrible Henry VII. Oh, dear, he won’t be pleased about one thing…the Express has mistakenly dated his reign from the 22nd. Oops. We ALL know it was from the 21st, because Henners told us it was! He was king before Richard was killed in battle. Richard was never king. Er, then what was all that royal ceremony that went on in Westminster Abbey in 1483? Scotch mist? Henry should have asked his mother to explain. She was there, carrying the queen’s train. Perhaps Margaret was just a hologram? No such luck, the scheming creature was only too real.

So bah, humbug to the Express for compiling this list. Better still, print it off and shove it where Henners’ sun don’t shine!

 

Stanley and the Stanley Knife

They are sharp and good for purposes both fair and foul, and might even be handy for some back-stabbing (should one be of that disposition!)

What am I talking about? The Stanley Knife.

Jokes abound on certain medieval groups about these multi purpose knives being something that should have been invented by the two side-shifting, game-playing Stanley Bros of the 15thc…so I thought I would endeavour to find out if there was indeed a connection.

Here is what I’ve found…

A WILLIAM Stanley invented the Stanley Knife. No, not the one who Henry Tudor executed when he suggested Perkin Warbeck might be the ‘real deal’ but William Stanley, born in Islington in 1829. He was the son of a mechanic called John Stanley and was a descendant of  Thomas Stanley–not THAT particular Thomas Stanley, but the one who wrote The History of Philosophy in the 17th c. Author-philosopher Stanley was the son of Sir Thomas Stanley of Cumberlow, who—and this is where it gets interesting—happened to be the grandson of  yet another Thomas Stanley (they loved the name Thomas, those Stanleys! Doubting Thomases?), an illegitimate son of Edward Stanley, third Earl of Derby. Edward Stanley was the son of Thomas Stanley (that name again!) the 2nd Earl, who was, in turn, the son of George Stanley…you might also know George as Lord Strange, who was held at Bosworth by  Richard for  the good behaviour of his father, THE Thomas Stanley.

(The story goes that Stanley said Richard could go ahead and execute poor old George  because he ‘had other sons’; this may be purely mythical, however. Other falsehoods about Lord Strange is that he was a hapless innocent child held hostage by the nasty ‘baddie’ Richard—he was at least 24-25 at the time of Bosworth, and some sources list him as older still. A further interesting fact is that his wife Joan’s  mother Jacquetta was sister to Elizabeth Woodville.)

And so this leads us to George Stanley’s father, who was, of course, was Thomas the Trimmer, first Earl of Derby, step-father to Henry Tudor and husband of Margaret Beaufort–so yes, one could indeed say the Stanley Knife is connected to that slippery lord and his kin.

I expect Lord Stanley would have approved.

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The Bedingfield turncoat of Oxburgh Hall….

Oxburgh Hall - picture by Art Fund

Oxburgh Hall – picture by Art Fund

In this 2014 post mention was made of Sir Edmund Bedingfield of Oxburgh Hall, near King’s Lynn in Norfolk. He was a Yorkist-turned-Tudor supporter who, like the Stanleys and others, failed Richard III at Bosworth.

Sir Edmund was a Yorkist who benefited under Edward IV and Richard III (at the coronation of the latter, he was created a Knight of the Bath), but the ingrate signally withheld support at Bosworth. By 1487 Bedingfield was very cosy indeed with Henry Tudor, playing host to him—and Elizabeth of York, Margaret Beaufort and the Earl of Oxford—at Oxburgh Hall at Easter 1487. I trust it stretched the Bedingfield finances to breaking point! The traitorous fellow then turned out for Henry at the Battle of Stoke Field, fighting under John de Vere, Earl of Oxford. After the battle, Bedingfield was made a knight banneret.

A rather handsome Henry VII

A rather handsome Henry VII from the Oxburgh Hall National Trust website

So, what conclusion are we to draw from all this? That Bedingfield was a staunch supporter of Edward IV, but did not agree with Richard III’s claim to the throne? He probably believed the rumours that Richard had done away with Edward IV’s two sons, and so went over the wall into the Tudor camp. One imagines he would subsequently have been very much under Henry’s eye, because that suspicious king very sensibly did not trust anyone who changed sides. Nevertheless Bedingfield prospered under the Tudors, as did his descendants, until their Catholicism got in the way under Elizabeth. Although that queen did honour Oxburgh with her presence in 1578.

Let us return to Easter 1487 (in April that year) and the royal visit to Oxburgh, which house, incidentally had been built after Edward IV granted Bedingfield a licence in 1482. Unusually, the chosen material was red brick, a very costly option at that time. Bedingfield’s gratitude can be seen in the numerous Yorkist falcon-and-fetterlock badges throughout the house, where Edward’s licence is on display. No doubt Bedingfield was especially honoured to have Elizabeth of York beneath his roof, because (in the absence of her brothers) he undoubtedly regarded her as the true heir of Edward IV.

falcon and fetterlock

According to Bedingfield family tradition, the king and queen did not lodge in the main house, but in the noble gatehouse, which has remained virtually unchanged since it was first built. Henry and his Yorkist queen would recognized everything about it were they to return now, and so would Elizabeth I.

Oxburgh Hall - 1482

According to a very detailed description in Greater Medieval Houses of England and Wales, 1300-1500 by Anthony Emery:

“The gatehouse is a tall, three-storeyed block with dominating half octagonal frontal towers. The latter are divided by seven tiers of sunk panels decorated with triplets of cusped arches surmounted by a battlemented head on blind machiolations. The four-centred entry arch with double relieving arches is closed by the original pair of oak doors. The four-light window above has a stepped transom with a three-light transomed window at second-floor level. The whole is spanned by an open-machiolated arch supporting a line of blind cusped arcading and crow-stepped parapet.

“The gatehouse is a subtly modulated composition. Ashlar stonework was chosen for the central windows but brick for those in the towers with open cinquefoil lights in the stair tower and uncusped single lights with brick labels to the closets in the east tower. Contrasting chevron brickwork is used over the principal window but a single line of yellow brick surmounts that above. Though blind arcading was a common enough tower decoration at the time—as at Buckden, Gainsborough Old Hall and Hadleigh Deanery—the height of the Oxburgh towers is emphasized by the diminishing elevation of the embracing panels of brickwork. The east tower has loopholes at ground level with two quatrefoils above set in blind recesses withy two-centred heads, whereas the side faces of the stair tower at all stages have quatrefoils set in square frames. The entrance position is curious, for its hood is cut by the west tower and the head stop has had to be turned as though it was purposed to be in line with the hall porch on the opposite side of the courtyard, though this still lay a little to the right as the gatehouse does to the whole north frontage.”

Yes, a very detailed description, and (to the likes of me) somewhat confusing, so here are two photographs of the gatehouse, which will perhaps make Emery’s words easier to follow. The first one is of the external approach, while the one below it is a view of the gatehouse from within the courtyard.

Gatehouse at Oxburgh - approach from outside

Gatehouse at Oxburgh from courtyard - from Tour Norfolk

In the illustration below, of the gatehouse chamber known as the King’s Room, I fear that according to the National Trust, it is something of a misnomer. It is not the room in which Henry slept, nor is it the bed, which is 1675. I have not been able to find anything to identify the actual room. All we know is that the bed in which Henry rested his head was described in the 1533 will of Edmund’s son and heir, another Edmund, as being covered with “…a fustian [wool or cotton fabric] covering or red and green sarsnet [silk] unicorns and scallop shells.”

The King's Room at Oxburgh Hall

The illustration below is of the Queen’s Room, which does appear to be the one in which Elizabeth of York slept. The two figures represent Henry and Elizabeth. Not sure about the accuracy if the 15th-century television.

Queen's Room - with Henry and Elizabeth

Oxburgh Hall is a very beautiful old house set in a moat, and is a great testament to the taste of Sir Edmund Bedingfield. But for those who believe Richard III was rightly the King of England, it is necessary to overlook the fellow’s Judas tendencies.

Bedingfield arms

Bedingfield

 

 

 

The Scrope and Welles marriages of Edward IV’s daughter….

Ralph, 9th Baron Scrope of Masham, was—through his Greystoke mother—the great-grandson of Joan Beaufort and therefore great-great-grandson of John of Gaunt and Katherine de Roët.

The tombs of Katherine de Roet and her daughter, Joan Beaufort - Lincoln Cathedral

The tombs of Katherine de Roet and her daughter Joan Beaufort in Lincoln Cathedral

This made him the great-great-great-grandson of Edward III. (For the path, follow the purple line in the following chart.) What this blood did not do was give him expectations.

Scrope-Welles-Plantagenet

* I apologise for the poor resolution in the above chart. The problem just seems to be with this published version. It can be seen more clearly on my Facebook page, one of the entries for 6th August 2017. Click on the chart in the collage, and it will pop up in a crisper version. See https://www.facebook.com/sandra.heathwilson.9

As the third of four brothers, Ralph could not have expected to inherit the family title, nevertheless, as plain Ralph Scrope, he married a princess. Cicely of York was the daughter of the late Yorkist king, Edward IV, and therefore the niece of Richard III. She was also very beautiful, if Sir Thomas More’s description is anything to go by: Not so fortunate as fair. Some say she was the loveliest of Edward’s daughters.

Cicely, daughter of Edward IV

Cicely, daughter of Edward IV

However, this early Scrope marriage has only recently come to light. Until its unexpected discovery, it was thought that Cicely only married twice, first John Welles and secondly one Thomas Kymbe or Kyme. Now, it seems, she had three husbands.

It was Richard III who arranged this astonishingly advantageous marriage for Ralph. True, Cicely and her siblings had been declared illegitimate at the time, but they were still the acknowledged offspring of one king, and the nieces and nephews of another, and therefore considerable catches.

Richard III

Ralph was not exactly in the forefront of royal blood, but he did have some. His maternal great-grandmother, Elizabeth Ferrers, was the granddaughter of John of Gaunt, and half-sister of Cicely Neville, Duchess of York, who was the mother of Edward IV and Richard III. So Ralph had some very important royal connections indeed, but didn’t have the clout to go with it. He had no title at the time, and wasn’t expected to ever have one. The family seat at Masham was never likely to be his. So he would never be a great landowning noble who might develop designs on the throne. But he was safely Yorkist. Maybe all these were good reasons for Richard to select him for an illegitimate niece.

Whether desired or not, the marriage probably took place in 1484, when Ralph was about 23, and Cicely a mere 15, possibly 16. The only certain thing, apart from the marriage’s existence, is that when Richard was killed at Bosworth and Henry VII usurped the throne, the Scrope match was swiftly set aside, as if Cicely had never been a bride at all. But presumably it had been consummated? We can’t even say that, but by medieval standards she was certainly of age.

Henry VII

Henry VII

The reason for the jettisoning of the Scrope union is another thing that is not known, but the outcome was that Cecily was swiftly married off to Sir John Welles instead. He was not Viscount Welles at the time, that came later. Why did Henry choose John? Well, he was Henry’s half-uncle to start with, and a Lancastrian who had shared exile with him.

Bletsoe Castle - much altered since John Welles's day

Bletsoe Castle, a residence known to John Welles. His mother was born there.

Another reason is probably that Henry, by now married to Cicely’s elder sister, Elizabeth of York, had no desire at all to have his new sister-in-law married to a mere Scrope of no rank or expectation of a title. A Yorkist, to boot. All these things probably had a lot to do with it. Henry’s claim to the throne was by conquest, because his line of descent wasn’t exactly direct. His Yorkist queen—once made legitimate again—had a better title. He had no real blood claim at all, because his mother was a Beaufort, and the Beauforts had been forbidden the throne at the beginning of the century by John of Gaunt’s trueborn son, the first Lancastrian king, Henry IV. Who, as it happens, was another usurper. So the usurper at the end of the century, Henry VII, did all he could to bolster his personal prestige. Therefore, exit poor Ralph Scrope, stage left.

John Welles was about twenty years older than Cicely and had not been married previously, but Henry’s half-uncle or not, he wasn’t royal himself. He was related to royalty, because his mother’s first marriage had been to John Beaufort, 1st Duke of Somerset, who was of course—like Ralph Scrope—descended from John of Gaunt. On the death of the duke, John’s mother married Lionel, 6th Baron Welles, and John was the result. Another piece of bad luck for John was that his father, Lionel, had also been married before, so the family title of Baron Welles and the lands went to the son of his first marriage. John got nothing from either parent.

It was John’s Beaufort half-sister, Margaret, who received the all-important royal blood and a huge fortune in money and lands, albeit through an illegitimate line that had been legitimised. She was perhaps the greatest heiress in the realm, and was snapped up at a very early age by Edmund Tudor, Earl of Richmond (another half-brother of a king, this time Henry VI). Their only child was to become Henry VII. Something useful for John at last? Yes, as it turns out.

John, Viscount Welles

John, 1st Viscount Welles

Ignoring Henry’s probable haste to be rid of an inconveniently lowly Yorkist brother-in-law-by-marriage, might it have been that John Welles actually loved the beautiful Cicely? Did he ask his half-sister to mediate with her son Henry? Or maybe Henry had some fondness for his half-uncle, and simply wanted to increase John’s importance with a royal wife, and then a title? Henry wasn’t exactly overloaded with blood relatives, so was obliged to keep and placate the few he had. Plus, of course, a royal wife for Uncle John would make Henry himself look better.

Certainly John Welles appears to have looked after and appreciated his highborn bride. His will was very affectionate, and according to one report (Gentleman’s Magazine, Volume 163, p.33. Funeral of John Viscount Welles, 9th February 1498) she was quite distracted on losing him. The word used for her distress is actually “incontinent”, in its meaning of “distraught”. So I have reason to think that whatever her feelings for him at the outset of the marriage, there was warmth at the end. They had two daughters together, both of whom died tragically young.

One thing can be said of Cicely first two husbands: they were cousins. But not royally so, of course. Ralph’s great-grandfather, Stephen Scrope, 2nd Baron Scrope of Masham married Margery de Welles, the sister of John’s great-grandfather, the 5th Baron Welles.  John Welles also had the same Greystoke blood as Ralph, but alas, not from the member who married the granddaughter of John of Gaunt! Poor old John, missed out again. First because he wasn’t from his mother’s Beaufort marriage or his father’s first marriage, and also because he wasn’t from the right Greystoke marriage either. Dag nam it thrice times over!

However, that other Greystoke marriage was of great benefit to Ralph, upon whom it bestowed that royal Beaufort blood. What it did not do was bring him the family title, until he was nearing the end of his life and in a second childless marriage. He was the third of four brothers, who all failed to leave heirs—except for one, who produced a daughter, but she left no children either. So Ralph had to wait to eventually become the 9th Baron Scrope of Masham. His successor, the fourth brother and 10th baron, Geoffrey, also died childless, and on his death in 1517, the title fell into abeyance.

But Cicely did not stop at two husbands. She chose to marry again, and this time she certainly followed her heart. Not royal instructions! A few years after the death of John Welles, she married Thomas Kymbe or Kyme, a Lincolnshire gentleman of Friskney in Lincolnshire. His family home was probably Friskney Hall, the remains of which are shown in the map below.

Site of Friskney Hall - Kymbe residence

As may be imagined, Henry VII went blue in the face. He erupted into a fury, took away all her possessions (presumably to deny her upstart husband her wealth) and banished her. He was beside himself over what she’d done behind his back. His sister-in-law, married to a mere gentleman? It wasn’t to be tolerated!

The scandalous situation was smoothed by none other than Henry’s mother, Margaret Beaufort, who had formed a close friendship with Cicely. Margaret mediated with Henry, and managed to smooth his ruffled feathers. To a certain extent, anyway. He allowed Cicely some of her possessions, but he never again referred to her third husband. To Henry, and therefore the rest of the court, she was Viscountess Welles until the day she died. She did eventually appear at court again, but not often, and I imagine she kept out of Henry’s way.

She and Thomas went to reside in the Isle of Wight, where she eventually died as was laid to rest in old Quarr Abbey (although there is a school of thought that she died at Margaret Beaufort’s residence in Hatfield Old Palace).

Ruins of old Quarr Abbey, Isle of Wight

Ruins of old Quarr Abbey, Isle of Wight

It is thought that she and Thomas had children, a boy and a girl. There seems evidence of this, but all trace of any further descendants has been lost. So it is possible that there are folk around now who can trace their descent from this remarkable royal lady’s third marriage. But not, alas to her first two.https://www.facebook.com/sandra.heathwilson.9

ST MARY’S CHURCH, FAIRFORD: ROYAL PORTRAITS

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St Mary’s, Fairford, Gloucestershire.  ‘A complete and perfect Perpendicular church’  and famous for it fine collection of medieval glass.

Described in Betjeman’s Best British Churches as ‘a complete and perfect Perpendicular’ church(1) this beautiful wool church was rebuilt by John Tame, a wool merchant from Gloucester , in the late 15th Century to replace a much older church.  The tower had already been rebuilt by Richard Beauchamp, Earl of Warwick and Lord of the manor around 1430.  St Mary’s possesses a complete set of medieval stained glass, amongst the finest in England and it is this glass that I want to focus on now.  The glass was made between 1500 and 1517 and, other than the west window, which was severely damaged in a storm in 1703 and later restored, the glass has somehow miraculously survived, although how this has happened remains a mystery.  It has been suggested it has survived because of the royal portraits contained in them. The windows are thought to have been a gift from Henry Vll himself.  It should be remembered that when Henry had the young Edward Earl of Warwick executed in 1499 he seized his estates which included Fairford.  It has also been suggested that Henry may have then given the manor to Prince Arthur whose badge of ostrich feathers and motto appear in some of the windows and one of the portraits is thought to have been modelled up his wife, Katherine of Aragon.  Thirty years after Arthur’s death Henry Vlll presented Fairford manor to Katherine of  Aragon after he had divested her of her title of queen.  The portraits are mostly members of the Tudor royal family and influential people in the Tudor court  although one of them is thought to be of a Plantagenet, that of Henry’s brother-in-law, the young Edward of Westminster, one of the ‘princes in the Tower’   Other portraits were modelled on Henry himself, obviously, his wife Elizabeth of York, Catherine of Aragon, Prince Arthur, Henry’s  daughters Mary and Margaret and a young Henry Vlll and last but not least Margaret Beaufort (2)   I also think its possible that one of them is based on Richard lll, but that is purely my own speculation.

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Nave, north aisle, north Window.  The figure of the Queen of Sheba is believed to be a likeness of Elizabeth of York

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Chancel, north chapel, Lady Chapel, North window.  Jesus as a small boy in the temple modelled on a young Henry Vlll possibly.

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Holbein’s sketch of Henry Vlll as a child to compare IMG_3802.JPG

Nave,north aisle, west window.  The figure of Solomon is thought to have been modelled on Edward of Westminster, one of the ‘princes in the Tower’ and brother to Elizabeth of York

 

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Nave, north aisle, west window.  Could this figure be Morton? It has been described as Wolsey but I disagree.  

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A wooden boss on the roof of Bere Regis church thought to represent Morton in comparison.

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Chancel, south chapel, Corpus Christi Chapel, east window.  This version of the Virgin Mary is believed to have been modelled on Mary Tudor, Henry Vll’s daughter.   See picture below to compare likenesses.

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A portrait of Mary Tudor to compare to her likeness in the above portrait of her at Fairford.

 

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Nave, West Window.  The figure with the crown is thought to be that of Henry Vll entering Heaven.

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Chancel, north chapel, Lady Chapel, north window.  The Magus is believed to have been modelled on Prince Arthur.

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Chancel, north chapel, Lady Chapel, north window.  Two royal likenesses here.  It it thought that the Virgin Mary was modelled after Catherine of Aragon while that of the attendant with the doves is modelled on Margaret Tudor, Henry Vll’s daughter.  Could the lady in red be modelled on Margaret Beaufort?

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Two kings here..Henry Vl on the left and Henry Vll on the right.

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Purely my speculation here but could the warrior holding the severed head be a Tudor representation of King Richard lll?  For surely one shoulder has been depicted higher than the other one! 

I am  indepted to the excellent Corpus Vitrearum Medii Aevi  online for these images

(1) Sir John Betjeman, updated by Richard Surman, Betjeman’s Best British Churches p.270

(2) Sir Nickolaus Pevsner, The Buildings of England, Gloucestershire 1. The Cotswolds, p367 

An angelic Tudor mystery in Devon….

The great hall at Dartington Hall, near Totnes in Devon, is a magnificent example of 14th-century architecture, but there is a little oddity that not everyone will notice. It concerns the supporting figures on the corbels supporting the five-bay hammerbeam timber roof.

The figures are angels holding the heraldic shields of the families that have owned the Hall. The lord who built the hall in the 14th century was John Holand, Earl of Huntingdon, Duke of Exeter. He was the younger of Richard II’s two half-brothers, and his angel is displayed on the left above. All the other angels (bar one), are the same, including those of Margaret Beaufort, who owned the Hall from 1487-1509, but is not thought to have ever visited it. The estate then reverted to the Crown.

Sir Arthur Champernowne gained possession of Dartington Hall in 1554 (he exchanged other properties with Thomas Aylworth, Lord of Dartington) and his descendants owned the property until 1925, by which time it was derelict. The Champernownes were of Anglo-Norman descent, and influential, especially in the West Country.

Now for the oddity. At some point, perhaps under the auspices of Sir Arthur, one of the angels in the great hall was altered. It is on the north side of the roof, and yes, like its fellows, it displays a coat-of-arms (that of the Champernownes) but the figure holding the shield is no longer an angel. Instead it has been changed into a Tudor serving man, with his wings severely chopped. (See illustration on above right.) Now, I am not the one claiming the figure is a Tudor servant, it is described as such by Anthony Emery, who has written a large work on Dartington Hall.

Why has this angel been changed? Emery states that the Champernownes cut back this corbel, but gives no reason. Was it an attempt by Sir Arthur to show that he was a loyal servant of the Tudors? I cannot think of any other reason. Can you?

Hostile Historians and Uppity Authors: Never the Twain Shall Meet?

You would have had to have been locked a dark dungeon in the Tower not to have noticed that there is a new TV series out based on a Philippa Gregory bestseller. THE WHITE PRINCESS has hit the screens in the US (no dates for the UK this time; the BBC bailed after The White Queen.) In both book and series, the ravishing Elizabeth of York, here called Lizzie for short (an anachronism right there–girls called Elizabeth were normally called Bess or Bessy, with Lizzie not appearing for several hundred years) fights for the honour of the fallen House of York against the husband she loathes but has been forced to marry, the new King Henry Tudor (here anachronistically bearded and impossibly attractive) and his sinister, lurking mother, Margaret Beaufort (Catelyn Stark in a late medieval version of a Mickey Mouse hat.) The first episode has a brief flash back to Lizzie’s pre-Bosworth on-the-battlefield fling with Uncle Richard, and then much time is spent bemoaning the untimely death of her lost lover and fighting against the dastardly machinations of Henry and his mummy. And then, eventually, Lizzie and Henry fall in lurrrrve.

Now much of this scenario is fantasy, pleasing to neither the Tudorites, who frequently moan that ‘Philippa Gregory is anti-Tudor!’ because, amongst other things, she didn’t make the Henry-Elizabeth alliance an immediate Mills and Boon romance, and equally TWP is not admired by the Ricardians because of Gregory’s overblown use of the discredited idea of an affair between Elizabeth and Richard III, when it is known from existing state documents in Portugal that he planned to marry Joanna of Portugal and at the same time have Elizabeth wed Duke Manuel of Beja.  Certainly it is true that Richard had to deny in public that he wished to marry Elizabeth, but it genuinely appears that this so-called proposed marriage was nothing more than gossip, much of it deliberately malicious, and the other possibly arising from pure misunderstanding. Why should anyone be surprised that courts were full of rumours about sex?- Look at how the modern press pairs celebrities up when they hardly even know each other!

Of course, Philippa Gregory is a fiction author so she is entitled to write whatever floats her boat. The public decides what it enjoys, and with her very hefty bank balance and millions of sales under her belt, people obviously enjoy her writing, accurate in historical content or not. Witchy Woodvilles, whistling down stormwinds isn’t exactly my thing, nor is the repetition of words/phrases and names that seem to be her trademark style, but clearly  the easy to read, first person, female format appeals to many readers.

However, the problem seem to be of late that Ms Gregory has assumed the designation of ‘historian’ in interviews and documentaries, and this self-appointment  has irked a few familiar faces, including the eminently irkable David Starkey and highly successful historical fiction author Hilary Mantel, author of Wolf Hall. Doctor Gregory, as many of her fans call her, indeed has a doctorate …but it is not in history, medieval, Tudor or otherwise. Rather, it is in literature. Certainly many laymen have great knowledge of history and have come up with new discoveries and theories missed totally by accredited historians, but the problem seems to be when the lines of fiction/non-fiction blur due to the author’s own self-promotion and self-accreditation.  This is clear from the comments on the webpages dedicated to the new White Princess series; many viewers/readers are convinced that every word of the novel and the prequels  (and their tv versions) is true because the author ‘researches everything SO thoroughly and is a historian.’

No, she is a fiction writer with a long-term interest in history, using a reasonable amount of historical facts alongside some intriguing historical fictions (and of course history itself is full of myth, rumour and outright lies!) in order to make a rousing story. If Gregory is as well-versed  in history as she claims, she should be honest enough to at least admit that the affair between Richard and Elizabeth, as an example,  most likely never happened. Instead, she points selectively to anything that might ‘back up’ her book and completely ignores any evidence to the contrary. That is just self-promo and is indeed a far cry from what she herself said when TWP was still a work in progress–that of all her books it contained ‘the most fantasy.’

(That said, I don’t 100% agree with Hilary Mantel, either, who said she thought historical fiction writers should not add bibliographies into their novels as it implied they were non-fiction and the contents therefore  ‘true’. I believe a brief list should be included, in order to have the readers (hopefully) study more of the time periods involved and make up their own minds. )

So, dear viewers,  please take the White Princess with a pinch of salt – the Bosworth night fling, the rather aged and silent Francis Lovell, who now appears mysteriously in the story after being completely invisible in The White Queen, a letter of Buckingham (who is long dead) and other gaffs, along with Ms Gregory’s amazing claim in the article linked below that Richard III was ‘terrified’ of Elizabeth Woodville (Awk, say what? Why, did her weird whistling magic bother him that much?) Enjoy it, if it’s your thing, but  forget the ‘history’ part.

Fiction brings the past alive for many of us, me included, but let’s remember that’s what  it is. Fiction. However, I fear this plea will be in vain. After all, look how many people still think Shakespeare was  a historian and not a playwright!

http://www.dailymail.co.uk/home/event/article-4406136/Historial-novelist-Philippa-Gregory.html

https://thecreationofanneboleyn.wordpress.com/2011/12/19/fact-fiction-and-philippa-gregory/

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CARDINAL JOHN MORTON’S TOMB CHAPEL OF LADY UNDERCROFT CANTERBURY CATHEDRAL.

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On Friday 13th June 1483 Cardinal Morton, along with others, was arrested at the Tower of London.  It is well documented the role Morton played in the downfall of Richard lll.  Morton was Richard’s arch enemy and his deviousness, cunning and powers of manipulation being  well known,  there is no need to go into them here in detail,  only to recap briefly on his enforced stay at Brecknock castle where he latched on to the flawed Buckingham’s shallow and vainglorious character (what were you thinking of Richard?!)  inveigling him to rebel and  desert Richard, a  result of the ensuing rebellion being that Buckingham was swiftly defeated,  captured and ignominiously executed, while he, Morton, legged it to the Fens and his ‘see of Ely, where he found both money and friends’ (1)   It should be noted that Margaret Beaufort’s estate at Collyweston was but  a short distance of 40 miles  from Ely.     Morton then  ‘sailed into  Flanders, where he remained,   doing good service to the the  Earl of Richmond until the scheme at Brecknock had been realised and the Earl had become king of England’ (2 ).  As Bishop of Ely Morton would have been very conscious of the sanctity of the Coronation ceremony  but this did in no way deter him from playing a prominent role in the betrayal of King Richard.  How he came to terms with his treachery is difficult to understand,  and is of course something we will never know,  but manage he did somehow and the rest is history.

His achievements are likewise well known and numerous,  including “Tudor” promoting him to the see of Canterbury and  Lord Chancellor in 1487,  eventually prevailing on the Pope to make him a cardinal  , the conceiving of the infamous Morton’s Fork – although to be fair some attribute this to Bishop Fox (3) – and his patronage of the young Thomas More who served in his household as a page.  Morton was without doubt an enormous influence in poisoning the young More against Richard.  More  later went on to write his ‘History’ which has proven to be extremely  damaging to Richard’s memory as it is oft quoted by ‘historians’ who should know better.  It is believed by some that it was in fact Morton who was the original  author including the late Professor A F  Pollard who opined Morton wrote a latin version which More translated later  into English (4).

It is easy to imagine, as he lay dying, after achieving what was a good age in those harsh times, that Morton felt rather pleased with himself for had he not been instrumental in achieving practically the impossible?..the slaughter of a rightful king and replacing him with someone with very tenuous claims to the throne.  He had already made elaborate plans for where he wanted to be buried.in the Chapel of our Lady in the crypt of Canterbury Cathedral beneath the pavement of the western bay.

‘He had chosen the spot himself as a quiet and retired one, “non in tumultu sed in secreto subterraneoque loco in criptis nuncupato, lapide duntaxat coopertus marmoreo coran Imagine Beatissime Virgin Marie, quam ex intimo diligebat sepulture locum elegit ubi ipsius corpus felicissimum jam quiescit” ‘ (5)

Which translates as he  had chosen for his burial ‘not an ostentatious place but rather a secret one with a simple marble cover before an image of the most blessed Virgin Mary., whom he held in very high esteem and where his most fortunate body might rest in peace’

A splendid  altar tomb/cenotaph  was built nearby which incorporated Morton’s rebus of a bird (a mort) and a barrel (a tun), and the Tudor badges of  portcullis and rose.  And here he was laid to rest.

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Morton’s rebus, a bird (a mort) and a barrel (a tun)

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Morton’s  altar tomb/cenotaph in the western bay of the chapel

IMG_3631.JPGAlabaster figure of Morton on his tomb/cenotaph

However, this is where his plans finally went awry.   The crypt became a ‘repository for scaffolding poles and building material, and rendered unfit for sacred purposes’ (6)

 

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Turner’s painting of the Crypt in the 18th century showing Morton’s Tomb/Cenotaph amid building rubble

 The slab covering the tomb was eventually broken and smashed and the remains in their cere cloth  revealed   Over a period of time these were gradually stolen until none were left except his skull which a Ralph Sheldon rescued in 1670 leaving it to his niece on  his death.    Eventually the head  found a final resting place  at Stonyhurst College, where  it still is to this very day.  The head was  recently loaned to an exhibition on the life of  Thomas More in Washington DC (7).   It is both ironic and just that the king that Morton callously betrayed,  and whose remains were given a cut-price burial in Leicester,  have now been reburied with the honour that he deserved,  while all that remains of Morton is his head in a box in a cupboard.   As they say man makes plans and the Gods laugh…

As a footnote to this story in my delving around I think I may have come across a ‘secret’ portrait of Morton in the wonderful medieval windows of St Mary’s Church, Fairford, Gloucestershire.  These windows have survived it is believed because they show hidden portraits of the Tudor royal family and important members of Henry Vll’s court.  One portrait is described as being that of Wolsey…but I believe this is erroneous..why would Wolsey’s portrait being included with those of Henry Vll and his family including Henry Vlll as a child.  I have since compared it with that of the wooden bosses thought to represent Morton at Bere Regis Church.  I show them here for comparison.  Any thoughts?

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The portrait in the nave of St Mary’s Church described as being of Wolsey? But could it possibly be Morton?  

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One of the bosses on the roof of Bere Regis Church thought to represent Morton for comparison.

(1) R L Woodhouse The Life of John Morton Archbishop of Canterbury p.75

(2) Ibid

(3) W E Hampton Memorials of the Wars of the Roses p96.

( 4) A F Pollard Luminarium Encyclopedia.  On line article.

(5) C Eveleigh Woodruff.M.A. The Chapel of our Lady in the Crypt of Canterbury Cathedral p. 158.

(6) Ibid

(7) I am most grateful for this information kindly given to me by Mr J Reed,  Assistant Curator of the  College Collections and Museum by the Association, Stonyhurst College.

Uncle Richard?

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A long time ago, I posted a short article about one of my ancestors, Thomas Snellgrove, who was a portrait artist and painted an actor portraying Richard III. Here is the link.

Portrait of actor playing Richard by Snellgrove

George Frederick Cooke playing Richard III by T.W. Snellgrove

I have been researching my family history for over thirty years and it used to be a very slow and painstaking process. The internet has obviously made things easier and quicker in many ways and I now have some other interesting Ricardian links to report.

I found a probable direct ancestor called Sir Henry Vane, the Younger – I had not heard of him, but discovered that he was a Parliamentarian in the Civil War and was beheaded on Tower Hill after Charles II returned to the throne. Interesting, so I started tracing his family back further and came upon a Vane who had married a lady called Joan Haute. As you probably know, there was a Katherine Haute to whom Richard gave an annuity of £5 and this was considered suggestive of her having been his mistress and mother of one or both of his illegitimate children. I did find a Katherine, married to a James Haute, brother of my ancestor.

I carried on further and found that Joan Haute’s grandfather, Richard, was married to an Elizabeth Tyrrell, brother of James Tyrrell, one of Richard’s henchmen, accused of murdering the ‘Princes in the Tower’ on his orders. It was odd to think I had recently visited the Tyrrell chapel at Gipping and seen the memorials for the Tyrrell family in the church at Stowmarket – how strange that these could be my relatives!  James was executed at the Tower too, by Henry VII.

And Richard Haute’s mother was a Woodville, sister to Richard Woodville, Elizabeth Woodville’s father. Elizabeth, as we know, was Richard’s sister-in-law (or at least was thought to be until it was found the marriage was invalid).

Sir Henry Vane’s wife was Frances Wray, and I next followed her line back. Her father married Albinia Cecil, great granddaughter to William Cecil, advisor to Queen Elizabeth I. One of his sons (half-brother to my presumed ancestor, Thomas Cecil) was Robert Cecil, who was thought to be the ‘model’ for Shakespeare’s Richard III; he was an unpopular politician of the time and also a hunchback.

Pic of Robert Cecil

Robert Cecil

Thomas Cecil meanwhile was married to a Neville! This was Lady Dorothy Neville, descended from George Neville, brother to Cecily Neville, Richard’s mother! This would make Richard my 1st cousin 17 times removed.

It’s not all good though; there are four connections to the Stafford family, two of which are direct lines to Henry Stafford, Duke of Buckingham, who betrayed Richard and was called by him ‘the most untrue creature living’ – another executed ancestor.  And, of course, via the Nevilles, I would also be related to Margaret Beaufort and Henry Tudor through the John of Gaunt line. ☹

Another not-so-good link is to the Percy family and thence to Henry Percy, who was lynched by a mob when he tried to raise taxes in Yorkshire, for not supporting Richard at Bosworth.

Yet another is to the Brandon family via the sister of William Brandon, Henry Tudor’s Standard Bearer, whom Richard personally killed at Bosworth. He would be my 16 x great uncle.

Other significant names that I haven’t fully explored yet are: Howard, Harrington, De Vere, Zouche, Somerset, Bourchier and  Clifford.  I haven’t found any Stanleys yet!

One of the Stafford links also leads to Margaret, daughter of George of Clarence and there is another to Margaret Courtenay, whose mother could be Katherine of York, the daughter of Edward IV and Elizabeth Woodville (her father married twice and it isn’t known which wife Margaret was born to – the second one was descended from John Neville, brother of Warwick the Kingmaker). These connections would make Richard also my 16 x great uncle. This would mean that one 16 x great uncle (Richard III) killed the other (William Brandon)!

Graham Turner painting of Richard III at Bosworth killing William Brandon

The Battle of Bosworth (Richard III killing William Brandon) by artist Graham Turner, copyright Graham Turner. N.B. Prints and cards of this and many other Ricardian scenes are available – click on the picture above to see.

How convoluted and complicated were the relationships in those days. But it just reveals how, if you can just find one key link into the nobility, you are basically related to them all!! It is also said that nearly all English people are descended from Edward III, so going by my experience (and Danny Dyer’s!) it could be true. I encourage anyone to have a go at researching their family – it is fascinating.

One caveat if you use the internet to do your research though – you have to be careful not to replicate others’ mistakes – I have found Cecily Neville given as the mother of Elizabeth Woodville and someone getting married before they were born – I know they married young in those days, but really!

 

 

Cecil image credit: John de Critz the Elder [Public domain], via Wikimedia Commons

 

 

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