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Henry VI’s Bed-Chamber Tutor?

There’s a new book on Henry VI and Margaret of Anjou coming out, in which historian Lauren Johnson surmises that the over-pious Henry VI may have had a few problems in the bedroom department and hence had  attendants who would ‘guide’ him in the ways of  love. Henry was a notably prudish man who once erupted in shocked fury when some female dancers arrived at court wearing gowns that ‘exposed their bosom.’ He also suffered some kind of serious mental health issues, even becoming catatonic for an extended period, an illness inherited through his mother, Catherine of Valois, whose father Charles had also suffered severe mental illness (he thought he was made of glass), as did several other members of the extended family.

It was about 8 years before Henry  and Margaret produced a child, Edward of Westminster, and the baby was born during one of the King’s bouts of illness; the monarch did not respond or acknowledge his child, even when the Duke of Buckingham placed the baby in his arms. Later, he did come round but promptly exclaimed that the baby must have ‘been brought by the Holy Ghost’.

As one might expect, rumours went around that the child was not his, but was the son of Edmund Beaufort, Duke of Somerset.

In his play Henry VI, Shakespeare had Margaret have a passionate fling with William de la Pole, the Duke of Suffolk but that does not seem to have been a contemporary rumour–however, it is interesting to note that one of the figures who was supposed to be helping Henry out in the ‘bedroom department’ was none other than the…Duke of Suffolk. Maybe the Duke decided to be a little TOO helpful on occasion… The other ‘attendant’ of note happens to be Ralph Botiller–that would be Eleanor Talbot‘s father-in-law, Lord Sudeley–although no one has ever accused him of having an affair with Margaret of Anjou. Her image, however, is on the exterior of the chapel he built at Sudeley, along with that of Henry.

 

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Secret Marriages – Edward IV & his Two Wives, the Novel

Over the years there has been lots of fiction written about Edward IV, Elizabeth Woodville and of course Richard III. However, there is one one figure in their story who often gets a mention, but  is rarely portrayed as a living person, with the events long after her death in 1468 taking the forefront instead.  This, of course, is Eleanor Boteler, or more correctly, Eleanor Talbot, daughter of  the  Earl of Shrewsbury. Possibly the only novel in which Eleanor  has played a major role is John Crowne’s THE MISERY OF CIVIL WAR, which first appeared in 1680! (In this work, very strangely, Eleanor dies at Edward’s hands at Barnet,  after first cursing him!)

In SECRET MARRIAGES, a new short novel, Eleanor takes the forefront through most of the book, although some chapters are from Edward’s point of view and still others from Elizabeth Woodville’s. Amongst other things, the novel covers Eleanor’s heritage, which has been rather ignored by certain ‘historians’, many novelists and the general public (when the latter  know  about her at all). I recall one blogpost where someone stated ‘Ricardians say she was the daughter of the Earl of Shrewsbury’. Well, ‘Ricardians’ don’t ‘say’ anything–for that is exactly who she was without question! And her ancestry is far more complex than just being the Earl’s daughter–few seem aware, in fiction or otherwise, that Warwick was her uncle by marriage, and Anne and Isabel, his daughters, her cousins. Eleanor’s mother was Margaret Beauchamp, half-sister to Warwick’s wife, Anne Beauchamp. She also had distant royal descent–certainly not a ‘nobody’ as some have tried to make her.

She had living relatives of high status too. Her sister, to whom she seemed close,  was none other than Elizabeth, the Duchess of Norfolk, mother of Anne Mowbray, who was married as a child to Richard of Shrewsbury, the younger of the ‘Princes in the Tower,’ but died at a young age. (Her coffin was found in the 60’s  in a demolition site which stood on top of the medieval remnants of the Poor Clare’s convent. Interestingly, this was not Anne’s original burial site; she’d been interred in Westminster Abbey, but good old Henry VII had shunted her body out to the nuns when he pulled down St Erasmus’ chapel to build his own chapel.) Anyway, Duchess Elizabeth attended the Coronation of Richard III, and there was no protest from her or  her family that Eleanor had been ‘slandered’ or the story ‘made up.’.

SECRET MARRIAGES also tries to give a picture of where, with the the scanty surviving evidence as teased out by the late Dr John Ashdown-Hill, Eleanor may have lived and where the marriage with Edward may have taken place (thought to be sometime around June 1461). One likely candidate is scenic Burton Dassett in Warwickshire, with its fine church filled by interesting medieval carvings. The story goes on to show Eleanor’s patronage of Corpus Christi College in Cambridge  (a carving of a Talbot hound still adorns the buildings) and attempts to recreate the bustle of medieval Norwich and the House of the Carmelites where she was laid to rest, now sadly destroyed save for a ruined archway, although the magnificent and perhaps unique entrance portal still survives, although not in situ, inside the Courts of Justice across the river.

Hopefully, SECRET MARRIAGES, can bring Eleanor Talbot a little more into the light–the Queen who might have been. And for the naysayers about Edward’s first marriage, look at Edward IV’s history with Elizabeth Woodville–he kept that marriage secret for months after it took place. Do you really think he might not have done the same thing before?

 

SECRET MARRIAGES NOVEL-UNIVERSAL LINK

 

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The Trial That Should Have Happened in 1483

RICARDIAN LOONS

Putting aside the mystery of what ultimately happened to Edward IV’s two sons, one enduring difficulty for a student of history is whether Richard III used the proper legal procedure in having them declared illegitimate because of their father’s precontracted marriage to Eleanor Talbot.  The most (and only) significant defect appears to be the failure to refer the issue to a church court for determination.[1]  But it seems no one has fleshed out how an ecclesiastical tribunal would have litigated such an extraordinary and unprecedented matter, let alone identified which church court would have had authority to hear it.

As a retired litigator of 20 years, I undertook the challenge of researching medieval English church court procedures and precedent cases to answer four questions: Which church court would have decided the precontract issue? How would it have conducted the litigation? What evidence would it have heard? How conclusive would…

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NOT AGAIN! THE LATEST FROM A CAIRO DWELLER …

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Richard Duke of Gloucester being offered the crown by the Three Estates at Baynards Castle, June 1483.  Painting by Sigismund Goetze at the Royal Exchange…(or according to some.. Richard in the actual act of ‘usurping’ the throne)…

I came across this article on a forum devoted to late medieval Britain.

Unfortunately I read it..5 minutes from my life I will never get back again… but as I was laid up with a bad head cold I had nothing  much better to do.  I should have been warned by the photo of a little girl in what looked like an attempt at Tudor costume and the words ‘I have no idea who this little girl is but she is adorable.  Little kids in this era were adorable and vulnerable too ..just like modern children..lets keep that in mind’.  This should have alerted me to the fact the writer was a writer of rubbish.  Nevertheless I cracked on.  As it transpired the article has more holes in it than a hairnet…and worse was to come.

John Howard, having been cheated out of his inheritance, which ‘seems to have stuck in his craw’ then went on to become ‘one of the first men to help the new king’s uncle usurp his throne and become King Richard III’.  When I challenged the word ‘usurp’ I received the reply of a emoji rolling on the floor laughing.  It  then became clear to me the quality of the author’s debating powers were going to be found somewhat lacking.  But casting that aside for the moment lets look at the word ‘usurp‘ as used by the author to describe the actions of Richard.  The late historian John Ashdown-Hill addressed this point very well.  “Definitions of the verb ‘usurp’ include include terms as to seize power by force and without legal authority…Richard III did not gain the throne by fighting a battle nor did he seize the crown.  He was offered the crown by the Three Estates of the Realm.  Later the decision of the Three Estates of the Realm was formally enacted by the Parliament of 1484′ (1) . Thus to describe Richard as a usurper is incorrect and a nonsense.”

Not content with calling Richard a usurper,  John Howard, later Duke of Norfolk is next in line to be  maligned by the statement regarding Anne Mowbray, (the 4 year old heiress of John Mowbray who died just before her ninth birthday)  ‘All that John Howard could do was wait and hope something happened to Anne…’!  This is quite an offensive thing to say as well as ludicrous as no source has come down to us informing us of Howard’s personal thoughts on this matter and which I very much doubt would have been ‘hoping’ for the death of a small child. Incidentally, he was raised to the Duchy of Norfolk whilst the “Princes”, including the previous in suo jure Duke, were known to be alive – see p.78 and pp.117-124 of The Mythology of the “Princes in the Tower”, also by Ashdown-Hill.
Howard later went on to fight and lay down his life for his king aged 60 years old.  This colossus of a man could easily have wormed his way out of fighting, as others did, with his age as an excuse.  He did no such thing and its a great pity that we have modern day pip-squeaks having the brass neck to  disparage such a man.  The author needs to hang their head with shame but I doubt if that will happen any time soon.

As we go on we see Lady Eleanor Butler nee Talbot – a lady of the nobility and daughter to the great John Talbot lst Earl of Shrewsbury a, sister to the Duchess of Norfolk and a lady known for her piety – described as one of King Edward’s ‘side pieces’…(I know,  I know..my guess is this is a stab at  ‘bit on the side’ but your guess is as good as mine).  She was in actual fact no such thing,  being the legal wife of Edward who married her in order to get her into bed.   Surely Eleanor deserves more respect than this….as I said pip-squeaks and all.

The writer then follows up with a message touching on the execution of Lord Hastings to prove her point that Richard was a Bad Man.   I say ‘touching’ in a very loose way as she makes no attempt to explore,  let alone mention,   what reasons were behind the execution only pointing out, unnecessarily,   that Hastings  was executed ‘even though he was one of the most richest and powerful men in the country’..what has this got to do with it?   Furthermore…’Richard had him dragged out and beheaded on a log’. Presumably Dickens, who was unborn, or More, aged five at the time, cannot be taken seriously as eye-witnesses?  Is it not about time this myth was debunked?  Three accounts survive of the dramatic events at the meeting at the Tower that day – those from  Historical Notes of a London Citizen 1483/84, Mancini and Croyland (2) – none of which mention the infamous log.

 

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A log, something that Lord Hastings was NOT beheaded on…

Hastings was probably, as Carson points out, executed under the Law of Arms (3), having tried to eliminate the Dukes of Gloucester and Buckingham and been judged by the Constable’s Court, Gloucester being Lord High Constable at the time. In much the same way, Rivers, Vaughan and Grey were judged by the Earl of Northumberland, the designated Vice-Constable.

 

  1. The Mythology of Richard III chapter 6 p74 John Ashdown-Hill.
  2. Historical Notes of a London Citizen 1483/8, English Historical Review, Vol. 96. p588 Richard Firth Green,   Mancini p.89, Croyland  p.479-80.  I am indebted to Peter Hammond and Anne Sutton for their very useful book, Richard III The Road to Bosworth Field, a complete and handy reference to all the primary sources covering Richard’s reign.
  3. The Maligned King p.98, but Carson’s other book illustrates the powers of the Constable and Protector and the documents assigning the role to Gloucester.

Bishop Stillington’s Lost Chapel

The beautiful Cathedral of Wells  is a medieval visual delight. It was, of course, the See of Bishop Robert Stillington who sought out Richard Duke of Gloucester and announced that King Edward IV had been secretly married to Eleanor Talbot, daughter of the Earl of Shrewsbury, prior to wedding  Elizabeth Woodville in a second secret ceremony, thus making his second marriage bigamous and invalid. He knew the matter was true, he said, because he was the one who had officiated at the marriage of Edward and Eleanor..

Stillington was Archdeacon of Taunton when Edward might have met and married Eleanor Talbot, probably around 1461. He was, of course, not then a Bishop but the Canon Stillington. He also served in Edward’s government as Keeper of the Privy seal. He was elected to his Bishopric in 1465–at King Edward’s insistence, as the the Pope initially proposed a different candidate. He was also intermittently Lord Chancellor, though he appears to have been dismissed in 1473. A few years later, Stillington was briefly imprisoned for unspecified offences which seem to have been connected with George of Clarence’s treason charges.

After Richard III’s death at Bosworth, Henry VII immediately ordered Stillington imprisoned . Upon his release, rather than retiring somewhere far from court or bowing to the new Tudor regime, he immediately involved himself in the Lambert Simnel uprising. Once Stoke Field was fought and Tudor victorious , Stillington fled to Oxford, where for a while the University protected him. However, eventually he was captured and thrown in prison in Windsor Castle–this time for the rest of his days. He died in 1491 and was taken to Somerset for burial at Wells Cathedral.

During his lifetime, Stillington did not spend much time in Wells but he did complete building work within the cathedral and raised his own mortuary chapel there in the 1470’s, complete with huge gilded bosses bosses of suns and roses. This chapel, dedicated to the Virgin, was built on one side of the cloisters near the holy springs that give Wells its name and on  the foundations of an earlier Saxon church. During the Reformation, in the reign of Edward VI, Sir John Gates destroyed the chapel and tomb and, according to old accounts,ripped the Bishop’s remains out of his lead coffin.

Rather interestingly, Stillington’s Chapel is the ONLY part of Wells Cathedral that was severely damaged during the Reformation, the Bishop’s tomb not only being desecrated but the building itself razed to the ground – and some would have it that there’s no such thing as Tudor propaganda? Of course, the roof was later pillaged by Monmouth’s rebels to make ammunition for use at Sedgemoor.

The foundations of Stillington’s chapel have been excavated, and if you visit Wells Cathedral today, you can see scant stonework sticking out of the ground in Camery Gardens. Nearby, in the cloisters, several massive chunks of his tomb canopy are on display, decorated with symbols of the House of York.

 

A further representation of Edward IV

We know that both Mr. Rochester and Captain Mainwaring are possibly based, to some extent, on Edward IV’s life and family.
What about Hi-de-hi? I ask because one episode of this 1980s comedy featured TED Bovis (Paul Shane) seeking to become engaged to a camper with “my late mother’s ring”, only for Spike Dixon (Jeffrey Holland) to expose a tray full of rings in their chalet, demonstrating that Ted would easily feign an engagement for an ulterior motive. This is surely similar to Edward’s own behaviour?

ST PETER’S CHURCH, WINCHCOMBE AND THE BOTELERS OF SUDELEY

Sudeley Castle is a beautiful castle in Gloucestershire, once the marital home of Lady Eleanor Talbot (Boteler) and once owned by Richard III, who built the banqueting hall, although most famed for being the burial place of Henry VIII’s last wife, Katherine Parr.

So great are the attractions of the castle that many visitors miss out on the attractive nearby village of Winchombe and the interesting church of St James, which has many connections with the Boteler family.

The original church on the site was raised in Saxon times; later, there was a 12th century building raised on the site,  but by the 15th c it had grown ruinous. It was completely rebuilt in 1452-62 by Ralph Boteler, Lord Sudeley, the local Abbot, two churchwardens and the Town Bailiff. Ralph Boteler’s ancestors were buried in the earlier church’s ruins so he was eager to build a chantry chapel for them, and  for the use of his family.

At the time the church was rebuilt, the area in which is stands looked very different to today. It stood in the shadow of a large monastic building–Winchcombe Abbey, which was completely destroyed in the Reformation. Not one stone of the Abbey remains visible today above ground, although several stone coffins from the abbey now lie in the present church and one of the doors bears the initials of the last Abbot.

The church is locally famous for the large numbers of unique  grotesques set around the roofline. They are extremely large and humorous and are thought to represent those connection with the 15th c rebuild, including  a moustached, widely grinning Ralph Boteler and his wife first Elizabeth (his second wife, Alice Deincourt, it might be noted, was Francis Lovell’s grandmother via her first marriage) The guard the porch, with its centrepiece of a winged angel holding a shield bearing the Boteler coatof arms. Ralph and Elizabeth’s only son Thomas Boteler, the first husband of Eleanor Talbot,  is also thought to be reprented on St Peter’s. Thomas, holding an expensive short sword, is on the northern side of the building, gazing rather fiercely out in the direction of the castle.  Sir Ralph’s image may appear a second time above the now-vanished vestry at the eastern end of the building; here, he wears a baron’s cap and carries a Sword of State. (Ralph was Henry VI’s  standard-bearer.) These carvings are not the most famous of the grotesques, however–that honour goes to the Town Bailiff, who is wearing an extraordinary hate and pullin a face–he is said to be the inspiration for the illustrations of Lewis Carroll’s Mad Hatter! Other figures include men with dogs who may be the churchwardens, a man with a fiddle, a singer, a labourer, and a Master Mason, who may be Robert Janyns, who was the architecht of Merton College in Oxford.

The interior is worth a visit too–the Lady Chapel was once the Chapel of St Nicholas and  was the Boteler family chantry. No tombs now remain unfortunately, but on the other side of the church there is a truncated chancel screen which is 15th c. There is also a glass seraphim from arond 1450 in one of the windows, and behind a curtain, the  church’s treasure–an altar cloth made of  vestment orphrey between 1460-70. The colours still remain vibrant and the images clear even today.

 

 

 

Of course, nobody ever married in secret …

… except Louis XIV, King Fahd of Saudi Arabia, John Lennon, the Earl of Kent and Edward IV (twice).

Anyway, here is another case, involving someone we have discussed before

SIR THOMAS MORE , A MAN FOR ALL REASONS: SAINT OR SINNER?

‘Not exactly the horse’s mouth’

In Josephine Tey’s spellbinding novel ‘The Daughter of Time’, Detective Inspector Alan Grant has a reputation for being able to spot a villain on sight. Whilst in hospital with a broken leg, Grant is idly flipping through some old postcard portraits to while away the time. He turns over a portrait of a richly dressed medieval man in his thirties: a judge? A soldier? A prince? Certainly someone with authority and responsibility Grant supposes. Imagine his surprise, therefore, when he realises it is a portrait of Richard III. “The monster of nursery stories. The destroyer of innocents. A synonym for villainy.” Shocked that he could be so mistaken as to place Richard on the Bench instead of in the Dock, Grant delves deeper into the mysteries of his life and reign. A friend lends him a library copy of Thomas More’s ‘The History of King Richard III’, which he reads with a detective’s eye for detail and evidence. Pretty soon he realises the fatal flaw in More’s account and raises the problem on his friend’s return.

” ‘I wanted some information about history written in Richard III’s day. Contemporary accounts.’

‘ Isn’t the sainted Sir Thomas any good then?’

‘ The sainted Sir Thomas is nothing but an old gossip’ Grant said with venom. He had taken a wild dislike to the much-admired More.

‘Oh, dear. And the nice man in the library seemed so reverent about him. The Gospel of Richard III according to St Thomas More, and all that.’

‘Gospel nothing’ Grant said rudely. ‘He was writing down in a Tudor England what someone had told him about events that happened in a Plantagenet England when he himself was five.’

‘Five years old?’

‘Yes.’

‘Oh, dear. Not exactly the horse’s mouth.’ “

 

I doubt if there are many Ricardians, if any, who would disagree with Inspector Grant’s opinion of ‘the sainted Sir Thomas’ and his history book: and with some justification. It contains many demonstrable errors and falsehoods, which have shaped our perception of Richard III for centuries. Even today, when there is more or less a scholarly consensus about its unreliability, there remains a perception that it is not entirely useless as a historical source.

 

The man who wrote ‘The History of King Richard III’ was not Saint Thomas More the Catholic martyr or Sir Thomas More the king’s Lord Chancellor. He was plain ‘maister’ More of Lincoln’s Inn, a brilliant and successful humanist lawyer and writer. I hope in this article to explore aspects of More’s character and life that may explain why he wrote his history of King Richard, and the historical and literary influences that guided his quill. This is not, however, a critique of this book as literature or history.

 

‘This child will prove a marvelous man’

Thomas More was born in London on the 7th February 1478 (or 1477), the eldest son of Sir John More, a successful lawyer and later justice of the King’s Bench, who rose to prominence during the reign of Edward IV. Politically, Sir John was an Edwardian Yorkist rather than a Ricardian who, despite being unfairly imprisoned by Henry VII, prospered during the Tudor dynasty. He had an enormous influence on Thomas as a child and as an adult; being, largely responsible for his son’s choice of a career at the Bar rather than the Altar. The More’s were a wealthy family of merchants and professionals. Both Thomas’ grandfathers acquired fortunes. Each played a significant part in the governance and commercial life of London during the fifteenth century, and also in various financial and advisory capacities to the king. At the age of seven, Thomas was enrolled in St Anthony’s , a prestigious grammar school in Threadneedle Street not far from his home. It had a reputation for producing England’s finest Latin scholars and Thomas was no exception. His grounding in Latin was to stand him in good stead later in life. But it was his spell as a page in John Morton’s Household that was to mark young Thomas as a teenage prodigy.

 

As Archbishop of Canterbury and Lord Chancellor, Morton was the most powerful commoner in the realm. He united the affairs of church and state, and his service to Lancastrian and Yorkist kings established his reputation for integrity. Furthermore, his part in Henry VII’s conquest of King Richard and the unification of the red and white roses assured Tudor goodwill. His main responsibilities were implementing the king’s fiscal and foreign policies, for which he was amply rewarded with lucrative offices and beneficiaries. Morton was, however, deeply unpopular with the king’s subjects, who resented the heavy load of taxation and benevolences he collected from them. He is (perhaps mistakenly) believed to have been responsible for the cunning argument commonly known as Morton’s fork, which was used to extract forced loans from reluctant subjects and is best described as “persuading prodigals to part with their money because they did spend it most and the covetous because they could spare it best.”[1]

 

In 1490, Thomas More walked the relatively short distance across the Thames to Lambeth Palace, there to take up his duties in the archbishop’s household. His position as a page was not demeaning. On the contrary, it was considered a privilege for gentlemens’ sons to serve in the household of a great lord. They would learn the etiquette of the privileged and mix with the good and the great. As a page, More led a strict and simple life but not a hard one. He slept on a straw mattress in a dormitory with other sons of the gentry. His principal duties as a servitor were to wait at table and clear away after the meal. Cleanliness was particularly important for pages and their dorm was well equipped with a long communal sink and pitchers of water. However, More’s life was not wholly one of servitude and menial labour. He continued his education as a scholar at a private school within the archbishop’s establishment. Apparently, his superior intellect and quickness of wit so impressed the archbishop, that More was soon attending him in his grace’s private chambers in the West Tower.[2] William Roper (More’s son-in-law and first biographer) provides a colourful insight into More’s prodigious self-confidence at this time “…though he was young of years [Thomas] would be at Christmas-tide suddenly sometimes step in among the players and never studying the matter, make a part his own there presently among them, which made the lookers-on more sport than all the players besides. In whose wit and forwardness the cardinal [Morton was not a cardinal at the time.] would often say to the nobles that divers times dined with him ‘ This child there waiting at the table, whosoever shall live to see it, will prove a marvellous man‘.”[3]

 

More had great respect for archbishop Morton, whom he considered to be a great man and an exemplar of ethical and moral behaviour. I am not myself convinced that Morton was such a paragon of virtue; yet, he was undoubtedly one of the most imposing political figures of Henry VII’s reign. His influence in shaping More’s career is undisputed. For example, in 1494 he was instrumental in arranging a place for him at Oxford University, where More could study canon and civil law under the watchful eye of the Benedictine monks of Canterbury College. Morton hoped that More would obtain his doctorate in law before taking holy orders and embarking on a career in government. However, after completing the curriculum, More left Oxford to join chambers in New Inn, there to continue his legal training. Whether this was his own choice or his father’s decision is unclear, but it is likely that it was always intended that he should practice law. If so, this was the preferred path for budding lawyers, who spent six or seven years learning their profession and ‘the affairs of men’ in the hurly-burly of the Inns of Court rather than in the cloisters of Oxford, which offered no such practical or material benefit. As Thomas More was to show throughout adult life, he was a practical and materialistic man. Quite apart from the influence of his father or archbishop Morton, the attraction of a legal career was obvious to him. Lawyers were held to be magni clarique that is important and distinguished. By the last decade of the fifteenth century, the rewards of prestige and wealth were such that the sons of the landed gentry preferred a legal career to one in the Church or in business. Just as importantly, an education in the law brought the ambitious More into contact with precisely those people who later administered the affairs of the king and state. Above all, he was temperamentally suited to be a lawyer. His advocacy skills were high quality and well honed. In the words of his most recent biographer “His polemical texts reveal the persistence, subtlety and inventiveness of his attacks against opponents; as a forensic orator and judicial examiner he [was] as fierce as he is persuasive, continually changing or extending his line of attack, looking for the smallest inconsistencies, finding weakness and deriding mistakes of terminology or presentation. More as a man is the apotheosis of the clever and practical man.”[4] He maintained a curious detachment throughout his life and was always precise and shrewd. Nevertheless, the impression remains that he was playing some kind of game. In the words of William Roper, he never in his dealings showed “of what mind himself was therein.” These were the qualities of a perfect lawyer: skilful and objective, cautious yet theatrical, persuasive and practical.

 

‘An intensely practical and decisive man’[5]

By the time he was thirty, More’s legal practice was flourishing. He was by training and by experience a generalist; appearing, as counsel in criminal cases at the Kings Bench and advising clients on, the common law, Canon law, Roman law and maritime law. He is reputed to have been ‘with the Archbishop of Canterbury (the dominant landowner) every day. He was also the legal representative for the City guilds and chief negotiator for the City mercers. He represented the City merchants in their dispute with the Duke of Buckingham and the Bishop of Norwich. In litigation he favoured advising a settlement between the parties to a trial, since this compromise suited his personal preference for good order and harmony. In Soper’s words“…sith there was at that time in none of the Prince’s courts of the laws of this realm any matter of importance in controversy wherein he was not with the one part of counsel. Of whom, for his learning, wisdom, knowledge and experience, men had such estimation that, before he came to the service of king Henry VIII at the suite and instance of the English merchants, he was by the king’s consent in certain great causes between them merchants and the merchants of [the Hanseatic League]…”[6]

 

By the time he was forty, More’s legal future was assured. He was appointed Lent Leader of Lincoln’s Inn, where he lectured on ‘Law-French in Statutes’. His subsequent appointment as Double Reader suggested he could anticipate elevation to the bench. In 1510, he received his first judicial appointment as one of two Under-Sheriffs of London, hearing criminal trials in the Sherriff’s Court, Guildhall and acting as official counsel to various City bodies. He earned the respect and affection of the City for his fair and quick decisions and his habit of occasionally remitting the fees that the litigants were expected to pay. There is, however, another side to More’s legal character, which is revealed by his involvement in the ‘Hunne Case’. This controversial and notorious litigation involved a direct attack on the authority of the Catholic Church. It may even be taken as an indication of the Protestant reformation yet to come in England.

 

Richard Hunne was a wealthy Whitehall tailor who refused to make a customary offering to his local rector. His case was taken to Lambeth Palace, where Hunne was adjudged to be at fault. Still he refused to pay. On Hunne’s next attendance at his parish church, the priest (Thomas Dryfield) excommunicated him with the words ‘Hunne thou art accursed and thou standest accursed’. Exiled from his community and with his mortal soul at risk, Hunne hit back. He issued a writ of praemunire accusing Dryfield and his assistant of slander. By invoking the Praemunire Act of 1393, Hunne was asserting the king’s superiority over papal authority and clerical courts, as the final arbiter of his subject’s rights. He argued that the church authorities had no right to claim his property and further that the hearing at Lambeth Palace took place before a ‘foreign and illegal bar.’ The ecclesiastical authorities responded by charging Hunne with heresy and imprisoning him in the Lollard’s Tower. It seems to us like a fabricated charge; except, that Hunne did have Lollard sympathies and connections. His father-in-law was an evangelist in that cause. It may even have been Hunne’s Lollard beliefs that prompted him to challenge the legitimacy of the offering in the first place. The case had a sensational outcome as Hunne was found hanged in his cell before he could be brought to trial. The Church authorities said that he hanged himself; whereas, the Coroner’s inquest determined that Dr Horsey the bishop of London’s Chancellor had murdered Hunne. The public furore that followed was exacerbated by the Bishop of London’s decision to convict Hunne of heresy posthumously. His remains were exhumed and ceremoniously burned at Smithfield along with his books. Hunne’s death and the denial of secular justice against his murderer raised serious questions about the rights of clerics to be tried only in Church courts. The matter was considered so important that it was debated in parliament and in convocations. The king himself initiated a number of debates on the Hunne case and its consequences.

 

More was involved in the case. He attended a conference with the king where Hunne’s death was discussed. He was also present when the ecclesiastical judgement was passed on Hunne’s body. More was later to write ” I know it from top to toe. I suppose there are not many men who know it better.”[7] Afterward, he wrote a colourful and amusing account of the conference with the king, in which he ‘goes to great pains’ to defend the Church from ‘each and every criticism’ and concludes that Hunne committed suicide when he realised his praemunire suite had failed. “There is no reason to believe that More was deliberately misrepresenting the truth he was only putting what was natural to him in putting a lawyers gloss on ambiguous circumstances.”[8] Whilst, they must not mislead the court or conceal relevant information, it is not unusual for lawyers to put a positive spin on a weak case. After all, their professional duty is to their client and not to a search for truth. The jury (or the court in certain circumstances) are the sole arbiters of truth. What is disturbing, however, is Ackroyd’s explanation for More’s conclusion, which he suggests was based on More’s personal beliefs rather than the merits. “Lawyers are not necessarily supposed to be devout or principled except in the minutiae of legislation but for More the law was a central image of natural reason and authority. It furnished the principles which governed his behaviour in the world, established upon order in all its forms.”[9] If Ackroyd’s is right, More’s apparent loss of objectivity goes beyond putting a positive spin on a weak case; it perpetuates an injustice. The fact that More admitted he did not shrink from mendaciolum (a small lie) suggests how difficult and tricky he could be.[10]

 

‘A man for all seasons’

We know from More’s published works (poems, epigrams, polemics, letters and books) that he was well able to express his opinions and emotions on parchment or in print. Although his style was more Chaucer (bawdy, earthy) than Spenser (poetic), he had a flair for drama, and used his literary skills to educate rather than to entertain. It was while he was studying at Oxford and later in the Inns of Court that More came increasingly under the influence of a group of literary clerical scholars, known collectively as English renaissance humanists. He was well acquainted with the Latin grammarian John Holt and he studied Greek under William Grocyn, the first Englishman to teach it. Later he became associated with Thomas Linacre the eminent physician and scholar, and with the erudite John Colet. The term ‘renaissance humanism’ does not denote that these learned clerics and others like them held a common philosophical position, since they did not. Their appellation as humanists is derived simply from the fact that they studied a cluster of scholarly disciplines comprising grammar, rhetoric, history, poetry and ‘moral philosophy’. Classical Latin and Greek were the languages of these men. It is possible, that More’s association with such erudite ecclesiastics caused him to contemplate swapping a temporal career for a spiritual calling. At any rate, at the turn of the century he abandoned his legal practice and entered the Carthusian Monastery at Charterhouse, just outside the city walls, where he remained for four years as a lay member, participating fully in the spiritual life of the monks without taking holy orders. Eventually, the call of his temporal ‘work in the world’ proved too enticing for More the practical man. He left the monastery to stand for parliament.

 

The most famous of all northern European humanists was Desiderius Erasmus (the ‘prince of humanists’), whom More met and became friends with in 1499. Erasmus described More as a ‘man for all seasons’ due to his ‘affability and sweetness of character’. In 1516, he published More’s most celebrated volume ‘Utopia’, which in its structure and content reveals the author’s humanist leanings; as does his most controversial book ‘The History of Richard III’. These two volumes are a clear indication of More’s philosophical interest in the contrast between just and unjust kingship, and that his concern was not restricted to the lessons of Richard III’s reign. In a Latin poem written to celebrate Henry VIII’s accession, More highlights the ‘atmosphere of fear and suspicion’ caused by Henry VII’s rapacity, which, incidentally, was an opinion shared by many of More’s contemporaries. Nonetheless, the promise of a ‘golden age’ that accompanied Henry VIII’s accession was the redeeming finale of More’s poem, in which he expressed the hope that Henry would repeal unjust laws and remit unfair debts, and that he would maintain the peace and stability that allowed piety and scholarship to blossom.[11]

 

“One thing pretended and another meant”

I must now turn to More’s ‘History of Richard III, which I will refer to as the ‘History’ from now on. While we can speculate why More wrote it, we cannot dismiss it merely as Tudor propaganda.[12] That is the opinion of professor Richard Sylvester In his definitive study of the History. Sylvester argues that More was neither pro-Tudor nor anti-Plantagenet. He was as much pro-Edward IV as he was anti Richard III. For instance, even as he welcomed the accession of Henry VIII he took the opportunity, in the celebratory poem to which I have already referred, to criticise the ‘oppressive acts and devious dealings of Henry VII. He makes a similar point, albeit obliquely, in the History: “…all things in later days were so covertly managed, one thing pretended another meant, that there was nothing so plain and openly proved but that for common custom of close and covert dealings men had it ever inwardly suspect…[13] More is not here just referring to the reign of Richard III but also to the reign of Henry VII during the period when Perkin Warbeck was a threat to the Tudor hegemony. In Sylvester’s opinion, More has depicted Richard as a cacodemon because that is what his oral and written authorities told him. He accepted their narrative not because he was biased but because he trusted them. Chief among these authorities was John Morton. He played a big part in the downfall of king Richard and was an eyewitness of some events. He also possessed (in More’s opinion) ‘the very mother and mistress of wisdom and deep insight into the political world.[14] The fact that Morton died in 1500 and that More did not begin composing the History until about 1513 (leaving it unfinished around 1518-20) raises interesting questions about Morton’s contribution. What did he know? And, how did he contribute to the History?

 

I will deal with the second question first because it raises the issue of authorship. Beginning, with the early revisionist histories of king Richard’s life and reign, some scholars have doubted More’s authorship of either the English or the Latin, or both editions of the History. For revisionists’ the dichotomy between More’s reputation for integrity and his polemical History is explained by substituting the wily and inveterate schemer Morton as the author of (at least) the Latin version. Support for this contention was claimed from a piece of ‘literary gossip’ that appeared in an aside is Sir John Harrington’s book ‘The Metamorphosis of Ajax’ (1596) ‘”…the best, and best written part of all our Chronicles, in all mens opinions; is that of Richard III, written as I have heard by Morton, but as most suppose by that worthy and uncorrupt [sic] magistrate Sir Thomas More…” [15] As Dr Kincaid points out, ‘Harrington was an inveterate gossip, not necessarily to be believed’.[16]

There is, however, better reason for believing that Morton gave More a ‘polemical tract’ attacking king Richard, which the latter probably used as an aide-memoire for his own narrative.[17] Be that as it may, the case for More’s authorship of the English and Latin versions of the History is considered by modern scholars to be unanswerable.[18]

 

On the question of what Morton knew, we must bear in mind that as important as he was, Morton was only an eyewitness to some of the events of 1483. There is much in More’s History that could not possibly have come from him or the clique of Lancastrian dissidents who shared Richmond’s exile and (no doubt) dined with the archbishop at Lambeth Palace. Morton was not, for example, present at Stony Stratford when the Duke of Gloucester arrested the king’s uncle and stepbrother. Neither was he present when the Queen was persuaded to allow her youngest son, Richard duke of York, to leave the sanctuary of Westminster Abbey. Furthermore, Morton is not an eyewitness to the alleged murders of Edward V and his brother.[19] Though, he might well be the instigator of the rumour that they had been murdered. More’s other oral sources included but were not limited to: Sir John More, John Roper, Richard Fitzjames, Sir Thomas Lovell (fought for Richmond at Bosworth), Christopher Urswick (priest and Tudor spy in 1483), Bishop Fox of Winchester (in exile with Richmond), Roger Lupton (Mayor of London) and Sir John Heron (an early adherent to Richmond). When he cites one of these ‘authorities’ or others who occupied similar positions, he usually refers to them in the phrase ‘men say’. The opinion of these ‘wise’ men was much valued by More. He relied on them when balancing different interpretations against each other. Generally, More is not too concerned about the accuracy of dates, names and places since these could be checked later (but never were). What is notable, however, is that he never spoke to anyone at Henry’ VII’s court who had served king Richard or who could even be said to have liked the dead king.

 

In addition to his oral authorities, More had a number of written works available for consultation. Some of these pre-date the History, whilst others are contemporary with it. Pietro Carmeliano was a court scholar during the reigns of Richard III and Henry VII who wrote the ‘Life of St Catherine of Egypt’. He extolled Richard’s princely virtues when he was alive and denounced him as a tyrant when he was dead.[20] Bernard André’ was Henry VII’s official biographer. He wrote ‘Vita Henrici’, in which he to portrayed king Henry as angelic and king Richard as demonic. The sycophant John Rous wrote ‘Historia Regum Angliae’, during the reign of Henry VII. He denounced king Richard as the anti-Christ having previously acclaimed him for his nobility and virtues. Whether or not More used the Chronicles of Robert Fabyan, Polydore Vergil’s ‘Anglica Historia’ or Domenico Mancini’s ‘De Occupations Regni Anglie Per Ricardum Tercium Libellus’ is a matter of pure conjecture.[21] Some of More’s factual inaccuracies suggest that either he did not know of the Second Continuation of the Croyland Chronicle or he had not read it. Even so, it is safe to say that he would hardly have credited a less defamatory portrait of king Richard than the one he describes in the History. In the words of professor Sylvester: “The indictment against the king had been drawn-up by men whose judgement he respected; it’s terms were supported not only by most of his oral informants but also by writers whose version of events had been set down before he began to compose his own narrative.”[22] In early Tudor England there was hardly a voice raised in defence of the last Plantagenet. The official records such as Titular Regius and Richard’s signet letters were almost certainly not available to More. It is only by comparing his narrative with credible contemporary sources that we can test the historical accuracy of More’s History.

 

Although More’s portrait of Richard accurately reflects the opinion current in the courts of Henry VII and Henry VIII and some details can be corroborated by independent records (e.g. the allegation that Edward V was bastardised due to his parents’ bigamous marriage), there are some notable errors and omissions in the History for which there is no excuse. These range from getting Edward IV’s age wrong to naming Elizabeth Lucy as the lady alleged to have still been married to Edward IV when he wedded Elizabeth Butler. However, what Inspector Grant and others overlook in their criticism of More’s History, is that he never claimed it was anything other than a reflection of public opinion in the first quarter of the sixteenth century. Neither did he claim to be more authoritative than his sources. “He asks us not to credit that ‘what men say’ happened, did happen, but that they really said it did happen.”[23]

 

Professor Paul Kendall is not sure whether More ever intended the History to be factual. He suggests that what More learned from his sources, he used to fashion a version of events that satisfied his humanist leanings. “A dramatic boldly performed narrative soaring beyond actualities into art and seek psychological verisimilitude rather than factual accuracy.[24] Writing from a purely literary perspective, professor EMW Tillyard also believed that More’s History was intentionally creative rather than historical. “More’s History transcends the sorting of evidence and abides as a classic record of fundamental human nature”. In Tillyard’s opinion it has tragedy and comedy. “The episode where Queen Elizabeth is persuaded to give her youngest son into the care of Richard Gloucester is more tragic than anything the English drama produced till the great age.” On the comic side, Tillyard draws attention to Dr Shaa’s pre-arranged Sermon at St Paul’s Cross, which descends from high drama to farce thanks to Gloucester’s mistimed entrance.[25] Even so, there is no doubting More’s contribution to the shaping of Richard III’s black legend. He was the first to suggest that Richard had ‘long forethought’ to seize the throne, even before his brother was dead. And it is More’s narrative that names Richard as the prompter and guiding spirit behind all the events that followed Edward IV’s death.

 

Even though More’s reasons for writing the History are wholly obscure now, post-Tudor scholars have repeatedly question his motives and what he actually thought he was writing. For example, Kendall writes that he ‘undoubtedly set about his History for the same reason that according to Falstaff the earl of Worcester rebelled ‘it lay in his way and he found it’.[26] Whereas, Horace Walpole writing in 1768 believed that “[More] wrote his History to amuse his leisure and exercise his fancy.”[27] These seemingly flippant reasons might be closer to the mark than we think. For instance, Peter Ackroyd raises the intriguing possibility that both the English and the Latin versions of the History were written as a rhetorical and grammatical exercise for Oxford students.[28] The supporting evidence for this theory is both circumstantial and cryptic; yet, it does exist. First, there is More’s mysterious reference to a ‘schoolmaster of Poles’ (St Paul’s?): second, there is the fact that one of the extant manuscripts of this work is endorsed with the preface that it was written exercitationis gratia (‘for the sake of practice’). Finally, there is the fact that both the Latin and the English versions comply with More’s own methods of composition and revision, which he also impressed on his children.[29] As Ackroyd notes, More’s humanism had a practical purpose, and as a successful lawyer he was more interested in the practice and usage of advocacy than its theory. It is possible, therefore, that the long and complex debates on the merits and abuses of sanctuary and on king Richard’s royal title, which dominate the History ,are lessons in the art of disputation similar to those experienced by More during his own education.[30] The speechmaking is certainly more reminiscent of an exposition of the law than a record of what was actually said by those present in 1483. “One of the models of its form is clearly Sallust and More had been instructed to teach Sallust at Oxford. He had also recommended that author for his children’s’ reading. And what could be a better way of studying classical rhetoric and vocabulary than to apply them to the description of more recent events” [31] It is equally possible that More’s humanist leanings, his interest in history and in ‘kingship’, and his contact with Morton and the men who had fought King Richard, fuelled a ‘boyish interest’ in the dead king. His own interest in the classical Greek and Roman historians may have encouraged him to emulate them. In particular, he had a deep interest in the accounts of Tiberius’ tyranny, which were written by Tacitus and Suetonius.

 

It is more likely, however, that he wrote the History for a substantial reason other than mere interest.[32] He may have intended it to be a metaphor for his own doubts and his fear of Henry VIII’s instinct for despotism, which was already apparent by the time he was writing the History. He could not make his thoughts plain on pain of death, so his message is more oblique and very cleverly constructed. Nothing in More’s History could be mistaken as applying to Henry VIII. Read literally, it coruscates king Richard’s tyranny whilst justifying the Henrician Tudors as the opponents of tyranny. More’s philosophical and psychological interest in tyranny and government is evidenced by his poems and other written works: especially Utopia. The History may have been an attack on the real-politick of his day. He may even have regarded it as a worked example wherein a ‘good’ monarch would benefit from its powerful depiction of monstrous injustice. Of course the corollary of this was that it might give the potential despot ideas about subtleties of policy, which later generations would identify as Machiavellian. It would indeed be unfortunate if it provided Henry VIII with a convincing illustration of what he could do given free rein to his powers.

 

Whatever More’s reason for writing the History may have been, he put down his quill sometime between 1518 and 1520. He never returned to his manuscripts, which remained unfinished and unrevised; clearly, it was not meant for publication. The reasons for this have troubled Scholars almost as much as More’s reason for picking-up his quill in the first place. There are many different theories, two of which, bear testament to More’s concerns about the Henry VIII despotic tendencies. Sylvester postulates that he might have been troubled by the possibility that it would become a kind of ‘manual’ for Henry if he wished to exercise his will unfettered. More could not take that risk and so the History remained unfinished. Professor Kendall notes that More stopped just as Richmond was about to enter the narrative. At which point it became too dangerous for More to write about Henry VII’s oppression even by analogy. And so, the History remained unfinished and unpublished in More’s lifetime.[33] The third theory is more mundane but equally credible. It is possible that he simply lost interest in the project, particularly if it really was nothing more than a student exercise. Anyhow, by the second decade of the sixteenth century, More might still have been making-up his mind about the role he was to play in the king’s service. His life as a royal servant promised to be challenging, since the king was more often guided by his personal will and appetites than by reason. Although such wilful governance was anathema to More, he was confident of his ability to ‘bend with the wind’, so that what he couldn’t turn to good he could make less bad. He always gave his opinion according to his conscience when asked, but he never opposed the king’s will publicly. In view of the difficulty of maintaining a distinction between his private and public beliefs, it is possible the More simply abandoned the History in favour of his little booklet Utopia, which expertly expressed his own private views of governance and kingship even more obliquely than the History.[34]

 

Finally, it is possible that More became too embroiled with advising the king on the Lutheran texts that were appearing in England around this time. He was one of those who advised Henry on his own written defence of the Catholic faith, which earned him the title ‘Fidei defensor (defender of the faith). More himself took up the cudgel in support of his king, trading insult for insult with Martin Luther in a series of booklets. Compared to the existential threat to the established Church posed by Luther’s heretical doctrine, More may have considered the History a self-indulgent trifle.

[1] Peter Ackroyd – The Life of Thomas More (Vintage 1999) p.31 quoting from E Foss – Judges of England (London 1848-64) p.66

[2] Ackroyd p.28

[3] Richard Sylvester and Davis Harding (Eds) – Two Early Tudor Lives: the Life and death of cardinal Wolsey by Geo Cavendish & the Life of Sir Thomas More by William Roper (Yale 1962) pp.197-98

[4] Ackroyd p.52

[5] Ackroyd p.148

[6] Sylvester (Roper) p.200

[7] Ackroyd p.151; citing The Complete Works of Thomas More (Yale) V6, p. 318

[8] Ackroyd p.152

[9] Ibid

[10] Ackroyd p. 163-164; in a letter to Wolsey, More explains that the post of Canonry of Tournai had previously been conferred on his friend Erasmus, and that as compensation for Erasmus withdrawing from it, a better or greater provision should be made for him. None of this was true, of course, but it illustrates More’s willingness to lie.

[11] Ackroyd p.127

[12] Richard Sylvester (Ed) – The History of King Richard III by Sir Thomas More (Yale 1963) p. lxv and passim

[13] Sylvester (Roper) pp. 81-82 and n82/22 p.262; see also Paul Kendall (ed) – The Great Debate (Folio Society 1965) p.103; Kendall contains a useful modern English version of More’s History.

[14] Sylvester (History) p. lxvii

[15] Elizabeth Storey Donno (Ed) – Sir John Harrington: a new discourse of a stale subject, called The Metamorphosis of Ajax (1596) (London 1962) pp. 107-198

[16] AN Kincaid (Ed) – The Encomium of Richard III by Sir William Cornwallis the Younger (Turner and Devereux 1977) p.iii

[17] Sylvester (History) pp.lix-lxxiii; AN Kincaid (Ed) – The History of King Richard the Third by Sir Geo Buck (1619) (Alan Sutton 1979) Chapter VII passim: Buck said he saw the tract, which is no longer extant

[18] Sylvester (History) ibid; citing RW Chambers – The authorship of ‘The History of King Richard III’ in WE Campbell (Ed) – The English Works of Sir Thomas More (London 1931) pp. 24-53; Kincaid

[19] Sylvester (History) ibid; citing AJ Pollard – The Making of Thomas More’s Richard III published in ‘Historical Essays in Honour of James Tait (Manchester 1933) pp.223-284

[20] Pamela Tudor-Craig – Brochure for Richard III’s biographical exhibition at the NPG 1973. Carmeliano’s ‘Life of St Catherine of Egypt’ was exhibited at the NPG in 1973 (No.100). It is a second copy dedicated to Sir Robert Brackenbury and contains a glowing description of king Richard’s virtues in peace and war (‘…what emperor or prince can compare with him in good works and munificence”.). However, in 1486 in a poem dedicated to the new-born Prince Arthur, he charged Richard ‘the tyrant’ with the murder of his nephews.

[21] Sylvester (History) p.lxxi-lxxv; see also CAJ Armstrong – The Usurpation of Richard III by Dominic Mancini (Oxford 1969 edition) pp. xix-xx. Dr Armstrong discusses the relationship between Mancini and More in which he raises concerns about the provenance of More’s information. The importance of this lies in the fact that Mancini substantiates More ‘on many points’. In fact, More and Mancini are closer to each other than to the Croyland Continuation or to Polydor Vergil. The point is, of course, that they were probably using the same informants. Given that these informants were Richard’s political and dynastic opponents it is hardly surprising that they coincide on some points. What is remarkable is that they don’t agree on much more, since there are some significant discrepancies. Furthermore, as Dr Armstrong acknowledges Mancini harboured an unreasoned animus towards king Richard (that he was all along aiming for the throne) (Mancini p.17)

[22] Sylvester (History) p.lxx

[23] Sylvester (History) p.lxxviii

[24] Kendal p.25

[25] EMW Tillyard – Shakespeare’s History Plays (Penguin 1962) p.38

[26] Kendal p.25; this is a reference to a comment by Sir john Falstaff, a character in Shakespeare’s play Henry IV part 1.

[27] Kendal p.170

[28] Ackroyd p.157

[29] Sylvester (History) p.xii; in a ‘charming’ letter to his children, More admonishes them to write everything in English first ‘for then you will have far less trouble turning it into Latin; not having to look for the matter, your mind will be intent only on the language’. He also emphasises the need for revision to detect and correct solecisms. More was given to the careful revision of his own work, which, as Sylvester points out, may have served as a kind of paradigm for the complex sequence of drafts that were developed in the composition of the HISTORY

[30] Sylvester (History) pp.26-38`; see also Kendal pp.50-62. In the fifteenth century the abuses of sanctuary argued by Buckingham were a bone of contention between the laity and the clergy. By the time More was writing the History the privileges of sanctuary were much reduced.

[31] Ackroyd ibid; Goius Sallustius Crispus (‘Sallust’) (86 BC-35BC), was a Roman historian whose works were noted for their brevity, the use of rare words and unusual phrases.

[32] Sylvester (History) pp. xcviii-xcvix passim

[33] Sylvester (History) pp. cii-ciii; Kendall p.28; who notes the irony of More’s position in that his defamation of Richard III came in part from his detestation of Henry VII’s statecraft.

[34] George M Logan (ed) – Thomas More: Utopia (Cambridge UP 2016, 3 rd edition)

Terry Jones’ opinion of Richard III….

RIII - Royal Collection

I am a great fan of Terry Jones’ writing/opinions when it comes to medieval history, and today just happens to be Terry’s birthday.

That he supports King Richard II I already knew, but I did not know he also thinks highly of King Richard III. What I write below is taken from a book, which itself was originally inspired by the television series Terry Jones’ Medieval Lives, produced by Oxford Films and Television for BBC Television and first broadcast on BBC2 in 2004. It was first published in hardback 2004, and in paperback in 2005.

So, it has to be emphasised that Jones’ opinions were expressed before Richard’s remains were discovered in Leicester. Before so much more had been discovered about that much-wronged king. Jones was a Ricardian at least as far back as 2004. And please do not think that anything in the following paragraphs is my opinion, I merely take from Jones’ writing in order to convey his view of Richard III. So the comments about the bones displayed in the Tower, and Richard’s second coronation in York are his views. The illustrations are my additions. Please buy the book, it’s well worth reading.

Book cover

Toward the end of the book, when he reaches the matter of Richard III, he expresses his view by launching straight in that the king we all know (from Shakespeare) is very different from the actual man who sat on the throne between 1483-5. Jones refers to the Bard’s character of Richard III as a ‘cardboard cut-out’, to be ‘booed and hissed’, but points out that this creation was written when the Tudors were on the throne. Tudor propaganda is to blame for the wilful and cruel destruction of the real Richard III. An extraordinary effort was made to create the story that Richard plotted to seize the throne of England and then ruled as a brutal tyrant.

R384RS

Anthony Sher as ~Shakespeare’s Richard III

Medieval kings ruled by consent, which mostly meant the consent of the nobility of southern and central England, with the earls

In the north being gradually edged aside, which eventually led to the Wars of the Roses, which had ended with Edward IV defeating the northern nobility.

Edward chose his brother Richard to govern in the north, and Richard duly arrived in 1476 with 5000 men. This might have been deemed a threat by the city fathers, but according to their records: ‘After greetings were exchanged, the duke addressed the civic officials within Bootham Bar, saying that he was sent by the king to support the rule of law and peace.’

And so he did, devoting himself to the minutiae of government and justice. He heard pleas on quite small matters:

‘Right and mighty prince and our full tender and especial good lord, we your humble servants, havnyg a singler confidence in your high and noble lordship afore any other, besecheth your highnesse. . .concerning the reformation of certain fish traps. . . In 1482 the York gave him gifts, ‘for the great labour, good and benevolent lordship that the right, high and might prince have at all times done for the well of the city.’ Richard was presented with: ‘6 pike, 6 tenches, 6 breme, 6 eels and 1 barrel of sturgeon’, a local speciality of spiced bread, and fourteen gallons of wine to wash it all down.’

Edward IV and Elizabeth Woodville

Edward IV and Elizabeth Woodville

But the darkest story to damn Richard for posterity was the deaths of his two nephews, the sons of Edward IV. Edward, when dying, named his 12-year-old son, another Edward, as his successor. He also designated Richard as Lord Protector, the guard the kingdom and the boy himself until the latter was of age. Richard was in the north when the king died on 9 April 1483, and did not know what had happened. The little king-to-be was in the hands of his mother’s family, the ambitious Woodvilles, who had no intention of giving up power to Richard, Duke of Gloucester. Keeping him in the dark, they began to rush the boy to London, intending to have him crowned on 4 May, but Richard found out, and intercepted them. Outwitted them too. Taking charge of the boy, he escorted him to London, where the future king was installed in the royal apartments at the Tower. The coronation was rescheduled for 22 June, but on the 13th of the month, an extensive plot against Richard was exposed. This caused Richard to see that his younger nephew, another Richard, was placed in the Tower. The boys were thus together, and then the coronation was deferred until November.

Evil Richard with Edward V

This was because on 22 June, Dr Edward (sic) Shaa, brother of the mayor of London, declared to the citizens of London that Edward IV’s marriage to Elizabeth Woodville, which had taken place in secret, had been illegal because the king was precontracted to marry Lady Eleanor Talbot.

Richard of Gloucester had been a dutiful and loyal lieutenant for Edward IV, and had spent many years governing the north in his name. Richard was ‘popular, widely trusted, knew everyone and was a capable administrator’. Now he had learned that the children of the Woodville marriage were illegitimate. This meant that Richard himself was the rightful successor.

Edward IV, Edward V, Richard III

Everyone agreed with this, and he was acclaimed king on 26 June and crowned on 6 July. Then the princes seem to have vanished, and in due course Tudor spin would make it seem that Richard had them killed.

The Coronation Procession of Richard III, 1483

The Coronation of Richard III

King Louis the First and Last (see http://www.catherinehanley.co.uk/historical-background/king-louis-of-england), is generally regarded as not being a king of England because he had no coronation. However, the eldest son of Edward IV is counted as Edward V, even though he was never crowned and certainly did not rule. Jones believes this was entirely due to Henry Tudor, who had no ‘meaningful’ claim to the throne, but had seized it in 1485 when Richard was killed at the Battle of Bosworth. Henry, a usurper, saw how helpful it would be for him if Richard could be designated a regicide. That was why the boy Edward was recognized as a king, even though he never had been. And if anyone had a motive for killing the boys in the Tower, it was Henry Tudor!

‘The bones of two children are still on show in the Tower [sic], proof of Richard’s wicked deed. They were discovered in the seventeenth century, and examined in 1933, when they were said to be vital evidence of the crime. But no-one knows when they date from.’

Everything we know of Richard reveals him not to have been a tyrant. To quote Jones: ‘Almost the first thing he [Richard] did on becoming king was to pay off £200 he owed to York wine merchants. Now there’s a tyrant for you!’

RIII and Anne Neville

Next Richard, with his queen, Anne, rode north with his entire court, to stage a second coronation. The city of York was notified in advance by the king’s secretary:

‘Hang the streets thorough which the king’;s grace shall come with clothes of arrass, tapestry work and other, for there commen many southern lords and men of worship with them.’ 

The city put on a particularly lavish display, and all the city fathers, with the mayor, wore scarlet robes as they rode with the king and queen. York seemed to be made of cloth, and the monarchs stopped to watch ‘elaborate shows and displays’.

Of course, all this did not go down well with southern lords. It plunged still farther when Richard gave his northern friends plum places at court. That was why the unworthy outside, Henry Tudor, gained support. He had no real right to claim the throne, but he managed, through treachery, to kill Richard at Bosworth.

Henry Tudor is crowned at Bosworth

York was devastated. ‘King Richard late mercifully reigning upon us was through great treason of the Duke of Northfolk and many others that turned ayenst him, with many other lords and nobles of these north parts, piteously slain and murdred to the great heaviness of this city.’ 

The only reason we have been brainwashed into believing ill of Richard III is because the Tudors were clever and forceful when it came to spinning their side of events. Henry Tudor’s reign commenced shakily, so he invented a bogeyman.

When Richard was alive, writer John Rous wrote of him as ‘a mighty prince and especial good Lord’. Under the Tudors, Rous ‘portrayed him as akin to the Antichrist’: ‘Richard spent two whole years in his mother’s womb and came out with a full set of teeth’. Shakespeare also wrote under a Tudor monarch, and his sources were Tudor documents.

‘Propaganda, thy name is Henry.’

Richard III - reconstruction

Reconstruction of Richard III

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