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A visible difference

This Mail on Sunday interview with Jonathan Rhys Meyers is sadly, mostly about his current personal problems. However, one or two paragraphs towards the end, should be of interest:

But it was his lead role in TV drama The Tudors, as the criminally charismatic Henry VIII, that made everyone take note, even though Rhys Meyers initially had his doubts about playing the monarch.
‘When they first asked me to do it, I said, “You must be insane!” And they said, “We have to make this part of English history palpable to a modern-day audience – and no one’s going to watch a 300lb guy run around the screen having sex.”’ Watching Rhys Meyers run around the screen having sex was a different story entirely, however.

In other words, he agreed that he felt far too slim for the part, as “The Tudors“‘

final scene with him merging into the great Holbein painting showed. At least Maria Doyle Kennedy, Natalie Dormer (left) and the other four “wives” didn’t have to be paid danger money, as an actor of Henry VIII’s real bulk (above) may have necessitated.

Otherwise, Mr. Rhys Meyers may have wanted to visit a certain pub in Ely with this menu:

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Versailles

Three series of this Canale Plus production, showing a charismatic Louis XIV (George Blagden) decreeing a new palace outside Paris, have now been shown in the UK and it seems that a fourth will not now be made. It has much in common with “The Tudors ” in that it has been enjoyable from a dramatic perspective, broadcast after the watershed, allowing for many scenes of “horizontal jogging” and there has been some adjustment to the historical record. Whilst “The Tudors” conflated Henry VIII’s sisters Margaret and Mary, marrying her to the King of Portugal and not those of Scotland and France, among other crimes against history, “Versailles” has just gone further.

Perhaps the producers have been reading the research of Kathryn Warner and Ian Mortimer but the Man in the Iron Mask, who was almost certainly a valet named Eustache Dauger, is the King’s father and predecessor by the same forename, Louis XIII, about forty years after his witnessed death. They have also shuffled historic events such that Louis XIV’s niece marries Carlos II, Spain’s last Habsburg King, in 1679 AFTER Louis’ first wife Maria Theresa died in 1683 – indeed Cardinals refer to her death in discussing Carlos’ marriage plans, however they made better work of “l’affaire des poisons”, culminating in the burning of “la Voisin” at the end of series two (1680). Blagden appears to have a similar build to Meyers, although the latter was surely too thin to portray Henry VIII, as he moves the court to a new location southwest of Paris.

Interestingly, the BBC followed the first two series with a five-minute “Inside Versailles” slot with Kate Williams and other historians.

 

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