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Illustrated by SHW …

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Today in 1538-9, Henry Pole Lord Montagu, was beheaded for treason, after the “plot” involving his brother, Reginald, later a Cardinal. It was previously thought that Reginald was a sub-deacon for many years, was only properly ordained in late 1536 and thus could have married at any time before this. However, it is now clear that he had undertaken a clerical career many years earlier, culminating, from an English perspective, as Dean of Exeter (1) for the decade from 1527. This demonstrates that he would have been required to observe celibacy from the outset, which sets a different light on Henry VIII’s reaction to the plot.

As you will have observed from our previous posts, those arrested in November 1538 included: Montagu, Sir Geoffrey Pole (also his brother), Henry Pole the Younger (his teenage son), Sir Edward Neville (uncle of his late wife, Jane) (2), Henry Courtenay Marquis of Exeter (cousin) and Thomas (Exeter’s teenage son, later Earl of Devon). All of these adults, except Sir Geoffrey, were executed in early December or January and only Sir Geoffrey and Thomas Courtenay emerged alive from the Tower. Henry VIII’s proclamation refers to the “plot” involving a marriage to Princess Mary and we can now confidently state that the putative husband was definitely either Henry Pole the Younger or Thomas Courtenay, thereby explaining their arrest.

(1) The ODNB, as cited by the author’s correspondence with Exeter Cathedral.
(2) Also an ancestor of Colonel Richard Neville (Royalist commander) and George Washington, inter alia.

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RICHARD III IN EXETER–A PAINTING DISCOVERED

After Buckingham’s rebellion, Richard III rode west from Salisbury, where he’d ordered the faithless Duke executed (interestingly, IMO, on the birthday of the elder ‘Prince in the Tower’ which may well be significant–who knows!) and eventually reached the town of Exeter, after mopping up the last of the rebellion…and the rebels.

Although Exeter is not generally known for its Ricardian connections, it would seem there are more than one might think, not just in the way of medieval buildings Richard would have seen but in later artworks that commemorated his brief stay.  For instance, there is Victorian stained glass window found in the Mercure Hotel, originally called the Rougemont after the castle where Richard supposedly misheard the name as ‘Richmond’ and became very sorrowful since he knew he would not live long after seeing Richmond. (A tale that is without a doubt apocryphal!) The window was prized enough to be removed and hidden during WWII in case of bomb damage to the hotel.

It had also come to my attention that a Victorian era a painting also exists showing Richard’s arrival in the city through the East Gate. Both the painting and the stained glass show a young, upright King Richard–no Shakespearean limping monster here, despite the time in which both pieces were created! The painting is particularly interesting in its use of colour and the depiction of motifs such as Richard’s boar–being quite bright and airy, it has an almost modern feel as opposed to the more usual darkly-hued, melodramatic Victorian art on historical subjects.

The artist was George Townsend and the picture called ‘The East Gate , Exeter, and the Arrival of King Richard, 1483.’

http://rammcollections.org.uk/object/drawing-220/

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Details about various Ricardian places and items of interest in Exeter have been published in a booklet by Ann Brightmore-Armour; further research is ongoing.

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A sampler showing some of the events of 1483 in Exeter

Thanks to Ian Churchward of Richard The Third Records for his information on the Exeter painting, window and booklet.

 

 

 

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