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So who did Anne Mowbray take after….?

GENEALOGICAL TREE

What is one of the first things we say on seeing a new baby? Something along the lines of how much the new arrival takes after his/her father/mother/uncle/aunt/grandfather etc. etc. For those of us with a great interest in history, it is almost irresistible to compare various historical figures in the same way. For instance, we think of Edward IV, 6’ 4”, handsome, glamorous and so on. Then we think of his grandson, Henry VIII, who was much the same. And the looks of both deteriorated abysmally as they aged. Birds of a feather.

Edward IV and Henry VIII

Edward IV and Henry VIII

I won’t even mention Henry VII and his mother, Margaret Beaufort, who were completely interchangeable!

Henry VII and his mother, Margaret Beaufort

The very proper Lady Eleanor Talbot was a well-connected widow for whom it seems the young King Edward IV fell so heavily that he was prepared to promise marriage in order to get her into his bed. It was the only way he’d have his wicked way. But when he consummated this promise, he made it a marriage in fact. Edward must have thought he had this inconvenience covered. His vows with Eleanor were exchanged in secret, and the whole clandestine marriage was kept under wraps afterward. Then he fell for another attractive widow, Elizabeth Woodville, who, the legend goes, waylaid him on the highway, wearing black, her arms around her fatherless sons. She would not give him what he wanted either, unless he married her. Aha,  the incorrigible Edward no doubt thought, I’ll pull the same trick as before. This time, however, he chose the wrong lady. Elizabeth Woodville and her large family were a whole new ball game, as the saying goes.

Elizabeth Woodville waylays Edward IV

Edward came clean about this dubious marriage, probably to spite the Earl of Warwick (the Kingmaker). Eleanor, the injured wife, said nothing, even though she lived on for four years after this unlawful second marriage. Elizabeth Woodville was never any more than Edward’s mistress, and all her children by him were illegitimate. The rest, they say, became England’s history.

I was asked to take two portraits—apparently reliable likenesses created by modern science—of two particular medieval ladies, Eleanor Talbot and her niece, Anne Mowbray (see The Mythology of the “Princes in the Tower”, figs. 5-6)—to see if such a swap-over brought out any family likeness. Well, this particular tweaking was beyond my capabilities because the angles of the faces were too different. So my next thought was to see if these ladies bore any likeness to other members of their families. By examining their families, I mean parents and grandparents. If I try to go further, far too many of England’s aristocratic lines will be drawn into the equation. And what with there being so many remarriages and half-families, it can very quickly get out of hand.

I am very conscious, too, that all of these people can only be assessed from contemporary descriptions, tomb effigies, portraits or drawings. The first portrait of a king of England that is known to be a true likeness, is that of Richard II in Westminster Abbey. We know it’s accurate because he wanted it to be, and approved the result, complete with those strange, heavy-lidded eyes. Richard’s tomb effigy is therefore accurate as well, because the same features are there.

Richard II

The Westminster Abbey effigy of his grandfather, Edward III, was clearly taken from a death mask, and shows his mouth with the droop that indicates a stroke. Accuracy, it seems. But what of Edward III’s eldest son, Richard II’s father, Edward of Woodstock, known to history as the Black Prince? Well, we have his effigy in Canterbury Cathedral, but it seems stylised. . .except, perhaps for the same heavy-lidded eyes? Or am I seeing something that isn’t actually there? Edward III does not seem to have resembled his grandson at all.

Edward III and the Black Prince

Edward III and Edward of Woodstock, known as the Black Prince

But these are royalty, with a capital R. Just how much accuracy was involved amid the nobility in general is impossible to assess. However, being a game lass, I’m prepared to have a go at detecting the all-important family likeness when it comes to Eleanor and Anne Mowbray, and Elizabeth Talbot, Eleanor’s full sister and Anne’s mother.

Elizabeth, Eleanor and Anne

left to right: Elizabeth Talbot, Eleanor Talbot and Anne Mowbray

Let us discuss what is known of Eleanor and Elizabeth’s appearance. Eleanor appears to have been striking, with a large nose, longish face, slanting eyes and small chin. She has been given almost black hair and eyebrows. To me, Elizabeth has the same shape of face as Eleanor. Her portrait is from a medieval stained glass window, but there is, of course, no way of knowing if the creator of that window was attempting to produce a true likeness. The long face appears in turn to have been inherited from their father, John Talbot, 1st Earl of Shrewsbury. His tomb effigy, although damaged, seems to depict the same facial structure as Eleanor and Elizabeth. The only thing that can be said is (provided the effigy is meant to be accurate) he had a long face and fairly strong chin. Unless, of course, the chin is actually meant to be a small beard. I cannot tell, having only seen photographs.

The Tomb of John Talbot, 1st Earl of Shrewsbury

One thing we do know about him is that he had dark, almost black hair. Here are three other likenesses of him that show this, albeit his hairstyle being that awful crop worn so unflatteringly by Henry V. By the time of John Talbot’s death, his hair was long again, or so his effigy suggests. Of the three images, the two smaller ones show the long face. The large one does not. Two out of three? I’ll go with the long face.

Three images of John Talbot, 1st Earl of Shrewsbury

Subsequent Talbot Earls of Shrewsbury were of the half-blood to Eleanor and Elizabeth, descending from their father’s first marriage. Trying to work out which illustrations are of these earls, or more of the 1st earl, has proved most unsatisfactory. I thought I’d found the 2nd and 3rd earls, only to discover the same illustrations elsewhere claiming to be of the first John Talbot. So I left well alone, and stuck to likenesses that I know are of Eleanor and Elizabeth’s father, the 1st earl.

All in all, I feel it very likely that Eleanor—and maybe Elizabeth too— had John Talbot’s dark hair. Not necessarily, of course. My mother had very dark hair, and my father was blond. I am blonde. And Lady Anne Mowbray had red hair. Where did that come from? Eleanor and Elizabeth’s mother, Margaret Beauchamp? Or her own father, John Mowbray, 4th Duke of Norfolk? Or somewhere else entirely, after all she had Plantagenet blood too. Unfortunately, I have not been able to find a reliable likeness of Margaret, but There is one source that shows us almost certainly the appearance of Margaret’s father, Richard Beauchamp, 13th Earl of Warwick. I refer to his amazing chapel at St Mary’s in Warwick.

Richard Beauchamp, 13th Earl of Warwick - his tomb in Warwick

So, was he a prime example of the Beauchamps in general? Did they even have a “look”? Maybe they were all different. In his tomb effigy, we see him with that dreadful cropped hairstyle (albeit with curls) made famous by the best known portrait of Henry V. In Beauchamp’s case it’s hard to tell if it’s the cut that gives him a high, wide forehead, or if he did indeed have a high, wide forehead. His chin is small, his mouth thin and straight, and his nose small and pointed, but he too has rather heavy-lidded eyes. Or so they seem to me. And what colour was his hair? Red, perhaps? If there is a likeness between the 13th Earl of Warwick and little Anne Mowbray, it seems unlikely that her looks have anything to do with her Talbot or Mowbray blood, but come from her maternal grandfather, Richard Beauchamp. Yet who knows? The case is unproven.

mourners around Richard Beauchamp's tomb

Some of the mourners that surround Richard Beauchamp’s tomb

Warwick married twice, and Margaret Beauchamp was the offspring of his first wife, Elizabeth Berkeley. What was she like? Hard to say. There are a number of mourners depicted on Warwick’s tomb, little figures swathed in robes. Is Elizabeth Berkeley one of them? They are not named, except for two, one being Richard Neville, the Kingmaker, and the other his sister. Both were the children of Richard Neville, 5th Earl of Salisbury. She was the wife of Richard Beauchamp’s son and heir, Henry Beauchamp, Duke of Warwick, whose early death brought greats riches and titles to her brother, the Kingmaker, who was married to Richard Beauchamp’s only other child, Anne Beauchamp.

Richard Neville, the Kingmaker, and his wife, Cecily. Mourners on the tomb of Richard Beauchamp, 13th Earl of Warwick

Richard Neville, Earl of Warwick, the Kingmaker, and his sister Cecily Neville, who became Duchess of Warwick.

Anne was the only child of John Mowbray, 4th Duke of Norfolk, and on his unexpected and early death, she became a great heiress. Was it from him, not Richard Beauchamp (or both) that she gained her red hair? I cannot find a portrait of John Mowbray, 4th Duke of Norfolk, but this is a representation of another John Mowbray (the 2nd Duke) that seems fairly reliable as being him. It is from Doyle’s ‘Official Baronage,’ after an engraving by W. Hollar, from a window in St. Mary’s Hall, Coventry. There is no way of knowing if he typifies the Mowbray “look”, and I do not detect him in Anne’s likeness.

John Mowbray, 2nd Duke of Norfolk

Anne attracted the avaricious interest of Edward IV, who had had been her aunt’s husband. Eleanor Talbot had passed away in 1468, a few years before Anne’s birth. Edward IV decided to snap Anne up for his younger son, Richard, Duke of York (who would became one of the so-called “Princes in the Tower”. Both were still small children when they became husband and wife. She died shortly afterward, and Edward IV held on to her entire inheritance for her widower, Richard. The following illustration is imagined, of course!

marriage anne mowbray and richard duke of york

Her Plantagenet kin are well-known to us all, of course, and I can’t say I look at her and think of any of them.  In the picture below, one of the ladies on the left is Cecily Neville, Duchess of York, mother of Edward IV and Richard III. I do not see any of these ladies as resembling Anne Mowbray. But then maybe these likenesses are run-of-the-mill, not serious attempts at portraits.

One of the ladies on the left is Cecily Neville.

The next illustration is of Thomas Berkeley, 5th Lord Berkeley, who was Eleanor and Elizabeth’s maternal grandfather. His nose looks rather obviously repaired (invented, even) so his looks cannot really be assessed. He and Lord Lisle, one of the Talbots, were at each other’s throats for a long time, until he finally defeated and killed Lisle at the Battle of Nibley Green on 20th March 1469/70. Incidentally, Lisle was the brother of Eleanor and Elizabeth, but his tomb effigy looks like a carbon copy of the Black Prince’s at Canterbury.

left, Thomas Berkeley, 5th Lord Berkeley,, and, right, John Talbot, 1st Lord Lisle

left, Sir Thomas Berkeley, and right, John Talbot, 1st Lord Lisle

Below is a drawing from the tomb of Henry Bourchier, 1st Earl of Essex, who was the son of William Bourchier, 1st Count of Eu and Anne of Gloucester. He was, therefore, Anne Mowbray’s great-uncle (I think!) Again, if there is a likeness that has passed down to Anne, I cannot perceive it.

henry-bourchier

Henry Bourchier, 1st Earl of Essex

So here is my conclusion. If there is a resemblance between Anne Mowbray and her aunt Eleanor, it is not evident to me. They do not seem in the least alike. Eleanor and her sister Elizabeth are Talbots through and through. Little Anne Mowbray is not a Mowbray or a Talbot, but a Beauchamp. I see a definite resemblance to her maternal great-grandfather, Richard Beauchamp, 13th Earl of Warwick.

I see no likeness between Richard Beauchamp and his granddaughters, Eleanor and Elizabeth, but his echo surely sounds strongly in little Anne. In Richard and his great-granddaughter I see the same high, wide forehead, small nose and chin, and general similarity, albeit between adult male and female child.

Anne Mowbray and her maternal grandfather, Richard Beauchamp, 13th Earl of Warwick

I anticipate that many who read this will disagree with my assessment, and I look forward to seeing comments. There will be no argument from me, because I know it all has to be conjecture.

 

 

 

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Five important royals who didn’t ascend the throne….

BlackPrince

Edward of Woodstock, known to history as the Black Prince

Would these be your five? Or do you have other suggestions?

PS Who can spot their deliberate mistake?

How did the Black Prince’s funeral procession cross the River Darent….?

Dartford - medieval map

Does anyone out there know the answer to a puzzle that has cropped up in my research? Watling Street, the Roman road, was the main route between London and Canterbury, Dover, etc. This made it very important. Watling Street passed through Dartford, crossing over the tidal River Darent. But wait, there wasn’t a bridge there until the reign of Henry VI. There was a ferry. Does this mean that before then, every traveller on the road, royalty and all, had to use the ferry? The river was tidal, so did they have to wait for suitable water for the ferry to cross? I can’t see that wading across at low water would be advisable in all that mud…and certainly not for the royal hearse drawn by twelve horses that passed through Dartford in 1376! It all seems very unsatisfactory for one of the main roads in the land. And very undignified for the great Edward of Woodstock, known to us as the Black Prince, who was being mourned throughout the realm.

Yes, I know there were  other rivers to cross elsewhere in England, and other ferries instead of bridges, but I am concerned with this road, river and ferry.

In September 1376, the prince’s great funeral procession went through Dartford on its way to Canterbury. Depending on the size of the ferry, such a vast cavalcade would have taken ages to cross. Granted, Dartford was probably the first overnight halt out of London for this ponderous cavalcade, but even so, the bridgeless Darent must have caused a bottleneck second to none.

Researching (meaning my way of researching, which is pretty amateur) Edward of Woodstock’s funeral has produced only what he instructed in his will. Plus I know how long it took, i.e. arriving in Canterbury on the fourth day after setting out. But then, full stop. Oh, there is more available about the actual arrival at journey’s end, but that is not the part of the proceedings with which I am concerned. The actual mechanics of the first three days of the journey, if covered by anyone, have eluded me.

And when the funeral cortege halted, would the prince’s coffin be placed overnight in Holy Trinity church, which is right next to the Darent crossing? Or would it stop on the northern outskirts of the town, where there was a royal palace/house, with appropriate land/space for all the people and horses? Or was it a mix of both – the prince in the church, everyone and everything else in the royal house? To say nothing of filling up the rest of the town as well. Dartford must have bulged at the seams. All the royal family, all the higher nobility, lots of lower nobility, the denizens of Parliament, priests, and all sorts of other Toms, Dicks and Harrys.

Oh, questions, questions! I want to be accurate in a description of all this, and would love someone to “conjure” an earlier bridge into existence. A vain hope, I fear.

So, if anyone knows anything at all, please let me know.

The Black Prince did NOT kill 3000 at Limoges….

 

Black Prince's letter - 1

Black Prince's letter - 2

In this article, about revising the reputation of Edward of Woodstock, the Black Prince, I wrote of the 2017 biography of the prince by Michael Jones, in which an undoubted stain on the prince’s memory was reconsidered. The prince apparently ordered the sack the city of Limoges, and slaughter of at least 3,000 inhabitants. This number, and the incredible accompanying cruelty, was reported by Froissart, who wrote later of course, and may have had a hidden agenda for blackening the prince’s memory. Whatever his purpose, blacken it he certainly did.

Sack of Limoges - 1370

Anyway, the Jones biography mentions evidence in the form of a newly-unearthed French chronicle which reveals the French themselves to have been guilty of what happened at Limoges. See also here for another review of the Michael Jones book, which is now available in paperback.

I have been rambling around on Google, looking for something else, and have come upon this article which  reveals that a French historian, Dr Guilhem Pepin, had discovered in a Spanish archive, a letter (illustrated top above) written by the prince himself, explaining what happened. This letter demonstrates that a maximum of 100 French soldiers and 200 French citizens perished at Limoges. A far cry from 3,000.

In the meantime I am left with the thought that Froissart did to the Black Prince what all that Tudor propaganda did to Richard III.

_76046394_black-prince_spl

 

 

Um, where’s Lionel of Clarence in this scheme of things….?

Tudors

Well, well, this author appears to have expunged Lionel of Clarence and his line from the annals of history, in order to make the Lancastrian claim to the throne senior to that of York. When, thanks to Lionel, it ended up the other way around. Lionel was the 2nd son of Edward III, Lancaster the 3rd, and York the 4th. Put 2nd and 4th together, and you have something rather more superior than the 3rd. Yes? Yes.

 

The royal palace at Kennington….

Kennington Royal Palace

 

The royal palace of Kennington is all but forgotten now, but for those interested in the mediaeval period it is perhaps most noteworthy for its association with Edward III, the Black Prince and Richard II. The buildings they knew vanished in 1531, at the hands of that arch-demolisher, Henry VIII, and illustrations of the original palace are so rare that I have only been able to find one. See above. At least, I imagine it’s the original palace. The picture is taken from here.

For more information about this long-lost gem, please read this, from which I have taken the following:-

“. . .The manor of Kennington was granted by the De Warrennes, Earls of Surrey, to Edward II in 1316, at which time a fairly important manor house must have already existed. After various grants by Edward II to his favourites, the manor was returned to Edward III, who bestowed it upon his eldest son Edward, the Black Prince, who was also Duke of Cornwall. Between 1346 and 1362 a palace was built which seems to have included a hall with service rooms, a large number of chambers, bakehouse, chapels, stable and gardens. The palace was often occupied from this time by the reigning monarch, and accounts exist of lavish entertainments held there. In 1531 Henry VIII ordered that the palace should be demolished and the material used for building the palace of Whitehall. From the period of the existence of the palace, c.1340 – 1531, parts of six buildings belonging to the palace built by the Black Prince were found. The most important was the Hall which was about 82ft. by 50ft. It was built completely of stone, probably chalk-faced with greensand and with window and door mouldings, many of which were found, also in greensand. (London Archaeologist, 1968)

“The manor of Kennington belonged to the Duchy of Cornwall. The Black Prince, as Duke of Cornwall, inherited the manor and rebuilt the manor house between 1346-1362. a new hall was built on vaults from 1351-7 at the very large cost of £1845-5s-5d. Kennington was a favourite residence of Richard II. Under him, there was expenditure on the great hall, chapels and stables. Although a favourite residence of the Lancastrian kings, it fell out of favour under the Tudors, and was demolished in 1531 to provide material for the King’s new palace at Whitehall. (HKW)

“Kennington was acquired by Edward of Woodstock, later known as the Black Prince in 1337 when he became Duke of Cornwall. He rebuilt the already standing manor between c. 1340 and 1352 and again between c.1353 and c. 1363. The palace remained largely unaltered until it was completely demolished by Henry VIII and was used as building material for Henry’s Whitehall Palace. The main parts of the building, including the Hall, Great Chamber, Kitchen and Stables were excavated between 1965-8. Not much is known about the pre-1337 building at Kennington, and the first documentary evidence associated with the building dates to 1304. There probably existed quite a sizeable manorial complex which was altered by the Black Prince when he owned it. Information on and descriptions of the building and the works carried out are documented in the Black Prince’s register. For example it describes the completion of the hall in 1358 and further refurbishing of older buildings in 1359. Documents from the late 14th century and 15th century indicate that only minor work was carried out on the palace. In 1531 the buildings were demolished by Henry VIII. (PastScape ref. Dawson). . .”

How and why the House of York laid claim to the throne….

Richard, 3rd Duke of York

Here is an article from English Historical Review, 1st June 1998, telling of how and why Richard, 3rd Duke of York, laid claim to the throne of England. The root cause was an entail to the will of Edward III, who was admittedly in his dotage at the time. The entail, which excluded a female line from ascending the throne, spoils that otherwise excellent king’s legacy as far as I’m concerned. But then, I’m a modern woman who doesn’t hold with the denying of rights simply because the ones being denied are the female of the species! Or the denial of anyone’s true and honest rights, come to that. True and honest being the operative words.

The mastermind behind this entail was Edward’s 3rd son, John of Gaunt, Duke of Lancaster, who sought to eliminate any claim from the descendants of his 2nd eldest brother, Lionel. Those descendants were, of course, through the female line, which line happened to be the one from whom Richard, 3rd Duke of York, was descended. Gaunt’s purpose was to see that his own line took precedence. It did in the end, but not in a way old Edward III could have foreseen, and not through the entail. Instead it took the form of Gaunt’s son and heir usurping and murdering his first cousin and rightful king, Richard II, heir of the great Black Prince. Gaunt’s son took the throne and became Henry IV, the first Lancastrian monarch.

John of Gaunt

So it seems that gallant Gaunt leaned on his dying father to achieve his own ambitious ends. But that’s the House of Lancaster for you! And it was Gaunt’s double-dealing chicanery that eventually led to Richard, 3rd Duke of York, claiming the throne that was his by right. And it all led to what we know as the Wars of the Roses.

However, there just might be some doubt about the entail’s existence. According to Penny Lawne’s biography of Joan of Kent: “…In preparation for his [Edward III’s] death he drew up his will, one of the witnesses being Sir Richard Stury, and in an entail specifically designated Richard (II) as his successor…” There is no mention of excluding any female line, but then, Lawne is very pro-Gaunt throughout, so I suppose the nitty-gritty of such an entail was better omitted. Unless, of course, all the entail ever really did was designate Richard of Bordeaux as the old king’s successor. In which case, where did the story of Gaunt’s pressure and interference come from? Ah, well, later in her book, Lawne lays the blame at the feet of Walsingham, who “held Gaunt in particular contempt, convinced he wanted the throne for himself, and repeated virulent gossip and rumours current about the duke…” Walsingham, it seems, even went so far as to portray Gaunt trying to persuade the Commons to discuss the succession, and was so intent upon removing opposition that he requested a law be passed to forbid a woman from inheriting the throne, “which would obviate the claim of Lionel’s daughter Philippa, who arguably held the most legitimate claim to the throne after the prince’s son”. So, this business of excluding females’ claims was due to Gaunt browbeating the Commons, not to Edward III’s entail?

Well, not being a fan of John of Gaunt, I am quite prepared to believe he put the screws on his dying father, in order to ensure the House of Lancaster becoming heir to Richard II’s throne, in the event of Richard childless demise. But I can also believe he’d go to work on Parliament. Gaunt was ruthless when it came to furthering his own family, and how better to achieve this than paving the path to the throne? Either way, he tried to see the succession go to the House of Lancaster.

Richard, 3rd Duke of York, quite rightly, did not think the House of Lancaster had any business wearing the crown. He was descended from Lionel, Duke of Clarence, and truly believed his (senior) line had precedence. I believe so too. Maybe it was through the female line, but it was perfectly legitimate, and until the demise of Edward III and that pesky entail (or Gaunt’s other forceful activities), there had not been a bar on women taking the throne. Yes, they had to stand back while their brothers took precedence, but if those brothers died, then they themselves had every right to be crowned. Lionel of Clarence only had one child, a daughter. His right passed to her, not to his conniving next brother, Gaunt.

Richard of York WAS the rightful king.

Now, of course, it has all been changed, and women can take precedence even if they have a younger brother(s). The line goes through age, not gender. And about time too!

The Prince and the Neutron Blaster

Michael K. Jones‘ latest investigation, into Edward the Black Prince, was featured on BBC1’s “Inside Out” South-East, a half-hour regional magazine programme consisting of three reports of which this was the last one.

As Jones explained, the neutron blaster is not a weapon used at the 1356 battle of  Poitiers but for present day scientific tests that Oxford’s Rutherford-Appleton Laboratory is conducting on the helm that formed part of his “achievements” at his tomb in Canterbury Cathedral, to discover whether this whether it was an ornament or actually associated with the Prince in his lifetime. Apart from Jones and some scientists, Tobias Capwell was also featured in the ten-minute segment. It also quoted Froissart to explain how the teenaged Prince had fought at Crecy ten years earlier, where King John of Bohemia was among the casualties.

 

A book on Medieval warfare, not only Renaissance….

a book on medieval warfare - not just Renaissance

Um, I don’t think Edward III and the Black Prince are Renaissance, but the book might be interesting. Perhaps it more concerns the build-up to Renaissance warfare?

 

How Edward IV ascended the throne of England….

 

The Wars of the Roses did not commence, à la Bard, with white and red roses snatched and brandished in a garden by opposing lords, but they were foreshadowed at the turn of the fifteenth century when Henry of Bolingbroke, Duke of Lancaster, usurped and murdered Richard II.

Bolingbroke was the son and heir of Richard II’s uncle, John of Gaunt, Duke of Lancaster, through Gaunt’s first marriage, to Blanche of Lancaster. It was through Blanche that the dukedom came to Gaunt. Bolingbroke was therefore the undisputable heir of the House of Lancaster.

But Gaunt had other children by other women, especially a nest of illegitimate Beauforts by his liaison with Katherine de Roët/Swynford, who had been governess to his children by Blanche. Gaunt wanted the Beauforts to be legitimized, and Richard II eventually agreed. Letters Patent were issued in 1397.

When Bolingbroke stole the throne and murdered Richard, he also made sure that his half-siblings, the Beauforts, could not succeed to the throne. He did this by adding a clause to the original Patent of legitimation. This was popularly regarded as valid, but maybe it was not, because the original patent had received parliamentary sanction.

The Lancastrian line held power until the reign of Bolingbroke’s grandson, the weak, ineffectual Henry VI. At first childless, Henry had to decide on an heir. If the Beauforts were set aside, the next legitimate heir to the throne was Richard, 3rd Duke of York, who descended from Gaunt’s younger brother, Edmund of Langley, 1st Duke of York. But, York was also descended, through his Mortimer mother, from Lionel of Antwerp, Duke of Clarence, who was an older brother of Gaunt’s. Not the oldest, of course. That honour went to the Black Prince, father of Richard II.

Gaunt and the Lancastrians did their utmost to insist that rights to the throne could not descend through a female line. They were wrong. For instance, Henry II’s claim came through his mother, the Empress Matilda, whose opponent, Stephen, also claimed through his mother. So, the Lancastrians were good at dealing from the bottom of the pack. Gaunt himself laid claim to the throne of Castile in right of his second wife! And he had gained the incredibly wealthy and important dukedom of Lancaster through his first wife. But that was different, of course. Oh, of course. So, they were hypocrites.

This was the situation when Henry VI needed an heir. York felt, rightly, that he was the legitimate heir. He did not claim that the House of Lancaster had no right to the throne, only that he was the next heir. Then, miraculously (or by the divine intervention of the Beaufort Earl of Somerset) Henry VI’s queen provided the much-needed son. In the nick of time, eh? Poor Henry believed he was the father, but a lot of people saw hanky-panky at work…and Somerset’s Beaufort fruitfulness.

York’s claims went quiet again. But as the years passed, Henry’s queen, Margaret of Anjou, grew fearful that York’s designs on the crown would be at the expense of her son. She was aided and abetted in this by the powerful Duke of Somerset. York realized that he and his House were in danger of extinction, and chose to stand up for his rights.

Thus began the Wars of the Roses, a tussle that went on for decades and resulted in the crown going from Lancaster to York, and then back to Lancaster….if Henry Tudor can be described as a Lancastrian. He was descended through the Beauforts, who, according to Henry IV, could not succeed to the throne. But that is yet another story. So, too, is the fact that if the claim to the throne could descend through the female line, then Philippa, one of Gaunt’s daughters by Blanche of Lancaster, and thus full sister of Henry IV, had to be considered. She had married the King of Portugal, and had sons. Philippa’s younger sister, Elizabeth, had married the Duke of Exeter, but their line was not considered either. Besides, Philippa was the older sister, and her line not only legitimate, but secure. However, as far as I can ascertain, her claim does not appear to have been even vaguely considered.

By this time York was the father of four sons: Edward, Earl of March (Edward IV), Edmund, Earl of Rutland, George, Duke of Clarence, and Richard, Duke of Gloucester (Richard III). The first two were old enough to fight. Another of York’s great assets was the Earl of Warwick, who is now known to us as the “Kingmaker”.

With Margaret determined to protect her son’s rights, battles commenced, and fortunes swung. Then York and his second son, Edmund, were slain by treachery (the same fate as that suffered by the last of the sons, the brave Richard III) at the Battle of Wakefield. York and Edmund’s heads were displayed on the gate of York city. At least Richard III did not suffer that.

Now York’s eldest son, Edward, the new Duke of York, became the figurehead of the Yorkist cause. Bitterly angry about the fate of his father and brother, he took up the cudgels and, with Warwick at his side, triumphed over the Lancastrians to take the throne. He was proclaimed king on 4th March 1461. After a few years there was a hiccup, and he was forced to flee the country with his younger brother, George and Richard. Henry VI was reinstated. Edward returned, and after another bout of battles (and quarrelling with and alienating Warwick, to say nothing of having George switch sides more than once) Edward finally demolished Lancaster at the Battle of Tewkesbury on 4th May 1471. He gained victory with his brothers fighting at his side. Somerset was captured and beheaded. Margaret of Anjou’s son, the Prince of Wales, was also slain, and Margaret’s will finally broken. Days later, Henry VI, died in the Tower of “melancholy”. Hmm. Let’s just say that his survival would have been inconvenient to Edward, who wouldn’t want him returning to the throne again.

 

And so England had her first Yorkist king for the second time. If you see what I mean. The above is clearly somewhat condensed, and many of the finer points have had to be omitted, but it’s the gist of how handsome, dashing, charming Edward, Earl of March, became King Edward IV.

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