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Mer de Mort reviewed

Anything new from the Legendary Ten Seconds is always to be greeted with delight, and this new album does not disappoint. It tells the story of the House of Mortimer from its beginnings in France, to its ultimate destiny on the throne of England, through its descendants of the House of York, Edward IV and Richard III.

The narratives are read by actor John Challis, who played Boycie in Only Fools and Horses and who now lives at Wigmore Abbey. (Lucky man!)

Mortimer Overture. Impressive opening, with an almost marching rhythm – it’s possible to imagine one of the Mortimer earls riding past at the head of his dazzling retinue, and then disappearing along the road. I liked this very much. One of my favourite tracks.

Mortimer Castle. I liked the harmonies on this track. The background is perfect in the chorus, and I particularly liked the echo effect.

The Marcher Lords. And a powerful, influential and often tetchy lot they were too! A wise king handled them with caution! This is a strong song, and one can picture the generations of Mortimers standing firm.

When Christ and his Saints Slept. This one is about the period known as the Anarchy, which ended when Henry II ascended the throne. Once again, I particularly liked the background, which adds so much.

De Montfort. Tells a bloody story of the battle that ended with the death of Simon de Montfort. As a reminder of how brutal those days could often be, Roger Mortimer sent his wife de Montfort’s head as a trophy! Some good sounds in this one, making me think of heads being lopped!

The Round Table 1279. A song about an “Arthurian” tournament, creating a dazzling scene of knights in armour, fine horses, and beautiful women.

Two Thousand Marks. About the Roger Mortimer, and his dealings with Piers Gaveston, the influential favourite of King Edward II. This Roger eventually deposed the king and became the lover of Queen Isabella. We all know the outcome, and this song bowls along as it relates events.

The Privy Seal and the Royal Shield. Another song about Roger, and Mortimer participation at Bannockburn. I liked this one a lot. A great join-in chorus.

The King of Folly. Opens with a trumpet and set firmly in the year 1329 and great celebratory events at Wigmore Castle. A very enjoyable tune and rhythm.

The Tragedy of Roger Mortimer and the Mystery of Edward II. A haunting guitar solo opening for this song about Edward II’s fate at Berkeley Castle. Did he really die there? A quaint atmosphere pervades this song, which seeks the truth about Edward’s demise. . .and relates how his great foe, Roger Mortimer, eventually paid the price for his overreaching ambition. Maybe Edward lived on in obscurity.

Leintwardine. How Edward III, the man who ordered Roger Mortimer’s execution, went to Leintwardine to lay an offering of golden cloth at the feet of a statue of the Virgin Mary. I liked this one. It’s quietly understated, and a little eerie. Perhaps because a Mortimer Earl never did wear the crown, although it is from one of their daughters that the House of York descended.

Mer de Mort. A song that gives a voice to Edmund Mortimer, 5th Earl of March. This is a delightful song, and one of my favourites on the album.

Mer de Mort, Part II. Once again Edmund expresses his feelings, and laments that his elder brother has no grave. This song echoes the first Mer de Mort, but is different. Very sad.

Henry VI. A song about the last Lancastrian king, who was to lose his throne to the Yorkist Edward IV, a descendant of the Mortimers. I like the rhythm of this song, which moves along pleasingly. It actually took a fair time to get rid of Henry VI! He was an incompetent king, but he went in the end, thank heaven. A good track.

Sunnes of York. Another easy treat, relating the tale of the how the House of Mortimer became the House of York. And tells of the final generation of Yorkist brothers, Edward IV, George of Clarence and Richard III. The House of York did not only claim the throne through the name of York, but, importantly, through the Mortimers, who descended from a more senior branch of the royal family. Familiar LTS territory. This song bowls along.

The Chapel of Sir John. A brisk rhythm for a rather spooky song, about what is seen in the windows, floor and screen of the medieval chapel of Sir John Evans in St  Matthew’s Church, Coldridge in Devon. The words recreate the atmosphere, and so does the music. An excellent conclusion.

This album marks a great advance in the LTS repertoire. A richer, fuller sound that sets it apart. Very much to my liking, and I hope, to yours.

Recommended!

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History Book Part One

The Legendary Ten Seconds have a new album out. The tracks go back chronologically to Arthurian times, before including two about the Battle of Hastings – or of Battle to be precise. The last six cover Richard III’s adult life and reign, from the seemingly effortless taking of Edinburgh to the Harrington dispute and the subsequent Stanley treachery at Bosworth.

Here is a recording of their performance at Coldridge, with reference to the stained glass window there.

A performance in Coldridge – a review

The Legendary Ten Seconds Concert at Coldridge

 Nestling deep in the Mid-Devon countryside is the hill-top village of Coldridge where the windswept St Matthews Church is hiding secrets relating to the mystery of The Princes in the Tower.

The Church and its links to Richard III and Edward V are currently being investigated by Philippa Langley’s Missing Princes Project.

Maybe in an attempt to stir up some mediaeval spirits of the past, it was very fitting that on 5 March 2018 the folk rock band the Legendary Ten Seconds came to Coldridge and presented an excellent concert to the village.

The atmospheric and acoustic setting of the Church resonated with original and very entertaining music evocative of the Tudor Period. It was very special to hear the mediaeval harmonies sung so well in that ancient building.

The bands highly competent musicians comprised Ian Churchward on guitar and vocals, Elaine Churchward vocals, Rob Bright lead guitar and Lord Zarquon (Mike) on keyboards.

We were entertained by a range of songs, composed by the band, featuring;

WRITTEN AT RISING (about a letter written in June 1469 by the Duke of Gloucester at Castle Rising)

LORD ANTHONY WOODVILLE (a song about Elizabeth Woodville’s oldest brother who was looking after Edward V at Ludlow)

THE LADY ANNE NEVILLE ( sung by Elaine )

FELLOWSHIP OF THE WHITE BOAR

KING IN THE CAR PARK  ( sung by Elaine )

HOW DO YOU REBURY A KING (the reburial of Richard III in Leicester)

RAGGED STAFF instrumental

THE GOLD IT FEELS SO COLD (about Edward IV’s campaign in France 1475)

THE YEAR OF THREE KINGS (Edward IV, Edward V and Richard III 1483)

THE COURT OF KING RICHARD III (the visit of a knight from Silesia to the Court of Richard III in Nottingham in 1484)

ACT III SCENE IV (using the words written by Shakespeare in Act III, Scene IV of the play called Richard III)

The above three photographs showing the band recording their album “Murrey & Blue”

WHITE SURREY (Richard III at the battle of Bosworth)

HOUSE OF YORK (the first song that The Legendary Ten Seconds recorded about Richard III)

 

I spoke to several villagers after the concert and all were in agreement that it was a thoroughly enjoyable and special experience for the Church, and who knows – was that the armour of  our Tudor Knight, Sir John Evans, we heard clinking away in time to the music ? !

John Dike

Coldridge

Devon.

Recording the Murrey and Blue album

 

 

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