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Bestwood Park, where Richard used to hunt….

I can’t say that this article is all that informative, or, indeed, erudite, but it is about Bestwood Park, which as we all know was a favourite hunting park for many of our monarchs. Including Richard, of course, and he does get a mention.

If nothing else, the wintry illustrations show what it may have been like if Richard chose to hunt, or even just ride, there during the colder months.

I remember Bestwood from my teens, when I lived in nearby Hucknall. I cycled there at dusk one summer evening, and was greatly spooked by a creepy old building set among thick trees. Not for the faint-hearted!

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Where our dead kings and queens are buried….

This link is to a brief article about a book about where our kings and queens are buried. I have not read the book, British Royal Tombs by Aiden Dodson, so cannot comment upon it. You’ll find it here on Amazon

I believe the image below is taken from the book.

Channel 5’s “Inside the Tower of London”

This four-part series is narrated by Jason Watkins and heavily features Tracy Borman, Joint Chief Curator of Historic Royal Palaces.

The first part dealt with the Peasants’ Revolt, which resulted in Simon of Sudbury‘s beheading and Borman travelled to St. Gregory’s in his home town to view the preserved head. She spoke about the animals kept in the various mini-towers and the Royal Mint that coined “Long Cross Pennies”, introduced by Henry III. We saw the Beefeaters, including a retirement party for one, before scholars at Eton and King’s College commemorated their founder, Henry VI, at the “Ceremony of the Lilies and Roses”. Then came the mystery of the “Princes”, as Borman used Domenico Mancini’s correct forename whilst taking him at face value a little too much, although she did note that More was five in 1483 and wrote three decades later to please Henry VIII. The seventeenth century discovery of remains of some sort was mentioned and a new exhibition on the “Princes” was launched, even as counter-evidence has emerged and been clarified.

Part two focussed on Henry VIII’s first and second “marriages”, together with the dramatic end of the second. Part three moved on to the twentieth century with the shooting of Josef Jakobs and other German spies, together with the 1913 visit of the suffragette Leonora Cohen. Rudolf Hess was also held there, as were the Kray twins later. The concluding part dealt with the role of the Constable, the ravens and the interrogation of Guy Fawkes and other prisoners, together with the tale of the more privileged, such as Raleigh, and the audacity of Colonel Blood’s attempt to steal the Crown Jewels, so soon after many of them had been recreated.

The Mythology of the “Princes in the Tower”

This is less a book and more of an outdoor swimming pool, becoming deeper as the chapters progress. In the shallow end, the subjects go from the definition of a “prince” and the circumstances under which Edward IV’s elder sons came to live there, centuries before Buckingham Palace was built to the origin of the term “Princes in the Tower” (p.17). Before progressing further, the reader should be aware exactly which sibling definitely died at the Tower, during a “confinement”. For those still unaware why the whole Wydeville brood were illegitimate and how the “constitutional election” (Gairdner) resulted in Richard III’s succession, the whole point is painstakingly explained again.

The dramatic conclusions begin at about halfway, in chapter 17, before the process of the rumour mill and the many finds of the Stuart era are described. In the deep end, we are reminded how science has moved on during the 85 years since Tanner and Wright investigated the remains, including Ashdown-Hill’s own investigations into “CF2″‘s remains on the Norwich Whitefriars site, together with a repeat of the DNA process that gave us Joy Ibsen and thus Richard III in Leicester. This time, he and Glen Moran have found a professional singer originally from Bethnal Green, a short distance from the Tower itself.

What has always stood out about Ashdown-Hill’s work is his superior use of logic when primary sources are of limited availability and it is applied here to several aspects of the subject.

In many ways, this book is itself a tower, built on the foundations of his previous eleven, but also his research into things such as numismatics, yet there is a prospect of more construction work …

Royal genealogy before it happens (3)

(as published in the Setember 2018 Bulletin)eugenieandjack

Seven years ago, before this blog officially began, a letter was published in the Ricardian Bulletin about the common Edward III descent of the Duke and Duchess, as she soon became, of Cambridge through the Gascoigne-Fairfax line. This, about the Duke and Duchess of Sussex’s mutual ancestry, followed this March.

Now it is clear that Princess Eugenie, the former scoliosis sufferer and daughter of the Duke of York, and her partner Jack Brooksbank are closely related through Edward III and James II (the Scottish one). They will marry at St. George’s Chapel, Windsor on 12 October.

Having examined the evidence, this document and shows that they have a most recent common ancestor: Thomas Coke, 2nd Earl of Leicester (1822-1909).

thomas-coke-2nd-earl-of-leicester

Coke’s simplest royal descent is from Charles II.

charles-ii

Brooksbank is descended from Edward III via Robert Devereux (2nd Earl of Essex, through four of Edward III’s sons, although I have chosen the senior Mortimer line) to Coke’s second wife, Lady Georgiana Cavendish, although there is probably other Edward III ancestry. Lady Georgiana’s grandmother was Lady Catherine Gordon, daughter of the Marquess of Huntly and this line descends from James IV, who is obviously more recent than his grandfather, but through his mistress not his “Tudor” wife. He, of course, was James II’s grandson.

This document shows that Lady Georgiana was descended from the first Earl of Harewood, Edward Lascelles, whose wife was descended through the Bowes and Lumley lines from Edward IV.

Furthermore, as this picture shows, Princess Eugenie wore a backless dress to show her scoliosis scar.

A cursed title?

This very informative BBC documentary, presented by Dr. Bendor Grosvenor, showed how a portrait, presently on display in Glasgow, was proved to be an original Rubens.  George Villiers, 1st Duke of Buckingham, was a courtier and soldier, serving under both James VI/I and Charles I as well as being a possible partner of the former. He was assassinated in 1628 and the portrait (left) dates from about three years before this.

Villiers’ line fared no better than their predecessors in their tenure of the Buckingham title. Just as two of the three Stafford Dukes were executed and one killed at Northampton over their 67 years, Villiers’ son went into exile in France after serving in Charles II’s “CABAL” – he left no male heir and both his brothers had already died without issue. The title was recreated, with Normanby, for John Sheffield in 1703 but his male line expired in 1735 whilst Richard Grenville’s family held it, with Chandos, from 1822-89.

The Howards, Talbots and Seymours – England’s auxilliary royal families?

This document shows the descent of the known “wives”, secret wives, mistresses, illegal wives amiranda_hart_in_2011nd alleged partners of five English and British kings, taken from Ashdown-Hill’s Royal Marriage Secrets:
thosehowardsagain

As a bonus, Laura Culme-Seymour, from a naval family, including Admiral Thomas Lord Seymour; Admiral Rodney and the first three Culme-Seymour baronets, has a famous great-great-niece alive today.

The Bones in the Urn again!…a 17th Century Hoax?

 

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19th century painting of the Henry VII Chapel by an unknown artist.  The entrance to the area where the urn stands is to the left of the tomb of Henry VII

Helen Maurer, in her wonderful article, Whodunnit: The Suspects in the Case  mentioned in the notes  ‘As for why the bones should have been discovered more or less where More said they would be, might it be profitable, if only in the interest of leaving no stone unturned, to forget about Richard, Henry and the late 15th century for the moment and concentrate upon Charles II and the political pressures and perceived necessities of the 1670s.  Any takers?’ Maurer then went on to cover this more fully in her articles Bones in the Tower – Part 2 (1).

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CHARLES II ‘THE MERRY MONARCH’ 

On going to the article, which was printed in the Ricardian in March 1991 pp 2-22, I was intrigued by this theory which seems plausible and makes much sense than the infamous  and ludicrous story given out by More.    In brief, a summary is given of Charles’ reign and the problems he encountered at the time including ‘an abiding public mistrust and rejection of  anything that smacked of absolutism’, religious intolerance, a Parliament who controlled Charles’ pursestrings and a general mistrust of each other.  As Maurer points out ‘As adjunct to these general observations it must be remembered that Charles was the son of a despised and executed monarch.  Experience made him wary.  Unable to  foresee the future, he could only know that tenure of the throne came without guarantees.  It should surprise no-one that Charles became a master of dissimulation….with an overriding concern to preserve what he could of royal power, while ensuring the succession'(2).  It would seem that perhaps the Merry Monarch was not so merry after all.

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THE INFAMOUS URN ……

Having found this theory plausible,  imagine my delight (and surprise) when listening to Pepys Diary that Pepys made the entry on 25 March 1663 that having gone to the chapel of  White Hall, with the King being present he heard a sermon by Dr Critton (Creighton).  The Dr  ‘told the king and ladies, plainly speaking of death and of skulls, how there is no difference, that nobody could tell that of the great Marius or Alexander from a pyoneer, nor, for all the pain the ladies take with their faces, he that should look into a charnel house should not distinguish which was Cleopatra’s or fair Rosamund’s or Jane Shore‘s (3).  This begs the question that having had  this idea planted in Charles head, and moving on to 1674, with building work being undertaken in the area of the Tower where a stair case was being demoralised. that the opportunity arose to get hold of some bones and plant them.  Bones would have been obtainable with ease considering the numerous  charnel houses and plague pits that abounded at that time.     Furthermore the ‘discovery’ of the bones was reported to Charles by Sir Thomas Critcheley, Master of the Ordnance , someone he was on friendly terms with and with whom he played tennis.  Maurer goes on to say ‘No doubt Critcheley’s report was verified by Charles’ chief surgeon Knight’.  The plot thickens as they say.

In summary Maurer wrote ‘Assessments of Charles’ character and of the situation in 1674 makes it high probable that the decision to commemorate these bones did not stem entirely from Charles’ mercy, as eventually inscribed upon the urn.  The inurnment was a political act, fraught with a political message for Charles’ own time.  This view is strongly supported by the manner in which it was accomplished.  The carelessness with which the remains were interred along with the bones of other animals, including chicken and fish and 3 rusty nails is striking evidence that the chief concern at the time was not reverent burial but the political statement made by a display of the urn.  It did not matter whose bones were placed in it, or whether they were all the same bones found in 1674 or even human bones, so long as something was put in it to be visibly commemorated’.

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SAMUEL PEPYS, ARTIST JOHN HAYLES. SECRETARY TO THE ADMIRALTY  UNDER King Charles  MP, DIARIST AND FRIEND TO JAMES DUKE OF YORK

If this is indeed what happened and whether Pepys himself had a hand in it – he was indeed on very friendly terms with Charles’ brother James Duke of York, visiting him at the Duke’s home on numerous  occasions according to his diary – is a matter of speculation.  Did the old sermon preached on that day pop into someone’s head. That the bones of Edward IV’s sons, Edward and Richard, the so called ‘princes in the Tower’ would be non discernible from those of the sons of a beggar? And was it used to demonstrate to people that this fate is one that can easily befall disposed monarchs – and was this something to be desired?  Frustratingly Pepys stopped writing his Diary in 1669 and the bones not being ‘discovered’ until 1674 he made no entry pertaining to it.  It also begs the further question, if this speculation was correct, would he have ever written about it anyway?   Pepys wrote in shorthand and possibly he never intended  his diary to come into the public domain.  But it remains a tantalising thought that if only Pepys had continued with his diaries for longer one of the most enduring mysteries of all time may never have arisen.

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JAMES II PAINTED BY LELY.   JAMES’  REIGN WAS ALSO TROUBLED LEADING TO HIM REPLACED BY HIS DAUGHTER MARY.

1.Whodunit The Suspects in the Case Helen Maurer note 30.

2.  Bones in the Tower Part 2 Helen Maurer Ricardian p10

3.  Pepys Diary Chapter 4 March 25 1663

 

 

 

 

 

A Grey Day

The Grey family, originally from Northumberland, are a consistent feature of English history from the Southampton plot of 1415 to Monmouth’s rebellion nearly three centuries later.

Sir Thomas Grey (1384-1415) of Castle Heaton was a soldier and one of the three principals in the Southampton plot against Henry V, revealed to him by Edmund Mortimer, 5th Earl of March, at Portchester Castle. His connection to the House of York was that a marriage had been arranged between his son and Isabel, the (very) young daughter of Richard of Conisbrough, Earl of Cambridge. The betrothal was cancelled as one of the consequences of the plot’s failure. It may have been related to Grey’s purchase of the Yorkist lordship of Tyndale. (The sale of which demonstrates how relatively hard-up the second Duke of York was at this time.)

Sir John Grey of Groby (1432-61) was the son of Edward Grey, Baron Ferrers of Groby and a grandson of the third Baron Grey of Ruthin . Married to Elizabeth Wydeville, by whom he had two sons, he fought for Henry VI at the Second Battle of St. Albans and was killed there.

 

Lady Jane Grey (1537-54) was the daughter of Henry Grey, who had become Duke of Suffolk on his marriage to Frances Brandon, Henry being Sir John’s

great-grandson. Edward VI had named Jane as his heir and her father, together with John Dudley, Duke of Northumberland and Archbishop Cranmer sought to implement this on  Edward’s 1553 death, contrary to Henry VIII’s succession legislation. She married Northumberland’s son Lord Guildford Dudley and planned to create him Duke of Clarence but their coup was thwarted and the principals imprisoned. Wyatt rose in early 1554, apparently in favour of the Grey-Dudley faction, so Jane, her husband, father and father-in-law were beheaded close to the St. Albans anniversary. This “Streatham portrait” is possibly a retrospective of Jane, having been painted years after her death. She was also the great-niece of Viscount Grane, formerly Deputy of Ireland, who was beheaded in July 1541.

Ford Grey, Earl of Tankerville (1655-1701) was also Viscount Glendale and Baron Grey of Werke. As a veteran of the Rye House Plot, he escaped from the Tower and joined the Duke of Monmouth in exile before joining the Duke’s rebellion two years later. At Sedgemoor, he led the rebel cavalry but was captured, whereupon he gave evidence against his co-commanders and his attainder was reversed in 1686. Within another nine years, he was appointed to William III’s Privy Council and served in several other offices.

This genealogy connects Sir Thomas to Henry Grey Duke of Suffolk, Lady Jane Grey’s father, through his Mowbray brother-in-law. This shows Tankerville’s male line descent from Sir Thomas’ grandfather.

Art, Passion and Power: The Story of the Royal Collection

Andrew Graham-Dixon has been on our screens for almost a quarter of a century; – he is tall, slightly grey, drawls a little and is an excellent art historian. His latest series tells the story of the Royal art collection – from Henry VIII and Holbein, Charles I and van Dyck, the Protectorate selling the collection off but Charles II rebuilding it, William III, the “I hate all boets and bainters” years of George II, George III’s careful acquisitions, George IV and Brighton, Prince Albert and the (profitable) Great Exhibition funding many London colleges, right up to the present day with Queen Mary and her dolls’ houses. Sadly, it says little about the pre-1509 era, although there is or was surely something from then in the collection.

If you cannot access the iPlayer for geographic reasons, or are too late, all four parts should now be on YouTube OneTube.

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