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Illustrated by SHW …

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Today in 1538-9, Henry Pole Lord Montagu, was beheaded for treason, after the “plot” involving his brother, Reginald, later a Cardinal. It was previously thought that Reginald was a sub-deacon for many years, was only properly ordained in late 1536 and thus could have married at any time before this. However, it is now clear that he had undertaken a clerical career many years earlier, culminating, from an English perspective, as Dean of Exeter (1) for the decade from 1527. This demonstrates that he would have been required to observe celibacy from the outset, which sets a different light on Henry VIII’s reaction to the plot.

As you will have observed from our previous posts, those arrested in November 1538 included: Montagu, Sir Geoffrey Pole (also his brother), Henry Pole the Younger (his teenage son), Sir Edward Neville (uncle of his late wife, Jane) (2), Henry Courtenay Marquis of Exeter (cousin) and Thomas (Exeter’s teenage son, later Earl of Devon). All of these adults, except Sir Geoffrey, were executed in early December or January and only Sir Geoffrey and Thomas Courtenay emerged alive from the Tower. Henry VIII’s proclamation refers to the “plot” involving a marriage to Princess Mary and we can now confidently state that the putative husband was definitely either Henry Pole the Younger or Thomas Courtenay, thereby explaining their arrest.

(1) The ODNB, as cited by the author’s correspondence with Exeter Cathedral.
(2) Also an ancestor of Colonel Richard Neville (Royalist commander) and George Washington, inter alia.

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Richard in Flares????

Someone posted a link to a teachers’ resource where Shakespeare’s Richard III is depicted as a storyboard that the students can interact with. Obviously, it’s Shakespeare so Richard isn’t going to be shown in a good light, but have a look at the main characters! Really, why is Clarence dressed as a sailor? And Edward looks younger than his sons and shorter than Richard. Anne looks like his mother and Richard is in flares! Not to mention the Duchess of York, who seems to be wearing boxing gloves!!  I have already emailed them, but maybe others should to protest at this stupid and inaccurate depiction. I dread to think what the younger generation are going to think about Richard!

 

Picture of flared trousers

Flared Trousers

Just click on the link and see! Click here

 

 

Image credit: By iluvrhinestones from seattle, oceania, upload by Herrick 08:08, 7 December 2007 (UTC) (high waisted jeans) [CC BY-SA 2.0 (http://creativecommons.org/licenses/by-sa/2.0)%5D, via Wikimedia Commons

The Scrope and Welles marriages of Edward IV’s daughter….

Ralph, 9th Baron Scrope of Masham, was—through his Greystoke mother—the great-grandson of Joan Beaufort and therefore great-great-grandson of John of Gaunt and Katherine de Roët.

The tombs of Katherine de Roet and her daughter, Joan Beaufort - Lincoln Cathedral

The tombs of Katherine de Roet and her daughter Joan Beaufort in Lincoln Cathedral

This made him the great-great-great-grandson of Edward III. (For the path, follow the purple line in the following chart.) What this blood did not do was give him expectations.

Scrope-Welles-Plantagenet

* I apologise for the poor resolution in the above chart. The problem just seems to be with this published version. It can be seen more clearly on my Facebook page, one of the entries for 6th August 2017. Click on the chart in the collage, and it will pop up in a crisper version. See https://www.facebook.com/sandra.heathwilson.9

As the third of four brothers, Ralph could not have expected to inherit the family title, nevertheless, as plain Ralph Scrope, he married a princess. Cicely of York was the daughter of the late Yorkist king, Edward IV, and therefore the niece of Richard III. She was also very beautiful, if Sir Thomas More’s description is anything to go by: Not so fortunate as fair. Some say she was the loveliest of Edward’s daughters.

Cicely, daughter of Edward IV

Cicely, daughter of Edward IV

However, this early Scrope marriage has only recently come to light. Until its unexpected discovery, it was thought that Cicely only married twice, first John Welles and secondly one Thomas Kymbe or Kyme. Now, it seems, she had three husbands.

It was Richard III who arranged this astonishingly advantageous marriage for Ralph. True, Cicely and her siblings had been declared illegitimate at the time, but they were still the acknowledged offspring of one king, and the nieces and nephews of another, and therefore considerable catches.

Richard III

Ralph was not exactly in the forefront of royal blood, but he did have some. His maternal great-grandmother, Elizabeth Ferrers, was the granddaughter of John of Gaunt, and half-sister of Cicely Neville, Duchess of York, who was the mother of Edward IV and Richard III. So Ralph had some very important royal connections indeed, but didn’t have the clout to go with it. He had no title at the time, and wasn’t expected to ever have one. The family seat at Masham was never likely to be his. So he would never be a great landowning noble who might develop designs on the throne. But he was safely Yorkist. Maybe all these were good reasons for Richard to select him for an illegitimate niece.

Whether desired or not, the marriage probably took place in 1484, when Ralph was about 23, and Cicely a mere 15, possibly 16. The only certain thing, apart from the marriage’s existence, is that when Richard was killed at Bosworth and Henry VII usurped the throne, the Scrope match was swiftly set aside, as if Cicely had never been a bride at all. But presumably it had been consummated? We can’t even say that, but by medieval standards she was certainly of age.

Henry VII

Henry VII

The reason for the jettisoning of the Scrope union is another thing that is not known, but the outcome was that Cecily was swiftly married off to Sir John Welles instead. He was not Viscount Welles at the time, that came later. Why did Henry choose John? Well, he was Henry’s half-uncle to start with, and a Lancastrian who had shared exile with him.

Bletsoe Castle - much altered since John Welles's day

Bletsoe Castle, a residence known to John Welles. His mother was born there.

Another reason is probably that Henry, by now married to Cicely’s elder sister, Elizabeth of York, had no desire at all to have his new sister-in-law married to a mere Scrope of no rank or expectation of a title. A Yorkist, to boot. All these things probably had a lot to do with it. Henry’s claim to the throne was by conquest, because his line of descent wasn’t exactly direct. His Yorkist queen—once made legitimate again—had a better title. He had no real blood claim at all, because his mother was a Beaufort, and the Beauforts had been forbidden the throne at the beginning of the century by John of Gaunt’s trueborn son, the first Lancastrian king, Henry IV. Who, as it happens, was another usurper. So the usurper at the end of the century, Henry VII, did all he could to bolster his personal prestige. Therefore, exit poor Ralph Scrope, stage left.

John Welles was about twenty years older than Cicely and had not been married previously, but Henry’s half-uncle or not, he wasn’t royal himself. He was related to royalty, because his mother’s first marriage had been to John Beaufort, 1st Duke of Somerset, who was of course—like Ralph Scrope—descended from John of Gaunt. On the death of the duke, John’s mother married Lionel, 6th Baron Welles, and John was the result. Another piece of bad luck for John was that his father, Lionel, had also been married before, so the family title of Baron Welles and the lands went to the son of his first marriage. John got nothing from either parent.

It was John’s Beaufort half-sister, Margaret, who received the all-important royal blood and a huge fortune in money and lands, albeit through an illegitimate line that had been legitimised. She was perhaps the greatest heiress in the realm, and was snapped up at a very early age by Edmund Tudor, Earl of Richmond (another half-brother of a king, this time Henry VI). Their only child was to become Henry VII. Something useful for John at last? Yes, as it turns out.

John, Viscount Welles

John, 1st Viscount Welles

Ignoring Henry’s probable haste to be rid of an inconveniently lowly Yorkist brother-in-law-by-marriage, might it have been that John Welles actually loved the beautiful Cicely? Did he ask his half-sister to mediate with her son Henry? Or maybe Henry had some fondness for his half-uncle, and simply wanted to increase John’s importance with a royal wife, and then a title? Henry wasn’t exactly overloaded with blood relatives, so was obliged to keep and placate the few he had. Plus, of course, a royal wife for Uncle John would make Henry himself look better.

Certainly John Welles appears to have looked after and appreciated his highborn bride. His will was very affectionate, and according to one report (Gentleman’s Magazine, Volume 163, p.33. Funeral of John Viscount Welles, 9th February 1498) she was quite distracted on losing him. The word used for her distress is actually “incontinent”, in its meaning of “distraught”. So I have reason to think that whatever her feelings for him at the outset of the marriage, there was warmth at the end. They had two daughters together, both of whom died tragically young.

One thing can be said of Cicely first two husbands: they were cousins. But not royally so, of course. Ralph’s great-grandfather, Stephen Scrope, 2nd Baron Scrope of Masham married Margery de Welles, the sister of John’s great-grandfather, the 5th Baron Welles.  John Welles also had the same Greystoke blood as Ralph, but alas, not from the member who married the granddaughter of John of Gaunt! Poor old John, missed out again. First because he wasn’t from his mother’s Beaufort marriage or his father’s first marriage, and also because he wasn’t from the right Greystoke marriage either. Dag nam it thrice times over!

However, that other Greystoke marriage was of great benefit to Ralph, upon whom it bestowed that royal Beaufort blood. What it did not do was bring him the family title, until he was nearing the end of his life and in a second childless marriage. He was the third of four brothers, who all failed to leave heirs—except for one, who produced a daughter, but she left no children either. So Ralph had to wait to eventually become the 9th Baron Scrope of Masham. His successor, the fourth brother and 10th baron, Geoffrey, also died childless, and on his death in 1517, the title fell into abeyance.

But Cicely did not stop at two husbands. She chose to marry again, and this time she certainly followed her heart. Not royal instructions! A few years after the death of John Welles, she married Thomas Kymbe or Kyme, a Lincolnshire gentleman of Friskney in Lincolnshire. His family home was probably Friskney Hall, the remains of which are shown in the map below.

Site of Friskney Hall - Kymbe residence

As may be imagined, Henry VII went blue in the face. He erupted into a fury, took away all her possessions (presumably to deny her upstart husband her wealth) and banished her. He was beside himself over what she’d done behind his back. His sister-in-law, married to a mere gentleman? It wasn’t to be tolerated!

The scandalous situation was smoothed by none other than Henry’s mother, Margaret Beaufort, who had formed a close friendship with Cicely. Margaret mediated with Henry, and managed to smooth his ruffled feathers. To a certain extent, anyway. He allowed Cicely some of her possessions, but he never again referred to her third husband. To Henry, and therefore the rest of the court, she was Viscountess Welles until the day she died. She did eventually appear at court again, but not often, and I imagine she kept out of Henry’s way.

She and Thomas went to reside in the Isle of Wight, where she eventually died as was laid to rest in old Quarr Abbey (although there is a school of thought that she died at Margaret Beaufort’s residence in Hatfield Old Palace).

Ruins of old Quarr Abbey, Isle of Wight

Ruins of old Quarr Abbey, Isle of Wight

It is thought that she and Thomas had children, a boy and a girl. There seems evidence of this, but all trace of any further descendants has been lost. So it is possible that there are folk around now who can trace their descent from this remarkable royal lady’s third marriage. But not, alas to her first two.https://www.facebook.com/sandra.heathwilson.9

And now for the height and appearance of Edmund, Earl of Rutland….

Well, OK, I admit it, the picture right above is NOT Edmund. It’s just an image of a young knight, which is what Edmund was at the time of his death. The trouble is, what did Edmund of Rutland actually look like? Another giant like his elder brother Edward IV? Or…smaller and more delicate, like his younger brothers, George of Clarence and Richard III? Well, certainly as Richard III was, and it is now suggested that George was the same. (To read more about this, click here.)

Back to Edmund. First, a little background to his life and premature death. Edmund Plantagenet, Earl of Rutland, Lord Chancellor of Ireland, descended paternally from Edward of Langley, youngest son of King Edward II. He was born at Rouen on 17th May, 1443 (574 years ago this month), and besides his English title, had an Irish one, Earl of Cork. His father was Richard Duke of York, Protector of England and supposed heir to the English throne. His mother, Cecily Neville, was a daughter of Ralph Neville, Earl of Westmorland.

I will not go into the details of York’s claim to the throne, suffice it that the House of Lancaster was seated there but King Henry VI was weak-minded and ineffectual, and York (rightly) disagreed with his right to the crown. Henry’s fierce queen, Margaret of Anjou, was certainly not weak-minded, and she had a seven-year-old son to protect, Edward, Prince of Wales. She had no intention of endangering his eventual succession, and in 1449 York was appointed Viceroy of Ireland, and thus was (for the time being) safely out of the Lancastrian way. York’s second son, Edmund, Earl of Rutland, was appointed Lord Chancellor of Ireland and went with his father.

In July 1449, York and Edmund, together with York’s pregnant duchess (on 12th October she would give birth to George, Duke of Clarence), set sail for Howth, then the chief port of Dublin. They landed on 14th of the month. York soon gained the appreciation of the Irish, as well as the resident English, and the House of York was to retain that land’s support.

Howth-harbour-1818.jpg

Not all York’s children went with him to Ireland, for his eldest son and heir, Edward, Earl of March, was holding Calais with York’s brother-in-law, Richard Neville, Earl of Warwick. The great Kingmaker. At that time Warwick supported York’s claims. It would not always be thus, of course.

Edward and Warwick raised an army and invaded England to defeat the Lancastrians at the Battle of Northampton.

capture of Henry VI at Northampton 1460

King Henry was captured, and London fell into Yorkist possession. York returned from Ireland with Edmund, and was reaffirmed as heir to the throne. The Yorkist ascendancy was soon imperilled, however, and York and Edmund found themselves trapped in Sandal Castle, near Wakefield.

Sandal-Castle-View-of-Battlefield-2010-03-02-l

Wakefield-Battlemap Military History Monthly

They and a mere 5,000 men were besieged by the Lancastrians with 20,000 men. Help was on the way from Edward, but although York was urged to stay tight, he insisted on going out to give battle. There are varying reasons given for his decision to fight, one being that he was convinced he had enough friends in the opposing army who would come over to him. If this reason is true, he was wrong. If he’d held back, we might have had a different Richard III! And our Richard III would have been Richard IV.

The following is taken from The Lives of the Lord Chancellors and Keepers of the Great Seal of Ireland: From the Earliest Times to the Reign of Queen Victoria, Volume 1, by James Roderick O’Flanagan. The illustrations are my insertions. O’Flanagan (1814-1900) wrote a great deal about Irish history, and may have had access to a source that gives the description of Edmund. Or it might be his own invention, of course. One cannot always tell with writers of the 19th century.:-

“…On the eve of Christmas, December 24, 1460, the Duke’s army marched out of the castle and offered the Lancastrians battle. By the side of the Duke fought his second son, the young Chancellor of Ireland, whose years had not past their teens, but who, under a fair and almost effeminate appearance, carried a brave and intrepid spirit. The forces of the Queen resolved to annihilate their audacious foes, and soon the duke found how little reason he had to hope of finding friends in the camp of Queen Margaret. The historian Hume says,1 ‘the great inequality of numbers was sufficient alone to decide the victory, but the queen, by sending a detachment, who fell on the back of the Duke’s army, rendered her advantage still more certain and undisputed. The duke himself was killed in the action; and when his body was found among the slain the head was cut off by Margaret’s orders and fixed on the gates of York, with a paper crown upon it, in derision of his pretended title.’

Micklegate Bar, in York, where the heads were displayed.

“…The fate of the young Chancellor was soon over. Urged by his tutor, a priest named Robert Aspell, he was no sooner aware that the field was lost than he sought safety by flight. Their movements were intercepted by the Lancastrians, and Lord Clifford made him prisoner, but did not then know his rank. Struck by the richness of his armour and equipment, Lord Clifford demanded his name. ‘Save him,’ implored the Chaplain; ‘for he is the Prince’s son, and peradventure may do you good hereafter.’

“….This was an impolitic appeal, for it denoted hopes of the House of York being again in the ascendant, which the Lancastrians, flushed with recent victory, regarded as impossible. The ruthless noble swore a solemn oath:— ‘Thy father,’ said he, ‘slew mine; and so will I do thee and all thy kin;’ and with these words he rushed on the hapless youth, and drove his dagger to the hilt in his heart. Thus fell, at the early age of seventeen, Edmund Plantagenet, Earl of Rutland, Lord Chancellor of Ireland…”

1Hume’s History of England, vol iii, page 304.

The above, in a nutshell, is the life and death of Edmund Plantagenet, the York brother who is mostly forgotten.

I am intrigued by the description of Edmund as being of a fair and almost effeminate appearance. Given the similar description of Richard III as being delicate with gracile bones, and the fact that he was certainly handsome without being rugged,  I am forced to wonder if Richard wasn’t the only brother with those attributes. I know ‘fair’ doesn’t necessarily mean blond—more likely ‘good-looking’—but ‘effeminate’ (rightly or wrongly) presents us with a definite type of appearance. Edward IV may have been 6’ 4”, but was he the only tall brother? Richard would have been 5’ 8” if it were not for his scoliosis, and that was a good height for the 15th century.

We’ve had speculation about the height of George of Clarence when compared with Richard (George may have been smaller), but what about Edmund of Rutland? Yes, he could have been 6’ 4” and still be effeminate, but I’m inclined to doubt it. Comment was made about Edward’s height. If Edmund had been like that, surely he too would get a mention? I had never seen a description of Edmund before, apart from Edward Hall’s Union of the Two Noble and Illustre Famelies of Lancastre & Yorke: ‘While this battaill was in fightyng, a prieste called sir Robert Aspall, chappelain and schole master to the yong erle of Rutland ii. sonne to the aboue named duke of Yorke, scace of y age of. xii. yeres, a faire getlema, and a maydenlike person….’ Just what might ‘maydenlike’ actually mean? Young? Virginal? Like a girl? All three?

In 1476, the bodies of both York and Edmund were moved to Fotheringhay, and the magnificent church that honours so many members of the House of York.

And now a curiosity, which may or may not be actually connected with Edmund, beyond his name and title. On the other hand, perhaps it’s another indication of his physical appearance.:—hawking rings

Medieval silver vervel / Circa 1440-1460 |/ A silver hawking leg ring or vervel inscribed ‘+Earle of Rutland’ in derivative black letter script, for a female merlin or sparrowhawk (due to the youth of Edmund Plantagenet who died aged 17). Silver, 0.56g, 8.81mm.

Might a female merlin or sparrowhawk be a reference of Edmund’s looks, not simply his youth? Equally, it might not indicate any such thing, of course, but if the ring is dated to circa 1440-60 (and if the inscription is contemporary), the maker could certainly have known/seen him. But the inscription does not look 15th century to me. I’m no expert, though.

And finally, the  novelty of a ‘conspiracy theory’ about Edmund’s death (or survival!) go to https://doublehistory.com/tag/edmund-earl-of-rutland/.

 

 

 

 

A well-connected Archdeacon?

As we said last year, late mediaeval prelates were often well-connected. Indeed, as this ODNB article shows, William Pykenham, Archdeacon of Suffolk, died some time in spring 1497, approximately sixty years after his father. His mother was Katherine Barrington, of the prominent Hatfield Broadoak family, which explains some of his appointments through her Bourchier and Stafford social connections, including that of Rector of Hadleigh in 1470. He served as an executor for his patron, Thomas Bourchier Archbishop of Canterbury, in 1486 and then for Cecily Duchess of York in 1495.

In his role as Archdeacon, Pykenham is associated with two great buildings, of which only these Gatehouses remain: one in Hadleigh and one in Ipswich. He also had dealings with two maternal cousins: Thomas and Thomasine Barrington, the latter being the wife of Sir John Hopton of Blythburgh.

Here too (top) is Barrington Hall, home of the family that included Sir Thomas, second husband of Winifred Pole: Barringtons. The descent of Katherine and Thomasine cannot yet be precisely traced.

Anti-history: Edward IV’s ‘Secret’ Illegitimacy

Helen Rae Rants!

As the old saying goes, it’s a wise child that knows its own father; one might add it’s a sure child that knows its own mother, if only because maternity is harder to conceal, deny or be mistaken about. So while doubts have been cast on King Edward’s paternity ever since the 15th century, it’s always been accepted that his mother was Cecily, Duchess of York – at least, until 2015, when some gobsmacking new theories were unleashed on an unsuspecting Ricardian community.

According to their author, both Edward and his younger brother Edmund were born on the wrong side of the blanket. Not, (as the usual story goes), because Cecily had been playing fast and loose in Rouen with a lowly archer called Blaybourne. No, apparently the Duchess wasn’t their mum at all; the real adulterer was her husband Richard, Duke of York, who had sired this brace of…

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CAN A PICTURE PAINT A THOUSAND WORDS?

It’s said a picture can paint a thousand words.  It certainly can but not always accurately.  It can distort the truth.  Art work based on the Ricardian period is certainly true of this.  Take for example the stunning painting by Edwin Austin Abbey, Richard Duke of Gloucester and the Lady Anne.

800px-Edwin_Austin_Abbey_richard_duke_of_gloucester_and_the_lady_anne_1896.jpgRichard Duke of Gloucester and Lady Anne, Edwin Austin Abbey, 1896.

Here we have an angst ridden Anne, while a definitely humpbacked Gloucester offers her a ring.  It just makes you want to shout at the canvas ‘run, run Anne and don’t look back..!’ although it should in fairness be remembered the painting is based on a scene from Shakespeare’s version of Richard lll rather than the actual facts.

There have been numerous paintings of Richard of Shrewsbury being removed from his mother, a distressed looking Elizabeth Wydeville, and although for all I know Elizabeth may well have been distressed on that day,  it aint looking good for the ‘wicked uncle’ is it?

33299a0e14e0061fbcffe1d1a90dcb0d.jpg,

This version is by Philip Calderon.  Young Richard gazes tenderly at his mother   while being yanked away by his arm by a portly gentleman in red..poor little blighter.

A couple of paintings of the ‘princes’ do stand out for me.  The beautiful one by Millais (he used his daughter as a model for one of the princes) where he has the boys, standing in a darkened stairway of the Tower (where,  to add poignancy to the scene, some believe their remains were found buried) clinging to each other while a dark shadow lurks ominously at the top of the stairs…Yikes!

SRY_RHU_THC0044.jpg

The Princes in the Tower,  John Everett Millais 1878.

Another one. this time by Paul Delaroche, King Edward V and the Duke of York in the Tower,  depicts the two young boys, gazing into the middle distance, unaware, hopefully,  of their impending doom, while their spaniel’s attention, tail between his legs, is drawn to the door.  These artists certainly knew how to twang on the old heart strings!  Great stuff but  maybe not very helpful to some in forming positive perceptions of Richard’s character.

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King Edward V and the Duke of York in the Tower, Paul Delaroche 1831.

But finally, one that is actually closer to the truth, from a mural in the Royal Exchange by the artist Sigismund Goetz, and one   I can clearly remember, as a small child, from its inclusion in Cassell’s History of the English People.  I would gaze at it, not properly understanding what it actually represented, but nevertheless entranced.  It was not until years later that I could understand what was going on and who the people were in the painting.  A grave, noble,  and rather handsome humpless Duke of Gloucester being offered the Crown at Baynards Castle.  Beautiful ladies in butterfly headdresses look down at the scene from the top of the stairs….its Cicely and Anne!.  A rather frivolous looking young man, leaning nonchalantly against the stairs,  as an elderly man, almost hidden from sight, leans over and surreptitously whispers in his ear..ah!..tis Buckingham and Morton..meanwhile in the background Gloucester supporters , in harness, roar their approval.  Splendid stuff and about time too.

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Mural in the Royal Exchange,  Offer of the Kingship to Richard Duke of Gloucester at Baynards Castle June 26 1483 Sigismund Goetz

Paul Delaroche also painted The Execution of Lady Jane Grey..not one of our Ricardian characters… but a descendant of  one, Elizabeth Wydeville, via her son Thomas Grey, lst Marquess of Dorset.  Delaroche again gave his artistic license free reign..Jane was in fact executed in the open air, in the part of the Tower that is known as Tower Green where Anne Boleyn, Catherine Howard and also Margaret of Salisbury, Clarence’s daughter were executed.

330px-PAUL_DELAROCHE_-_Ejecución_de_Lady_Jane_Grey_(National_Gallery_de_Londres,_1834).jpg

The execution of Lady Jane Grey, Paul Delaroche 1833

So at least one of these extremely gifted artists managed to get it right in terms of accuracy as to what actually happened.    What gifts for the art world but for the greater part, I do wonder if in the past,  these paintings proved for some people  to be rather a hindrance for the rehabilitation of Richard’s character.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Sunnes And Roses – A New Release by The Legendary Ten Seconds

Review by Elke Paxson

Sunnes And Roses – it’s finally here, the new album by The Legendary Ten Seconds. This new one focuses on the history and some of the events and people during the War of The Roses. Like the music of the 3 CDs about Richard  III, this is a unique and quite excellent mix of English Folk with a touch of Medieval music and a hint of Rock.

Album cover of Sunnes and Roses

The new album starts off with a song commemorating the battle of Towton, the biggest battle ever fought on English soil and the battle that brought Edward IV to the throne. Quite fitting – the song has a powerful intro with the sound of cannons. It moves on with a forceful rhythm and it has a really rich sound to it.

List of the Dead – this one has a foot tapping rhythm and it’s needed as the lyrics tell of the many battles, the long list of the dead through the many years of the “Cousins’ War”. Quite superbly done.

The Jewel – is a really pretty song. It tells the story of the stunning “Jewel of Middleham” found in 1985 by Ted Seaton. There is a beautiful trumpet intro before a number of other instruments are added – acoustic guitar, percussion, strings and tambourine.

Good King Richard – this is a very nice and rousing duet with Camilla Joyce and Violet Sheer. It’s going back and forth between accusations and King Richard’s side – very well done with great musical sound and sound effects! Love the song.

Sunnes And Roses – an excellent instrumental. The guitar picking is just outstanding!! It has a very memorable sound!

Battle In The Mist – is a haunting an engaging song about the Battle of Barnet. It’s a good story and its instrumentation and the rhythm come together quite nicely.

Richard of York – this song is about the pretender Perkin Warbeck or was he…. Love the beautiful guitar intro of this song. The harmonies, strings and the guitar sound make it so very beautiful.

King’s Daughter – the second instrumental on this album. This is a really pretty combination of a love song with a fine medieval touch to it.

Middleham Castle on Christmas Eve – one of my all-time favourite songs. It brings everything together – beautiful lyrics that combine the past with the present, the instruments, the sound of the percussions, the harmonies. Fantastic.

A Warwick – the title tells the colourful story of the Kingmaker, the powerful Earl of Warwick. The song moves along nicely and has a swift beat to it.

Souvente Me Souvene – Remember me often, is another instrumental and also the motto of Harry Stafford, 3rd Duke of Buckingham.

Autumn Rain – and speaking of Buckingham….this one is also about him or rather about the “washed out” October rebellion of 1483 that he was subsequently beheaded for. The song is pretty neat and the sound effects are quite fitting.

A Herald’s Lament – a sad song for sure, but it’s not a slow song as you might expect. It tells the story of a herald’s return to an unknown place – perhaps the city elders of York or King Richard’s mother Cecily.

Tewkesbury Medieval Fair – Time to go back in time yet again. This is a really nice song about the annual medieval fair in Tewkesbury. The way it presented it’s easy to imagine yourself being there.

Ian Churchward and The Legendary Ten Seconds have produced another tremendous album full of expertly written songs, fabulous music with a rich sound that brings history to life in a very profound way. ENJOY!

For anyone who might be interested in this fabulous new album, it is available on Amazon.com, at CDbaby.com for download and it should be available in CD format from the Richard III Society by the 31st of January 2017.

 

A Tale of Three Mistresses – Mangled by More

mistress(from http://www.annettecarson.co.uk)

Our primary source of gossip about Edward IV’s mistresses is attributable to the pen of Thomas More (1478–1535), knight and latterly saint. While writing about Richard III, More found space for a lengthy diversion into the career of ‘Mistress Shore’, perhaps Edward’s most notorious extra-marital concubine, about whose present and past conditions the writer claimed much knowledge. Unfortunately it appears he never thought to consult the lady on the accuracy of what he wrote, strewn as it is with avoidable errors of fact.1 This article will refer to her by her proper name, Elizabeth Lambert. Her brief marriage to the London mercer William Shore was annulled in 1476 on grounds of non-consummation. And although she is almost always referred to as ‘Jane’, this forename was given her arbitrarily in the two-part True Tragedy of Edward IV (written around 1600 by Thomas Heywood), the writer being clearly ignorant of her proper Christian name and being concerned, like More, only with her notoriety. The prominence of his ‘Jane’ character may have led to the play afterwards being referred to as Jane Shore.2

Despite the high esteem in which More is held by historians, he was clearly too young to have had personal knowledge of reigns earlier than the Tudor period, and his family’s history reveals no intimacy with fifteenth-century royalty; whatever he wrote about them can only have been hearsay. Moreover, in the opinions of leading literary scholars Thomas More’s dissertation on Richard III was conceived and executed as a bravura exercise in satirical drama to which the facts of history had no particular relevance. Nevertheless, More’s reference to Edward and his ‘three mistresses’ is continually retold as if he had a direct line to the full facts. The relevant passage occurs after he has devoted several pages to Elizabeth Lambert:

“The king would say that he had three concubines, which in three diverse properties diversely excelled: one the merriest, another the wiliest, the third the holiest harlot in his realm, as one whom no man could get out of church lightly to any place but it were to his bed. The other two were somewhat greater personages, and nevertheless of their humility content to be nameless and to forbear the praise of those properties. But the merriest was this Shore’s wife, in whom the king therefore took special pleasure. For many he had, but her he loved …” (etc.).

That the king had three concubines is almost certainly an understatement, but More helpfully gives the name of one other as ‘Dame Lucy’. She appears in More’s questionable version of an incident from as far back as 1464 which seems to have become an urban myth. The original surviving record of this incident was related by the Italian Dominic Mancini in 1483 after visiting England for a few months: even so, nearly twenty years after the event itself.

Mancini’s story tells of how Edward IV’s mother Cecily, Duchess of York, was so scandalized by the king’s secret marriage to the widowed commoner Elizabeth Woodville, who became his queen, that she vowed the Duke of York was not the father of this disgraceful son. As the story ran in Mancini’s day, the duchess insisted she would voluntarily testify that Edward IV was no son of York.3 Mancini had been asked to write down, for the benefit of the French royal court, all that he had discovered about Richard III’s dramatic accession to the throne – which he admitted was little enough – so he was given to embellishing his narrative with extraneous details which we now know contained inaccuracies. Although we can accept it was probably based on a kernel of truth, we need to bear two things in mind: first, he may have been given a highly coloured account of some considerably less dramatic reality; and second, it suited him to disparage English royalty for his French readers and hence, like many writers of history before and since, he tended to exaggerate for effect. We have no idea how many tongues had embroidered the story between 1464 and 1483, so the wisest course is to reduce it to its essence: the duchess flew into a fury and went so far as to threaten some kind of legal challenge.

Edward IV’s affairs with women subsequently embroiled all England in a crisis, when it was discovered after his death and later confirmed by Parliament that his marriage to Elizabeth Woodville was not his first such secret wedding. Some years earlier he had secretly married Lady Eleanor Talbot, daughter of the Earl of Shrewsbury. Briefly summarized, under the laws of the Church this meant that Lady Eleanor was still his wife when he secretly and bigamously married Elizabeth, and this combination of illicit actions rendered the children of his Woodville marriage illegitimate. The government of the day elected to offer the crown to Richard III as the senior qualified heir.4

Such high matters of state, of Parliament and of canon law were scarcely understood by the majority of Englishmen, and moreover they impugned the honour and dignity of the late king and his abandoned first wife; doubtless they were spoken of in hushed tones by those in the know. Thus the name of the long-deceased Lady Eleanor became consigned to obscurity. England soon had greater concerns when the pretender Henry Tudor revealed his designs on the English crown, eventually mounting a successful invasion under the patronage of France in 1485 when against all probability King Richard was killed. Since the new king had to devise some believable grounds for his invasion and some legitimate reason for aspiring to the throne, he declared Richard’s accession unlawful. He repealed the Act of Parliament which had set out Richard’s right to succeed, insisting it be repealed unread and every copy destroyed. His aim was to remove from history what was probably the only official government document that articulated Richard’s legitimacy as king, together with the grounds for setting aside Edward IV’s offspring owing to their father’s prior marriage (in legal terminology ‘precontract’) to Eleanor Talbot.5 Since Henry planned to appease Yorkist partisans by marrying Edward IV’s eldest daughter, this process was vital to removing public knowledge of her illegitimacy.

A century would pass before records began to be found which revealed the truth, but by then Richard III was indelibly cast as a usurper in the national consciousness. It was with this certainty that Thomas More embarked upon his literary polemic for which he chose Richard III as his exemplar of tyranny. This was more than fifty years after the Woodville marriage that caused Cecily so much wrath, and more than thirty years after Mancini wrote his tale of her angry outburst. Incidentally, we need not believe she ever volunteered to swear publicly to her own adultery! It is not difficult to conceive of at least one possible legal challenge she might have considered bringing against the match … but in all probability her real grounds of objection never formed part of the story picked up by Mancini. Nevertheless he would have been aware of a certain malicious calumny Louis XI delighted in putting about, that Edward IV was the bastard son of an archer named Blaybourne, so maybe it was Mancini who supplied this extra flourish knowing it would appeal to his readers.

If we turn to what More says about the same incident, we find that after three decades of Tudor rule the story has vastly changed. It is still recognizably a version of Mancini’s tale of the duchess raging and threatening to resort to law. But what makes this new version interesting is that it conflates some vestige of recollection that a precontract to an earlier wife was involved. Perhaps it had been thought politically advisable to incorporate this persistent memory into the well-known tale of ‘Proud Cis’ and her rage against her son, at the same time using it to repudiate that there ever was anything untoward about his Woodville marriage. It takes up a lot of space in More’s Richard III, with plenty of dialogue to and fro between mother and son debating her objections. At last, and as a ‘pretext’ says More, plainly undermining the integrity of the duchess’s final argument, she protests that Edward ought instead to marry ‘one Dame Elizabeth Lucy, whom the king had also not long before gotten with child’ making him in consequence ‘her husband before God’. So this ‘Elizabeth Lucy’ is duly called and ‘solemnly sworn’, says More. This portion of his tale obviously echoes the ‘public enquiry’ mentioned in the earlier Mancini version, only this time it is Dame Lucy who is subjected to examination and denies the precontract which Cecily is trying to foist on her son.6 With our current knowledge we can see this as a transparent ruse to discredit the existence of Edward’s genuine precontract with Eleanor Talbot. But thanks to More its effect is fully achieved: he declares it proves the falsity of the charges made in 1483 against Edward’s marriage.

There is another feature that also shows this to be a manufactured story: the incident supposedly occurs before Edward’s marriage to Elizabeth Woodville, with Cecily trying to prevent it. The Mancini version correctly places Cecily’s outburst after their marriage, which famously took place in secret and remained totally unknown for several months. More is so much deceived as to write that the king’s marriage to Elizabeth Woodville was celebrated ‘with great feast and honourable solemnity’!

It has been important to emphasize how very little Thomas More really knew about the women in Edward IV’s life, because our next step demonstrates how thoroughly his stories have misled historians and commentators.7 Dispensations to marry granted by the Church are extremely helpful in establishing genealogies, and a recent article by Marie Barnfield and Stephen Lark cites one that adds new information to what was previously known, deduced or assumed about some of Edward IV’s mistresses and children.8

One of the king’s most well-known bastards was Arthur, later Viscount Lisle, hitherto almost universally believed to have been fathered on ‘Elizabeth Lucy’. However, references to Dame Lucy place her and her child in Edward’s life prior to his Woodville marriage. Whereas what is known of Arthur Plantagenet’s life and career is scarcely compatible with a birth date before mid-1464.9

If we seek an alternative identity for Dame Lucy’s child we find a much better candidate in a bastard daughter attributed to Edward hitherto known as Elizabeth, later Lady Lumley, thought to have been born in the 1460s. It has now been established that this child’s Christian name was not Elizabeth (as erroneously claimed in a herald’s visitation of 1530) but Margaret (in a grant dated 1479 where she is identified as the wife of Thomas, later Lord Lumley). Further genealogical research supports this identification.

These indications about the daughter have opened up more opportunities to identify her putative mother. The problems in pinning down information about Dame Lucy have always been compounded by assumptions about her. Copious evidence exists that Arthur, Lord Lisle, was certainly connected with the Wayte family, therefore he was known as a Wayte and it was assumed his mother was too. On the general presumption that his mother was Dame Lucy, she was automatically assigned the maiden name of Wayte. For example, this was propounded by Sir George Buck who described her as ‘the daughter of one Wayte of Southampton, a mean gentleman, if he were one. And she was the wife of one Lucy, as mean a man as Wayte. … And she was the mother of the bastard Arturus.’10 Arthur Plantagenet had verifiable links with the Waytes of Segenworth, near Southampton, but genealogical records cannot reconcile Dame Lucy as a member of the Wayte family at all, nor is there any evidence of any Wayte family member having links with a family named Lucy or even mentioning the name Lucy in correspondence. Which again strongly suggests that Arthur was not born to a mother surnamed Lucy.

It now appears that Dame Lucy may ALSO have been a Margaret misnamed Elizabeth! Her correct maiden name, if so, was Margaret FitzLewis, and she was the young widow of Sir William Lucy of Dallington and Richards Castle (d. 1460). This would fit with the child she bore Edward being not his bastard son Arthur but his bastard daughter Margaret, later Lady Lumley, born in the 1460s some time before Margaret FitzLewis’s own death in 1466. Contrary to Buck, the title ‘Dame’ Lucy suggests her husband was a knight or baronet, not a mean man.11 Other than Sir William Lucy of Dallington there existed one other knighted Lucy at that time, viz. Sir William Lucy of Charlcote (d. 1466). This Sir William Lucy certainly did marry an Elizabeth, but she was Elizabeth Percy who died in 1455; he remarried and was survived by a widow, but her name was Agnes.

It is impossible to be certain, of course, but the result of all this would suggest two distinct ladies who were erroneously conflated:

* Edward IV’s early mistress before his Woodville marriage. Dame Lucy, née Margaret FitzLewis (misnamed Elizabeth), daughter of Sir Lewis John (or John Lewis) of Welsh parentage, and widow of Sir William Lucy. Her probable liaison with Edward would have occurred after her husband’s death in 1460, resulting in a daughter Margaret Plantagenet in the early 1460s (also misnamed Elizabeth) who married Sir Thomas Lumley (c. 1458–1487).

* Edward’s later mistress during his Woodville marriage. She was a Wayte, probably a Wayte of Segenworth, and gave birth to Edward’s bastard son Arthur Plantagenet (who jousted with the young Henry VIII in 1510, married for the first time in 1511, was created Viscount Lisle in 1523, and died in 1542). It has been suggested that her father was a Thomas Wayte of Hampshire (d. 1482), but as far as we know Thomas died without legitimate issue (he left one bastard daughter, Alice); if he had any other children they must have predeceased him without legitimate issue of their own. Several other factors in the research by Barnfield and Lark also militate against Thomas as her father, including the obscurity of his family and its extreme southern location.

This leaves just one more mistress of whose existence we know, namely Elizabeth Lambert, married name Shore, misnamed Jane. She was current at the time of the king’s death but no offspring have been directly attributed to her. It is not impossible that Thomas More, sufficiently taken with this lady to devote several pages to her, may well have superimposed her name of Elizabeth on the ‘Dame Lucy’ of his false precontract story. Misled by his reputation as some kind of authority on fifteenth-century royalty, writers of history duly copied him unthinkingly.

Doubtless other mistresses existed, and indeed other bastards. But the purpose of this essay is not to rehearse the tedious details of Edward IV’s amours – nor yet to claim knowledge of precisely who they were – it is simply to demonstrate how easy it was (and is) for history to be misrepresented by placing uncritical faith in false prophets.

NOTES

1. He failed even to verify the full name of her later lover William Hastings, whose gifts to her became the subject of a court case reported by The Great Chronicle.

2. Appreciation to Dr A.N. Kincaid for this information.

3. Mancini, ed. C.A.J. Armstrong, De Occupatione Regni Anglie per Riccardum Tercium, Gloucester 1989, pp. 60–62: ‘Even his mother fell into such a frenzy that she offered to submit to a public enquiry, asserting that Edward was not the offspring of her husband the Duke of York but was conceived in adultery and therefore in no wise worthy of the honour of kingship.’

4. This matter is fully covered in Carson, Richard III: The Maligned King, Stroud, 2013, pp. 75–88.

5. Nor (perhaps unsurprisingly) has any official record survived of the deliberations of the King’s Council during that crucial succession crisis of 1483 when Edward IV’s bigamy and the illegitimacy of his children were debated.

6. More pp. 63–67.

7. Clearly More knew nothing of Lady Eleanor Talbot (married name Butler), pace R.S. Sylvester who supposed Eleanor was one of the ‘three mistresses’ More referred to; we now see Sylvester was also probably wrong in stating definitively that Dame Lucy was the mother of Arthur Plantagenet: The History of King Richard III, Yale University Press 1976, p. 57 fn. 3 and p. 65 fn. 2.

8. ‘The Paternity of Lady Lumley: Some New Evidence’, The Ricardian, Vol. XXVI, June 2016, pp. 113–20. Readers are referred to that article and its footnotes for sources of the information summarized here.

9. David Grummitt’ (ODNB) offers a birth date ‘before 1472’ but this is based on a reference in royal household accounts to ‘my Lord the Bastard’, unidentified, which may refer to some other person; a suggested birth date of 1462-1464 is rightly discounted as too early to be compatible with the known events of his life and career. Grummitt states without comment that ‘most authorities’ identify his mother as Elizabeth Lucy, ‘probably the daughter of Thomas Waite of Hampshire’.

10. Buck did know the truth that the lady of the precontract was Eleanor Talbot and realized that the alleged precontract with Dame Lucy was false; but he accepted Thomas More’s claim that Dame Lucy was Arthur’s mother: Sir George Buck, The History of King Richard the Third, ed. A.N. Kincaid, Gloucester, 1979, pp. 181–2. It is not correct that he named her as Lady Lumley’s mother.

11. And More in his Latin text states that she came from a noble family.

Was Edward IV gay and/or bisexual? Dr John Ashdown-Hill thinks maybe so….

ja-h

What follows was written entirely by Caroline Tilley, Senior Reporter of the Daily Gazette/Essex County Standard

Secret marriages, scandalous affairs and one of the best-kept secrets in English history….

WHEN you have helped to unearth arguably the greatest historical find of the 21st century, some people might decide to put their feet up.

Not Dr John Ashdown-Hill.

Not satisfied with finding the bones of Richard III, arguably England’s most notorious king underneath a Leicester car park, Dr Ashdown-Hill has now been riffling through the secrets of his elder brother Edward IV.

King of England for two periods in the 15th century, Edward Plantagenet’s life seems about as far removed from his brother, Richard’s, as conceivably possible.

A notorious womaniser with illegitimate children scattered across the country, scandal plagued his reign with secret marriages.

Yet all is not as it seems, as Dr Ashdown-Hill has explored in his new book.

The historian, who studied at the University of Essex and now lives in Manningtree, has unearthed evidence which appears to show Edward IV had a relationship with one of his military rivals.

He said: “In the summer of 1462 he met Henry, Duke of Somerset. Contemporary accounts tell us Edward loved him.”

If true, the claim would be one of the most explosive facts to come to light about a king renowned for his womanising.

There is certainly evidence, with a chronicle written at the time reporting how the two shared a bed.

Dr Ashdown-Hill said: “I don’t know why it’s been ignored.

“No-one has really picked it up. I think history is very surprising.”

Dr Ashdown-Hill made the headlines when, thanks partly to his painstaking work, the lost bones of Richard III were uncovered under a Leicester car park.

The notorious king has intrigued historians for centuries after allegedly killing off his nephews, the so-called princes in the tower and Edward IV’s sons, to take the throne.

His death at the hands of Henry VII, father to Henry VIII, marked the end of the famous Wars of the Roses.

It had been believed Richard’s bones had been thrown in a river by an angry mob a myth perpetuated by local legend, 50 years after his death at the Battle of Bosworth in 1485.

The lesson not to take evidence at face value is something Dr Ashdown-Hill is now applying to his work on Edward IV.

He said: “I had always been interested in Edward IV because of what he had to show about Richard III and his claim to the throne.

“A woman called Jane Shore was said to be his mistress for a long time. In fact, I have shown there is no evidence of this.

“It’s extraordinary. Even historian Rosemary Horrox said there was no contemporary evidence of it, yet she didn’t come to the obvious conclusion.”

Dr Ashdown-Hill added: “It was said Edward IV was a great womaniser and he had numerous bastards.

“In fact, Edward IV only recognised one illegitimate child, which he called the Lord Bastard.

“Henry VII then recognises another of his so-called children called Arthur Plantagenet. So it seems he might have had two or three illegitimate children.

“But so did Richard III and yet no one calls what he did outrageous. So why did they say this of his brother?”

Dr Ashdown-Hill believes the secret is tied up in an Act of Parliament which made Richard III king in 1483, after the death of his brother.

While the throne was meant to pass to the eldest prince in the tower, Richard claimed they were illegitimate and instead took the throne for himself.

But the two princes weren’t the only of Edward IV’s so-called legitimate children to be cut off. In fact, there were seven altogether.

Dr Ashdown-Hill believes it was this which has caused the confusion and led to historians believing Edward IV had so many illegitimate offspring.

Edward IV is not the only project Dr Ashdown-Hill is working on.

His work on Richard III led to the discovery of today’s Plantagenet female line through DNA.

He also uncovered somewhere along the line adultery had appeared, with at least one so-called father being displaced.

Dr Ashdown-Hill does not know whether this adultery happened in more modern or medieval times.

He is now trying to get his hands on the bones of Thomas of Lancaster, a relative of Richard III, whose bones were sold at auction in Colchester 1942.

It is not known where the bones are now but if he uncovers them, Dr Ashdown-Hill hopes to be able to pinpoint more accurately if the adultery happened before or after the birth of Richard III.

So after recovering the bones of Richard III and untangling the web of Edward IV, what’s next for Dr Ashdown-Hill?

As well as chasing possible living descendants who could give him DNA to pinpoint the elusive princes in the tower, he is next turning his attention to Richard III and Edward IV’s mother.

He said: “Cecily Neville seems to have spent a lot of her time being pregnant.

“I’m hoping a book might come from looking at her.”

See the article at http://tinyurl.com/z3m2clp

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