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Archive for the category “Music Reviews”

Thrilling Blunder Stories …

… is another album from the Legendary Ten Seconds. Here is a link to some of the music.

Here are the lyrics to The Knights of a King, together with some further information about the album.

 

Song and Story Combined

Cover of Distant Echoes, by Joanne R Larner
Cover of Distant Echoes

Ian Churchward of The Legendary Ten Seconds has kindly made a fantastic video promoting my book, Distant Echoes and using his song, Sheriff Hutton, which was the inspiration for the book! Here is the link if you would like to see it – and please give it a ‘like’! Oh and if the video has made you intrigued about the book, here is the link for that too!

History Book Part Two

A press release for the follow-up to this:

History Book Part Two, February 2020.

  • Song of a metal detectorist – About Ashley Mantle’s favourite hobby.
  • A rare romance – Roger Mortimer escapes from the Tower of London and flees to France.
  • Cade’s rebellion – The rebellion of 1450.
  • De Cobham – Song for the De Cobham household Wars of the Roses reenactment group.
  • Ricardian dream – Richard III win’s the battle of Bosworth.
  • Charles Howard’s English fleet – The English fleet after the defeat of the Spanish Armada.
  • The Mayflower sets sail – The Pilgrim Fathers leave Plymouth in the Mayflower.
  • Gallants Bower – Song about the Civil War fort on the hill above Dartmouth Castle.
  • The Blenheim song – The Franco-Bavarian army is defeated in battle in August 1704.
  • James Templer’s legacy – Song about the Stover canal which was opened in 1792.
  • Sitting in a trench – Song about the First World War.
  • Wait until the harvests in – The Munich treaty peace talks are in vain.

… and here they are on You Tube …

Ian Churchward vocals, guitars, keyboards, mandola and mandolin

Lord Zarquon keyboards, bass guitar, drums and percussion

Phil Swann guitars, bouzouki and mandolin

Bridgit England vocals

Guy Bolt vocals

Jules Jones vocals

Elaine Churchward vocals

Tom Churchward harmonica

Fleur Elliott vocals

 

Recorded 2016 to 2020 in Kingsteignton, Marldon, and Torquay in South Devon.

 

Mixed and produced by Lord Zarquon.

 

Artwork by Graham Moores

 

All songs composed by Ian Churchward except:-

Cade’s Rebellion composed by Ashley Mantle and Ian Churchward

and

Gallants Bower composed by Elaine Churchward and Ian Churchward

 

Richard the Third Records catalogue number R301

 

 

 

Music and Metal Detecting

Here is an interview by our own Ian Churchward (The Legendary Ten Seconds) about their new song: A song for a metal detectorist, covering  history and metal detecting …

{link to 27 March}

A tale of monarchs and national anthems

Anyone who has watched a Scottish rugby or association football match will be familiar with the Corries’ folk song O Flower of Scotland, which is played before their matches. The second line of the chorus (“Proud Edward’s army”) refers to Edward II, defeated at Bannockburn so that he never actually ruled Scotland although he may have technically been their King by marriage. I have chosen Barbara Dickson’s version.

The Netherlands’ national anthem, the Wilhelminus, is named after William the Silent, a Protestant monarch assassinated in 1584 during an ongoing independence war against the Spanish forces. Paradoxically, perhaps, it is sung lustily among a sea of orange flags at football internationals.

Can you think of any other monarchs mentioned in anthems?

A new “Legendary Ten Seconds” Album

Here is the latest album from those prolific  historical musicians. As you can see, from the CD cover below, “Instrumental Legends” is specifically compiled to narrate the life and times of Richard III.

As the title suggests they are all instrumental tracks, some of which were previously released on other albums. I really enjoy the instrumentals, despite not having Ian Churchward’s voice or lyrics, which I love too. The instrumentals also convey the ‘feeling’ of Mediaeval and Renaissance England, although most of the instruments did not exist in those times, especially the electronic keyboard! You might think the sound would be discordant combining, as it does, the mediaeval-style melodies with modern instrumentation. However, think of Rick Wakeman’s ‘King Arthur & the Myths and Legends of the Knights of the Round Table’ and it might give you some idea of the feel of the songs, although these do not have such a big sound as Wakeman. In particular, I feel ‘Fanfare for the King’ conjures up an image of Richard graciously waving to the adoring crown as he rides by on his Progress. I also love Confort et Liesse, but they all have lovely evocative melodies and excellent musicianship, so I have given a short description of each track below.

The full track list is as follows:

Plantagenet Pavane – starts off quietly and then the bigger sound comes in – there is a tambourine, I think.

Souvente Me Souvenne – Buckingham’s motto, this track begins with a positive and spirit-raising melody then changes to one that’s slightly more melancholy, then reverts to the first and finishes in a more downbeat way. Reflecting the ups and downs of his life?

Murrey and Blue – Solid, even beat at first but it then changes to a halting sudden hesitation, then on again.

Confort et Liesse – this makes me imagine the decadence of Edward’s court because, of course, this was his motto. Very appropriate.

Fanfare for the King – there actually is a fanfare in this and it is uplifting and evokes the King’s Progress.

John Nesfield’s Retinue – this track brings forth a military feel of a disciplined band of knights or soldiers mustering.

King Richard’s Daughter – This is a delicate, pretty tune and the sound is rather haunting and evoles a certain sadness.

Lambeth Ms474 – I’m not sure what this refers to but it is one of the longer tracks and has a very rousing melody.

Mortimer Overture – the longest track on the album at nearly four minutes and another great tune and rhythm.

Sans Charger – Very mediaeval in feel but as if electrified! Upbeat and addictive.

Sunnes and Roses – probably my favourite track, a great feel-good rhythm and catchy melody.

Tudor Tune – I might be biased but to me this sounds a bit discordant! As if there is a sinister undertone. I have a good imagination.

Lady of the Rivers – this starts off very gently and reaches a crescendo with the melody evoking ringing bells to me.

Some artwork from the album

All in all, this is an excellent album evoking various scenes and moods from the time of Richard III and all with a new, modern twist. The best of both worlds!

A Legendary Ten Seconds special

Recorded by Boycie and The Legendary Ten Seconds

For The Mortimer History Society

Released on Richard the Third Records June 2019

Catalogue number R17

Recorded at Rock Lee 2018, Orleton Village Hall & Other World Studios May 2019

 

John Challis : Boycie vocals

Lord Zarquon : Mellotron flute keyboards

Ashley Dyer : Trumpet

Rob Bright : Lead guitar

Ian Churchward : Acoustic rhythm guitar, electric rhythm guitar, mandolin and bass guitar

 

Music composed by Ian Churchward

Lyrics written by Ian Churchward and John Challis

Artwork created by Graham Moores

 

ALONG CAME THE FIRST ROGER

DE MORTIMER WAS HIS NAME

NEXT CAME A RALPH

A MARCHER LORD HE BECAME

AFTER RALPH A HUGH

A MORTIMER LORD THROUGH AND THROUGH

 

THEN ANOTHER ROGER

THEN ANOTHER HUGH

WITH THOSE NAMES

I BET YOU’RE CONFUSED

 

ALONG CAME A SECOND RALPH

WITH THAT MORTIMER NAME

NEXT ANOTHER ROGER

AT EVESHAM HE WON FAME

EDMUND HIS SECOND SON

THE LORD OF WIGMORE HE DID BECOME

 

THEN ANOTHER ROGER

AN EDMUND NEXT

I MUST SAY

IT’S TOO COMPLEX

 

ALONG CAME THE FIFTH ROGER

WITH THAT MORTIMER NAME

NEXT A THIRD EDMUND

A ROYAL WIFE HE DID CLAIM

THEN ANOTHER ROGER

FOLLOWED BY AN EDMUND ONCE AGAIN

 

FAR TOO MANY ROGERS

ONLY TWO HUGHS

WITH THE RALPHS AND EDMUNDS

I’M COMPLETELY CONFUSED

This song can be purchased from Amazon.

Devon Roses

Devon Roses 2019 catalogue number R16

To commemorate the 40th anniversary of the Devon & Cornwall branch of the Richard III Society

Songs recorded from 2015 to 2019 at Rock Lee & Other World Studios

 

The lady singers of the Legendary Ten Seconds:

Elaine Churchward vocals

Jules Jones vocals

Pippa West vocals

Bridgit England vocals

Violet Sheer backing vocal on Wife to the Kingmaker

Fleur Elliott backing vocal on Act of Accord

 

The minstrels of the Legendary Ten Seconds:

Ian Churchward guitars, mandolin, mandola & keyboards

Lord Zarquon keyboards, bass guitar, drums & percussion

Phil Swann mandolin & 12 string acoustic guitar on The Walk of Shame

Ashley Dyer trumpet on Wife to the Kingmaker

Rob Bright lead guitar on How do you Rebury a King

All songs written by Ian Churchward except:
Eleanor Talbot written by Elaine & Ian Churchward and
Less Fortunate Than Fair written by Sandra Heath Wilson & Ian Churchward

 

http://www.thelegendary10seconds.co.uk

 

 

 

1)Fatal Match – a song about the marriage of Henry VI to Margaret of Anjou

2)Charm and Grace – the coronation of Elizabeth Woodville

3)Kings of England – a song about Henry VII’s wife

4)Less Fortunate Than Fair – a song about Cecily of York, the daughter of Edward IV

5)The Duke of York’s Wife – a song about Richard III’s mother

6)Sanctuary – a song about the birth of Edward V

7)The Walk of Shame – a song about Elizabeth Lambert, mistress of Edward IV

8)The Minstrels did Play – Christmas 1484 in the court of King Richard III

9)How do you Rebury a King ( 2018 version ) – about the reburial of Richard III

10)Eleanor Talbot – a very sad song about Eleanor Talbot

11)The Month of May – a song about the events in London in May 1483

12)Act of Accord – a song about the defeat of Richard Duke of York at the battle of Wakefield

13)Her Household Requires – a song about the household of Elizabeth of York

14)I Greet you Well – correspondence between the Duke of Gloucester and his sister Margaret

15)Wife to the Kingmaker – inspired by a novel written by Sandra Heath Wilson

 

FATAL MATCH

 

SHE ARRIVED ON THE COCK JOHN

BLOWN OFF COURSE FOR SO LONG

BATTERED AND BRUISED BY AN ANGRY SEA

CARRIED ASHORE TO HER DESTINY

 

OH PEERS OF ENGLAND THIS FATAL MATCH

FATAL THIS MARRIAGE AND THIS DISPATCH

GRAVE NEWS FOR OUR DUKE IN FRANCE

MAINE AND ANJOU LOST PERCHANCE

 

MARGARET OF ANJOU TO HENRY WED

BY HIS QUEEN HE WAS LED

SUFFOLK’S ADVICE THE QUEEN SOUGHT

SHE LOVED TO HAVE HIM IN HER COURT

 

OH PEERS OF ENGLAND THIS FATAL MATCH

FATAL THIS MARRIAGE AND THIS DISPATCH

THE DUKE OF SUFFOLK WE MUST ACCUS

FOR HIS BAD JUDGEMENT IS GRAVE NEWS

 

Bridgit England lead and harmony vocals

Jules Jones backing vocals

Ian Churchward acoustic guitar

Lord Zarquon bass guitar, keyboards and drums

Mer de Mort reviewed

Anything new from the Legendary Ten Seconds is always to be greeted with delight, and this new album does not disappoint. It tells the story of the House of Mortimer from its beginnings in France, to its ultimate destiny on the throne of England, through its descendants of the House of York, Edward IV and Richard III.

The narratives are read by actor John Challis, who played Boycie in Only Fools and Horses and who now lives at Wigmore Abbey. (Lucky man!)

Mortimer Overture. Impressive opening, with an almost marching rhythm – it’s possible to imagine one of the Mortimer earls riding past at the head of his dazzling retinue, and then disappearing along the road. I liked this very much. One of my favourite tracks.

Mortimer Castle. I liked the harmonies on this track. The background is perfect in the chorus, and I particularly liked the echo effect.

The Marcher Lords. And a powerful, influential and often tetchy lot they were too! A wise king handled them with caution! This is a strong song, and one can picture the generations of Mortimers standing firm.

When Christ and his Saints Slept. This one is about the period known as the Anarchy, which ended when Henry II ascended the throne. Once again, I particularly liked the background, which adds so much.

De Montfort. Tells a bloody story of the battle that ended with the death of Simon de Montfort. As a reminder of how brutal those days could often be, Roger Mortimer sent his wife de Montfort’s head as a trophy! Some good sounds in this one, making me think of heads being lopped!

The Round Table 1279. A song about an “Arthurian” tournament, creating a dazzling scene of knights in armour, fine horses, and beautiful women.

Two Thousand Marks. About the Roger Mortimer, and his dealings with Piers Gaveston, the influential favourite of King Edward II. This Roger eventually deposed the king and became the lover of Queen Isabella. We all know the outcome, and this song bowls along as it relates events.

The Privy Seal and the Royal Shield. Another song about Roger, and Mortimer participation at Bannockburn. I liked this one a lot. A great join-in chorus.

The King of Folly. Opens with a trumpet and set firmly in the year 1329 and great celebratory events at Wigmore Castle. A very enjoyable tune and rhythm.

The Tragedy of Roger Mortimer and the Mystery of Edward II. A haunting guitar solo opening for this song about Edward II’s fate at Berkeley Castle. Did he really die there? A quaint atmosphere pervades this song, which seeks the truth about Edward’s demise. . .and relates how his great foe, Roger Mortimer, eventually paid the price for his overreaching ambition. Maybe Edward lived on in obscurity.

Leintwardine. How Edward III, the man who ordered Roger Mortimer’s execution, went to Leintwardine to lay an offering of golden cloth at the feet of a statue of the Virgin Mary. I liked this one. It’s quietly understated, and a little eerie. Perhaps because a Mortimer Earl never did wear the crown, although it is from one of their daughters that the House of York descended.

Mer de Mort. A song that gives a voice to Edmund Mortimer, 5th Earl of March. This is a delightful song, and one of my favourites on the album.

Mer de Mort, Part II. Once again Edmund expresses his feelings, and laments that his elder brother has no grave. This song echoes the first Mer de Mort, but is different. Very sad.

Henry VI. A song about the last Lancastrian king, who was to lose his throne to the Yorkist Edward IV, a descendant of the Mortimers. I like the rhythm of this song, which moves along pleasingly. It actually took a fair time to get rid of Henry VI! He was an incompetent king, but he went in the end, thank heaven. A good track.

Sunnes of York. Another easy treat, relating the tale of the how the House of Mortimer became the House of York. And tells of the final generation of Yorkist brothers, Edward IV, George of Clarence and Richard III. The House of York did not only claim the throne through the name of York, but, importantly, through the Mortimers, who descended from a more senior branch of the royal family. Familiar LTS territory. This song bowls along.

The Chapel of Sir John. A brisk rhythm for a rather spooky song, about what is seen in the windows, floor and screen of the medieval chapel of Sir John Evans in St  Matthew’s Church, Coldridge in Devon. The words recreate the atmosphere, and so does the music. An excellent conclusion.

This album marks a great advance in the LTS repertoire. A richer, fuller sound that sets it apart. Very much to my liking, and I hope, to yours.

Recommended!

History Book Part One

The Legendary Ten Seconds have a new album out. The tracks go back chronologically to Arthurian times, before including two about the Battle of Hastings – or of Battle to be precise. The last six cover Richard III’s adult life and reign, from the seemingly effortless taking of Edinburgh to the Harrington dispute and the subsequent Stanley treachery at Bosworth.

Here is a recording of their performance at Coldridge, with reference to the stained glass window there.

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