… you wait over a year for a new book from John Ashdown-Hill and two turn up almost together: Cecily Neville (left) on 30 April and those “Princes” on 15 July, with another volume on Elizabeth Wydeville to follow …
Today, we interview Joan Szechtman, an American writer who has just published her third time-travel novel about King Richard the Third. Fans of Joan have read her books, THIS TIME, which was published in 2009 and LOYALTY BINDS ME which was published in 2011. Her third Richard the Third novel, STRANGE TIMES, has just been published and is available on Amazon.
Joan, to begin with, what made you interested in Richard the Third?
In 2004 I read Sharon Kay Penman’s THE SUNNE IN SPLENDOUR. It turned my perception of Richard III from Shakespeare’s arch-villain I loved to hate to a sympathetic character I had to learn about. From Penman’s book I found RICHARD THE THIRD by Paul Murray Kendall.
Those are two great sources to use when researching Richard the Third. Please tell us how you became involved with the Richard the Third Society? I believe you hold several key posts in the American branch.
As I continued my research, I realized I needed to find resources beyond my local library and found the UK and American Branch websites of the Richard III Society. In addition to joining the American Branch, I signed on to both branches email lists so that I could ask questions of other members who were far more knowledgeable than me.
At the time I joined the American Branch, the New England Chapter had just formed and they contacted me to see if I would be interested in participating. So, I joined them as well. A couple of years after joining the New England Chapter the first moderator resigned her position and I became the new moderator for the next two years.
In 2011, the American Branch needed a new editor and I was pressed into service. I’m still the branch’s editor. We have two semi-annual publications: The Ricardian Register and The Ricardian Chronicle. The Register is more academic oriented and features scholarly papers and book reviews and is published both in print and digital editions every March and September. The Chronicle is basically a newsletter, focusing on member events, Ricardian travels, and member interviews. It’s published digitally every June and December.
Amazing resources for the American students of Richard! Your new book “Strange Times” is now available on Amazon. Can you tell us something about it?
This is the third book of the trilogy about Richard III in the 21st century. While each book follows Richard today chronologically, the books are written so there are no cliff hangers and can be read in any order, though it’s best to read them sequentially. The book does contain a brief “previously on” for those who haven’t read the first two books or need a refresher.
What fascinates me about Strange Times is that it attempts to cover the fate of my favorite person in all of Richard the Third’s life: Viscount Francis Lovell, Richard’s closest friend.
STRANGE TIMES takes place in both the 15th and 21st century and investigates what might have happened to Francis Lovell, Richard’s loyal supporter. Currently, there is no definitive historical record of Lovell after the Battle of Stoke where Lovell fought on the losing side against Henry VII. Richard is haunted by one possible outcome that has Lovell starving to death locked in an underground chamber in Minster Lovell. The book follows Richard using the time travel device to “see” what happened to Lovell after Stoke. Then everything goes pear-shaped.
The trilogy is available on most online book sellers, including Amazon and Barnes & Noble for both print and digital editions, and digitally on iTunes, Kobo, Sony, etc.
I know you have a science background which has influenced your books, so can you give us some background information? And why combine that interest with Richard the Third and the time travel books?
While I do have an engineering background, having spent most of that career working on computer science and data communication, I believe my main reason stems from my love of science fiction and time travel stories. When I began my research on the real Richard III, I dreamt of having dinner with him. Since that was impossible, I decided to write him into the 21st century. I based his character on my research.
One of the things that nagged at me was Richard III was quite young when he died—32. I felt there was more to his story than his short life revealed. I wanted to examine his character in a modern setting, without imposing our modern sensibilities on his 15th century actions. By bringing him into the future, I could challenge him in ways that I couldn’t in his own time.
A primary goal in all my books about Richard III is to get the known history right. For that which is not known, I felt free to speculate as long as it was plausible. For example, there is no extant documentation as to what happened to Edward IV’s eldest sons—Edward, putative heir to the throne until parliament declared him illegitimate due to Edward IV’s bigamous marriage, and Richard of York, next in line until declared illegitimate. I developed a plausible theory that Richard hid them in other countries, such as Spain, and they survived Richard.
In STRANGE TIMES, I have Richard learn what happened to his nephews after he had “died” and solve the mystery surrounding Lovell after the Battle of Stoke.
Good for you! It is so frustrating to try to make people understand that there is no evidence that Richard the Third murdered his nephews. People have this need to cling to myths.
STRANGE TIMES came to my attention because you received a “Discovering Diamonds” review. Please tell me something about “Discovering Diamonds” and the review.
Rather than paraphrase what Helen Hollick’s blog is about, I will let “Discovering Diamonds” speak for itself:
“Our aim is to showcase well-written historical fiction for readers to enjoy. We welcome indie-published writers because indie writers do not have the marketing backup of the big publishing houses, but if traditionally published novels come our way we’ll be happy to read and review them! Our intention is to have a good mix of good historical fiction to share with you, a reader.
“However, we are fussy: we only publish reviews of the best books, so we also take note of correct presentation and formatting as well as the quality of writing – and when space and time are limited we may only select a few books a month to review. …”
Getting reviews is important for any author, and can be a struggle for indie authors, of which I am one. I am therefore pleased to share the link to my “Discovering Diamonds” review:
Thanks for talking to the Murrey & Blue blog.
The above book, Stolen Women in Medieval England, by Caroline Dunn, is subtitled Rape, Abduction and Adultery 1100-1500. This subtitle is well earned, because all three activities become very tangled indeed in those records that survive of cases that reached courts.
The general impression the modern world has of medieval women is that they were “victims” of men who controlled everything in their lives. Whether it was their father, brother, husband, whatever, they were bullied into submission. Hmm, not quite. Many women back then knew exactly how to work the system. So that when we read of raids by armed men to abduct and force into marriage any woman who would bring wealth and property into the “bridegroom’s” clutches, things might not have been as simple and clear-cut as might seem.
Well, yes. A lot of this did go on, especially in the 14th century, when it was all too prevalent, but although there were many genuine attacks of this nature, there were also situations when woman, especially married ones, would connive with her abductor in order to escape from a husband she no longer wanted. Or for love of the supposed abductor, of course. And there were young lovers embroiled in elopements. But if it was a case of getting away from an unwanted husband, the deserted husband’s only course was to make legal complaint against the abductor, since he could not charge his wife with leaving him. Thus the charges had to be fairly stiff, leading to all these supposed instances of abduction and rape. A consequence of the husband’s legal move would be for the wife and abductor to claim to have been previously married, so the abduction was merely a case of the first husband claiming back his wife. Not easy to prove or disprove.
Once a marriage had taken place, and it had been consummated, it could not be undone. The Church frowned on such things, but did not annul the match, provided the exact words/vows had been uttered. These indicated what was called present consent. So, by publicly saying, e.g. “I marry you,” or “I take you” they contracted a valid marriage. Or, if in front of witnesses they said, e.g. “I will marry you” or “I will take you”, this constituted future consent, a form of betrothal, which, if subsequently consummated, became a validly contracted marriage. (Step forward Edward IV and Lady Eleanor Talbot/Butler!)
Another point I did not know before, was that when the word rape (usually variations of raptus) appears in records and rolls, it does not necessarily mean sexual rape as understood in the modern world. These rapists could also be mere abductors, whether with ill intent or if they were illicit lovers. So taking a woman and carrying her off would be termed rape in medieval records, even when sexual assault of any kind was not involved.
Those women probably most at risk of kidnapping were the widows, especially the wealthy ones. The taking by force of virgins was frowned upon, and outraged fathers/families could always disinherit the victim. Widows, on the other hand, possessed land and property of which a new husband would immediately gain control. For good if she had no heirs lingering from her late husband’s family, or just for her lifetime if there were step-children lining up to thwart him of hanging on to it. As you can imagine, these possible heirs would soon kick up if he tried! It didn’t stop the abductions, often by impoverished men, including knights, who wanted to improve their situation and fill their purses.
The above is just a brief summary and sample of the interesting facts to be found in Caroline Dunn’s fascinating book. The chapters have been well laid out and are easy to sort mentally, but there are so many footnotes that I for one began to boggle. Not because of their volume, but because their font was small. The author’s sources and references are amazing. Everything is accounted for.
This book is part of the fourth series of Cambridge Studies in Medieval Life and Thought, and I do not hesitate to recommend it.
I have been asked for an opinion about Dan Jones and the Templars, and so have delved around for an impression of Jones’ thoughts on the subject. I know nothing about him, and so started from scratch, so to speak. What follows is an assessment from someone who was considering acquiring the book.
A YouTube video shows Jones talking about the Templars to an audience in a book shop. He is very entertaining, of that there is no doubt, and personable too, but I soon found myself wishing he’d get on with it rather than waffle with so many asides. Amusing at first, but then tiresome.
At the outset he had my full attention, because he spoke of how, when he was young, his father would read him ghost stories at Christmas, particularly those of M.R. James. Well, James is one of my favourites too, as are almost all masters of the gothic ghost story, so I was keen to hear what connection there could be with the Templars. Jones’ favourite James story is Oh, Whistle and I’ll Come to You, my Lad, which concerns a scholarly gentleman’s lonely holiday on the bleak East Anglian coast, and the discovery of a whistle in some Templar ruins. Unwisely, this man blows the whistle, and is then beset by a terrified/terrifying figure, animated bedsheets, monstrous noises and other awful manifestations. Spine-tingling stuff.
Jones’ question was, why did James make the Templar connection? Could the ruins not have been any ruins? But no, he introduced the Templars, who have always had a powerful attraction for us all. Who were they? Where did they come from? Why do they still exert such a draw? What happened to them? Were they good? Or wicked? Even supernatural? And fleeting mention was made of the other Dan, Brown, and the Da Vinci Code.
So far so good. When Jones was speaking, I was there with him, but soon after that something about his delivery began to dull my interest.
The Knights Templars were created to protect Christian pilgrims going to the Holy Land, and were the crack troops—the SAS—of their time. They started as a very poor order, but ended up astonishingly rich. Did they find the treasure of Solomon? Or another vast hoard? Whatever, they fell from grace, and the French king, Phillip IV, had them tortured, and burned their last Grand Master (Jacques de Molay) today in 1314, although Edward II reacted differently.
Dan Jones’ book about the Templars has done remarkably well, and there are a lot of reviews at Amazon. Alas, they are almost all one-liners, which do not really give a prospective buyer much of an idea about a book that is clearly to the liking of the general public. So too were his previous works, about The Plantagenets, the Magna Carta and so on. So I can see why this one is following suit.
On the other hand, I took a “Look Inside” at Amazon. It happened to be the Kindle edition. The font, while a reasonable size, was rather close-packed, and some of the paragraphs very long, which will not help concentration. I could not see where one page ended and the next began, but that might just be my ineptitude. The eye is inclined to wander when there are no breaks in paragraphs, and when font is awkward for one reason or another. When the eye wanders, so too does the attention. That is my opinion, anyway. Here is an (admittedly reduced) extract, but it does show what I mean about the text and the legibility of the longer paragraphs. This legibility is of concern to many readers, especially the senior ones – like me! This sort of thing would require reading in timely instalments, if you know what I mean. Youngsters might do it all in one sitting! Yes, you can enlarge in Kindle, but not in an actual book.
So I will not be acquiring the book, but have no real out-and-out reason for making this decision. Jones’ actual writing and work might be excellent, and indeed probably are, but there is just something that deters me. Well, we’re all different, and I am clearly in the tiny minority when it comes to Dan Jones. So it’s bon appetit to all those who will be adding it to their bookshelf.
Carol’s support for King Richard has led her to write this book about his childhood. In the spring there will be another book, following his life until the fateful Battle of Bosworth on 22nd August, 1485.
I hope both titles do really well for her, and that she will find another aspect of Richard, or the 15th century, to start writing a third! Good luck, Carol.
Most people, even if they haven’t read/tried to read, the ancient British poem Sir Gawain and the Green Knight, will at least know the opening scene. It’s Christmas at Camelot, and King Arthur and his knights are enjoying themselves, feasting and celebrating, when into the hall rides a huge knight who carries a sprig of holly. He is normal enough in every aspect, except for his gigantic size and the fact that he and his horse are emerald-green from head to toe/hoof. He challenges anyone to decapitate him, and Gawain steps up to the challenge. Swinging his sword, he lops the giant’s head, which rolls across the floor. The knights, being rather sozzled, kick it around…until, to their horror, the Green Knight’s body rises and comes across the pick up its head, which it puts back in place on its neck. Then he utters a solemn challenge to Gawain that twelve months hence, he, Gawain, is to find the Green Knight, who will return the decapitating favour. Chivalry demands that Gawain accepts the challenge, and the gist of the long poem that follows covers his journey to find the Green Knight’s lair.
This 600+-years-old alliterative work, written around 1400, is one of the jewels in the crown of British poetry. Originally it had no title, but over the centuries acquired the one we all know now. Alliteration is one of the hallmarks of English poetry, and Simon Armitage, who has written his own updated version of the poem, not only recognises the importance of this “tool”, but incorporates it into his work. Thus his chosen words are in the narrative of the amazing BBC4 documentary which goes by the same title as the poem itself. I have just watched it on BBC iPlayer, and do not know if it is available elsewhere, but if you can watch it, I hope you do.
The film is beautifully filmed during a very soggy English winter, and endeavours to follow the route of Gawain’s quest for the Green Knight. It is full of nature and the scenery, introducing ancient British legends and creatures long gone from our shores. We are reminded, visually, of how very lovely and unique the land is in which modern man still lives. Gawain is a devout Christian in a world filled with the supernatural. He encounters wild men called wodwose, trolls, giants, bears…and the occasional boar. And a very sexy lady who leads him from the straight and narrow into a curtained bed, where she has her evil way with him.
There are some fine set pieces in the film, especially a sequence filmed at Haddon Hall in Derbyshire. A wonderful array of authentic medieval food is laid out on a white-clothed trestle table in the hall, with greenery adorning windows, tables and furniture. A large fire flickers and crackles in the hearth, and it is so atmospheric that it captures and holds the attention , lingering long after Gawain has moved on.
The story reaches its climax (it is thought) at Lud’s Church in Staffordshire (see illustration above). The soggy English winter is relentless, and just before this there are scenes higher on the Peaks, where clouds clings to the summit, and figures and scenery are misty shapes.
Be warned that the film is a bit gory when it comes to killing, gutting and skinning a pig, but that was the only part where I had to look away. There is an excellent soundtrack of eerie, otherworldly songs and music. The whole adds up to a staggeringly beautiful documentary, showing how close to paganism medieval Christians actually were. I thoroughly recommend it, especially if you need to be reminded that Britain is unique and can offer far, far more than most of the world. Well, in my opinion. I adore my homeland in all its seasons, and am proud to be part of it.
I mentioned earlier that poet Simon Armitage has written his own version of this ancient poem, complete with updated language and the very necessary alliteration. I have ordered it, because I know, from this documentary, that it must be well worth reading. Thank you, Simon and the BBC for an hour of pure enjoyment and beauty.
I have now received and delved through Simon Armitage’s updated version of Sir Gawain and the Green Knight and it has lived up to my hopes. Of course, there have been other such updates, but in my opinion they do not compare. As for the original in Middle English, well, it’s beyond me completely. The following describes the startling arrival of the Green Knight at the Christmas feast in Camelot.:-
An oþer noyse ful newe neȝed biliue,
Þat þe lude myȝt haf leue liflode to cach;
For vneþe watz þe noyce not a whyle sesed,
And þe fyrst cource in þe court kyndely serued,
Þer hales in at þe halle dor an aghlich mayster,
On þe most on þe molde on mesure hyghe;
Fro þe swyre to þe swange so sware and so þik,
And his lyndes and his lymes so longe and so grete, [folio 93r]
Half etayn in erde I hope þat he were,
Bot mon most I algate mynn hym to bene,
And þat þe myriest in his muckel þat myȝt ride;
For of bak and of brest al were his bodi sturne,
Both his wombe and his wast were worthily smale,
And alle his fetures folȝande, in forme þat he hade,
For wonder of his hwe men hade,
Set in his semblaunt sene;
He ferde as freke were fade,
And oueral enker-grene.
Hmm, yes. Totally beyond me. Whereas the same passage from Simon Armitage’s book brings it all wonderfully to life for my modern self:-
Because another sound, a new sound, suddenly drew near,
which might signal the king to sample his supper,
for barely had the horns finished blowing their breath
and with starters just spooned to the seated guests,
a fearful form appeared, framed in the door:
a mountain of a man, immeasurably high,
a hulk of a human from head to hips,
so long and thick in his loins and limbs
I should genuinely judge him to be a half-giant,
or a massive man, the mightiest of mortals.
But handsome too, like any horseman worth his horse,
for despite the bulk and brawn of his body
his stomach and waist were slender and sleek.
In fact in all features he was finely formed
Amazement seized their minds,
no soul had ever seen…
a knight of such a kind –
entirely emerald green….
So yes, I do recommend this book. Read and enjoy.
Available in hardback, paperback, kindle and audio.
This post harks back to a previous one of 5th November 2014. Both concern the similarities between the lives and deaths of Richard II and Richard III, but I have now come upon a passage in a book that is actually about Richard II, but much of which could be applied to Richard III. The book is The Medieval Python, by and about Monty Python’s Terry Jones, Chapter 4, Terry Jones’s Richard II by Nigel Saul.
“For Terry Jones, Richard II is a much maligned ruler. Obstructed by a gaggle of obscurantist barons, deposed by a slippery usurper, and with his reputation besmirched by Lancastrian propaganda, Richard, in Terry’s view, is deserving of better in the eyes of posterity. Far from the self-centred, vengeful monarch portrayed in textbooks, Richard, for Terry, was actually a wise and beneficent ruler who sought the good of his people. In his final years, when he ruled without baronial constraint, he conducted what Terry calls ‘a bold experiment in ideal kingship’. Its aim was to shield the king’s humbler subjects from the policy of aggressive war with France that suited only the warmongering baronage. After 1399, however, when Henry IV seized the crown from his cousin, history was rewritten to blacken the former king’s name. Our assessment of Richard’s kingship, Terry argues, should be based not on the hostile Lancastrian accounts, but on sources that date from the king’s own lifetime. In particular, we should try to judge Richard’s achievement in the light of contemporary expectations of kingship for the common good. Viewed in this light, Richard can be seen for what he was—an exponent of the ideas in the ‘mirrors of princes’ literature, a monarch who triumphed over faction, ruling in the common interest. . .”
Saul goes on to argue against Jones’ judgement, but that is beside the point. I think you will have to agree that these two Richards (forget the so-called Lionheart) were subjected to very similar, very cruel fates.
As I said in my previous post (indicated above) the similarities are astonishing, even to both being married to Annes who died before them and left them childless, and both being removed from life by Henrys who proceeded to ruin their reputations with endless lies. Oh, and they both have the misfortune to attract Shakespeare, who is always on the wrong side! Well, I think he is.
This fascinating book follows the life and career of the medieval King Edward IV’s personal doctor, brings to life so much of the era and in particular explains the medical knowledge, practices and advances of the times.
Many commonly believed myths and mistakes regarding historical events and characters are covered and smoothed over with clarity and expertise.. There are also now many confusions regarding the medical understanding during this period, and certainly some ludicrous and strange habits did exist back then- but here we have an author with his own expertise who can shine an insightful light on the developing situation and the knowledge of the more advanced doctors and surgeons of the late medieval..
Extremely well written, we are taken into the minds of many of the prominent figures of history, and both Hobbys and King Edward IV really spring to life. Richard of Gloucester/ Richard III is beautifully portrayed. Immensely believable on all levels, this is a delightful read, thoroughly enjoyable and thoroughly original in its outlook.
Humorous, and clever I believe it is a book which deserves to receive more notice than it has yet gained, and I strongly recommend it to others who are interested in the late medieval period in England.
There is a new Ricardian children’s author on the block: Alex Marchant. Alex kindly agreed to an interview:
Q: You’ve recently published your first novel about King Richard III for children, The Order of the White Boar. What made you write about King Richard?
Alex: I first became interested in King Richard in my teens when my eye was caught by an intriguing title among the books in the school library: ‘The Daughter of Time’ by Josephine Tey. By the time I finished reading the book I was a confirmed Ricardian (even if I didn’t know the term then). I think what piqued my interest was a sense of the enormous injustice this man had suffered after his death – along with the tragedy of that death and of the preceding two or three years of his life. I joined the Richard III Society (I think as one of its youngest members), read as much as I could about the man and visited major sites associated with his life – and death.
I’d always been interested in history and always written stories, including attempts at book-length works throughout my teens. But then life got in the way as it often does – university, career, marriage, kids, house renovation – and it was only a few years ago I returned to writing. And soon after that came the announcement of the dig to find his grave in Leicester, then the momentous press conference that revealed that King Richard had, ‘beyond reasonable doubt’, been found.
Q: It was quite a day, wasn’t it? What was your reaction to the announcement?
A: My first thought – after surprise and delight – was ‘This is a unique opportunity to restore Richard’s reputation. What can I do to help?’ I knew I wasn’t a campaigner – the sort of person who writes letters to important people or stands up to speak in support of a cause. But perhaps I could write a children’s book that could communicate Richard’s story to a new generation. At that point I was editing my previous book, ‘Time out of Time’, in hopes of publication and was also partway through a second book for children, so I was uncertain whether I should move on to something completely new. But when a little research showed that there really weren’t any books aimed at my target age group (10–13) showing Richard in a positive light, I realized this was a gap in the market that needed to be filled.
Q: Were you surprised about that?
A: To be honest, yes. I found that there were several such books for adults (a number that has increased over the past five years), but even an approach to the Richard III Society librarian only turned up a couple for children – neither of which was a straightforward story of his life. One was a timeslip book, ‘A Knight on Horseback’ by American author Ann Rabinowitz, which follows the adventures of a twentieth-century boy who gradually learns the true story of Richard III after his initial exposure to the Tudor myths and Shakespeare’s version. The other, ‘A Sprig of Broom’ by Barbara Willard, is a beautifully written evocation of early Tudor England – but Richard appears only in the prologue, which takes place on the eve of Bosworth. The rest tells the story of Richard of Eastwell – at least the interpretation that has him as Richard’s illegitimate son. And by the end, the main character decides he doesn’t want to be known to be related to King Richard….
With the nationwide excitement at the finding of Richard’s grave, I thought there were bound to be other books for children on the way – as has proved to be the case – but by that time my lead character Matthew was hammering on my door, demanding that I write his story, and it was very hard to say no. So I put my half-finished Scottish book on the back burner for the time being, and set to work researching Richard and his times while I finished editing ‘Time out of Time’.
Q: You say none of the previous books for children was a straightforward telling of Richard’s life. In ‘The Order of the White Boar’, you didn’t choose to take that course either, preferring to concentrate on his final years and viewing them through the eyes of a fictitious character. Why was that?
A: I suppose partly because Richard’s life has been brilliantly told already through adult fiction, in books that have been very influential in terms of changing people’s minds about him: Penman’s ‘Sunne in Splendour’ and Hawley Jarman’s ‘We Speak no Treason’ for example are often mentioned as having shown people the way beyond Shakespeare’s monstrous depiction towards the real history of the man. And maybe because I thought those books that were likely to be in the publishing pipeline after the rediscovery of his grave would offer the straightforward story – as has been the case with a couple that have appeared. Perhaps most importantly, I felt that a young narrator who was an outsider – as Matthew is, being just a merchant’s son, rather than a noble – would be able to offer a different perspective – a view of Richard that hasn’t been seen before.
Q: In one of the early reviews of the book, the writer says that, rather than portraying Richard as a warrior or romantic hero, as in most adult novels, ‘The Order’ shows him ‘as a master, as a father, as a family man and as a decent, kind-hearted adult . . . He feels much more human than he usually does in historical fiction.’ Is that what you were aiming for?
A: Very much so – and I’m delighted if readers think I have managed it! My intention was always to show ‘the real Richard’ – the man who served his brother in administering the north of England, did the job well, treated the people fairly, was a cultured family man as well as a soldier. And who, in the spring of 1483, when faced with the tragedy of his brother’s early death, had to deal with a difficult and dangerous situation. My aim was to use the contemporary sources as much as possible to lay the foundations for exploring his motivations and reactions when navigating the potentially explosive events of that time. The traditional histories seem to me to struggle with explaining how this loyal, steadfast brother changed into the murdering, usurping tyrant so beloved of the Tudor-created legend. I hope that seeing Richard’s character and behaviour through a child’s eyes in both domestic and more public situations allows the reader to work out for themselves who he was and what his actions mean.
Q: You mention the death of King Edward IV in the spring of 1483. While hoping not to give too much away about ‘The Order of the White Boar’, it does in fact end at that time. Do you think readers will be disappointed at that?
A: I hope not, although I can understand it if they are. But I hope they’ll take on board the note at the end, saying that a second book of Matthew and his friends’ adventures is coming soon. ‘The Order’ doesn’t end on a cliffhanger as such, rather at the start of a journey – one which represents the closing of one chapter in Matthew’s life and the opening of another. And the same can also be said for Richard – in some ways, the death of his brother was the start of a very different part of his life. The next book, ‘The King’s Man’, tells the story of the next two years or so – from a few days after the end of ‘The Order’ through to the fateful days of August 1485.
A: You say the second book is ‘coming soon’. How soon, and how does it build on the foundations laid in ‘The Order’?
Q: If all goes to plan, ‘The King’s Man’ will be published in spring 2018 – so not too long to wait (although it may well seem ages to my younger readers!) It’s finished, but needs some final editing before production starts. As I say, it takes up the story again as Richard and Matthew travel south to meet with the new boy king, Edward V, and catapults them into the political intrigues and manoeuvrings on the road, in court and in the cities of London and Westminster. We meet again some of the characters (historical and fictional) encountered perhaps only briefly in the first book and see the effects and influences they have on the lives of both Richard and Matthew.
Of course readers, both adults and children, who have a knowledge of the history of the time will know where the story ultimately leads, and the challenges and heartbreaks along the way. ‘The King’s Man’ is overall a much darker book than ‘The Order’. But I hope it offers not only a flavour of the times, but also a worthwhile exploration of how and why events played out as they did.
Q: Where will you go next? Back to your half-finished Scottish book? Or, as many of us who write about him find, will you be drawn back to Richard?
A: I’m not sure Drew – the main character of the other book – will be pleased to hear this, but no, I’m not finished with Richard yet! (Poor Drew – I’d already abandoned him once before, to write ‘Time out of Time’…) I’ve already started preparing a third book in the ‘White Boar’ sequence that takes the characters (at least those who remain) beyond the events of August 1485. There are events that stretch years beyond that date which, to me, are still part of Richard’s story. In some ways, of course, that story continues to today – to the many people around the world who are still fighting for a reassessment of his life and reputation in light of what we now know about him and the lies that were told in the decades and centuries after his death. But the story I’ll tell will be that of people who knew him personally and sought to defend him in living memory.
Q: It sounds like we’ll have to wait a little more than six months for the third book in the series.
A: I’m afraid so. My track record isn’t great on finishing books quickly! My first took three and a half years, my second two and a half – although I suppose you could say it was just over a year as I wrote both ‘White Boar’ books one after the other in that time, treating them as a single story at first. But I plan to self-publish ‘Time out of Time’ while working on the third ‘White Boar’ book. I hope that readers who enjoy ‘The Order of the White Boar’ will similarly enjoy it, although it’s rather a different beast. It’s a mixture of timeslip and ghost story, drawing on my former career as an archaeologist. The Scottish book is also a sort of ghost story based around an archaeological dig – that was one of the main reasons I decided to write straightforward historical fiction when it came to Richard’s story. Although at first I was worried that I wouldn’t be able to immerse myself properly in the fifteenth century in order to write from the point of view of a fifteenth-century boy!
Q: But you did manage it?
A: Perhaps too well. For months after I finished the book I missed my characters enormously, they’d accompanied me for so long on my dog walks over the local moors! I’m looking forward to reacquainting myself with them – well, some of them anyway – over the next few months as I make a start on the new project.
Q: I very much look forward to reading it when it’s finished – and of course ‘The King’s Man’ in the new year. Thank you, Alex, for speaking to us today.
A: Thank you.