Interview with Alex Marchant, Ricardian Children’s Author
There is a new Ricardian children’s author on the block: Alex Marchant. Alex kindly agreed to an interview:
Q: You’ve recently published your first novel about King Richard III for children, The Order of the White Boar. What made you write about King Richard?
Alex: I first became interested in King Richard in my teens when my eye was caught by an intriguing title among the books in the school library: ‘The Daughter of Time’ by Josephine Tey. By the time I finished reading the book I was a confirmed Ricardian (even if I didn’t know the term then). I think what piqued my interest was a sense of the enormous injustice this man had suffered after his death – along with the tragedy of that death and of the preceding two or three years of his life. I joined the Richard III Society (I think as one of its youngest members), read as much as I could about the man and visited major sites associated with his life – and death.
I’d always been interested in history and always written stories, including attempts at book-length works throughout my teens. But then life got in the way as it often does – university, career, marriage, kids, house renovation – and it was only a few years ago I returned to writing. And soon after that came the announcement of the dig to find his grave in Leicester, then the momentous press conference that revealed that King Richard had, ‘beyond reasonable doubt’, been found.
Q: It was quite a day, wasn’t it? What was your reaction to the announcement?
A: My first thought – after surprise and delight – was ‘This is a unique opportunity to restore Richard’s reputation. What can I do to help?’ I knew I wasn’t a campaigner – the sort of person who writes letters to important people or stands up to speak in support of a cause. But perhaps I could write a children’s book that could communicate Richard’s story to a new generation. At that point I was editing my previous book, ‘Time out of Time’, in hopes of publication and was also partway through a second book for children, so I was uncertain whether I should move on to something completely new. But when a little research showed that there really weren’t any books aimed at my target age group (10–13) showing Richard in a positive light, I realized this was a gap in the market that needed to be filled.
Q: Were you surprised about that?
A: To be honest, yes. I found that there were several such books for adults (a number that has increased over the past five years), but even an approach to the Richard III Society librarian only turned up a couple for children – neither of which was a straightforward story of his life. One was a timeslip book, ‘A Knight on Horseback’ by American author Ann Rabinowitz, which follows the adventures of a twentieth-century boy who gradually learns the true story of Richard III after his initial exposure to the Tudor myths and Shakespeare’s version. The other, ‘A Sprig of Broom’ by Barbara Willard, is a beautifully written evocation of early Tudor England – but Richard appears only in the prologue, which takes place on the eve of Bosworth. The rest tells the story of Richard of Eastwell – at least the interpretation that has him as Richard’s illegitimate son. And by the end, the main character decides he doesn’t want to be known to be related to King Richard….
With the nationwide excitement at the finding of Richard’s grave, I thought there were bound to be other books for children on the way – as has proved to be the case – but by that time my lead character Matthew was hammering on my door, demanding that I write his story, and it was very hard to say no. So I put my half-finished Scottish book on the back burner for the time being, and set to work researching Richard and his times while I finished editing ‘Time out of Time’.
Q: You say none of the previous books for children was a straightforward telling of Richard’s life. In ‘The Order of the White Boar’, you didn’t choose to take that course either, preferring to concentrate on his final years and viewing them through the eyes of a fictitious character. Why was that?
A: I suppose partly because Richard’s life has been brilliantly told already through adult fiction, in books that have been very influential in terms of changing people’s minds about him: Penman’s ‘Sunne in Splendour’ and Hawley Jarman’s ‘We Speak no Treason’ for example are often mentioned as having shown people the way beyond Shakespeare’s monstrous depiction towards the real history of the man. And maybe because I thought those books that were likely to be in the publishing pipeline after the rediscovery of his grave would offer the straightforward story – as has been the case with a couple that have appeared. Perhaps most importantly, I felt that a young narrator who was an outsider – as Matthew is, being just a merchant’s son, rather than a noble – would be able to offer a different perspective – a view of Richard that hasn’t been seen before.
Q: In one of the early reviews of the book, the writer says that, rather than portraying Richard as a warrior or romantic hero, as in most adult novels, ‘The Order’ shows him ‘as a master, as a father, as a family man and as a decent, kind-hearted adult . . . He feels much more human than he usually does in historical fiction.’ Is that what you were aiming for?
A: Very much so – and I’m delighted if readers think I have managed it! My intention was always to show ‘the real Richard’ – the man who served his brother in administering the north of England, did the job well, treated the people fairly, was a cultured family man as well as a soldier. And who, in the spring of 1483, when faced with the tragedy of his brother’s early death, had to deal with a difficult and dangerous situation. My aim was to use the contemporary sources as much as possible to lay the foundations for exploring his motivations and reactions when navigating the potentially explosive events of that time. The traditional histories seem to me to struggle with explaining how this loyal, steadfast brother changed into the murdering, usurping tyrant so beloved of the Tudor-created legend. I hope that seeing Richard’s character and behaviour through a child’s eyes in both domestic and more public situations allows the reader to work out for themselves who he was and what his actions mean.
Q: You mention the death of King Edward IV in the spring of 1483. While hoping not to give too much away about ‘The Order of the White Boar’, it does in fact end at that time. Do you think readers will be disappointed at that?
A: I hope not, although I can understand it if they are. But I hope they’ll take on board the note at the end, saying that a second book of Matthew and his friends’ adventures is coming soon. ‘The Order’ doesn’t end on a cliffhanger as such, rather at the start of a journey – one which represents the closing of one chapter in Matthew’s life and the opening of another. And the same can also be said for Richard – in some ways, the death of his brother was the start of a very different part of his life. The next book, ‘The King’s Man’, tells the story of the next two years or so – from a few days after the end of ‘The Order’ through to the fateful days of August 1485.
A: You say the second book is ‘coming soon’. How soon, and how does it build on the foundations laid in ‘The Order’?
Q: If all goes to plan, ‘The King’s Man’ will be published in spring 2018 – so not too long to wait (although it may well seem ages to my younger readers!) It’s finished, but needs some final editing before production starts. As I say, it takes up the story again as Richard and Matthew travel south to meet with the new boy king, Edward V, and catapults them into the political intrigues and manoeuvrings on the road, in court and in the cities of London and Westminster. We meet again some of the characters (historical and fictional) encountered perhaps only briefly in the first book and see the effects and influences they have on the lives of both Richard and Matthew.
Of course readers, both adults and children, who have a knowledge of the history of the time will know where the story ultimately leads, and the challenges and heartbreaks along the way. ‘The King’s Man’ is overall a much darker book than ‘The Order’. But I hope it offers not only a flavour of the times, but also a worthwhile exploration of how and why events played out as they did.
Q: Where will you go next? Back to your half-finished Scottish book? Or, as many of us who write about him find, will you be drawn back to Richard?
A: I’m not sure Drew – the main character of the other book – will be pleased to hear this, but no, I’m not finished with Richard yet! (Poor Drew – I’d already abandoned him once before, to write ‘Time out of Time’…) I’ve already started preparing a third book in the ‘White Boar’ sequence that takes the characters (at least those who remain) beyond the events of August 1485. There are events that stretch years beyond that date which, to me, are still part of Richard’s story. In some ways, of course, that story continues to today – to the many people around the world who are still fighting for a reassessment of his life and reputation in light of what we now know about him and the lies that were told in the decades and centuries after his death. But the story I’ll tell will be that of people who knew him personally and sought to defend him in living memory.
Q: It sounds like we’ll have to wait a little more than six months for the third book in the series.
A: I’m afraid so. My track record isn’t great on finishing books quickly! My first took three and a half years, my second two and a half – although I suppose you could say it was just over a year as I wrote both ‘White Boar’ books one after the other in that time, treating them as a single story at first. But I plan to self-publish ‘Time out of Time’ while working on the third ‘White Boar’ book. I hope that readers who enjoy ‘The Order of the White Boar’ will similarly enjoy it, although it’s rather a different beast. It’s a mixture of timeslip and ghost story, drawing on my former career as an archaeologist. The Scottish book is also a sort of ghost story based around an archaeological dig – that was one of the main reasons I decided to write straightforward historical fiction when it came to Richard’s story. Although at first I was worried that I wouldn’t be able to immerse myself properly in the fifteenth century in order to write from the point of view of a fifteenth-century boy!
Q: But you did manage it?
A: Perhaps too well. For months after I finished the book I missed my characters enormously, they’d accompanied me for so long on my dog walks over the local moors! I’m looking forward to reacquainting myself with them – well, some of them anyway – over the next few months as I make a start on the new project.
Q: I very much look forward to reading it when it’s finished – and of course ‘The King’s Man’ in the new year. Thank you, Alex, for speaking to us today.
A: Thank you.